The middle setting on the tele is the most important sound for me! I learned to play guitar listening to Al Green, Steve Cropper, etc. and all the old funk stuff from people like Jimmy Nolan and Prince, and that stuff is all middle position tele! Steve Cropper himself has said that every single session of his career was both pickups, volume all the way up, tone all the way up. For me, I find that the middle position is the best for rhythm, and then I get two different types of lead sounds, one cutting and one warm.
100% agree. I have Budz Dano pickups in my parts Tele and this has been the best sound, although the bridge is killer on that set too and use it quite a bit for rock
The middle setting is my favourite for clean tones too but I wired mine up like Zac suggested in another video where the neck pickup is not connected to the tone control so that it's always on full. So, I like to set it so that the selector is in the middle and the tone on the bridge is fully down. It makes a very unique and strangely full, bright, sound.
Dan's the coolest. He was gracious enough to build me a double cut when he was winding down in '19 after I had been on the list for well over a year. It was right after I moved to Nashville so I got to go over to his "shop" to pick it up and plug it into his Deluxe Reverb. He's a great hang who just happens to make some of the best guitars out there!! Glad you got a Dano back in your arsenal 😏👌
the way you guys described middle position is exactly the truth. thats exactly how my guitar is setup and sounds. love it, have an evans custom guitars tele with a rosewood neck. love it. best instrument ive ever owned and ive had a LOT of good old shit
Hi Zac, love your channel. Wishing you and yours a Merry Christmas and a fabulous New Year filled with lots of fun and laughter. Gordon from Australia.
21:15 Speaking of warping pickguards, I tried something to flatten my warped bakelite guard just yesterday, and it worked. First I laid it out in the sun to get hot, but I don't think that got it hot enough. I put it on the glass stove top and weighed it down under a cutting board with a bucket of water, then I baked some mini tacos which warmed it up nicely. The next day it was flat as a pancake and seems to be holding.
That was a thoroughly enjoyable and interesting interview. Thanks Dan for sharing your experience and insights. Zac, I hope you do a string top loading, rear loading, and mixed loading bridge test. How it can affect tone and string tension/stiffness is an interesting topic.
Thank you Zac- a great video for the Tele nerd in all of us! Re: tension lowering- you can use a thicker bridge plate to lower the saddle height- which has it’s on effect- but less work than lowering the neck pocket.
@@AskZacthis s not a great tip. How tf increasing bridge height is supposed to lower the break angle of strings that are anchored to the BOTTOM of the body? This is primary school level geometry... Cmon..
@@amsluwrong, it isn’t the distance the string travels from ball end to bridge. It’s the break angle over the saddles that feels different, and if the bottom of the bridge sits higher then the saddles can be lower and break angle is less.
You guys talked about a lot of points I discovered over the years. A guitar's parts, shape, size, materials, weights etc all contribute to its personality & how they respond & feel to players.
I was lucky enough to have discovered Danocasters a number of years back when you could still make individual orders. They are great guitars that I still own and can’t imagine selling. I am happy to see he is still making great instruments-if you are in the market for a guitar or just curious, you definitely should check the Danocasters out.
Whenever I see Danocaster for a second I think they're talking about the Danoblaster, which is a Danelectro vaguely based on the Stratocaster but with builtin effects and sparkles. It's a bit of a mutant but a small set of people love them. I think they're basic analog pedal guts , 4 Danelectro circuits (distortion\od, chorus, tremolo, echo\delay) in the cavity with simple enough controls and they're affordable. I suppose this channel is kind of like vintage tele church, probably couldn't get much further than the Danoblaster.
just found this film...glad i did! im not sure of the chaps name on "that pedal show" with the red tele he named "red"...but that thing sounds magical! seems to have that "pink paisley" vibe to it...i think the pups are 60s spec? bypassed tone on the neck pup by "mistake" years ago....
I like the A tuner placement of the butterfly string tree which began around late '56. The 'informativity' of this video is so on point, especially when he mentions the twangy bridge and warm neck pickups which describes my Legacy Tele dead-on when I got the twang just right and a beefier neck PU was definitely as i said of the video... so on point!
Quite a lot of players put a P90 in the neck to get that middle sound. Works well for the two together but the neck p/up solo turns into a bit "meh". Still other players never use the two together because they don't like that sound and not just on Teles. It's usually when someone plays with a lot of gain.
I'm an old guy only playing for 20 years. God bless you guys that can hear and feel the differences. What percentage of players do you think actually have those skills?
So much fun to geek out over the details! Many of those details may not make differences that most of us recognize, but it’s still very cool to listen to the science and the mystical magic behind cool guitars! Thanks for sharing!
Loved it Zac! I have a set of Budz pickups from when he was still dealing with the public. Don't think I drove him out - I just paid and said thank you! Merry Christmas!
Congrats on your new addition! Being a guitar& amp tinkerer myself, I would love to see a more detailed video regarding neck depth, tension, etc… Happy Holidays, Zac!
All that is missing from my life is a Dano Single Cut... my Double Cut is the only guitar I had played in the 2 years since I got it. Dan makes the absolute best guitars on the planet, they just feel like an old, familiar friend; and they're STABLE! Most amazing necks in the business. My praise can go on and on and on. Sorry, all my other boutique guitars!!!
Your demo of that red guitar was really nice. and it sounds very lively. I like what Dan says about the string tree and a slinky feel, and I have strung 2 of my Teles as "top loaded" through the back of the bridge for the same reason. They definintely feel more fluid to me and I'm already using 9's and tuned down to D, so I'm used to a soft touch. My 80 yr old arthritic hands need all the relief they can get.
Scied a squier standard bl8nd whirtr pickgard it rattels im glad you said the word stiff puts some hope on this guitar now to listen and learn ...RocknRollflat5
great video. love info about mods to release string tension. I always asking me about why my teles have differents string tension and how it change the feel to play it.
Aloha Zak! I got a Fender CS 1958 Telecaster that is sold as a Top Load. That model is still on their website. Mine also came with a second loaded control plate. Haven't tried it yet.
So much in information here. Really good stuff !! Zac....maybe you have done a Tele-Gib video before but just for fun it would be so cool to see this man assemble a Tele with Les Paul body and neck woods with one of those Warmoth 24 3/4" conversion necks. That is kind of a dream of mine...with a humbucker at the neck for jazz and a single coil at the bridge for some twangilicious country flavors. Plus a Bigsby!! As for the both pickups on Tele sound, I never use it...seems like having 2 volume controls (+ tone), instead of a 3-way switch, would be the ultimate way to fine tune the sound to one's own preference.
Conversion bushings are my friend. Thanks for the field trip, Zac. For my middle pickup tone, I get the most out of the neck pickup in height, then I lower the bridge pickup for equal output.
I see that Roy B. album behind you, nice. But I also see Ry Cooder's "Bop 'Till You Drop", that's the one I loved in college, still do. Always wondered why Ry was more into Strats than Tele's?
From Leo: Nice interview, I always enjoy your work. I have a telecaster style guitar that I think of as a Danocaster. Mine is wearing an old Danelectro lipstick pickup in the neck. Glassy clean with subtle lower end.
Two guys just nattering on about Telecasters- brilliant! Thanks Zac I really loved this. And Dakota Red looks pretty good doesn’t it? Now you’ve got me thinking!
Merry Christmas Zac (and Dan), thanks for an excellent and fascinating interview. I’ve got a question though, what are the DC resistance readings of those Budz neck and bridge pickups? since you mentioned the two pickup sound is great on your guitar. I’m just curious what the relative difference is between the DC readings on those if you’ve ever measured them. This was a very cool video filled with details that I hadn’t paid as much attention to in my 48 years of playing guitar but it was very interesting to hear Dan’s take on what the effect on sound and feel the different parts of the guitar have (or the way it’s strung, or saddle width and angle etc). Thanks to you both.
Great stuff, Zac!! Thank you for sharing. Would you mind also sharing the opening signal chain with that glorious sounding guitar?! Every position on that selector switch sounded perfect!! I should add, what do you set the slap back delay to specifically? Anyway, thanks again!!
Is there a way to measure the frequency of the neck and body? I've tried striking the wood and guesing at the note. I bought a few strats and interchanged the necks and bodies. Some dead ones came alive and all had the optimal match up. My hypothesis is that the frequency of the neck wood and body wood either enhance each other or detract from each other. One combination increases vibration or produce harmony, and the other can put the "brakes" on. I'm thinking that frequency matching to produces harmony could enable the builder to consistently produce good sounding instruments. Does this make sense to you?
It's tricky to grade colors using photos in print. You're looking at inks vs paints. Some ink can match its paint counterparts close enough while others can be off a few shades. I'm a retired graphic designer and have dealt with this issue over 30 years.
Hello Zac. I have a question. The other day I was thinking it would be neat to Have a Tele Thinline with a regular tele single coil in the bridge, but a Humbucker or Wide Range Humbucker in the neck. Perhaps even a coil tap for the Neck PU. I looked around and it doesn't seem that this configuration exists very much which is surprising to me, since it seems to be a very versatile configuration. I did see it from G&L. It's called a Bluesboy, but it's a budget guitar made of Sassafras. This is about it. I looked at some Squier Classic Vibes Thinlines that were both Single Coils. I wonder if the Neck Single coil is routed for a Humbucker under the PU guard. Anyway I just found it odd that this configuration should be kind of difficult to find, since it sounds so reasonable. Is there something I'm missing or overlooking on this?
I totally get it that us Americans don’t really do the metric system, and I also understand that there are standards for discourse regarding guitar nut sizes like 1 5/8 or 1.65. Still, it might have made the conversation a little easier to follow if there was something superimposed on the screen to tell the viewer that you and Dan are talking about the difference between 1.625 and 1.650 inch nut sizes. BTW, how cool would it be to view a conversation between, say, Dan Strain and Bill Crook, or either of those two guys and Nacho!
Zack, I have a 63 that I ask you some questions about one of the pickups being a little weak, and the red finish is interesting, that I would love for you to look at and tell me what you think. It's the same shade of red as yours in the video, only on the worn places, has apparently white sealer on the bottom? plus the top coat of red appears a little darker than what's below it, but I've owned the guitar for many years, and knew the original owner, and I'm 99.9% sure everything on this guitar is original! Thoughts? Thanks for the very informative videos!
I didn't even know about the difference and my tele allows for both top loader and through. I've been unconsciously restringing broken strings on top because I'm used to Gibsons and lazy. Consequently half the strings are through, half top.
Super interesting how small details can affect so widely the sound of a Telecster ! Thanks for sharing. BTW did you ever play a Nash Telecaster ? I have a beloved TL-52
I literally love when Dan is on the show. Both of my Dano's were end game Fender type guitars for me. The only thing missing is a blackguard...
The middle setting on the tele is the most important sound for me! I learned to play guitar listening to Al Green, Steve Cropper, etc. and all the old funk stuff from people like Jimmy Nolan and Prince, and that stuff is all middle position tele! Steve Cropper himself has said that every single session of his career was both pickups, volume all the way up, tone all the way up. For me, I find that the middle position is the best for rhythm, and then I get two different types of lead sounds, one cutting and one warm.
100% agree. I have Budz Dano pickups in my parts Tele and this has been the best sound, although the bridge is killer on that set too and use it quite a bit for rock
The middle setting is my favourite for clean tones too but I wired mine up like Zac suggested in another video where the neck pickup is not connected to the tone control so that it's always on full. So, I like to set it so that the selector is in the middle and the tone on the bridge is fully down. It makes a very unique and strangely full, bright, sound.
@@brookvillelanguageservices9005 interesting mod for neck. I might have to try!
@@kylecravens6501 honestly, it was a game changer. I'm sure you'll love it. Zac posts a schematic for it somewhere in his website.
Dan's the coolest. He was gracious enough to build me a double cut when he was winding down in '19 after I had been on the list for well over a year. It was right after I moved to Nashville so I got to go over to his "shop" to pick it up and plug it into his Deluxe Reverb. He's a great hang who just happens to make some of the best guitars out there!! Glad you got a Dano back in your arsenal 😏👌
It’s great to hear someone talk shop who really knows his stuff like Dan. Great video.
Simple honest conversation about great timeless simple things. Cant be beat
This is an insightful conversation to be a fly on the wall and listen to. All the surprising nuances being discussed. Thanks.
the way you guys described middle position is exactly the truth. thats exactly how my guitar is setup and sounds. love it, have an evans custom guitars tele with a rosewood neck. love it. best instrument ive ever owned and ive had a LOT of good old shit
Oh, man! I can’t wait to watch this. You and Dan are two of my favorite people in the guitar world!! Thanks, Zac!
Thanks, Jason. I need to go to Dallas!
Hi Zac, love your channel.
Wishing you and yours a Merry Christmas and a fabulous New Year filled with lots of fun and laughter.
Gordon from Australia.
Merry Christmas to you!
Absolutely love these videos. Just an amazing educational treat each time. Thank you for sharing.
You are so very welcome!!!!!!
21:15 Speaking of warping pickguards, I tried something to flatten my warped bakelite guard just yesterday, and it worked. First I laid it out in the sun to get hot, but I don't think that got it hot enough. I put it on the glass stove top and weighed it down under a cutting board with a bucket of water, then I baked some mini tacos which warmed it up nicely. The next day it was flat as a pancake and seems to be holding.
Love this episode with Dan. Glad you have a Danocaster back in the arsenal!
That was a thoroughly enjoyable and interesting interview. Thanks Dan for sharing your experience and insights. Zac, I hope you do a string top loading, rear loading, and mixed loading bridge test. How it can affect tone and string tension/stiffness is an interesting topic.
so nice to see that beautiful smile of dear mr. strain......its been too long.
lovely video boys....really enjoyed it
Thanks, Buk!
Thank you Zac- a great video for the Tele nerd in all of us! Re: tension lowering- you can use a thicker bridge plate to lower the saddle height- which has it’s on effect- but less work than lowering the neck pocket.
Great tip!
@@AskZacthis s not a great tip. How tf increasing bridge height is supposed to lower the break angle of strings that are anchored to the BOTTOM of the body? This is primary school level geometry... Cmon..
@@amsluwrong, it isn’t the distance the string travels from ball end to bridge. It’s the break angle over the saddles that feels different, and if the bottom of the bridge sits higher then the saddles can be lower and break angle is less.
I have a tele that has a shallow neck pocket and I’m going to grab some of the high quality Stew Mac neck shims to change the angle.
Fascinating and informative interview! And that guitar has lovely tone; sounds like a million bucks. Thank you and Merry Christmas to you and yours!
Merry Christmas!
You guys talked about a lot of points I discovered over the years. A guitar's parts, shape, size, materials, weights etc all contribute to its personality & how they respond & feel to players.
I was lucky enough to have discovered Danocasters a number of years back when you could still make individual orders. They are great guitars that I still own and can’t imagine selling. I am happy to see he is still making great instruments-if you are in the market for a guitar or just curious, you definitely should check the Danocasters out.
That’s a fascinating conversation right there.
My '63 Danocaster double cut is far and away my favorite guitar overall after playing for 49 years and owning countless guitars.
Whenever I see Danocaster for a second I think they're talking about the Danoblaster, which is a Danelectro vaguely based on the Stratocaster but with builtin effects and sparkles. It's a bit of a mutant but a small set of people love them. I think they're basic analog pedal guts , 4 Danelectro circuits (distortion\od, chorus, tremolo, echo\delay) in the cavity with simple enough controls and they're affordable. I suppose this channel is kind of like vintage tele church, probably couldn't get much further than the Danoblaster.
just found this film...glad i did!
im not sure of the chaps name on "that pedal show" with the red tele he named "red"...but that thing sounds magical!
seems to have that "pink paisley" vibe to it...i think the pups are 60s spec? bypassed tone on the neck pup by "mistake" years ago....
I like the A tuner placement of the butterfly string tree which began around late '56. The 'informativity' of this video is so on point, especially when he mentions the twangy bridge and warm neck pickups which describes my Legacy Tele dead-on when I got the twang just right and a beefier neck PU was definitely as i said of the video... so on point!
Quite a lot of players put a P90 in the neck to get that middle sound. Works well for the two together but the neck p/up solo turns into a bit "meh". Still other players never use the two together because they don't like that sound and not just on Teles. It's usually when someone plays with a lot of gain.
A lot of interesting tidbits throughout. Wonderful video. Thank you
Glad you enjoyed it!
Loved the talk. Just nerding out about teles, nothing better.
I'm an old guy only playing for 20 years. God bless you guys that can hear and feel the differences. What percentage of players do you think actually have those skills?
So much fun to geek out over the details! Many of those details may not make differences that most of us recognize, but it’s still very cool to listen to the science and the mystical magic behind cool guitars! Thanks for sharing!
Loved it Zac! I have a set of Budz pickups from when he was still dealing with the public. Don't think I drove him out - I just paid and said thank you! Merry Christmas!
Congrats on your new addition! Being a guitar& amp tinkerer myself, I would love to see a more detailed video regarding neck depth, tension, etc…
Happy Holidays, Zac!
Noted!
All that is missing from my life is a Dano Single Cut... my Double Cut is the only guitar I had played in the 2 years since I got it. Dan makes the absolute best guitars on the planet, they just feel like an old, familiar friend; and they're STABLE! Most amazing necks in the business. My praise can go on and on and on. Sorry, all my other boutique guitars!!!
Your demo of that red guitar was really nice. and it sounds very lively. I like what Dan says about the string tree and a slinky feel, and I have strung 2 of my Teles as "top loaded" through the back of the bridge for the same reason. They definintely feel more fluid to me and I'm already using 9's and tuned down to D, so I'm used to a soft touch. My 80 yr old arthritic hands need all the relief they can get.
Keep it up!
Love seeing "Bop 'Til You Drop" and JJ Cale on your shelf of records!
Quite possibly one of the best sounding Teles I’ve ever heard.
This is great. I literally didn't want it to end. Thank you!
Glad you enjoyed it!
Scied a squier standard bl8nd whirtr pickgard it rattels im glad you said the word stiff puts some hope on this guitar now to listen and learn ...RocknRollflat5
The guitar sounds incredible!
Thanks for this video. Always a pleasure to see Dan talking guitars. Still very happy with my Danocaster Single Cut ✌🏻
Personal favorite neck is the Fender October 1956 soft V. Great episode. Thank you.
10/56 is the best
GREAT VIDEO ZAC!!! Thanks for posting man!!! Really enjoyed it!!
Almost 50k subscribers!!! Congrats, Zac!
Yes! Thank you!
great video. love info about mods to release string tension. I always asking me about why my teles have differents string tension and how it change the feel to play it.
Dano has nailed it. I want one!
Aloha Zak! I got a Fender CS 1958 Telecaster that is sold as a Top Load. That model is still on their website. Mine also came with a second loaded control plate. Haven't tried it yet.
So much in information here. Really good stuff !!
Zac....maybe you have done a Tele-Gib video before but just for fun it would be so cool to see this man assemble a Tele with Les Paul body and neck woods with one of those Warmoth 24 3/4" conversion necks.
That is kind of a dream of mine...with a humbucker at the neck for jazz and a single coil at the bridge for some twangilicious country flavors. Plus a Bigsby!!
As for the both pickups on Tele sound, I never use it...seems like having 2 volume controls (+ tone), instead of a 3-way switch, would be the ultimate way to fine tune the sound to one's own preference.
Great timing. I just put together a 60s style slab board Tele and it needs a setup
It'll be fun to compare these insights to the tips you gave us in an older video, about the Desert Sand Esquire, I think.
Conversion bushings are my friend. Thanks for the field trip, Zac. For my middle pickup tone, I get the most out of the neck pickup in height, then I lower the bridge pickup for equal output.
Right on!
Fantastic interview. Lots of good Tele knowledge
Thanks for listening
I see that Roy B. album behind you, nice. But I also see Ry Cooder's "Bop 'Till You Drop", that's the one I loved in college, still do.
Always wondered why Ry was more into Strats than Tele's?
From Leo: Nice interview, I always enjoy your work. I have a telecaster style guitar that I think of as a Danocaster. Mine is wearing an old Danelectro lipstick pickup in the neck. Glassy clean with subtle lower end.
Duco is means DuPont cellulose paint I believe, fender Dakota red was made du DuPont
Two guys just nattering on about Telecasters- brilliant! Thanks Zac I really loved this. And Dakota Red looks pretty good doesn’t it? Now you’ve got me thinking!
Dan is more well known than some realize, I bid on a used Dano on an auction site and the guitar sold for over $2600 plus auction fees.
Great interview!
Nice vid Zac and Dan! I want a Dano so bad! Saving up for one. Really nice playing Zac! Happy holidays to you both.
Happy holidays!
outstanding. Thank you both
Our pleasure!
Merry Christmas Zac (and Dan), thanks for an excellent and fascinating interview. I’ve got a question though, what are the DC resistance readings of those Budz neck and bridge pickups? since you mentioned the two pickup sound is great on your guitar. I’m just curious what the relative difference is between the DC readings on those if you’ve ever measured them. This was a very cool video filled with details that I hadn’t paid as much attention to in my 48 years of playing guitar but it was very interesting to hear Dan’s take on what the effect on sound and feel the different parts of the guitar have (or the way it’s strung, or saddle width and angle etc). Thanks to you both.
Sweet. Would have liked to know the pot and cap make and values:)
Egg Zactly Brad 😮
That was very good and to the point. Thanks Z
Glad you enjoyed it!
Wonderful talk-through 👍
Dude, you sound so good -- I wish you played on every video. I just love to hear the sound of the guitar.
Wow, thanks!
Great sounding and looking guitar! Reminds me of one I played for many years and later sold to Ricky Skaggs. Thanks for the video!
The 57?
Yes. Lots of hours on that one when I lived in Houston. Keep up the great work!@@AskZac
You have outdone yourself.
I LOVE THESE ZAC! THANKS SO MUCH!
Great video Zac
Great stuff, Zac!! Thank you for sharing. Would you mind also sharing the opening signal chain with that glorious sounding guitar?! Every position on that selector switch sounded perfect!! I should add, what do you set the slap back delay to specifically? Anyway, thanks again!!
Headstrong amp and mirage compressor
I figured it was gonna be James Burton 52 specs, good looking and sounding guitar Zac! Can’t wait to hear more of it!
Nice looking guitar and an excellent episode.
This red is right up my alley.
A vid with you and Dan is a holiday gift for sure. Did Dan ever say whose 5/16” steel saddles those are ? Maybe they’re from Rutters also?
Advanced plating
Is there a way to measure the frequency of the neck and body? I've tried striking the wood and guesing at the note. I bought a few strats and interchanged the necks and bodies. Some dead ones came alive and all had the optimal match up. My hypothesis is that the frequency of the neck wood and body wood either enhance each other or detract from each other. One combination increases vibration or produce harmony, and the other can put the "brakes" on. I'm thinking that frequency matching to produces harmony could enable the builder to consistently produce good sounding instruments. Does this make sense to you?
Have you ever used a 4 way switch on one of your guitars? I really love the tone options.
Nice channel.
Been using Budz pickups for years. Dave is a great guy, so is Dan. You and Dan need to start a fishing show. Haha
We will. Fishing for Fun With Dan & Zac. I am still mad he got top billing!
I see “Bop Till You Drop” on the shelf there. That’s a pretty special record!
Im lucky enough to have 2 guitars with Budz pickups and both sound fantastic
It's tricky to grade colors using photos in print. You're looking at inks vs paints. Some ink can match its paint counterparts close enough while others can be off a few shades. I'm a retired graphic designer and have dealt with this issue over 30 years.
Agreed
Great video. Have you guys ever played any Nunley Wade pickups? I used to have a set that I really liked.
Not yet!
Hello Zac. I have a question. The other day I was thinking it would be neat to Have a Tele Thinline with a regular tele single coil in the bridge, but a Humbucker or Wide Range Humbucker in the neck. Perhaps even a coil tap for the Neck PU. I looked around and it doesn't seem that this configuration exists very much which is surprising to me, since it seems to be a very versatile configuration. I did see it from G&L. It's called a Bluesboy, but it's a budget guitar made of Sassafras. This is about it. I looked at some Squier Classic Vibes Thinlines that were both Single Coils. I wonder if the Neck Single coil is routed for a Humbucker under the PU guard. Anyway I just found it odd that this configuration should be kind of difficult to find, since it sounds so reasonable. Is there something I'm missing or overlooking on this?
It's a cool setup that nobody does. You probably would have to rout for a bucker.
Best episode yet!
Thanks!
I totally get it that us Americans don’t really do the metric system, and I also understand that there are standards for discourse regarding guitar nut sizes like 1 5/8 or 1.65. Still, it might have made the conversation a little easier to follow if there was something superimposed on the screen to tell the viewer that you and Dan are talking about the difference between 1.625 and 1.650 inch nut sizes.
BTW, how cool would it be to view a conversation between, say, Dan Strain and Bill Crook, or either of those two guys and Nacho!
I would love to see that conversation
Thanks for another great video, Zac!
My pleasure!
Love to have one! Maybe one day
Wow 🤩 that was great! Can you do an other one with Les Paul…and an other with Strat. Keep up the good work 👍
Thanks for your videos Zac!
My pleasure!
Outstanding ! ! !
Zack, I have a 63 that I ask you some questions about one of the pickups being a little weak, and the red finish is interesting, that I would love for you to look at and tell me what you think. It's the same shade of red as yours in the video, only on the worn places, has apparently white sealer on the bottom? plus the top coat of red appears a little darker than what's below it, but I've owned the guitar for many years, and knew the original owner, and I'm 99.9% sure everything on this guitar is original! Thoughts? Thanks for the very informative videos!
Zac@askzac.com
I didn't even know about the difference and my tele allows for both top loader and through. I've been unconsciously restringing broken strings on top because I'm used to Gibsons and lazy. Consequently half the strings are through, half top.
I love my Danocaster.
When I top load the end of the wind cuts my hand so i have to put a little tape on it. Any suggestions? I like top loading.
@@johnhardin-boy Thank you very much
Great info there.
Are the Frets Stainless or Nickel ? custom shop nocasters necks can be over the top size wise.
Nickel silver
Excellent. And….middle position stuff!
Sweet playing on "Nightlife" type changes
Dan mentioned a "deep neck pocket" on the red Tele. How deep? Typically it's 5/8" correct?
please forgive me, but what piece of music goes with the guitar solo mr. Zac played at the beginning of the video? thanks.
It’s a take on Night Life
Super interesting how small details can affect so widely the sound of a Telecster ! Thanks for sharing. BTW did you ever play a Nash Telecaster ? I have a beloved TL-52
Not yet!
Dan. Please write a book.
do the subtle raiud 7.25 to 9.5!
Or even 9.5 to 12 with an asmetrical maple shaped C with a shoulder on the top. around .840" to "9.0 12th fret.
So when he says an 88 v neck or a 92 soft v neck he's talking about the front to back measurement; is that correct?
Yes
Shout out to the everything is terrible shirt- hilarious videos
is the 98 neck vs the 88 - is that the depth of the neck at the nut? Its not clear.
Depth at nut
how you like the budz compared to the ron ellis pu's?