I think the most underrated thing about Joe, is his intelligence and ability to convey so much. He truly loves and appreciates guitar and the blues so much.
I do not feel he is under rated at a single thing .. He is top shelf all the way .. I could watch him or Clap on vids all day & night .. They are true Guitar Scientists..
Cause WE the public are WAY WAY behind in our knowledge. We are SO poorly educated in the amplification world that we don't make it onto the scale. Prior to this video, nobody's played me the telecaster guitar sound with the bridge cover on and off. That's over 50 years of no demonstrations. An let's mention it's been over 50 years and this lifestyle hasn't paid me a cent
Regardless if u are a fan of Bonamassa's music or not, you have to admit that he has done more for the appreciation of old guitars than just about anyone. He is probably also the most grounded or normal star..and that should be respected. Joe is all good in my opinion.
JB is truly outstanding: down to earth, humble, soulful player, great sense of humor, burning picker. Here he sounds so much like Albert Collins. He worked his ass off since childhood to succeed in music, and he deserves everything he's achieved. Thank you JB! Go see him live.
Pretty annoying to casually drop 30-60K on any guitar he wants and have absolutely no concept of humility about it. He already said "Norm made 9K on this". "That's all I'm going to say about it" is BS. Just say how much it was. Nothing but playing coy and humble-bragging.
Joe is the greatest guitar and amp salesman in the world. He conveys so much enthusiasm...makes you want to run right out and buy whatever he's pitching.
I agree totally that a Telecaster is the best guitar. I have two plus one more that I built myself using the old wiring schematic. There is magic in a Telecaster that no other guitar has.
Amazing sound as usual from The Main Man. The Solder Dot that he mentioned on the inside of The Ashtray is from when they used to solder a length of wire onto it prior to The dipping process for Chroming and it would then be removed once the job was done. I worked for an Electronics company in the 80s and we used to use exactly the same process when Powder coating certain Items.
Totally agree with you, Joe B. Teles are the best! However, I can’t play ‘em with the bridge cover on. Can’t palm-mute with it there! BTW, I saw Albert Collins in 1969, opening for Elvin Bishop and BB King at the Fillmore West in San Francisco. One of the best concerts I’ve ever seen, and Albert was incredible. They all were!
There is so much to learn just watching this man play. I never thought my blues chops were killer, but Joe is truly humbling. All of my other guitars sit waiting to be played since I bought a Tele, and I grew up wanting Les Pauls and Strats.
Just 16 days until I see you in Columbus, Ohio! Thanks for the years of great entertainment. A friend bought me a copy of "A New Day Yesterday" in 2000 and said, "This sounds like something you'd like." She was right. And you just keep getting better. Thanks, too, for the videos like this. I'm an equipment nerd and I love them!
I flipped my Tele's control plate, and wired it so the tone control only works when the bridge pickup is engaged. Also swapped the blade switch for a three-way toggle. I use violin-ing, but with the tone knob, to produce an unconvincing, but still useful, wah effect.
Thanks Joe, great tips. I heard the spot of solder on the Tele ashtray is from where they attached a piece of metal that was used to dip it into the plating mix. After the coating was on they removed the metal handle.
Thank you Joe! Please keep it up, I love these gear/tone tips(...and I think a lot of people do). I'm sayin it again, you and Mike Hickey should right a book about gear, then you could have collaborators like Dan Irwin or (Uncle) Norm etc... I bet it would become a must have for collectors as well as admirers.
Yep, Joe's right on as usual. The picture to the left is me with my '53 I got in a trade with Johnny Meeks back in '76. The pic. is circa '91, at The Ventura Theatre. I still have the ax and I still use it on gigs. It still works just fine. It weighs 6.5 Lbs. All original except the frets, which have been 6100's since I got it (4 fret jobs and nuts have been done since '76, I used it a lot, 5 night a week house band gigs). If Joe reads this comment I'll say to him that he missed seeing and playing this ax by one day, I was teaching at Guitar Planet in Ventura, he came in there looking for vintage gear the day before I would've been there with the Johnny Meeks '53 Tele.
Yep, the same. He was a good cat. Kind of a mentor to me, about 8 years older than me. I took him to the Palamino to see Emylou Harris and Albert Lee was in her band at the time. Johnny wanted to tell Albert something nice about his playing and when I introduced Johnny to Albert, Albert almost fainted. He couldn't believe Johnny Meeks had been watching him play, It was hilarious. @@TheJP3
I love the older wiring like that but with a slight mod where the tone knob is a blend knob for the front and back pickups instead of setting the switch in the in between position so that the switch stays in the back position.
I wondered whether this was the way Joes's guitar was wired as he seemed shocked that he could not get the tone pot working in the bridge position. Fender was always open to custom order specs so maybe original owner wanted the blend knob. Joe has so many guitars it's easy for him to get mixed up on this.
Guitarist: Get Joe to run through his 'knobs tone' video he did on the LP "before you use any pedals" but on the Tele. Also get Bill Kirchen on video showing all the sounds he gets from a Tele for his Hot Rod Lincoln song. There are a few good live videos of that song (the Philadelphia one I think is the best) but it would be very interesting to hear his approach.
It’s crazy how much is in his right hand technique, which you can see by the absence of motion - how effortless it appears. As if he’s not moving much at all. I also appreciate the way he moves from pick to fingers without any lag. I used to think you play without a pick exclusively so I could develop better bare hand technique, but there’s no reason you can’t play hide the pickle and tuck it in your palm when you aren’t using it.
Thanks for a very informative tone tips video. Though playing the day long on my tele, I never tried theese other tonepositions . Especially the one between the middle and the back pickup sounds really good, again thanks a lot! Soeren
My Tele's original neck pickup was replaced early on by a Mighty Mite, hotter & no cover, which was a big improvement, but later the bridge pickup stopped working & I got a Hot Rails 'bucker, which resulted in a bit of a loss of that twangy Tele sting & snap. But I'm happy with the added beef & growl, so it's a wash. Now I'm about to install new pots & cap & a 4-way switch. Stay tuned, Joe, and BTW you're the best!
My AXL TELECASTER WITH the axle /EMG pickup in the bridge got this guitar for 20 bucks. Now I haven't touched the wiring. It's just as a tele should be but something is weird 1st and 2nd position are just the bridge. 3rd is the neck. I can wedge it from the 3rd and 2nd and get this awesome floored wah pedal sound. Maybe I'm alone on this one but it's cool. Also these AXL telecasters are kind of rare and if you find one get it
Joe has taken awhile but definitely grown on me as person 💯 and musician 💯 originally for years I thought he played to fast with not enough emotion in it just note counts but I have changed that opinion such badass guitar player
I particularly like the ash, “Special Factory Run” Blackguard Teles from Fender’s factory in Mexico. So much so that I’ve purchased two identical ones, each with slightly different set ups, one with flat wounds (GHS 750 stainless steel) and the other running round wounds (D’Addario “NYXL” 09. - .o42) 👍😎
So entertaining! This is great info simply laid down. There's so much out there about tone, laboriously presented by dry guitar 'aficionados', this is pure fun fresh air :)
Find a Tele/Nocaster/Broadcaster made before April 1952 and treat yourself to the famous blender control instead of a tone control. At bridge position, it blends neck and bridge together- season to taste. Best sounding Tele you will ever play. Played an April 1952 Tele at Rumble Seat music in Ithaca, NY in the 90's. They wanted $10K- I slept on it- went back next day to buy it and it was gone to Nashville.
Welp, I just learned something, thanks Joe! I have a '52 reissue Tele with the dark circuit, but have never tried the in-between trick. About to give that a go right now.
Tele is also the ultimate modshop guitar, pickup combos, wiring changes, can even go easily from maple to rosewood neck. Though can say they are not for everyone as you need to find your self and playing style in a Tele. I always say there are 3 types of Tele players, those that live on the bridge, those that live on the neck, then the in betweeners
I was bitten by a Telecaster at a very young age. Sometimes you call the ashtray a bell. I set mics for Roy Buchanan and Bob Johnston on Dual Soliloquy. They say it was recorded at the record plant in Sausalito California. The truth is it was recorded at Sky Blue Studio in Sonoma California at 128 4th Street in June of 1974. Bob and Roy were there because a small studio allows an artist a little more freedom both financially and personally. Bob was always making somebody else look good. He just wanted to keep his finger in it. I wasn't allowed to speak. I was an apprentice my first responsibility was to listen. Roy spoke very little. Bob Johnston was there to capture the signal. He was an expert at letting the artist be himself. He recorded Bob Dylan's Nashville Skyline. I had the privilege of seeing the studio logs. All the songs had been recorded in one take except for two. I said to Johnston "Dylan was so good anybody could have recorded him." Johnston replied " I did it and I didn't fuck it up. I said " Oh my God that is the perfect answer." We both laughed because it was the truth. I ran into Johnston again in 2000. He was wearing the same kind of gold corduroy jacket with leather patches on the elbows and he still hadn't had his teeth fixed.
It also will turn the bridge pickup off turning down the tone of in the 1st position if I. The neck it gives that lipstick pickup a crazy collective sould where the river flows tone
My '65 Tele was able to hold that 4th position and I loved using that sound when covering CCR tunes way back. My Japanese made Squier Tele won't hold that position and I also don't hear any difference in the tone when trying--a real shame because the did such a great job getting the details correct otherwise. I can see why people keep hunting for the earlier models and I should have kept my '65 :-(
It always amazes me that the Tele dark circuit wiring lasted all the way through 1966; I would've thought that given how rapidly music trends were changing and being invented back then that Fender would've nixed that wiring long before then. But, then again, Strats had 3-way switches all the way until 1977, so...LOL.
The solder on the early covers is from attaching a wire for the plating process, either because they couldn't get a good electrical contact on the jigs, to stop them dropping to the bottom of the plating bath if they fell off the jig, or both.
How about a link to that wiring diagram? Rather than relying on the 'in-between' setting, how would a 4-way switch be wired in there to do it 'properly'?
The emulation of Albert Collins was dead on! Long live The Iceman! I also really appreciate the nod to Roy Buchanan & Danny Gatton. Bravo Joe! ~ Greg Gordon 🎵
Still have my gold 83 marble tele I worked for when I was 12. Used to have a early hot rails in it during my metal days. Went back to a vintage single coil. Of course now I build super partcaster teles with compound radius, C shape quarter sawn necks, one piece swamp ash bodies, humbuckers, vintage singles etc etc. Still very affordable $2k to build a awesome guitar. About the same as the 50s inflation adjusted. Just hard to mess with the simplicity of a slab of wood with a bolt on neck and metal bridge? Just doesn't get any more bare bones direct tone as that. Of course it has evolved but relatively the same guitar.
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I think , the love this guy has for all guitar is contagious.
I think the most underrated thing about Joe, is his intelligence and ability to convey so much. He truly loves and appreciates guitar and the blues so much.
That's why I love listening to him talk gear. I don't even like his music but could listen to him all day long.
@@crucified-music SPAMMER!
I do not feel he is under rated at a single thing .. He is top shelf all the way .. I could watch him or Clap on vids all day & night .. They are true Guitar Scientists..
I love how he explains all the little differences in tones with a guitar
I love how his soft hands caress the neck
Cause WE the public are WAY WAY behind in our knowledge.
We are SO poorly educated in the amplification world that we don't make it onto the scale.
Prior to this video, nobody's played me the telecaster guitar sound with the bridge cover on and off.
That's over 50 years of no demonstrations.
An let's mention it's been over 50 years and this lifestyle hasn't paid me a cent
Regardless if u are a fan of Bonamassa's music or not, you have to admit that he has done more for the appreciation of old guitars than just about anyone. He is probably also the most grounded or normal star..and that should be respected. Joe is all good in my opinion.
One of the best demonstrations of a vintage Telecaster . Thank you Joe!
I never thought too much about a Telecaster until I got one, and now I'll never let go of it. They're a must.
I've dabbled in many other guitars over the last 25 years, but I always end up coming back to a Telecaster.
The Telecaster is the polygraph of guitars. No faking it, no lies.
You're right. You can't hide any shoddy playing with a Tele. I love to hear someone playing with a clean tone. Honest.
Exactly.
That’s a great way of putting it!
The fact that you have to be able to play well to make it sound good just says its an outdated tool
@@stefanfyhn4668 you're serious?
Telecasters are the Swiss Army knife of guitars. They’re my favorite guitars on the planet! Awesome vid Joe! 🇺🇸
Just casusally blows away 90% of all guitarists during a discussion of the finer points of a tele. This guy is a humble G.O.A.T.
Anytime I can get playing guitar tips and or watch Mr. Bonamassa play is time well spent. TY😎🎸🎶🤘🏻
Great player, humble as the day is long. Always gives props to those who came before. He's the ambassador we need.
JOE BONAMASSA IS A DOUCHE BLUES
ruclips.net/video/yfjt9VakUrY/видео.html
JB is truly outstanding: down to earth, humble, soulful player, great sense of humor, burning picker. Here he sounds so much like Albert Collins. He worked his ass off since childhood to succeed in music, and he deserves everything he's achieved. Thank you JB! Go see him live.
Pretty annoying to casually drop 30-60K on any guitar he wants and have absolutely no concept of humility about it. He already said "Norm made 9K on this". "That's all I'm going to say about it" is BS. Just say how much it was. Nothing but playing coy and humble-bragging.
Lets not get silly. He was born with God given talent. Playing guitar comes as easy to him as it is for everyday people walking and talking.ha
@@johnsmith-ug5tp that is a huge part of it. He probably practices a lot and has access to the best instruction available
Anyone can say anything about a Tele’s neck pickup but a bit of drive, lot’s of reverb/shimmer and a pich of delay and it’s tone heaven.
Joe is the greatest guitar and amp salesman in the world. He conveys so much enthusiasm...makes you want to run right out and buy whatever he's pitching.
😂 exactly
...he's probably just sold a boatload of tele ashtray covers for Fender!
Which is what he's paid to do. He speaks for the guitar (selling them) not on the guitar. All technique, no statement.
Yep.....overpriced stuff too...seriously, his pickups are ridiculously overpriced marketing too.
But he’s not playing anything modern that you can go out and get today?
I agree totally that a Telecaster is the best guitar. I have two plus one more that I built myself using the old wiring schematic. There is magic in a Telecaster that no other guitar has.
@bytesurfer8651 I have a Jazzmaster. I also have a Telecaster with vintage 65 Jazzmaster pickups that one is my favorite guitar to play.
Amazing sound as usual from The Main Man. The Solder Dot that he mentioned on the inside of The Ashtray is from when they used to solder a length of wire onto it prior to The dipping process for Chroming and it would then be removed once the job was done. I worked for an Electronics company in the 80s and we used to use exactly the same process when Powder coating certain Items.
And I’m sure the chrome plating made it a much more attractive ashtray.
@@robinleebraun7739 What does that mean??
I could listen to Joe all day.
JoBo is the man. Love hearing him play and talk guitars.
Totally agree with you, Joe B. Teles are the best! However, I can’t play ‘em with the bridge cover on. Can’t palm-mute with it there! BTW, I saw Albert Collins in 1969, opening for Elvin Bishop and BB King at the Fillmore West in San Francisco. One of the best concerts I’ve ever seen, and Albert was incredible. They all were!
There is so much to learn just watching this man play. I never thought my blues chops were killer, but Joe is truly humbling. All of my other guitars sit waiting to be played since I bought a Tele, and I grew up wanting Les Pauls and Strats.
The telecaster in the hands of Joe is absolutely incredible!
Thanks for ALL of your unpretentious help to amateurs like me Joe!!!!!! You're the best.
Thanks Joe for your homely reality of the telecaster that can take you anywhere
Cheers always waiting to see what your gonna do next
If Joe is talking about guitars, I’m listening! Always gives of himself, great guy!
Just 16 days until I see you in Columbus, Ohio! Thanks for the years of great entertainment. A friend bought me a copy of "A New Day Yesterday" in 2000 and said, "This sounds like something you'd like." She was right. And you just keep getting better. Thanks, too, for the videos like this. I'm an equipment nerd and I love them!
I flipped my Tele's control plate, and wired it so the tone control only works when the bridge pickup is engaged. Also swapped the blade switch for a three-way toggle. I use violin-ing, but with the tone knob, to produce an unconvincing, but still useful, wah effect.
Superb video, what was the slow bluesy volume swell tune at 6:00
What an insanely informative video . Thank you Mr B
"insanely" informative?
Thanks Joe, great tips. I heard the spot of solder on the Tele ashtray is from where they attached a piece of metal that was used to dip it into the plating mix. After the coating was on they removed the metal handle.
Thank you Joe! Please keep it up, I love these gear/tone tips(...and I think a lot of people do). I'm sayin it again, you and Mike Hickey should right a book about gear, then you could have collaborators like Dan Irwin or (Uncle) Norm etc... I bet it would become a must have for collectors as well as admirers.
I learn so much about things I never cared about my listening to Joe B.
You’re too modest JB. You nailed a few of Albert’s chops. Always fun listening to you. Thank You
Your AC imitation is NOT crappy. Nevertheless, your humility is noted and appreciated.
Joe Knows... keep these coming....please
He is the kid that everyone start playing guitar for, Amazing Joe!
This gentleman is pushing on the door of being the GOAT!!!!!!!!
I'd like to have half the talent Joe has. A great guitar player and guitar collector/historian/lover.
That's hands down one of the best tones for this style, EVER
Love who this man is. Thanks Joe for your Passion. Love what you do. GOD bless you and your fingers my friend.
Yep, Joe's right on as usual. The picture to the left is me with my '53 I got in a trade with Johnny Meeks back in '76. The pic. is circa '91, at The Ventura Theatre. I still have the ax and I still use it on gigs. It still works just fine. It weighs 6.5 Lbs. All original except the frets, which have been 6100's since I got it (4 fret jobs and nuts have been done since '76, I used it a lot, 5 night a week house band gigs). If Joe reads this comment I'll say to him that he missed seeing and playing this ax by one day, I was teaching at Guitar Planet in Ventura, he came in there looking for vintage gear the day before I would've been there with the Johnny Meeks '53 Tele.
Johnny Meeks that used to play with Gene Vincent? That’s crazy!!!
Yep, the same. He was a good cat. Kind of a mentor to me, about 8 years older than me. I took him to the Palamino to see Emylou Harris and Albert Lee was in her band at the time. Johnny wanted to tell Albert something nice about his playing and when I introduced Johnny to Albert, Albert almost fainted. He couldn't believe Johnny Meeks had been watching him play, It was hilarious. @@TheJP3
Great to hear Joe is a big Albert Collins fan ! ❤
I love the older wiring like that but with a slight mod where the tone knob is a blend knob for the front and back pickups instead of setting the switch in the in between position so that the switch stays in the back position.
That's not really a mod, that's the previous wiring (1950 til about late '52).
I wondered whether this was the way Joes's guitar was wired as he seemed shocked that he could not get the tone pot working in the bridge position. Fender was always open to custom order specs so maybe original owner wanted the blend knob. Joe has so many guitars it's easy for him to get mixed up on this.
More videos with Joe! I learned a lot.
Guitarist: Get Joe to run through his 'knobs tone' video he did on the LP "before you use any pedals" but on the Tele. Also get Bill Kirchen on video showing all the sounds he gets from a Tele for his Hot Rod Lincoln song. There are a few good live videos of that song (the Philadelphia one I think is the best) but it would be very interesting to hear his approach.
Why? So we can be jealous of what he rubs in our face with his gear no one can afford?
I like watching him because he knows a lot about guitars and playing. 😊
The neck pickup with dark cap tone is awesome
It’s crazy how much is in his right hand technique, which you can see by the absence of motion - how effortless it appears. As if he’s not moving much at all.
I also appreciate the way he moves from pick to fingers without any lag. I used to think you play without a pick exclusively so I could develop better bare hand technique, but there’s no reason you can’t play hide the pickle and tuck it in your palm when you aren’t using it.
Thanks for a very informative tone tips video. Though playing the day long on my tele, I never tried theese other tonepositions . Especially the one between the middle and the back pickup sounds really good, again thanks a lot! Soeren
Love his explanations. He KNOWS his stuff!
Thanks Joe. Your helping me decide to buy my 1st tele.
My Tele's original neck pickup was replaced early on by a Mighty Mite, hotter & no cover, which was a big improvement, but later the bridge pickup stopped working & I got a Hot Rails 'bucker, which resulted in a bit of a loss of that twangy Tele sting & snap. But I'm happy with the added beef & growl, so it's a wash. Now I'm about to install new pots & cap & a 4-way switch. Stay tuned, Joe, and BTW you're the best!
There might be a Bill Lawrence pickup that can get both those sounds together for you....
One of the best guitarists ever. JB is the Man!
Hey Joe,😎👍 Good stuff man. Thanks for the Telly Talk!🌅🕊🦋🕊🙏✌️
Tele tone is just magic
I've got a '58 but the pickup switch goes bridge/both/neck. Love the video, thank you! ☺
Coming from Joe Bonamassa to say get a Squire and put some vintage reissue pickups, you can rule the world! That’s cool! Like his style!
My AXL TELECASTER WITH the axle /EMG pickup in the bridge got this guitar for 20 bucks. Now I haven't touched the wiring. It's just as a tele should be but something is weird 1st and 2nd position are just the bridge. 3rd is the neck. I can wedge it from the 3rd and 2nd and get this awesome floored wah pedal sound. Maybe I'm alone on this one but it's cool. Also these AXL telecasters are kind of rare and if you find one get it
Thanks for the knowledge, Joe. Great stuff. Now, ... if only I could play like you!! Rock on, man.
such a great fusion of entertainment and education from joe. along with his monster chops of course 💯💯
Great information! Thanks, Joe.
thank you for the "Tone influence of pickup cover" -- part, ... I never even thought about that...shit, how cool is that ;-)
Thank you 🙏 Mr. Joe
" Great Tele Tip " JB... Thanks Brother...
Joe has taken awhile but definitely grown on me as person 💯 and musician 💯 originally for years I thought he played to fast with not enough emotion in it just note counts but I have changed that opinion such badass guitar player
Funny how time changes our perception.
I particularly like the ash, “Special Factory Run” Blackguard Teles from Fender’s factory in Mexico. So much so that I’ve purchased two identical ones, each with slightly different set ups, one with flat wounds (GHS 750 stainless steel) and the other running round wounds (D’Addario “NYXL” 09. - .o42) 👍😎
Nice! What a great talent, and at the end of the day "it's just a plank of wood".
Not just any Joe!! thank you sir, you are very good for the 'game'.
So entertaining! This is great info simply laid down. There's so much out there about tone, laboriously presented by dry guitar 'aficionados', this is pure fun fresh air :)
Find a Tele/Nocaster/Broadcaster made before April 1952 and treat yourself to the famous blender control instead of a tone control. At bridge position, it blends neck and bridge together- season to taste. Best sounding Tele you will ever play. Played an April 1952 Tele at Rumble Seat music in Ithaca, NY in the 90's. They wanted $10K- I slept on it- went back next day to buy it and it was gone to Nashville.
I think what he meant to say was that the selector switch is a CRL, not a Switchcraft. Switchcraft pup switches are found in LPs
Welp, I just learned something, thanks Joe! I have a '52 reissue Tele with the dark circuit, but have never tried the in-between trick. About to give that a go right now.
5:43 well hell Joe I think there’s plenty of guitarists who’d say that about their guitar that they just picked up last week 😂
I really like simplicity of telecaster, everything is in hand 🙂
Tele is also the ultimate modshop guitar, pickup combos, wiring changes, can even go easily from maple to rosewood neck. Though can say they are not for everyone as you need to find your self and playing style in a Tele. I always say there are 3 types of Tele players, those that live on the bridge, those that live on the neck, then the in betweeners
Tele suffers from country music stigma. I finally got one and it is fantastic. Now I have two.
I was bitten by a Telecaster at a very young age. Sometimes you call the ashtray a bell.
I set mics for Roy Buchanan and Bob Johnston on Dual Soliloquy. They say it was recorded at the record plant in Sausalito California. The truth is it was recorded at Sky Blue Studio in Sonoma California at 128 4th Street in June of 1974.
Bob and Roy were there because a small studio allows an artist a little more freedom both financially and personally. Bob was always making somebody else look good. He just wanted to keep his finger in it. I wasn't allowed to speak.
I was an apprentice my first responsibility was to listen.
Roy spoke very little. Bob Johnston was there to capture the signal. He was an expert at letting the artist be himself.
He recorded Bob Dylan's Nashville Skyline. I had the privilege of seeing the studio logs. All the songs had been recorded in one take except for two. I said to Johnston "Dylan was so good anybody could have recorded him." Johnston replied " I did it and I didn't fuck it up. I said " Oh my God that is the perfect answer." We both laughed because it was the truth. I ran into Johnston again in 2000. He was wearing the same kind of gold corduroy jacket with leather patches on the elbows and he still hadn't had his teeth fixed.
i am gonna try the ashtray tipi own a 1960 custom telecaster without the tray but have one laying around, thanks Joe!
Sounds Amazing !!! 🙏
Great Demo Smoking Joe. 🙂
Thank You ! ☀️
It also will turn the bridge pickup off turning down the tone of in the 1st position if I. The neck it gives that lipstick pickup a crazy collective sould where the river flows tone
Thank you for sharing. Have a blessed day.
Good video Joe. Nice and simple. Thank you.
Thank you for the deep dive
My '65 Tele was able to hold that 4th position and I loved using that sound when covering CCR tunes way back. My Japanese made Squier Tele won't hold that position and I also don't hear any difference in the tone when trying--a real shame because the did such a great job getting the details correct otherwise. I can see why people keep hunting for the earlier models and I should have kept my '65 :-(
It always amazes me that the Tele dark circuit wiring lasted all the way through 1966; I would've thought that given how rapidly music trends were changing and being invented back then that Fender would've nixed that wiring long before then. But, then again, Strats had 3-way switches all the way until 1977, so...LOL.
The solder on the early covers is from attaching a wire for the plating process, either because they couldn't get a good electrical contact on the jigs, to stop them dropping to the bottom of the plating bath if they fell off the jig, or both.
That guitar sounds fantastic Joe.... if only a lefty version would be an option.
How about a link to that wiring diagram? Rather than relying on the 'in-between' setting, how would a 4-way switch be wired in there to do it 'properly'?
“If you can make a gig work with this you can make anything work” indeed. I’ve been pretty much all Tele for years.
Put a flat pole pickup in it and rule the world...
Damn, well said Joe
One guitar to role them all! 🥳😘 Leo’s masterpiece 🥳
Have you had any experience with a Nashville Tele? I love mine. Would be great to hear your thoughts. Thanks.
The emulation of Albert Collins was dead on! Long live The Iceman! I also really appreciate the nod to Roy Buchanan & Danny Gatton. Bravo Joe!
~ Greg Gordon 🎵
Still have my gold 83 marble tele I worked for when I was 12. Used to have a early hot rails in it during my metal days. Went back to a vintage single coil. Of course now I build super partcaster teles with compound radius, C shape quarter sawn necks, one piece swamp ash bodies, humbuckers, vintage singles etc etc. Still very affordable $2k to build a awesome guitar. About the same as the 50s inflation adjusted. Just hard to mess with the simplicity of a slab of wood with a bolt on neck and metal bridge? Just doesn't get any more bare bones direct tone as that. Of course it has evolved but relatively the same guitar.
Great Stuff Joe! Fastest Volume Kill on the planet!
Did he say "That doesn't fucking work", made me laugh! That was funny.
Fantastic, Joe
Man, Joe has some big mitts! Maybe it’s just because of how dainty the Tele is, but that man appears to have a powerful grip.
Great player with great guitar.
Any chance I can get to watch Mr Bonamasa play I will totally take advantage of. TY 😎