'Ozymandias' by Percy Bysshe Shelley - Top Exam Insights for AQA, Eduqas/WJEC and Cambridge iGCSE

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  • Опубликовано: 24 ноя 2024

Комментарии • 22

  • @rodgorodrigo
    @rodgorodrigo 9 месяцев назад +2

    Thank you so much for this detailed analysis. The written comments are particularly useful for students unfamiliar with technical terminology. They also help foreign students who might find your beautiful accent difficult to follow.

    • @ClairesNotes
      @ClairesNotes  9 месяцев назад

      You're very welcome! I'm glad you found it useful!

  • @marykatew
    @marykatew 6 месяцев назад +4

    I'm so cooked for lit paper 2 I hope you can save me claire love u queen

  • @maybeyash196
    @maybeyash196 Год назад +1

    I have become a frequent revistor to your channel due to accurate and informative content, thank you for your efforts

    • @ClairesNotes
      @ClairesNotes  9 месяцев назад

      Thank you very much. I'm glad you are finding these videos helpful!

  • @stargirlfr_
    @stargirlfr_ Год назад +3

    This was so well explained and extremely helpful for my upcoming english exam, thank you so much!

  • @johnrood1691
    @johnrood1691 Год назад +6

    The phrase "King of Kings" has a specific meaning. Of course, we understand what a King is.
    It is the leader of a, let us say, community. In the context of the ancient history of this story,
    ORIGINALLY there are many communities and each has its own King. BUT by this (later) time
    in ancient history the many communities have MERGED into one single larger community.
    And there has come into being a KING of the various kings of each of the many communities ...
    a "King of Kings" so to speak.

    • @ClairesNotes
      @ClairesNotes  Год назад

      Thanks for this. I always like to get more information to deepen my understanding of the texts!

    • @kabirphoto4297
      @kabirphoto4297 3 месяца назад

      @@ClairesNotes It is also a reference to Jesus as it has been used multiple times to refer to him.

  • @vihaanagarwal3736
    @vihaanagarwal3736 8 месяцев назад +1

    hi i just wanted to say love your videos my teacher shows them in class all the time but in both my copies of the poem the first line has a comma at the end of it and not caesura like you mention in your analysis! is this my misprint or yours?

    • @ClairesNotes
      @ClairesNotes  8 месяцев назад

      Hi! Thank you so much for your comments! I've had a look and, yes, I mention an enjambment (not caesura) at the end of the line. You should always go by the text that you are supplied by the examining board - so if yours has a comma, just ignore what I say about the enjambment!

    • @patrickbirley8659
      @patrickbirley8659 8 месяцев назад

      Yes on my Anthology it lacks the capital W's for "works" and "wreck" but nevertheless very helpful : )@@ClairesNotes

  • @BennyRNHD
    @BennyRNHD 10 месяцев назад

    Pls did you notice how the sylsbles were consistently 10 on each line ?i can't think of why shelley fid that? Claire, pls help

    • @ClairesNotes
      @ClairesNotes  9 месяцев назад

      It is written in iambic pentameter (as sonnets are) which is why there are 10. If a poet changes the number, it's because they want to change the rhythm for effect :)

  • @berniceyapjiaxuan5409
    @berniceyapjiaxuan5409 Год назад +3

    What do you mean by superficiality of the craving

    • @ClairesNotes
      @ClairesNotes  Год назад +9

      I mean that the carving doesn't go very deep - the words asserting his power are just scratched into the surface and that, eventually, time will wear them away - in much the same way as his power eroded after his death.

  • @davem2316
    @davem2316 Год назад

    Excellent analysis !

  • @ddog8769
    @ddog8769 Год назад +22

    i love fortnite

  • @tyracarimo8203
    @tyracarimo8203 Год назад +2

    greetings
    do you know who the speaker is in this poem ?
    what the tone of the poem is ?

    • @ClairesNotes
      @ClairesNotes  Год назад

      The speaker is anonymous and the tone is very mysterious.