00:04 Die Entführung aus dem Serail K. 384: Overture 2:11 Eine kleine Nachtmusik K. 525: Allegro 6:33 Die Entführung aus dem Serail K. 384: Aria, "Wer ein Liebchen hat gefunden" 7:40 Die Entführung aus dem Serail K. 384: Vaudeville, "Nie werd ich deine Huld verkennen"
Thank you to upload this documentary :) No subtitles in English from 21:30... Could this problem be solved? It would be great to see the complete video with subtitles. THANK YOU!
Der title ist in english , die Beschreibung ist in english und zwischendrin wird english gesprochen also häulen sie lieber leise . Deutsche Untertitel Bitte . Deutsche Beschreibung bitte .
for those interested this is the Requiem as composed by Mozart, with all the lines he wrote, last min of the documentary is crap, sorry. ruclips.net/video/M_0wBTkkT7U/видео.html "With the exception of the Kyrie (which was fully orchestrated colla parte by two unknown hands after Mozart's death), this recording of Mozart's Requiem consists only of what the composer himself put to paper before his demise. Only the first movement - the Requiem aeternum - was completed by Mozart; the rest of the score consists of the fully written choral parts, a basso continuo (cello, bass and organ) line and occasionally written out bars of the upper strings and woodwinds to link the vocal material together. This recording was originally interspersed with "Sieben Klangräume," a dissonant soundscape inspired by Mozart's final days written by contemporary composer Georg Friedrich Haas. Those sections have been removed here. Furthermore, the sketch for an 'Amen' fugue intended to close the Sequenz has been included from a similar recording by Das Neue Orchester and Chorus Musicus Koln conducted by Christoph Spering. Recorded live at the Lutherkirche Bad Cannstadt on March 19th 2016 by the Stuttgarter Kammerorchester and the SWR Vokalensemble Stuttgart as conducted by Risto Joost. Featuring soprano Kirsten Drope, alto Sabine Czinczel, tenor Johannes Kaleschke, bass Mikhail Shashkov and organist Jörg Hannes Hahn." You may find several others attempts at completing the Requiem on youtube, listen to them, listen to the original, personally I conluded that Sussmayr version is pretty legit, I mean based on how the Requiem makes me feel. Of course there will always be a sense of wonder and "what if"or "how would it sound ? if it was finished by Mozart" P.S ofc Zauberflote is regarded as his "legacy" by the same hands that forced him to his grave
Volkmar Braunbehrens, Mozart “Historian” pretends to know that Mozart, at 5ft. 5in., was “a small person” and therefore displays a “compensatory” vanity and wore “garish” clothing because of it. Failing to realize that MOST GENIUSES are difficult and somewhat vain. Never mind that 5ft. 5in. was NOT terribly short for that era. I suspect what we are hearing is Mr. Braunbehren’s INSECURITY and VANITY.
@@faktenentdecker6406 Ich glaube, dass du recht hast. Aber nicht alle leute können Deutsch und es ist ein gute dokumentarfilm und alle leute sollten die gelegenheit es zu sehen haben. Entschulige du mich bitte für meine Deutsch. Ich bin griechisch
Mozart 🎵 notes were guided by God,⛅
. Great video, keep it up!
The greatest musician of all time!
Yes indeed! The Mount Rushmore of music would be: Mozart, Beethoven, Tchaikovsky, Wagner. But of course there are many more you could add.
I love this documentary a lot, Mozart it's my inspiration ❤️🍷, he is the best composer !!! Thanks for making this documentary one of my favorites!!
This kind of content is difficult to find. Thanks for share it.
Great documentary. Thanks for share it
Thank you for your feedback! Glad you enjoyed it!
Most interesting !viva Mozart !!!❤❤
00:04 Die Entführung aus dem Serail K. 384: Overture
2:11 Eine kleine Nachtmusik K. 525: Allegro
6:33 Die Entführung aus dem Serail K. 384: Aria, "Wer ein Liebchen hat gefunden"
7:40 Die Entführung aus dem Serail K. 384: Vaudeville, "Nie werd ich deine Huld verkennen"
Ótimo 😊
Most Art .... Moz Art
Thank you very much for uploading this and other documentaries and concerts, great channel.
14:26 W.A. Mozart - Piano Concerto No.13 in C major, K.415 (387b) - III. Rondeau. Allegro
Thank you to upload this documentary :) No subtitles in English from 21:30... Could this problem be solved? It would be great to see the complete video with subtitles. THANK YOU!
We are pleased to inform you that you can now enjoy the full video with subtitles.
That's great! Thanks a lot :-)
Der title ist in english , die Beschreibung ist in english und zwischendrin wird english gesprochen also häulen sie lieber leise . Deutsche Untertitel Bitte . Deutsche Beschreibung bitte .
Bitte lernen sie Englisch. Ich komme aus Mexiko und ich habe Englisch gelernt für diese Art von Inhalten gucken können
38:47 warum hält Fiordiligi ein Bild vom Basti im Arm?
for those interested this is the Requiem as composed by Mozart, with all the lines he wrote, last min of the documentary is crap, sorry.
ruclips.net/video/M_0wBTkkT7U/видео.html
"With the exception of the Kyrie (which was fully orchestrated colla parte by two unknown hands after Mozart's death), this recording of Mozart's Requiem consists only of what the composer himself put to paper before his demise. Only the first movement - the Requiem aeternum - was completed by Mozart; the rest of the score consists of the fully written choral parts, a basso continuo (cello, bass and organ) line and occasionally written out bars of the upper strings and woodwinds to link the vocal material together. This recording was originally interspersed with "Sieben Klangräume," a dissonant soundscape inspired by Mozart's final days written by contemporary composer Georg Friedrich Haas. Those sections have been removed here. Furthermore, the sketch for an 'Amen' fugue intended to close the Sequenz has been included from a similar recording by Das Neue Orchester and Chorus Musicus Koln conducted by Christoph Spering.
Recorded live at the Lutherkirche Bad Cannstadt on March 19th 2016 by the Stuttgarter Kammerorchester and the SWR Vokalensemble Stuttgart as conducted by Risto Joost.
Featuring soprano Kirsten Drope, alto Sabine Czinczel, tenor Johannes Kaleschke, bass Mikhail Shashkov and organist Jörg Hannes Hahn."
You may find several others attempts at completing the Requiem on youtube, listen to them, listen to the original, personally I conluded that Sussmayr version is pretty legit, I mean based on how the Requiem makes me feel. Of course there will always be a sense of wonder and "what if"or "how would it sound ? if it was finished by Mozart"
P.S ofc Zauberflote is regarded as his "legacy" by the same hands that forced him to his grave
20:50 1,65 m war für die damalige Zeit aber nicht besonders klein.
Aber Er war 1.50cm.
Music at the begginning???
overture of The Abduction from the Seraglio
Volkmar Braunbehrens, Mozart “Historian” pretends to know that Mozart, at 5ft. 5in., was “a small person” and therefore displays a “compensatory” vanity and wore “garish” clothing because of it. Failing to realize that MOST GENIUSES are difficult and somewhat vain. Never mind that 5ft. 5in. was NOT terribly short for that era. I suspect what we are
hearing is Mr. Braunbehren’s INSECURITY and VANITY.
what song is playing at 42:00?
Rondo A-Minor K.511
👍👍👍🇦🇹🇦🇹🇦🇹
please fix the subtitles!!
We are happy to inform you that the subtitles were fixed.
wow how nice of you! thank you so much you made my day!
Nein es muss nicht immer alles Englisch sein !
@@faktenentdecker6406 Ich glaube, dass du recht hast. Aber nicht alle leute können Deutsch und es ist ein gute dokumentarfilm und alle leute sollten die gelegenheit es zu sehen haben. Entschulige du mich bitte für meine Deutsch. Ich bin griechisch
@@faktenentdecker6406 Ugh, werd erwachsen.
aaa docu