Oh no Furtwängler is considered to be No. 1. His Tristan is unsurpassed, has conducted successfully in old Bayreuth, is the most important source in German repertoire. His recordings are absolutely legendary and became entangled in mysticism. Maybe Karajan second but let's say Kleiber and Karajan share second place.
Frutwangler is the greatest, but to me not in Tristan but more in Mozart, Schuber, Bruckne, Bach... Kleiber's Tristan I like more. Karajan, it is really strange for me to see him in that row.
00:00:00 Johannes Brahms - Schicksalslied op. 54 00:01:16 (and other rehearsal scenes) Carl Maria v. Weber - Der Freischütz J.277 (Overture) 00:05:31 Giaccino Rossini - Guillaume Tell (Overture) 00:08:49 Edvard Grieg - Peer Gynt Suite No.2 op. 55 ("Solveig's Song") 00:10:55 Jean Sibelius - Pelléas et Mélisande op. 46 (Act 1 Prelude "At the Gate") 00:21:17 Giuseppe Verdi - I Masnadieri (Overture) 00:25:16 Richard Strauss - Rosenkavalier (different scenes) 00:31:44 Ludwig v. Beethoven - Symphony no. 9 (Ode to joy, orchestral from 4th mvt.) 00:32:40 Giaccino Rossini - Guillaume Tell (Overture) 00:34:56 Richard Wagner - Tristan & Isolde (Prelude) 00:36:36 Richard Wagner - Tristan & Isolde (Act 3 "Mild und leise") 00:41:11 Guiseppe Verdi - Otello (Act 1 "Una vela! Una vela!") 00:43:38 (and other rehearsal scenes ) Johann Strauß II - Die Fledermaus (Overture) 00:44:39 Ludwig v. Beethoven - Symphony no. 9 (3rd mvt.) 00:49:47 Johann Strauß II - Annen-Polka op. 117 00:51:58 Johann Strauß II - Wiener Blut Operetta (Overture)/Wiener Blut Waltz op. 354 00:58:03 Wolfgang Amadeus Mozart - Symphony No. 29 K.201 (2nd mvt.) 01:00:44 Ludwig v. Beethoven - Corolian Overture op. 62 01:04:18 Ludwig v. Beethoven - Symphony No. 7 op. 92 (2nd mvt./Allegretto) 01:07:14 Jean Sibelius - Symphony no. 6 op. 104 (1st mvt.) 01:08:35 Richard Strauss - 2 Gesänge op. 34 (1. "Der Abend")
Eines Tages kam ein göttliches Wesen zu uns auf die Erde, erfreute uns einige Zeit und ging wieder, genial, charismatisch, schön uuuund begabt, er bringt meine Seele zum tanzen....
Wunderbare Dokumentation. "Schauen sie sich dieses Gesicht an, diese Energie! Wenn Kunst die Nabelschnur zum Göttlichen ist, der hängt an dieser Schnur."
Als 10 jähriges Kind bekam ich eine Kassette mit Carlos Kleiber und Schuberts Unvollendeter geschenkt. Ich stand im Kinderzimmer und hörte, hörte, hörte und seh mich noch heute dabei dirigieren. Man konnte seine Interpretationen förmlich mit dem ganzen Körper mitgehen. In der Schule lernten wir die Oper anhand seines Freischütz kennen. Ich könnte meinem damaligen Musiklehrer noch heute die Füsse dafür küssen. CK hat das Innerste der Musik ganz gross raus und erfahrbar gemacht. Die Oper brauchte man später gar nicht mehr sehen. Ihn und die Oper hören reichte schon, um das richtige Gefühl und Bild im Kopf zu erhalten.
It is so good to see that Eric Schulz's film has now gained the recognition it so richly deserves. There's film a-plenty of this nost elusive and 'hidden' of conductors. Kleiber was an amazing musician and communicator but seemed to find it impossible to manage his own extraordinary talents. What a wonderful film Mr Schilz has made here. Thank you so much for making it available here.
A beautiful tribute to a great man. I can remember to this day when I first heard his reading of the Beethoven 5. Bob Kerr on Off the Record on CBC played it and spoke glowingly of the genius of this conductor who was already infamously unwilling to record. I still listen to that recording and the 7 and anything else i can find that speaks of his genius but more importantly of die ungezugelte Leidenshaft, die er fur die Welt entflesselt hat.
Many thanks to the Euro Arts channel for posting this film. I am a bit saddened that the credits at the end do not include a complete list of all of the snippets of music used in the background so one could try to look for them. All feature films have such a list at the end, even with the performers clearly identified.
Wie berührend dieses Porträt - danke so sehr von Herzen an alle Macher und Uploader. Und: An Carlos Kleiber und seine Musiker. Kann man sich bei einem Verstorbenen bedanken? Liest er mit ...?!
I love his Brahms 4, Beethoven 5, his Strauss Waltzes (both Richard & Johann). Pity, he never did any Mahler, especially the Resurrection and the Eight!
Neil Amadeus Yudhistira, you are right, I overlooked that, perhaps because it was a solitary work of Mahler that Kleiber ever did, I never associated him with the music of Mahler as I would with Bernstein, Abbado, Haitink et al.
@@301250 Kleiber didn't like Mahler though. He once said Mahler was surrounded by negative demonic ghosts, whereas the ghosts in Der Freischutz were healthy and positive. Saying that, he knew all 9 of Mahler's symphonies very well (and the 10th) and his favorite one was the 8th.
@@MrTann2010, it reminds me of certain conductors like Bruno Walter, who didn’t conduct a few Mahler symphonies because he found them “disturbing”. If I am not mistaken, George Solti once said that the Seventh was the work of a madman.
@@301250 I think you really need to live a very disturbed life and drive yourself to insanity due to your perfectionism like Mahler did in order to write and understand the symphonies that he did. The depression, hopelessness and suicidal feelings are expressed so vividly by Mahler in his symphonies, and they become more vivid as the symphonies go by. The Resurrection symphony was the first sign of things to come from him. Tennstedt once said that with the exception of the first symphony, you really need to live your life in order to understand the rest of his symphonies.
Putting labels of "best of all time" on conductors is a bit odd. Maybe he was the best in the recording era, who knows for all intents and purposes Mahler was an even greater conductor. There is no way we will know. The other problem with Kleiber is his repertoire. It was too small to really judge him as a complete conductor. But what he chose to conduct, he conducted to perfection.
Carlos was a genius and perfectionist - hence the small amount of his performances and recordings. And, for example, Gergiev, performing 2 times a day (often without rehearsals), despite the huge repertoire, is an ordinary apprentice, to whom paid critics and intendants sing praises
Maestros don't sing any more! Maybe true at the time of making this film but now I can think of three at least who do : Nathalie Stutzmann who does it to save words conveying colour rhythm dynamics etc. Also Mirga Grazinyte Tyle who has a background in choral plus started conducting opera . William Christie also.
Zhuangzi war der Name des Authors des Buches, worüber seine Schwester geredet hat. Dann sprang es direkt zu Frau Fassbaender. Vielleicht hilft das in einer Google Suche!
So Maestro Kleiber was a copycat and used all his conductor fathers scores ,deep seated problems of inferiority compared to his father, it all rather sad and a real eye opener to this tormented Maestro.If only he had realised that his conducting was far more expressive and emotional than his arrogant austere father....
he was ill. a manic depressive and a medically diagnosable narcissist. the latter due to his very problematic upbringing. but he tried. and was a beautiful man and he suffered greatly, as did the women he loved and left after a short while.
It is not good to speak ill of the dead. We don’t really know what Carlos K was like and he may have been poorly. I agree with Emj Deckwitz that he probably suffered and perhaps those close to him. Please let him alone, rest in peace and enjoy the wonderful music he gave us.
The most charismatic, the greatest and the most beautiful of all conductors EVER.
El mejor ,no me canso de escucharlo .Un saludo desde España.
Kleiber is absolutly No.1 conducotor of all times. Pure genius. His music is perfect and timeless.
Oh no Furtwängler is considered to be No. 1. His Tristan is unsurpassed, has conducted successfully in old Bayreuth, is the most important source in German repertoire. His recordings are absolutely legendary and became entangled in mysticism. Maybe Karajan second but let's say Kleiber and Karajan share second place.
Sorry, but a statistic of the music magazine of our time says: Kleiber is the best conductor of all times. Chosen by his colleagues ...
why do we need this competition between musicians? What about Bernstein, Abbado, Bruno Walter, Toscanini, Klemperer and so many others?
beacuase it's true))) Some are good, and some are no. That is just it.
Frutwangler is the greatest, but to me not in Tristan but more in Mozart, Schuber, Bruckne, Bach... Kleiber's Tristan I like more. Karajan, it is really strange for me to see him in that row.
00:00:00 Johannes Brahms - Schicksalslied op. 54
00:01:16 (and other rehearsal scenes) Carl Maria v. Weber - Der Freischütz J.277 (Overture)
00:05:31 Giaccino Rossini - Guillaume Tell (Overture)
00:08:49 Edvard Grieg - Peer Gynt Suite No.2 op. 55 ("Solveig's Song")
00:10:55 Jean Sibelius - Pelléas et Mélisande op. 46 (Act 1 Prelude "At the Gate")
00:21:17 Giuseppe Verdi - I Masnadieri (Overture)
00:25:16 Richard Strauss - Rosenkavalier (different scenes)
00:31:44 Ludwig v. Beethoven - Symphony no. 9 (Ode to joy, orchestral from 4th mvt.)
00:32:40 Giaccino Rossini - Guillaume Tell (Overture)
00:34:56 Richard Wagner - Tristan & Isolde (Prelude)
00:36:36 Richard Wagner - Tristan & Isolde (Act 3 "Mild und leise")
00:41:11 Guiseppe Verdi - Otello (Act 1 "Una vela! Una vela!")
00:43:38 (and other rehearsal scenes ) Johann Strauß II - Die Fledermaus (Overture)
00:44:39 Ludwig v. Beethoven - Symphony no. 9 (3rd mvt.)
00:49:47 Johann Strauß II - Annen-Polka op. 117
00:51:58 Johann Strauß II - Wiener Blut Operetta (Overture)/Wiener Blut Waltz op. 354
00:58:03 Wolfgang Amadeus Mozart - Symphony No. 29 K.201 (2nd mvt.)
01:00:44 Ludwig v. Beethoven - Corolian Overture op. 62
01:04:18 Ludwig v. Beethoven - Symphony No. 7 op. 92 (2nd mvt./Allegretto)
01:07:14 Jean Sibelius - Symphony no. 6 op. 104 (1st mvt.)
01:08:35 Richard Strauss - 2 Gesänge op. 34 (1. "Der Abend")
Carlos Kleiber best conductor of all times !!
Ohne Zweifel. Einmalig
ignacio noel To you maybe but no to illusive and difficult for me .
Eines Tages kam ein göttliches Wesen zu uns auf die Erde, erfreute uns einige Zeit und ging wieder, genial, charismatisch, schön uuuund begabt, er bringt meine Seele zum tanzen....
Wunderbare Dokumentation. "Schauen sie sich dieses Gesicht an, diese Energie! Wenn Kunst die Nabelschnur zum Göttlichen ist, der hängt an dieser Schnur."
Fascinating. Great to hear the insights of those who clearly loved him dearly but not blindly.
The great, great, great Carlos
What a marvelous, deeply moving documentary film on this fascinating human being!
Als 10 jähriges Kind bekam ich eine Kassette mit Carlos Kleiber und Schuberts Unvollendeter geschenkt. Ich stand im Kinderzimmer und hörte, hörte, hörte und seh mich noch heute dabei dirigieren. Man konnte seine Interpretationen förmlich mit dem ganzen Körper mitgehen. In der Schule lernten wir die Oper anhand seines Freischütz kennen. Ich könnte meinem damaligen Musiklehrer noch heute die Füsse dafür küssen. CK hat das Innerste der Musik ganz gross raus und erfahrbar gemacht. Die Oper brauchte man später gar nicht mehr sehen. Ihn und die Oper hören reichte schon, um das richtige Gefühl und Bild im Kopf zu erhalten.
Finally, this important documentary about Carlos Kleiber is also available with English subtitles. Many many thanks.
So charismatic! He created a special rapport with the orchestra in a unique way
Ein wunderbares Programm... Danke vielmals...
It is so good to see that Eric Schulz's film has now gained the recognition it so richly deserves. There's film a-plenty of this nost elusive and 'hidden' of conductors. Kleiber was an amazing musician and communicator but seemed to find it impossible to manage his own extraordinary talents. What a wonderful film Mr Schilz has made here. Thank you so much for making it available here.
An outstanding account of Maestro Carlos Kleiber impact on Classical Music.
Just a fantastic artist, an inspiration to us all. Thank you for a most moving documentary.
DEAR MAESTRO! THANK YOU SOOO MUCH!
God bless him forever and ever. The genius of music.
Wie schön, dass er da war und wir ihn erleben durften...!
A beautiful tribute to a great man. I can remember to this day when I first heard his reading of the Beethoven 5. Bob Kerr on Off the Record on CBC played it and spoke glowingly of the genius of this conductor who was already infamously unwilling to record. I still listen to that recording and the 7 and anything else i can find that speaks of his genius but more importantly of die ungezugelte Leidenshaft, die er fur die Welt entflesselt hat.
So happy to hear of someone who revered Bob Kerr's shows on CBC Radio
This is for me a great Portrett of an Artist who was different…..
Der Film ist ausgezeichnet. Vielen Dank fürs hochladen.
Beautiful documentary.
Ein hervorragender Doku, danke vielmals.
Unglaublich bewegend
Extraordinário! Obrigada por compartilhar esse documentário.
What a beauty!!!!! I am deeply moved.
amazing video! thanks for sharing!
Excelente análisis de los gestos de este histórico Maestro
Many thanks to the Euro Arts channel for posting this film. I am a bit saddened that the credits at the end do not include a complete list of all of the snippets of music used in the background so one could try to look for them. All feature films have such a list at the end, even with the performers clearly identified.
A lot of people are asking about the music that starts around 09:10. It's "Solveig's song" rom the Peer Gynt Suite by Edvard Grieg.
The genius that is Kleiber.
Erstaunlicher Film. Aber nicht nur Carlos Kleiber, sondern auch Klaus König, Michael Gielen und Brigitte Fassbender sind cool.
Ja! Auch sie sind phantastisch!
Ralf Strate einmalig und unvergesslich ! Wer weiß was ist das für ein Buch der Kleiber an B. Fassbender gegeben hat?
Wie berührend dieses Porträt - danke so sehr von Herzen an alle Macher und Uploader. Und: An Carlos Kleiber und seine Musiker. Kann man sich bei einem Verstorbenen bedanken? Liest er mit ...?!
Beautiful person
Amazing forever ❤❤❤❤❤❤❤❤❤❤❤
Magnífico documento para honrar a un ser prodigioso, pleno y de infinita calidad musical y humana.
Große Dirigenter und Künstler!
Sólo los genios son catalogados como excentricos, o introvertidos
Grande Kleiber!
I love his Brahms 4, Beethoven 5, his Strauss Waltzes (both Richard & Johann). Pity, he never did any Mahler, especially the Resurrection and the Eight!
But he did Das Lied von Der Erde. The audio quality is not good though.
Neil Amadeus Yudhistira, you are right, I overlooked that, perhaps because it was a solitary work of Mahler that Kleiber ever did, I never associated him with the music of Mahler as I would with Bernstein, Abbado, Haitink et al.
@@301250 Kleiber didn't like Mahler though. He once said Mahler was surrounded by negative demonic ghosts, whereas the ghosts in Der Freischutz were healthy and positive. Saying that, he knew all 9 of Mahler's symphonies very well (and the 10th) and his favorite one was the 8th.
@@MrTann2010, it reminds me of certain conductors like Bruno Walter, who didn’t conduct a few Mahler symphonies because he found them “disturbing”. If I am not mistaken, George Solti once said that the Seventh was the work of a madman.
@@301250 I think you really need to live a very disturbed life and drive yourself to insanity due to your perfectionism like Mahler did in order to write and understand the symphonies that he did. The depression, hopelessness and suicidal feelings are expressed so vividly by Mahler in his symphonies, and they become more vivid as the symphonies go by. The Resurrection symphony was the first sign of things to come from him.
Tennstedt once said that with the exception of the first symphony, you really need to live your life in order to understand the rest of his symphonies.
Незнание языка не даёт возможность посмотреть и послушать мнение гостей передачи рассказ о любимом дирижёре Карлосе Клайбере.
Очеь жаль.💥
Sehr schöne Worte von Frau Kammersängerin Brigitte Fassbaender... auch Otto Schenk weiß passende Worte zu finden...
A genius #forever #Carloskleiber 🎶💙💕
I wonder what might have been if he did an opera with Maria Callas... Two perfectionists of matchless talent, hmmmmm.
Putting it on stage, rehearsals and organisation would probably be hell. And then, when finally on stage, it would probably be heaven.
01:15 13:12 13:49 20:28 43:38 46:52 54:17 54:47 01:00:44
45:44 with Leonard Bernstein
09:38 01:10:12 with elder sister(Veronica)
58:03 So Beautiful Sound ! 🎶
Mozart Symphony No29 (2nd mov-t)
Romance 🥲👌
Schön.
Kleiber womanised the austrian waltzez with his Musical humankind.
讓音樂由音樂性到藝術性進而昇華到靈性的使人尊敬的偉大指揮
说得太好！！
Some kind of alien in this superficial world.
最喜欢的指挥！永远的贝5贝7！
Putting labels of "best of all time" on conductors is a bit odd. Maybe he was the best in the recording era, who knows for all intents and purposes Mahler was an even greater conductor. There is no way we will know.
The other problem with Kleiber is his repertoire. It was too small to really judge him as a complete conductor. But what he chose to conduct, he conducted to perfection.
Carlos was a genius and perfectionist - hence the small amount of his performances and recordings. And, for example, Gergiev, performing 2 times a day (often without rehearsals), despite the huge repertoire, is an ordinary apprentice, to whom paid critics and intendants sing praises
Maestros don't sing any more! Maybe true at the time of making this film but now I can think of three at least who do : Nathalie Stutzmann who does it to save words conveying colour rhythm dynamics etc. Also Mirga Grazinyte Tyle who has a background in choral plus started conducting opera . William Christie also.
extremely important things - from ...aprox 22 min to aprox 25 min. And then - 39:11- 39:25!
Sangat menginspirasi.
What's the music of the opening sequence?
Schicksalslied, Brahms
Stunningly beautiful.
This music is "Der Freischutz" (Von Weber)
Weiß es jemanden was war das für ein Buch, das der Kleiber an B. Fassbender gegeben hat?
Zhuangzi war der Name des Authors des Buches, worüber seine Schwester geredet hat. Dann sprang es direkt zu Frau Fassbaender. Vielleicht hilft das in einer Google Suche!
🙇❤🌹👏
Suggested German for “womaniser”: Fraueniseur!
What is the music at 1:35?
Ouverture „Der Freischütz“ Carl Maria von Weber
EINDRUCKSVOLL RIP
Er beschwor die "mathematischen Geister".
does anybody know what piece the orchesera is playing around 4.00-5
00
Weber - Freischütz Overture
Reminds me of that other genius - Brian Wilson
Who is that?
@@Piflaser Brother of the famous Roger Wilson
@@andrewashdown3541 An actor?
@@Piflaser No a quote from a Python sketch
No English subtitle
Anyone know the music at the very end? Rachmaninov?
'Der Abend', by Richard Strauss, for 4 x 4-part choir a capella.
does anyone know the piece being played at 9:38?
It's "Solveig's song" rom the Peer Gynt Suite by Edvard Grieg
What piece is it from 0:00 to 3:18 ?
Brahms: Schicksalslied, Op. 54
Does anyone know the music played between 8:50-10:20?
Edvard Grieg - Solveig's Song
Thanks!
There were two Kleiber & Celibidache.
The others don't matter.
Too hard.
Welches Stück ist das ab 11:19?
Sibelius, Pelleas et Melisande, Akt 1, Szene 1, Prelude ("Am Burgtor").
Kleiber und Felsenstein.
Mehr ist über Oper n i c h t zu sagen.
23:20 Krishnamurti
thank you very much . do you know which book?
Carlos is better than Karajan, K only looks good
Herbert Kegel was a genius. He was called the better Herbert. Who cares?
23:20 Zitat Jiddu Krishnamurti
22:20
2:00:00
beethoven's 7th/
@@emjdeckwitz6949 !!!
Hi Domenico, the link you created does not exist because it is the 2-hour mark and the film is only 1 hour and 12 minutes long!
49:47 :)
So Maestro Kleiber was a copycat and used all his conductor fathers scores ,deep seated problems of inferiority compared to his father, it all rather sad and a real eye opener to this tormented Maestro.If only he had realised that his conducting was far more expressive and emotional than his arrogant austere father....
Not a very nice person, but a great conductor.
he was ill. a manic depressive and a medically diagnosable narcissist. the latter due to his very problematic upbringing. but he tried. and was a beautiful man and he suffered greatly, as did the women he loved and left after a short while.
It is not good to speak ill of the dead. We don’t really know what Carlos K was
like and he may have been poorly. I agree with Emj Deckwitz that he probably
suffered and perhaps those close to him. Please let him alone, rest in peace
and enjoy the wonderful music he gave us.
Anyone please knows the music from 9:50?
It's "Solveig's song" from the Peer Gynt suite by Edvard Grieg