♦️ *Yuja Wang Plays Chopin’s Préludes* ♦️ Frédéric Chopin (1810-1849) Préludes, Op. 28 *(1835-39)* 00:02 No. 1 in C Major 00:48 No. 2 in A Minor 02:43 No. 3 in G Major 03:37 No. 4 in E Minor 05:29 No. 5 in D Major 06:02 No. 6 in B Minor 07:55 No. 7 in A Major 08:45 No. 8 in F-Sharp Minor 10:45 No. 9 in E Major 12:02 No. 10 in C-Sharp Minor 12:34 No. 11 in B Major 13:18 No. 12 in G-Sharp Minor 14:35 No. 13 in F-Sharp Major 17:33 No. 14 in E-Flat Minor 18:06 No. 15 in D-Flat Major 23:20 No. 16 in B-Flat Minor 24:25 No. 17 in A-Flat Major 27:26 No. 18 in F Minor 28:23 No. 19 in E-Flat Major 29:49 No. 20 in C Minor 31:26 No. 21 in B-Flat Major 33:14 No. 22 in G Minor 33:58 No. 23 in F Major 34:53 No. 24 in D Minor Yuja Wang, piano✨ *Wiener Konzerthaus* *Vienna, Austria 🇦🇹 April 6, 2017*
I've hardly tried to find out why Pollini's D minor (no.24) would sound better. It simply doesn't. Yuja's dynamics, flow and subtle touch in soft passages are unmatched. I've played that prelude myself and know every note of it, I think it's the most complex in terms of expression; her version of it should be given the deserved credits.
INDEED ..listen to his # 16 ..IF people want technique , my god!!! HUGE PLAYING...but the running notes with such sweep BUT full tones..also very special is ADAM Horzowski ...long dead now ...but i heard his early recordings 1950's or early 60's ...incredible especially the last D minor...Bflat minor...and that F# SHARP MINOR...I have NEVER heard anyone played such beautiful tapestries...even the fast 32nd notes...then i heard him LIVE AT carnegie when he was VERY old....i think he was 80s..the same PRELUDES WHOLE SET...like he was just a young man...my god!! and of course...according to their more "gentlemanly times" played with such CALM exterior...Yuja is fine for her generation...with its own styles...ideas of "brilliance' or "tone" but to call her "the greatest ever" ...that s not really the case...she definitely plays brilliant passages VERY very fast it s quite incredible really. ...i am not sure if it s just the recording or intentional in the broadcast balance...or even the piano itself...but there seems to be more "presence" in the LEFT HAND parts , fullness but i find the right hand lines strengtly THIN in tones..but over-all it s certainly well played enough...for a laaarge continuous program..
Technically good, but sound quality, phrasing, rubato, all is so mannered and uninteresting for me. She has now the age of Pollini, Zimermann or Argerich when they already made legendary recordings yet she doesn't match any of them. Very superficial.
Then listen to her performance at the Teatro La Fenice in Venice, also available on RUclips, which is totally different, so fresh and sparkling, about the best version I have heard. To me Yuja is one of the greatest pianists of our time.
Imagine preferring Zimerman or Argerich over Yuja Wang...! No wonder record companies pour bucketloads of money into marketing. You are proof that marketing works and people will believe any bullshit they are fed.
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YUJA, THE BEST.
You had me at Prelude No. 1. 😎🎹
beautiful, it is yuja. thanks peter chen
♦️ *Yuja Wang Plays Chopin’s Préludes* ♦️
Frédéric Chopin (1810-1849)
Préludes, Op. 28 *(1835-39)*
00:02 No. 1 in C Major
00:48 No. 2 in A Minor
02:43 No. 3 in G Major
03:37 No. 4 in E Minor
05:29 No. 5 in D Major
06:02 No. 6 in B Minor
07:55 No. 7 in A Major
08:45 No. 8 in F-Sharp Minor
10:45 No. 9 in E Major
12:02 No. 10 in C-Sharp Minor
12:34 No. 11 in B Major
13:18 No. 12 in G-Sharp Minor
14:35 No. 13 in F-Sharp Major
17:33 No. 14 in E-Flat Minor
18:06 No. 15 in D-Flat Major
23:20 No. 16 in B-Flat Minor
24:25 No. 17 in A-Flat Major
27:26 No. 18 in F Minor
28:23 No. 19 in E-Flat Major
29:49 No. 20 in C Minor
31:26 No. 21 in B-Flat Major
33:14 No. 22 in G Minor
33:58 No. 23 in F Major
34:53 No. 24 in D Minor
Yuja Wang, piano✨
*Wiener Konzerthaus*
*Vienna, Austria 🇦🇹 April 6, 2017*
Alfred Cortot- Maurizio Pollini- Yuja Wang!!! Three great interpretations.
Absolutely! Chopin's preludes have been played so much... it's surprising that someone can still deliver a performance that feels so fresh.
You forgot Sergio Fiorentino 😉
m.ruclips.net/video/ASX7qQCKOc0/видео.html
I've hardly tried to find out why Pollini's D minor (no.24) would sound better. It simply doesn't. Yuja's dynamics, flow and subtle touch in soft passages are unmatched. I've played that prelude myself and know every note of it, I think it's the most complex in terms of expression; her version of it should be given the deserved credits.
Yuja. I love you!!
님 ~ ! 가슴이 저리고 ,시려옵니다. 그리고 지금, 이시간 ! 잠이 쏟아 지네요.
8
Rubinstein 1946.
INDEED ..listen to his # 16 ..IF people want technique , my god!!! HUGE PLAYING...but the running notes with such sweep BUT full tones..also very special is ADAM Horzowski ...long dead now ...but i heard his early recordings 1950's or early 60's ...incredible especially the last D minor...Bflat minor...and that F# SHARP MINOR...I have NEVER heard anyone played such beautiful tapestries...even the fast 32nd notes...then i heard him LIVE AT carnegie when he was VERY old....i think he was 80s..the same PRELUDES WHOLE SET...like he was just a young man...my god!! and of course...according to their more "gentlemanly times" played with such CALM exterior...Yuja is fine for her generation...with its own styles...ideas of "brilliance' or "tone" but to call her "the greatest ever" ...that s not really the case...she definitely plays brilliant passages VERY very fast it s quite incredible really. ...i am not sure if it s just the recording or intentional in the broadcast balance...or even the piano itself...but there seems to be more "presence" in the LEFT HAND parts , fullness but i find the right hand lines strengtly THIN in tones..but over-all it s certainly well played enough...for a laaarge continuous program..
Technically good, but sound quality, phrasing, rubato, all is so mannered and uninteresting for me. She has now the age of Pollini, Zimermann or Argerich when they already made legendary recordings yet she doesn't match any of them. Very superficial.
Then listen to her performance at the Teatro La Fenice in Venice, also available on RUclips, which is totally different, so fresh and sparkling, about the best version I have heard. To me Yuja is one of the greatest pianists of our time.
What is your name? I'll bet that I have never heard of you. Superficial indeed!
If you have nothing good to say, just shut up.
Imagine preferring Zimerman or Argerich over Yuja Wang...! No wonder record companies pour bucketloads of money into marketing. You are proof that marketing works and people will believe any bullshit they are fed.
@@olavk7111: Funny, I like this Vienna version more, especially Prélude No. 1. Well, that’s why they make chocolate and vanilla. 😎🎹