La bohème - Si mi chiamano Mimì (Puccini; Nicole Car, The Royal Opera)
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- Опубликовано: 30 апр 2018
- Nicole Car sings 'Si, mi chiamano Mimì' from Puccini's opera La bohème. Find out more: www.roh.org.uk/tickets-and-ev....
Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini’s La bohème. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focusses on the lives of a group of young artists as they eke out an existence on the bohemian fringes of Paris. Jones brings his characteristically acute insight to this much-loved classic, visualized in Stewart Laing’s spectacular, stylized designs.
Puccini’s romantic depiction of bohemian Paris, with wonderful music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances here since. 
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Nicole is a fantastic Mimi, absolutely nails the role. I had a tear in my eye more than a couple of times. Absolutely brilliant.
Beautiful!! I love that little chuckle she gives at "il perche non so" - and her voice is just gorgeous!!
Check out soprano Kasondra Kazanjian
Vince C Why?
Yes i love that too, makes me smile every time! Going to see La Boheme in June, my first opera!
Me too, it makes me shiver! Wonderful.
Nicole Car and Michael Fabiano are just magic , both with beautiful voices , but able to bring the characters alive , make you feel the intense emotion of the scene , make one cry . Nicole Car sings this superbly !!!
Nicole does the emotion and passion in Puccini's music so much justice
Jesus, you actually made me cry. I've heard this hundreds of times before but I haven't ever seen it come alive before. Thankyou. Quite brilliant.
oh my god her voice is so warm and calming to hear I love her!!
Merveilleuse cantatrice et sublime voix !
I love this opera so much !
What a beautiful aria, always gives me goosebumps
The acting is so good in this! Loved the "I don't go to Mass, oh but I say my prayers" hasty reassurance especially, but everything was wonderful.
What a voice..beautiful...
Nicole is so adorable here!
It makes me cry every time. I have to make sure that im alone when I do.
Ma che bellissima Mimi! Complimenti!
Enrapturing performance . . . and the gorgeous color of her voice. Extraordinary. ❤
Great singing, and the facial expressions were exquisite.
There are people watching this who have a tear in their eyes only a couple of times?!
I'm smiling yet crying from second to second.
Her recitative-acting is so heartbreakingly intense and yet so perfectly expressive of a woman's dreams and yearning for love and unity with another heart.
Artistic and human and womanly perfection!
Orchestral genius of course from the maestro of Milano.
Love andrea
Lovely indeed, full of heart & vocal means. Amazing.
I saw this opera 2 times it is so good
All time favorite opera
Прекрасная Мими!!! Прекрасный голос и очень музыкально!!! Одно удовольствие)))) Брава))))
a very healthy and vigorous Mimi😊
The best production of this wonderful opera . Was at Covent Garden to see it.
When she sings about the sun coming over the top of the roofs the hairs always stand up on the back of my neck.
I knew she would sound good 🤭👏❤
Merveilleuse soprano actuelle. Une Mimi de Luxe...
WHAT A MAGNIFICENT VOICE. BRAAAAVAAAA!!
Moment de grâce absolue 😢❤
Mega-wow!!!
absolutely rivetting
This is beautiful I love this music
que obra tan bonita
Very nice..
went to see it in 2016
❤️😍
J'aime.
She has just conquered my soul...
DIOS MIO !!!! QUE VOZ , INAGOTABLE TALENTO HASTA LA ULTIMA NOTA ....
Una delle migliori Mimì che ho ascoltato
Good
Sie ist wunderbar! Diese Einheit von Stimme & Körper & die dynamischen Nuancen....
Magnífica!
I love soprano's singing Chopin was right Bel Canto.
The late, great Renata Tebaldi is pretty hard to beat in this scene.
Yes and Callas, too. Though unfortunately no film footage of her in the opera.
Mirella Freni too!
Don't forget Victoria de los Angeles!
Check out soprano Kasondra Kazanjian
@@emc5678 her top is definitely sharp
I did subtitle for my Opera company. This song always distracted me. It has such a beautiful orchestral bit and also such important lyrics.
😍😍😍😍
How can we stream this recording (the whole Opera)? I'm happy to pay but it doesn't seem to be available. Seems silly for them to put out this teaser, but with nothing about how to get it.
its on here live for free in two weeks!!!!!!
It's currently on Netflix!
I was there, I wept.
👍
Poor love song
Because you're poor
Do not know loneliness
Come back with you
The moonlight is pouring in the snowy alleyway.
Is not it afraid to be poor?
Two-point hitting
The sound of the whistle of a crime prevention officer
When I open my eyes, I hear a heavy machine rolling.
I would have passed away because I was poor.
I want to see your mother.
After the house, there was one left
I am also drawing a red wind gusto.
The hotness of your lips that came to my ball
My breath, whispering that I love you and love you
Turn around and cry behind my back.
Why do not you know that you are poor
Because they are poor,
That we should throw away all these things.
A new breeder
Practical literature, 1988
Nicole Car e bellisima
Sì, mi chiamano Mimì,
ma il mio nome è Lucia.
La storia mia è breve.
A tela o a seta
ricamo in casa e fuori...
sono tranquilla e lieta
ed è mio svago
far gigli e rose.
Mi piaccion gente che sogna,
le cose gentili, il bianco e il rosso,
parlar d'amor, di primavere,
di sogni e di chimere,
quelle cose che han poesia...
Sì, mi chiamano Mimì,
e perché non so.
Sola, mi fo
il pranzo da me stessa.
Non vado sempre a messa,
ma prego assai il Signore.
Vivo sola, soletta,
là in una bianca cameretta:
guardo sui tetti e in cielo;
ma quando vien lo sgelo
il primo sole è mio
il primo bacio dell'aprile è mio!
Il primo sole è mio!
Germoglia in un vaso una rosa...
Foglia a foglia la spio!
Cosi gentile il profumo d'un fiore!
Ma i fior che cerco io,
non l'ho trovato ancor!
Pura come un angelo, Dio mi diè una figlia;
sempre, vicino al desco
di questa povera mamma, sorrise,
e con l'angioletto a fianco
soave dormire posso.
Or son tranquilla; so che Licinius è giusto,
e a Manlio dirò che deve
ora e sempre rispettarmi...
perchè io sono fedele,
fedele alla mia terra,
fedele al mio amore!
I think there should be more filatos in those high notes, that’s the whole point of the piece. Mimì is a poor, docile and young woman, so singing should be felt much easier and simpler. Mirella Freni totally got its direction.
Laura C. --I agree she oversang the entire thing . Also her boyish tone throughout was not used to good effect here . At one point she seems devouring its absurd . She has little ambiance , death and dreaminess. It’s the usual over masked over hollow tone dross that plagues the opera scene at present . At one point she pulls in her dress and oversings the phrase coming OFF the entire apex. This is someone who thinks she is singing Donna Anna everywhere . Tiresome . But at least she was in tune and has tone . Yawn.
@@orion8835 I totally agree with you. Sounds and looks like a post-grad end of year recital.
Check out soprano Kasondra Kazanjian
ruclips.net/video/yTagFD_pkNo/видео.html
Which do you prefer?
Going sharp on some of the top notes but otherwise very good and approaching mirella freni standard.
I noticed this too , once you’ve heard it …
🤐🤐🤐
Gg
Certainly not your conventional Mimì. Fantastic and very engaging!
My only suggestion is that in the future Ms. Car will resist the temptation for "chiamano-ò-Ò-ÒÒ Mimì", which is a bit distracting and she did it quite a few times.
Il primo bacio ....orchestra far too loud....learn to shimmer.....and let her dominate.
il profumo....Ms. Car...you must learn not to push your top notes, you'll have no voice at age 50. Learn to spin and hold back the breath. Twice it got splatty up there.....
The 'i' in the first primavere was way pushy too
Check out soprano Kasondra Kazanjian
Impressive but the voice doesn't sound like one suffering from tuberculosis
She doesn't, yet.
Just a woman talking to a man, why sound so nerves.
I'm so confused seeing "Beautiful!" and ""What a voice!" in the comment section. Is this actually considered good singing? I don't want to be mean, it's not personal, but her high notes are thin and shrill and sometimes off key. Her general tone is not solid, it's collapsed. Her low notes are almost non-existent. It is not pleasant to listen to.
Noah Burns
No you’re right.
People like this aria and she’s cute, but it’s certainly not especially good singing.
No chestvoice and thin, sometimes off pitch too.
I know what you mean, just give these young singers a chance. Perhaps the opera industries lately can't introduce great voices like in the past (especially dramatic voices) because they have pushed these young singers to perform too early. I think they should train a couple more years, unless possessing gifted voices, please don't be too harsh!
@@derek2365 I agree. I don't blame her. I blame a vocal training system that seems to have gone off the rails. My comment above goes to why I think that's so: people, apparently management and critics as well, listen to a voice like this and don't hear a singer with potential but a series of flaws, they hear a more or less finished product. Or, "that's just her voice." Or if they do hear flaws, they evidently don't know how to correct them, as her sound is ubiquitous these days. Even in terms of lyric voices, when was the last time we had a lyric voice as evenly, beautifully, and firmly produced as Rethberg, Norena, Farrar, Lehmann, Schumann, Easton etc.. It's been a few decades, at least. I think either people have lost the discernment as to what great voices are, or they've lost the knowledge of how to make them and have changed taste out of necessity. I also agree that they need more time to develop. But wrong training over a longer time won't produce great singers either. So first we need to reset and try and discover what it was that produced the great singers of the past and try to imitate it. Then set up a system in which singers can take their time being properly trained. But that won't happen if we don't admit there's a serious problem.
Dreadful mic'd singing.
The real thing:
ruclips.net/video/iCOype5Jxew/видео.html
Zeani ? She bawls it out like she was Norma not Mimi.
Too heavy and dark. Mimì needs more of an exquisite poetic lightness, like a flower.
She screams
Che parlano d'amore, di priiiiiiiiiiiimavere
Yes she does as she's pushing too hard.