I’m an engineer at Fox and I have to say I’m really impressed. For live news we do very similar things, we just use different server grade equipment. High cost and complexity are usually necessary to create workflows that keep working. You have to plan for something to fail and then work the solution. Awesome stuff.
Thanks for taking the time to explain in so much detail. So many people gloss over a lot of the signal flow strategies and workflow, but it's so important. Your content is great, subbed and looking forward to more.
Amazing job, guys. I especially liked the way you broke your wiring diagram down into segments and explained each overlaying the actual gear as Brandon explained it. Brilliant!
That was absolutely brilliant! You have a very Professional set up and Service, especially with the multiple redundancies, so you can react to post issue that may occur. Like many, I do a small Stream for my Sound Design Business and have done for about 2 years now, initially with OBS then I bought Wirecast Pro which had some great features at the time, but was buggy. It then was completely over taken by much cheaper alternatives and I was able to simplify with an ATEM Mini and Ecamm Live. I've now got an ATEM Extreme and only use the Video inputs, not the Streaming or Video/Keys, as I still use Ecamm, though this may change. Anyway, this was an excellent behind the scenes look at your set up and workflow and I've learned a great deal. Thanks.
Thanks - just going into Year 2 of livestreaming local sports onsite. Planning how to slim down the onsite footprint for a simple pop-up and also make the full suite a bit more robust when needed. So this is very helpful looking at the circuits and scale. I note your comments re vMix and understand, we do cameras to ATEM mIni then to a PC with vMix (for all the in game graphics and replay) and then to internet, it suits us but I can now see why and also why it is riskier in a large environment.
Thanks for sharing this all makes sense! Would like to see you do a vmix vs atem video i have always worked with BMD over the years but currently looking closer at vmix for sure for Replay but perhaps for my full webcast as well...
Brandon, how are you dealing with audio from a zoom drone as it relates to interfacing with live talent? I am looking to do something similar with podcasts and trying to find a way for the live talent to interface with virtual. Are you just running the hdmi video and audio signal from the loop out of the bidirectional converter out of tv speakers while it is simultaneously picked up on the mix to route back into the switcher?
GREAT content. Thanks for sharing. New to zoom drones. Can you explain how they are set up- meaning, how do you separate the multiple callers to their own laptops. Thank you.
Amazing. Thanks a lot for the video. But bear in mind you don't need to use vMix for everything. You can just use it as a playback machine. Or just as a recorder. Or to distribute signals around in different IP formats. Or just as a main or backup encoder.
i currently use just vmix for mixing, recording and zoom + stream, + NDI sources. Sometimes its really unpredictable esp with the VMIX computer.... hoping to go fully hardware. Great video here man
What about Tricaster 2 Elite? Do you know people who uses it? We have a smaller portable workflow built around Atem Mini Extreme, but we are looking for something bigger where we can have pre built scenes. Tricaster Elite 2 would be nice cause its like a one box setup.
Don't have a ton of experience with Tricaster, but yes I know people that use it. Definitely a better 'all-in-one' system for strictly streaming/broadcasting. Especially if you're doing consistent similar daily shows.
I find the trick is to marry all the pros of each approach. I use a combination of Tricaster, vmix and blackmagic atem in all of my bigger production. Smaller ones will typically be a combination of 2 of the 3 depending on the project.
How could I run a zoom drone setup with similar function into an stem mini switcher connected to my streaming PC? Is the Sdi bidirectional converter only used to get an SDI for your switcher? Would I just use an HDMI Splitter and connect the Zoom drone hdmi output to the external monitor as well as the stem mini?
Love this video, definitely have this setup in mind, something similar but in a more portable size...still working out the details but this gives me further clarification and better direction.Thanks again
Can confirm VMIX call is definitely a pain with some| a lot of clients. Teams NDI has been a workhorse for us. Every client has Teams it and it’s an easy lift if you’re working with execs with limited schedules. Question - what redundancy do you have if your central, mega switch breaks down? And for the debate- we run both, VMIX and an atem setup. Love them both for different reasons
Couldn't agree more that both VMix and ATEM are great and built for different use cases. I can see us integrating VMix into some workflows at some point in the future. At the moment if our main switcher (the constellation) goes down, that's our biggest single point of failure - we try to always keep a graphics computer feed going directly into the livestream atem mini at the end of the chain. So we could at least switch to that while trouble shooting the issue.
Have you experimented with use of Raspberry Pi as headless zoom drones? For my home studio I’m looking at using multiple Raspberry Pi with KVM to connect with ATEM mini and using the preview screen to control the zoom setup on each Pi
Really interesting video. Thanks. Question: Would you ever think about Newtek Tricaster? We've just got into live production and have bought a Tricaster 2 Elite for easy / mobile set ups and would like to hear your thoughts maybe on another video? Thanks again. Keep up the great work.
Although I couldn’t completely follow you 😂, this is very cool. I always love videos with the behind the scenes tech stuff and how it all works together! It also gives me some cool ideas to implement into my setup!
Thank you for your secrets)) I wanted to ask you what is your logic in picking and parsing the setup, how do you assemble the cables and all the equipment so that you can quickly put everything on the next site and get to work? Do you rehearse before the stream and how do you check the setup? I like your approach =) I still have a small setup from a video mixer datavideo 650 four sony 6400 cameras a beringer xp18 mixer a webpresenter from blackmagic and a couple of macbooks with obs. Now I want to expand and prepare one ps with a vi mix, but I completely agree with your words that keeping everything in one car is not safe.
Really interesting, and thank you for posting this. I’m building a studio in West London based around this template (with URSAG2). We’re using Autoscript from prompting but everything else is very similar. I agree re Hyperdecks, very difficult and unfriendly to use. What are you using for video playback - we plan to use CasparCG - do you use that anywhere in your setup. Also, we have ShoFlo and Rundown Creator (I prefer the later because of its integration) - do you use any production workflow automation and rundown management software. Finally, could you give more details on your video media player countdown set-up as I’m struggling to find a good solution there. Awesome video, thanks so much guys. Stuart
Nice setup! Lots of redundancy, however what if the constellation 8k craps out. I guess for full backup, you would have to split inputs into two constellations and run all outputs through video hub. Then could make a macro that switches all inputs, outputs, multi view etc to backup constellation.
hey, love this video! noticed you have those pixio LCD displays plugged into your ATEMS. I have the same display. I can't get a signal out of my ATEM onto that display. It just says no signal and shuts off. If I plug it into something else I get a signal no prob at all. I plug a different monitor into the ATEM, works fine. It's obviously a signal/rate issue, just wondering if you've had any issues like that, if so how did you solve? thanks, love the channel, keep up the great work
What is the best way to use zoom with a few guest and a live audience where the main zoom computer is located? Specifically How do you wire the sound from and to that computer to avoid feed back from the panelist in the room using a loud sound system?
You would need to give the person or people in the room with a loud sound system a microphone that does not pickup as much surrounding noise. Then send just the mic or group of mics signal into the zoom call. Just the mic signal and not a whole program audio feed. Then finally use a USB audio interface with Audio out or even just the simple headphone jack from zoom computer and send that to the speaker in the room. Feedback comes from when the microphone picks up the audio that it just sent to the mixer. Which then picks up the frequencies again and sends it to the mixer again and again and again which causes the feedback loop. To avoid this, you need to make sure the microphone can only hear the person it is meant for and not anything and everything in the room. Audio Boards have tools like Gates that can be helpful which only amplify the sound if it meets a certain threshold volume (meaning if someone is directly talking into the mic). Different Mics have different sensitivities so pick the mic that is best suited for the purpose. Country Man Microphones don't pick up as much ambient noise however Lavalier or Clip on Microphones tend to be very sensitive and can cause a lot of feedback and if not properly used and rung out. Hope that helps. Thanks!
@@A2ZProductions Thank you so very much for the tips. i will try to apply them in my next livestream which will use that very setup with zoom calls and a live audience. i do have a Motu M4 that I will be using and a Presonus digital mixer for the room sound. Now I will need to make sure I use the right mic for the panelists. Thanks again Brandon and the rest of the team.
Thank you for sharing. Very useful information. May you guys succeed whatever you ASPIRE. A very quick question..why do you use a separate monitor for the zooms?? Don't you already see it on the laptop screen? Are you are using them as separate/extended monitor?? What is the advantage of doing so??
Yes, we are using it as a secondary display. The benefit is so that you can make changes on the computer without disrupting the feed. It also gives you the ability to pull out things that may cause pop-ups in your feed such as participants and chat.
One important thing you forget to mention is internet networking. Do you use one or more internet providers for internet (zoom, webex, teams...) calls and streaming encoder. What I would do for 100% reliable streaming is: use 2 LiveU Solo (4 internet connections - 2 LTE sim cards, wifi and ethernet port ) or Solo Plus (6 internet connections - 4 LTE sim cards, wifi and ethernet port ) bonding encoders (main + backup) than go to restream (if you have more than 1 destination - if you not use restream you need more hardware encoders which means more money). Also you can use speedify for zoom, webex, teams...
I do kinda the same.. on vmix, I mean you have all the reason to believe an atem more than a PC, but btw many things can be collapsed and use both the two world. I'm actually use both the two togheter, many backups, 2 SDI matrix with many decklink 8k pro, web presenter HD, I mean the risk of the failure is either on the hardware based Switcher such as the atem, still more reliable than vmix in assuring the work to be done. But mixing the two thing and you will be happy! Great stuff in this video btw 🙂
Stunning video. Love all you produce but this one is fascinating to see it all. I'm looking at setting up a multi format media channel (blogs, podcasts, interviews, news etc0, and it seems the set up you have has the flexibility without over the top costs for a full blown TV studio. I''d love to have a call with you to discuss - and chat around if you would consult on studio design / build?
Absolutely! Just send us an email at brian@a2zmusicfactory.com and we can setup a consultation and talk through a bunch of possible options and ideas to help build something custom with you.
@@A2ZProductions if i could add a pic of my set up here in chat i would. i am about ready to do a new studio video, maybe i will remember to send you a link when i do it.
The ridiculous part with this setup is needing separate laptops for Zoom. They really need to add NDI outs like Teams or some other solution to allow for more control in professional settings.
Bro your setup is complicated and expensive but if it helps you make more sales. More power to you. When I look at your video all I'm saying to myself is "Oh God when will I become that good".
I’m an engineer at Fox and I have to say I’m really impressed. For live news we do very similar things, we just use different server grade equipment. High cost and complexity are usually necessary to create workflows that keep working. You have to plan for something to fail and then work the solution. Awesome stuff.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
This setup is epic!!
Thank you for the comment! Glad you enjoyed!
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Thanks for taking the time to explain in so much detail. So many people gloss over a lot of the signal flow strategies and workflow, but it's so important. Your content is great, subbed and looking forward to more.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Amazing job, guys. I especially liked the way you broke your wiring diagram down into segments and explained each overlaying the actual gear as Brandon explained it. Brilliant!
Glad you liked it!
Brandon's New Channel: www.youtube.com/@liveproductionmastery
No words... Well, only one. AWESOME!
Thanks you! Glad you enjoyed!
Amazing full detailed video thanks for sharing....
Thanks for the video! What kind of video wall controller are you using?
Great content! Thanks for taking the time to share your setup with us.
This is exacly what I asked us for a few weeks ago! Thank you!! yes, vmix vs ATEM video pls, bring it!
That was absolutely brilliant! You have a very Professional set up and Service, especially with the multiple redundancies, so you can react to post issue that may occur. Like many, I do a small Stream for my Sound Design Business and have done for about 2 years now, initially with OBS then I bought Wirecast Pro which had some great features at the time, but was buggy. It then was completely over taken by much cheaper alternatives and I was able to simplify with an ATEM Mini and Ecamm Live. I've now got an ATEM Extreme and only use the Video inputs, not the Streaming or Video/Keys, as I still use Ecamm, though this may change.
Anyway, this was an excellent behind the scenes look at your set up and workflow and I've learned a great deal. Thanks.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
DOPE STREAM...
The electric bill must also be just as EPIC!
Awesome video. Makes sense. What's your internet connection like? Redundancy/bonding there?
Amazing! First Backup! A big inspiration for me!
Thanks - just going into Year 2 of livestreaming local sports onsite. Planning how to slim down the onsite footprint for a simple pop-up and also make the full suite a bit more robust when needed. So this is very helpful looking at the circuits and scale. I note your comments re vMix and understand, we do cameras to ATEM mIni then to a PC with vMix (for all the in game graphics and replay) and then to internet, it suits us but I can now see why and also why it is riskier in a large environment.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Cool setup....breaking to individual signal then mixing it up....more control on each signal
Yes, exactly! Glad you enjoyed!
So many great nuggets of wisdom
This was so insightful!! The amount of control and flexibility before and during a show is very interesting!
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Thanks for sharing this all makes sense! Would like to see you do a vmix vs atem video i have always worked with BMD over the years but currently looking closer at vmix for sure for Replay but perhaps for my full webcast as well...
Thanks for the feedback! We are definitely thinking it is something people would like to see.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Brandon, how are you dealing with audio from a zoom drone as it relates to interfacing with live talent? I am looking to do something similar with podcasts and trying to find a way for the live talent to interface with virtual. Are you just running the hdmi video and audio signal from the loop out of the bidirectional converter out of tv speakers while it is simultaneously picked up on the mix to route back into the switcher?
Playback laptop routes thru Audio Mixer before switcher correct?
How do you setup the zoom drones when doing hybrid events? Both in pc and software.
GREAT content. Thanks for sharing. New to zoom drones. Can you explain how they are set up- meaning, how do you separate the multiple callers to their own laptops. Thank you.
Thanks for explaining in such detail. I enjoyed your tour. The setup is awesome and very neatly organized.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Amazing. Thanks a lot for the video. But bear in mind you don't need to use vMix for everything. You can just use it as a playback machine. Or just as a recorder. Or to distribute signals around in different IP formats. Or just as a main or backup encoder.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Thank you for sharing this thorough breakdown! Thiago/Brazil
i currently use just vmix for mixing, recording and zoom + stream, + NDI sources. Sometimes its really unpredictable esp with the VMIX computer.... hoping to go fully hardware.
Great video here man
Brandon's New Channel: www.youtube.com/@liveproductionmastery
You guys rock.
Thank you for the effort and all the knowledge you put into these films.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
What about Tricaster 2 Elite? Do you know people who uses it? We have a smaller portable workflow built around Atem Mini Extreme, but we are looking for something bigger where we can have pre built scenes. Tricaster Elite 2 would be nice cause its like a one box setup.
Don't have a ton of experience with Tricaster, but yes I know people that use it. Definitely a better 'all-in-one' system for strictly streaming/broadcasting. Especially if you're doing consistent similar daily shows.
@@A2ZProductions Epic!! Thanks 🤩
I find the trick is to marry all the pros of each approach. I use a combination of Tricaster, vmix and blackmagic atem in all of my bigger production. Smaller ones will typically be a combination of 2 of the 3 depending on the project.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
How are you creating each of those 4 Multiview's above each lapotp station? I thought the 12x12 videohub is just a router......
It is. We are just routing one of the 4 multi views from the atem constellation to each monitor.
I take a shot every time you say, "Zoom Drone".
Absolutely fantastic video! What kind of stands do you use for your confidence monitors?
Atem vs vMix !!!
Thank you so much for taking us through your system! Really great stuff mate
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Once again another amazing video! The ideas this is giving me!! Thank you so much - more regular uploads?
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Not familiar with Black Magic switcher.. We used Grass Valley and Evertz switchers at Time Warner.
I can only imagine how many updates you've made over several iterations to this system.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
How could I run a zoom drone setup with similar function into an stem mini switcher connected to my streaming PC? Is the Sdi bidirectional converter only used to get an SDI for your switcher? Would I just use an HDMI Splitter and connect the Zoom drone hdmi output to the external monitor as well as the stem mini?
Good job on the setup. This is pretty much what you would see in a local TV station.
Thank you!
Love this video, definitely have this setup in mind, something similar but in a more portable size...still working out the details but this gives me further clarification and better direction.Thanks again
Glad it was helpful!
Can confirm VMIX call is definitely a pain with some| a lot of clients. Teams NDI has been a workhorse for us. Every client has Teams it and it’s an easy lift if you’re working with execs with limited schedules. Question - what redundancy do you have if your central, mega switch breaks down?
And for the debate- we run both, VMIX and an atem setup. Love them both for different reasons
Couldn't agree more that both VMix and ATEM are great and built for different use cases. I can see us integrating VMix into some workflows at some point in the future. At the moment if our main switcher (the constellation) goes down, that's our biggest single point of failure - we try to always keep a graphics computer feed going directly into the livestream atem mini at the end of the chain. So we could at least switch to that while trouble shooting the issue.
Have you experimented with use of Raspberry Pi as headless zoom drones? For my home studio I’m looking at using multiple Raspberry Pi with KVM to connect with ATEM mini and using the preview screen to control the zoom setup on each Pi
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Wow! Simply wow 🤩
Thank you for sharing this thorough breakdown, it's quite inspiring!
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Really interesting video. Thanks. Question: Would you ever think about Newtek Tricaster? We've just got into live production and have bought a Tricaster 2 Elite for easy / mobile set ups and would like to hear your thoughts maybe on another video? Thanks again. Keep up the great work.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Waouww impressive set up! nice job boys!
Great set up. i know understand your connection process. super
Although I couldn’t completely follow you 😂, this is very cool. I always love videos with the behind the scenes tech stuff and how it all works together! It also gives me some cool ideas to implement into my setup!
Thank you! Glad you enjoyed!
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Thank you for your secrets)) I wanted to ask you what is your logic in picking and parsing the setup, how do you assemble the cables and all the equipment so that you can quickly put everything on the next site and get to work? Do you rehearse before the stream and how do you check the setup? I like your approach =) I still have a small setup from a video mixer datavideo 650 four sony 6400 cameras a beringer xp18 mixer a webpresenter from blackmagic and a couple of macbooks with obs. Now I want to expand and prepare one ps with a vi mix, but I completely agree with your words that keeping everything in one car is not safe.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Really interesting, and thank you for posting this. I’m building a studio in West London based around this template (with URSAG2). We’re using Autoscript from prompting but everything else is very similar. I agree re Hyperdecks, very difficult and unfriendly to use. What are you using for video playback - we plan to use CasparCG - do you use that anywhere in your setup. Also, we have ShoFlo and Rundown Creator (I prefer the later because of its integration) - do you use any production workflow automation and rundown management software. Finally, could you give more details on your video media player countdown set-up as I’m struggling to find a good solution there. Awesome video, thanks so much guys. Stuart
Brandon's New Channel: www.youtube.com/@liveproductionmastery
Awesome setup. Would love it if you could break down your Companion setup.
We have discussed our companion setup in a few other videos. The streamdecks are mainly used to control the supersources. Layouts, box sources, etc.
Nice setup! Lots of redundancy, however what if the constellation 8k craps out. I guess for full backup, you would have to split inputs into two constellations and run all outputs through video hub. Then could make a macro that switches all inputs, outputs, multi view etc to backup constellation.
as soon as he talked about vmix may b dying this was my first thought constellation craps out your still SOL
Awesome. Now I need to start booking my in person visit 😉
Going this randomly in RUclips. Found your content very intresting
can you send me a link on the audio mixer>
Great setup, well planned backup, why haven't you used SRT in your setup
Brandon's New Channel: www.youtube.com/@liveproductionmastery
I would love to see mix vs atem please !!!!
Awesome video!! Would love to see vMix vs. ATEM.
hey, love this video! noticed you have those pixio LCD displays plugged into your ATEMS. I have the same display. I can't get a signal out of my ATEM onto that display. It just says no signal and shuts off. If I plug it into something else I get a signal no prob at all. I plug a different monitor into the ATEM, works fine. It's obviously a signal/rate issue, just wondering if you've had any issues like that, if so how did you solve? thanks, love the channel, keep up the great work
Brandon's New Channel: www.youtube.com/@liveproductionmastery
What is the best way to use zoom with a few guest and a live audience where the main zoom computer is located? Specifically How do you wire the sound from and to that computer to avoid feed back from the panelist in the room using a loud sound system?
You would need to give the person or people in the room with a loud sound system a microphone that does not pickup as much surrounding noise. Then send just the mic or group of mics signal into the zoom call. Just the mic signal and not a whole program audio feed. Then finally use a USB audio interface with Audio out or even just the simple headphone jack from zoom computer and send that to the speaker in the room.
Feedback comes from when the microphone picks up the audio that it just sent to the mixer. Which then picks up the frequencies again and sends it to the mixer again and again and again which causes the feedback loop. To avoid this, you need to make sure the microphone can only hear the person it is meant for and not anything and everything in the room. Audio Boards have tools like Gates that can be helpful which only amplify the sound if it meets a certain threshold volume (meaning if someone is directly talking into the mic). Different Mics have different sensitivities so pick the mic that is best suited for the purpose. Country Man Microphones don't pick up as much ambient noise however Lavalier or Clip on Microphones tend to be very sensitive and can cause a lot of feedback and if not properly used and rung out.
Hope that helps. Thanks!
@@A2ZProductions Thank you so very much for the tips. i will try to apply them in my next livestream which will use that very setup with zoom calls and a live audience. i do have a Motu M4 that I will be using and a Presonus digital mixer for the room sound. Now I will need to make sure I use the right mic for the panelists. Thanks again Brandon and the rest of the team.
The control pc is getting more performance because of the elevated macbook pro box. btw very informative video, i learned alot. you guys are the best!
Thank you for sharing. Very useful information. May you guys succeed whatever you ASPIRE. A very quick question..why do you use a separate monitor for the zooms?? Don't you already see it on the laptop screen? Are you are using them as separate/extended monitor?? What is the advantage of doing so??
Yes, we are using it as a secondary display. The benefit is so that you can make changes on the computer without disrupting the feed. It also gives you the ability to pull out things that may cause pop-ups in your feed such as participants and chat.
@@A2ZProductions Thank you for generously sharing your knowledge and experience. Your videos are practical and immensely helpful..
Best Lenses y'all recommend for PL BM 4k studios?
Panasonic lumix 16-35 or 35-100 are very good.
Why use 15" MacBooks? Necessary cost?
wow amazing job , Thanks guys
Glad you enjoyed it!
One important thing you forget to mention is internet networking. Do you use one or more internet providers for internet (zoom, webex, teams...) calls and streaming encoder.
What I would do for 100% reliable streaming is: use 2 LiveU Solo (4 internet connections - 2 LTE sim cards, wifi and ethernet port ) or Solo Plus (6 internet connections - 4 LTE sim cards, wifi and ethernet port ) bonding encoders (main + backup) than go to restream (if you have more than 1 destination - if you not use restream you need more hardware encoders which means more money).
Also you can use speedify for zoom, webex, teams...
Awesome setup! Does Blackmagic sponsor you? haha
I do kinda the same.. on vmix, I mean you have all the reason to believe an atem more than a PC, but btw many things can be collapsed and use both the two world. I'm actually use both the two togheter, many backups, 2 SDI matrix with many decklink 8k pro, web presenter HD, I mean the risk of the failure is either on the hardware based Switcher such as the atem, still more reliable than vmix in assuring the work to be done. But mixing the two thing and you will be happy! Great stuff in this video btw 🙂
Great video and thanks for sharing
Thanks for watching!
You guys are awesome 👌👌👌
Thank you! Glad you enjoyed the video!
Make the video vmix vs Blackmagic I liked
And I thought my signal flow was crazy with a Blackmagic Extreme ISO, a Yolobox pro, a Yolobox Instream, with two laptops for Zoom and graphics!
love the rant :) Pay attention to the men behind the curtain. Cheers!
Stunning video. Love all you produce but this one is fascinating to see it all. I'm looking at setting up a multi format media channel (blogs, podcasts, interviews, news etc0, and it seems the set up you have has the flexibility without over the top costs for a full blown TV studio. I''d love to have a call with you to discuss - and chat around if you would consult on studio design / build?
Absolutely! Just send us an email at brian@a2zmusicfactory.com and we can setup a consultation and talk through a bunch of possible options and ideas to help build something custom with you.
Brandon's New Channel: www.youtube.com/@liveproductionmastery
with this kind of setup, you could build your own tv station dude!
this is very similar style to my set up, but your is way more capable. but independent hardware gives so many options and failovers.
Very true!
@@A2ZProductions if i could add a pic of my set up here in chat i would. i am about ready to do a new studio video, maybe i will remember to send you a link when i do it.
VMIX vs ATEM debate?? Are you guys still going to do that??
The ridiculous part with this setup is needing separate laptops for Zoom. They really need to add NDI outs like Teams or some other solution to allow for more control in professional settings.
That's the one thing that makes me wait on a BlackMagic workflow. Adding more inputs just isn't scalable this way. NDI is.
Zoom NDI Bridge, its a payed software though
🔥🔥🔥
Bro your setup is complicated and expensive but if it helps you make more sales. More power to you. When I look at your video all I'm saying to myself is "Oh God when will I become that good".
Brandon's New Channel: www.youtube.com/@liveproductionmastery
GREAT
Cảm ơn bạn chia sẻ
G R E A T.
too many computers, dealing with software issues, windows updates and zillions of conversors and so on souds like a nightmare.
Now I know why.
Impressive. I bet you have a high electric bill :(
My brain boils :)
This whole video gave me a massive headache wooooooow