@@charliehe472 Yeah. Another Mozart piece that influenced Beethoven's Third Symphony is Symphony no. 39 in Eb, the most dramatic major key piece by Mozart I have ever heard.
lol that's just a repeat of leading tone and tonic. the reason why it sounds similar is just because they're in the same key. it's kinda stretch to accept that the ending of beethoven's is influenced by something even though i have no doubt that the symphonies from beethoven are influenced by mozart's.
@Fjishylol However, this 170bpm could also be the authentic tempo. He borrowed the motif from Clementi Op24 No2. He might want to mock him because how technical that guy is. (I can do better than you and I can also play faster than you)
This sounds very early-Beethoven-like. For Mozart, it's unusually motivic. He usually writes a few catchy tunes and just glues them back to back with very little development. I quite like late Mozart for this reason; he gets away from that.
Late Mozart was on declination... he seemed to be recovering at the very end of his life. It's sad but sometimes I think: "Well, this inspired his most sentimental works and that's kind of the price for that :c" Like I heard in the Wolfgang series "the more miserable he is, the more beautiful his works are..." wow
Give me an example of where Mozart "writes a few catchy tunes and just glues them back to back with very little development". I'd rather listen to a 16 bar Mozart development than one of Beethoven's tiresome developments with the constant hammering over the head of his motives. Teenager, I assume......
A lot of Mozart’s later works sound similar to works by Beethoven. For example, Symphony no 40 in G minor sounds similar to Beethoven’s Fifth. Indeed I see late Mozart as a foreshadowing of Beethoven’s middle period, bridging the musical gap between Haydn’s conservative classicism and Beethoven’s revolutionary romanticism.
@@rosadovelascojosuedavid1894 "he seemed to be recovering at the very end of his life." No he wasn't. "the more miserable he is, the more beautiful his works are..." That is plain absurd!
It’s a fugato. It does start like a fugue would but the dead giveaway that it isn’t a fugue is that it goes from being contrapuntal(multiple layers of independent melodies) to homophonic(melody and bass) relatively quickly. A fugue would only do that at the very end with a tonic pedal if it does it at all.
copiato ?? No. Only the theme, the rest is from Mozart ! And it's I think a Mozart's joke because Clementi played this sonata in a pianoforte competition beetween him and Mozart, and Wolfgang winned that this evening..
![Wolfgang Amadeus Mozart - Die Zauberflöte K. 620 [With score]](http://i.ytimg.com/vi/NfLk5VKs5sQ/mqdefault.jpg)
![Wolfgang Amadeus Mozart - Die Zauberflöte K. 620 [With score]](/img/tr.png)
0:43 At this moment you can feel the melancholy that Mozart had been feeling since this opera was one of his last works.
You're like an English teacher looking into the simplest statements
The third movement scherzo of Beethoven's Third symphony ends sounding very much like the end of Mozart's Magic Flute overture.
That's because a lot of Beethoven's works were influenced greatly by Mozart.
Es cierto/ It's truth
WOOOOW THIS IS A REALLY COOL FACT. Thanx for sharing it
@@charliehe472 Yeah. Another Mozart piece that influenced Beethoven's Third Symphony is Symphony no. 39 in Eb, the most dramatic major key piece by Mozart I have ever heard.
lol that's just a repeat of leading tone and tonic. the reason why it sounds similar is just because they're in the same key. it's kinda stretch to accept that the ending of beethoven's is influenced by something even though i have no doubt that the symphonies from beethoven are influenced by mozart's.
Plot twist: The music is actually score for a magic flute.
absolutely brilliant -Mille Grazie !
1:25
excerpt (for me)
1:47 basses excerpt
Allegro 1:24
Put the playback speed at 0.75 at the allegro part and you'll see the magic. (authentic tempo)
@Fjishylol It sounds more cleaner not too rushed. The 16th note become more clear. The piece feels fresh.
@Fjishylol However, this 170bpm could also be the authentic tempo. He borrowed the motif from Clementi Op24 No2. He might want to mock him because how technical that guy is. (I can do better than you and I can also play faster than you)
2:20 this sexy Edim/F
1:41 2:21 Viola audition
Yessir.
Ew viola
O músico para ler uma partitura dessas tem que ser muito fera. Não tenho ideia do grau de dificuldade imposta a um maestro.
0:52
Anyone else here for music class :P?
Yes lol
Started that way, now I'm in my mid-30s, rewriting his honour for guitar 🤪🤣😘
I’m here from my cello tutor.
Is the end like the 1812 overture?
@Danny-pd9yb…
You could cut the black parts of the video. This way, it would have been readable in portrait mode on smartphones and tablets
very nice music :D
Playing this in orch.... HALP!!! II violin.
Is it hard?
I don't know . I'm a keyboard player
@@mihawkdrakule3869 I would say "tricky", but not technically hard, this is not Tchaikovsky or Strauss
so....how'd it go?
1:31-2:30 violin excerpt
Mozart's glorification of Persian Philosophy and culture
Why did you put the words, "Synchronized Audio Track", in the title? It doesn't seem to be necessary.
Fixed. Thank you
This sounds very early-Beethoven-like. For Mozart, it's unusually motivic. He usually writes a few catchy tunes and just glues them back to back with very little development. I quite like late Mozart for this reason; he gets away from that.
Late Mozart was on declination... he seemed to be recovering at the very end of his life. It's sad but sometimes I think: "Well, this inspired his most sentimental works and that's kind of the price for that :c"
Like I heard in the Wolfgang series "the more miserable he is, the more beautiful his works are..." wow
Give me an example of where Mozart "writes a few catchy tunes and just glues them back to back with very little development". I'd rather listen to a 16 bar Mozart development than one of Beethoven's tiresome developments with the constant hammering over the head of his motives. Teenager, I assume......
A lot of Mozart’s later works sound similar to works by Beethoven. For example, Symphony no 40 in G minor sounds similar to Beethoven’s Fifth. Indeed I see late Mozart as a foreshadowing of Beethoven’s middle period, bridging the musical gap between Haydn’s conservative classicism and Beethoven’s revolutionary romanticism.
"unusually motivic" This is probably the first Mozart piece you have heard other than Eine Kleine, Alla Turca, Sonata No. 16.
@@rosadovelascojosuedavid1894 "he seemed to be recovering at the very end of his life." No he wasn't.
"the more miserable he is, the more beautiful his works are..." That is plain absurd!
Is the Allegro a fugue?
It’s a fugato. It does start like a fugue would but the dead giveaway that it isn’t a fugue is that it goes from being contrapuntal(multiple layers of independent melodies) to homophonic(melody and bass) relatively quickly. A fugue would only do that at the very end with a tonic pedal if it does it at all.
Fugue is a very steady form. But fugato is more free form and shorter than fugue.
1:31 to 2:25
Yeah I wanted this video
l'allegro di questa ouverture è copiato dall'allegro di Clementi n 2 op 24 in sib magg.composto parecchi anni prima dell'ouvertured di Mozart,
copiato ?? No. Only the theme, the rest is from Mozart !
And it's I think a Mozart's joke because Clementi played this sonata in a pianoforte competition beetween him and Mozart, and Wolfgang winned that this evening..
@@rossini9mozart10 wow, interesting fact!
Non è copiato , è prendere il prestito un tema e cambiare l'esportazione completamente.
It did not sync is it😕
y
1:26
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Why such a masterpiece has to do with masonic symbolism?
!:37
1:25
4:10
1:43
1:24