I've been looking for this type of music for over a year, I usually focus on Mr. Bill and the people he worked with. Can anyone recommend less known producers? I'm hungry for such bass and strong drums.
He's using the Serum FX plugin (not the synth version) as a filter, since you can trigger the LFOs using the same midi used to trigger Kontakt. Also he's using two different LFOs to control the same filter cutoff, the offset gives it a nice & plucky curve.
@@lifedecoded9842 Very very well explained mate! Exactly this, one of the envelopes goes from 0-20K on the cutoff - this one is super quick and gives you a click at the start of each note. The second one controls the body of the sound, and is much slower (I then automate the length of that for more modulation)
MORE MICK GORDON TUTORIALS PLEASE
Would love to see an ambient one
Ayeeee! Joe Ford and KeepForest is back! 🔥🔥🔥
Love this distorted sound!
I've been looking for this type of music for over a year, I usually focus on Mr. Bill and the people he worked with. Can anyone recommend less known producers? I'm hungry for such bass and strong drums.
Never heard of you guys before. This is pretty sick. I'll have to check it out!
We want more!!
damn...thanks for the tutorial! Really great stuff
Where did you learn all this!!! I’d do anything for any insight
Play around and watch vids like this. You'll probably learn faster than you think.
Dude holy shit this is awesome
Hah I was going to buy this thing now I definitely will
Great stuff! Thanks
How did you set up controlling the Serum FX via MIDI notes?
FUCK YEAH! I found my people!
This is gold! Please keep them coming!
that's amazing!!
Sooo sick
rad
🙌🏾
Cool. Sounds like dubstep.
any free alt for devastator breakout?
Devastator Warzone has a free demo
@@YungstarProd can I do the same things with Devastator Warzone?
Too quick, where does serum come in again?
He's using the Serum FX plugin (not the synth version) as a filter, since you can trigger the LFOs using the same midi used to trigger Kontakt. Also he's using two different LFOs to control the same filter cutoff, the offset gives it a nice & plucky curve.
@@lifedecoded9842 Very very well explained mate!
Exactly this, one of the envelopes goes from 0-20K on the cutoff - this one is super quick and gives you a click at the start of each note.
The second one controls the body of the sound, and is much slower (I then automate the length of that for more modulation)
Joe Ford uses bitwig, eh?
which DAW is this?
Bitwig
Just stop it’s boring and nothing new.