➡️ GET YOUR TICKETS NOW ‼️ Groundings With My Brothers And Sisters | A Holistic Health Conference www.eventbrite.com/e/groundings-with-my-brothers-and-sisters-a-holistic-health-conference-tickets-920985120287?aff=oddtdtcreator
Such an strong reasoning , really filled with insight and lessons for up and coming reggae artists such as myself. Found in my journey that the reggae music industry is so secretive at times when it comes to being able to learn not the music itself but the music business and expirience of the bigger reggae artists right now, so it give joy to see some lessons and wisdom being spread
Give thanks for the open accountability you’ve taken as well as the fact that like the brother Dutty Bookman said still have opportunity tru you still have life
I always enjoyed the "Third World" band. I had all their albums & saw them live back in the day. They ticked every box, could drop a roots tune instantly, then play fusions of different styles. That group definitely had a vision & foundation. Everyone in that band brought something to the musical table.
What a great, great reasoning on this subject! I am really glad I happened upon this interview and to hear this issue addressed. As a (non-Jamaican) musician who has dedicated himself to playing Reggae music for many years, I have often pondered my own legitimacy in putting forward a music that is from a culture that is not my own. I realize that there is a fine line between appreciation and appropriation, and as I have grown I have tried to stay mindful of how I present myself to the people we play to. Over the years I have had the blessing of having developed a decent following, at least here in this place where I live, and have often wondered what it is that people see, hear and feel in the music we play that has allowed us to enjoy so much support, when I myself am of the opinion that there are artists here from Jamaica that deserve to have their talents recognized just as much, if not more. When I look upon their artistry, I respect and recognize that they are coming from a true cultural place and don't need to imitate - after all, that is the music and the vibe that has inspired me from the beginning, and I always encourage people to go directly to the source from which it comes to get the real thing. Now, what you have to say about the cultural disconnect that seems to be the case with North American audiences, I have mused upon that very same idea, and there is much more expansive discussion that could be had about that. I would say that a lot of people tend to view Reggae as a monolith, as opposed to an art form that encompasses so many diverse sub-genres and styles that can also incorporate a multitude of influences. Also there is a tendency to focus on the stereotypical images and iconography that is presented on the surface that is appealing to the eye, and promotes only a superficial understanding and acceptance of the underlying culture. And like you say, there is also the generational aspect that comes into play. What was popular in the 70's, when Reggae was enjoying its first international wave, is not necessarily going to be what people are into now, even though there may have been somewhat of a resurgence. Evolution is inevitable, and social and environmental conditions are always going to play a big part in that change. I have always said that Reggae music never died, it just metamorphosized, and it has and always will be there in one form or another. It is very much alive, because it carries a Spirit that we all recognize. It is the I-niversal rhythm of life, the ONE vibration that we all share, whether or not we choose to tune into it. Thank you for this thoughtful and illuminating reasoning. ☝🏽❤
I was in ewf from 1970s, with I brethren ras gladstone robinson, but I didn't reach sheshemane landgrant on the kings hwy until 1999,but I forwarded to africa congo drc in 1994
I'm in Houston Texas, continuing the "reggae revival", bringing Reggae music to Black African people in The Diaspora and on The Continent. Come check me, if you want the real...
Nice reasoning. Personally I feel that lyrics were the weakness in the "Revival" and contemporary artiste community. Trying to literally sound like Marley or style like the Wailers is great homage but they need to cut their own path. The Wailers did and survived criticism of watering down the beat and straying lyrically. Melody, lyrics and play with arrangement and instruments. Look at what foreigners like Sheeran do with dancehall and make millions!
I in el paso tx juarez mexico representative of all things rastologist as far as ewf,panafricanism, reparations repatriation,churchical,restoration of monarchy of h.i.m.& queen menen, solomonic dynasty triple crown coat of arms tewehedo oriental african churches
This is just nonsense, if it wasn t for the artists like Chronixx and others to take a hiatus or semi- hiatus, they would still rule. And they just get critics for not being supporting the antigay fashions. Antigay s who doesn t care that much for violence , domestic and child abuse...
Rastafari started in harlem nyc in 1916,then hon.marcus mosiah garvey and Leonard howell& other clergyman then living in nyc,repatriation back to caricom, j.a.,along with seamen,west indies royal regiment who fought in north Africa in ww,1& 2,factoid
12 tribes of isreal, prophet gad& establishment of rastologist in 12 tribes was formed from ewf originally when catcore older brother was in the running for the leadership in the beginning 😀 but ppls split & went with the prophet gad,factoid
So you are basically saying all those posers who managed to get up on reggae stages were not really united , can u imagin the impact it had on the rastafari movement and also pon the sympathizers of the cause too ? Now no one want to turn to Rasta or Reggae , its seen as a style that has been defeated by babylon , we see only rage , poverty and fight on this movements both reggae and rastafari .... by portraying a lie you dissolved the faithful fan base and also rastas all around now rasta and reggae is a joke worldwide the same that happened to christians worldwide now happened to reggae and rasta , you are infiltrated by freemasons and there was many CIA agents and intelligence ppl wearing dreads to start this quarrels , this fights , etc , now what we have ? we have just the disputes we have with each other ! The materialistic posers run the scene the people with the talent and the will to keep making a way for this to keep happening does not want to be related to rasta , I dont want to be related to the rastafari .... since there are freemasonic clowns such as mutaburaka and others of the like of chris blackwell ... by faking unity u made everyone fight now the karma this people carry must be absurd , how can they ask theirselfs whats wrong when everythin start falling apart due to their own wickedness and lies .... this rasta and reggae movement is full of lies ... it has nothing to do with peace , make others feel good ... its just a business its stupid , I hate every reggae music now cant barely stand listening to it anymore
➡️ GET YOUR TICKETS NOW ‼️
Groundings With My Brothers And Sisters | A Holistic Health Conference
www.eventbrite.com/e/groundings-with-my-brothers-and-sisters-a-holistic-health-conference-tickets-920985120287?aff=oddtdtcreator
Such an strong reasoning , really filled with insight and lessons for up and coming reggae artists such as myself. Found in my journey that the reggae music industry is so secretive at times when it comes to being able to learn not the music itself but the music business and expirience of the bigger reggae artists right now, so it give joy to see some lessons and wisdom being spread
I blame myself as well. I could have done more. The artist that wouldn’t naturally collab were collabing with me. I could have done more.
the good thing is we have life still and can improve with the next generation(s) rising...
Give thanks for the open accountability you’ve taken as well as the fact that like the brother Dutty Bookman said still have opportunity tru you still have life
I always enjoyed the "Third World" band. I had all their albums & saw them live back in the day. They ticked every box, could drop a roots tune instantly, then play fusions of different styles. That group definitely had a vision & foundation.
Everyone in that band brought something to the musical table.
@@InvisibleElements Third World never got the real credit they deserved on the rock but abroad they are revered as top tier which they are
What a great, great reasoning on this subject! I am really glad I happened upon this interview and to hear this issue addressed. As a (non-Jamaican) musician who has dedicated himself to playing Reggae music for many years, I have often pondered my own legitimacy in putting forward a music that is from a culture that is not my own. I realize that there is a fine line between appreciation and appropriation, and as I have grown I have tried to stay mindful of how I present myself to the people we play to. Over the years I have had the blessing of having developed a decent following, at least here in this place where I live, and have often wondered what it is that people see, hear and feel in the music we play that has allowed us to enjoy so much support, when I myself am of the opinion that there are artists here from Jamaica that deserve to have their talents recognized just as much, if not more. When I look upon their artistry, I respect and recognize that they are coming from a true cultural place and don't need to imitate - after all, that is the music and the vibe that has inspired me from the beginning, and I always encourage people to go directly to the source from which it comes to get the real thing. Now, what you have to say about the cultural disconnect that seems to be the case with North American audiences, I have mused upon that very same idea, and there is much more expansive discussion that could be had about that. I would say that a lot of people tend to view Reggae as a monolith, as opposed to an art form that encompasses so many diverse sub-genres and styles that can also incorporate a multitude of influences. Also there is a tendency to focus on the stereotypical images and iconography that is presented on the surface that is appealing to the eye, and promotes only a superficial understanding and acceptance of the underlying culture.
And like you say, there is also the generational aspect that comes into play. What was popular in the 70's, when Reggae was enjoying its first international wave, is not necessarily going to be what people are into now, even though there may have been somewhat of a resurgence. Evolution is inevitable, and social and environmental conditions are always going to play a big part in that change.
I have always said that Reggae music never died, it just metamorphosized, and it has and always will be there in one form or another. It is very much alive, because it carries a Spirit that we all recognize. It is the I-niversal rhythm of life, the ONE vibration that we all share, whether or not we choose to tune into it. Thank you for this thoughtful and illuminating reasoning. ☝🏽❤
I plan on bringing back Roots Reggae !! I have the passion and the feel. Once I bring my band back together it’s over ! 🔥
Love this...bring the 🔥
I was in ewf from 1970s, with I brethren ras gladstone robinson, but I didn't reach sheshemane landgrant on the kings hwy until 1999,but I forwarded to africa congo drc in 1994
I'm in Houston Texas, continuing the "reggae revival", bringing Reggae music to Black African people in The Diaspora and on The Continent. Come check me, if you want the real...
Nice reasoning. Personally I feel that lyrics were the weakness in the "Revival" and contemporary artiste community. Trying to literally sound like Marley or style like the Wailers is great homage but they need to cut their own path. The Wailers did and survived criticism of watering down the beat and straying lyrically.
Melody, lyrics and play with arrangement and instruments. Look at what foreigners like Sheeran do with dancehall and make millions!
That hat vibrant asl 😂🔥
I in el paso tx juarez mexico representative of all things rastologist as far as ewf,panafricanism, reparations repatriation,churchical,restoration of monarchy of h.i.m.& queen menen, solomonic dynasty triple crown coat of arms tewehedo oriental african churches
This is just nonsense, if it wasn t for the artists like Chronixx and others to take a hiatus or semi- hiatus, they would still rule. And they just get critics for not being supporting the antigay fashions. Antigay s who doesn t care that much for violence , domestic and child abuse...
Rastafari started in harlem nyc in 1916,then hon.marcus mosiah garvey and Leonard howell& other clergyman then living in nyc,repatriation back to caricom, j.a.,along with seamen,west indies royal regiment who fought in north Africa in ww,1& 2,factoid
12 tribes of isreal, prophet gad& establishment of rastologist in 12 tribes was formed from ewf originally when catcore older brother was in the running for the leadership in the beginning 😀 but ppls split & went with the prophet gad,factoid
So you are basically saying all those posers who managed to get up on reggae stages were not really united , can u imagin the impact it had on the rastafari movement and also pon the sympathizers of the cause too ? Now no one want to turn to Rasta or Reggae , its seen as a style that has been defeated by babylon , we see only rage , poverty and fight on this movements both reggae and rastafari .... by portraying a lie you dissolved the faithful fan base and also rastas all around now rasta and reggae is a joke worldwide the same that happened to christians worldwide now happened to reggae and rasta , you are infiltrated by freemasons and there was many CIA agents and intelligence ppl wearing dreads to start this quarrels , this fights , etc , now what we have ? we have just the disputes we have with each other ! The materialistic posers run the scene the people with the talent and the will to keep making a way for this to keep happening does not want to be related to rasta , I dont want to be related to the rastafari .... since there are freemasonic clowns such as mutaburaka and others of the like of chris blackwell ... by faking unity u made everyone fight now the karma this people carry must be absurd , how can they ask theirselfs whats wrong when everythin start falling apart due to their own wickedness and lies .... this rasta and reggae movement is full of lies ... it has nothing to do with peace , make others feel good ... its just a business its stupid , I hate every reggae music now cant barely stand listening to it anymore
Why you keep showing this Baphomet male MUTABURAKA Picture , Mutaburaka is a vampire who consume human blood