Muy pero muy potente esta mescladora recien estrené la mia y lo unico que pido que le agreguen en la siguiente actualizacion de FW es que agreguen si quiera 1 Matrix para poder enviar señal a los subwoofers
Soy el suscriptor número 3. Excelente. Acabo de comprar esa mezcladora. Estoy aprendiendo las diversas funciones. Solo había visto videos en inglés. Este es de los primeros en español que encuentro. Saludos desde Panamá.
Yo aún no tengo la máquina pero ya lo voy a tener ya que en enero llegará a mi país, por el momento estoy aprendiendo solo en la App en mi Android, todo me quedo muy claro, lo que si es que no se cómo enviar los efectos a los auxiliares Otra cosa, está máquina no tiene efectos como pin pon, plate reverd, hall etc verdad, alguien me podría confirmar, desde gracias.
@@JuanCruz-on3oh Si. Cuando coloco los nombres en los canales, incluso el Phantom Power en algún canal, cuando vuelvo a encenderla sale todo como en la sesión anterior.
Is it possible to use other than those 4 idiot friendly effects? For example a reverb with full set of commands, pre-delay, filters? Is it possible to have 3 reverbs and one delay for example?
@BojanBojovic And you can't use DAW live because... umm, you don't have an average laptop around? I've seen many big names playing via plugins on their laptops. All you need is a midi pedal board, and every button/ effect on your DAW can have a physical switch at your toe-tips :)
@@CHARMONIUMGUITARS I never talk out of my ignorance and purely guessing by sitting on a toilet bored by what I am doing at that particular moment. Yes, you can use a DAW for LIVE mixing, I did this many times before, it can be done technically but this has zero sense with the average digital mixing costing 300 Euro/Dollar, and 24 or 32 channel ones are around 1000/1500 mark. The average mixer will give around 1.8 milliseconds of input and output latency combined without need to worry about the buffer size and how many effects you use, while the average laptop and some of the USB sound cards available on the market now will give around 3-4 ms of input latency, and 6-7 ms of output latency, so 10-12 ms total at best if used with 128 samples buffer size. This figure is ok at home or in the studio, but LIVE when you are away from your speakers 2, 3 or sometimes 4 or 5 meters, you can double the amount because, well physics. An average laptop can only play 8 channels with the record enable on every track, if you use Reaper which is know for being extremely efficient. As soon as you start adding effects, the average laptop breaks apart so you need something stronger. If you want just one Amplitube or Guitar Rig, say goodbye to any other additional effect. There is of course the average costing MacBook Air M1 which gives above the average performance, but still not much better if you want a 12 channel mixer with the EQ, dynamics section, de-esser, sidechain, master EQ, feedback destroyer, 4 send effects, and 4 additional AUX outputs with the same kind of processing on them. Then the price, the Air M1 or M2 costs around 1K Dollar/Euro, the interface with 8 channels, let's say Scarlett 18i20 is around 500, which is already 4 times the price of the XR12 or the UI12. And this is without any meaningful effect, yes you can use the Reaper's great plugins, however for a reverb you need something that sounds as good as Soundcraft's Lexicon, or Behringer/Midas emulation of the LX480, PCM80, or very nice sounding EMT250 emulation, and this costs more money. Sure, an impulse response can do the trick, but then again the performance hits the roof. Then there is the problem with many plugins having their own latency due to oversampling they usually offer as they are meant to be used in a DAW, not live. Yes, there is a Brainworx SSL 4000 or Focusrite ISA console plugin which does not have any additional latency, but these plugins is around 350 bucks each so this will add additional expenses to your DAW setup. Then there are some small things but still very important, for example how to control it wirelessly, then what to do when one of your 10 or 15 softwares starts bugging down your setup for any reason, or what about the additional inputs and outputs, you will need the optical interface with only 8 additional channels which makes it 16 in total, and the price goes up for additional 500 bucks, in total we are at 2500 and still rising. And finally, what if you are the one who needs to play and watch the mixer in the same time, for example a keyboardist. So no touch screen, no wireless control, only you, your keyboard or guitar, and your mouse or touch pad. Good luck when a feedback starts to scream and you need to react fast, good luck with your fellow musicians asking all the time something from you while you are playing, and good luck with their looks at you when you need to explain yourself and why you did not play with your toys and video games at home, but you came to the gig to play.
Muy pero muy potente esta mescladora recien estrené la mia y lo unico que pido que le agreguen en la siguiente actualizacion de FW es que agreguen si quiera 1 Matrix para poder enviar señal a los subwoofers
Soy el suscriptor número 3. Excelente. Acabo de comprar esa mezcladora. Estoy aprendiendo las diversas funciones. Solo había visto videos en inglés. Este es de los primeros en español que encuentro. Saludos desde Panamá.
Estoy en Argentina y las cosas están bastante caras pero sería genial tener una de estas!!! Que bueno tu video en español, gracias !
Una pregunta, se puede hacer un seteo de una banda y dejarlo guardado?
Yo aún no tengo la máquina pero ya lo voy a tener ya que en enero llegará a mi país, por el momento estoy aprendiendo solo en la App en mi Android, todo me quedo muy claro, lo que si es que no se cómo enviar los efectos a los auxiliares
Otra cosa, está máquina no tiene efectos como pin pon, plate reverd, hall etc verdad, alguien me podría confirmar, desde gracias.
@@JuanCruz-on3oh Si. Cuando coloco los nombres en los canales, incluso el Phantom Power en algún canal, cuando vuelvo a encenderla sale todo como en la sesión anterior.
Delay nu are?
Mi estimado podrias hacer n video mostrando como enviar FX a los auxiliares atravez de un Smarphone ( Android) saludos desde Perú.
Is it possible to use other than those 4 idiot friendly effects? For example a reverb with full set of commands, pre-delay, filters? Is it possible to have 3 reverbs and one delay for example?
Good question !! I will try to ask at the A&H channel. Personnally, I find the reverbs quite average but maybe in live situation, they sound good (?)
Any DAW has better inbuilt effects, so why bother?
@@CHARMONIUMGUITARS There only one smaaaaall reason, DAWs are not made to be used LIVE, digital mixers are.
@BojanBojovic And you can't use DAW live because... umm, you don't have an average laptop around?
I've seen many big names playing via plugins on their laptops. All you need is a midi pedal board, and every button/ effect on your DAW can have a physical switch at your toe-tips :)
@@CHARMONIUMGUITARS I never talk out of my ignorance and purely guessing by sitting on a toilet bored by what I am doing at that particular moment.
Yes, you can use a DAW for LIVE mixing, I did this many times before, it can be done technically but this has zero sense with the average digital mixing costing 300 Euro/Dollar, and 24 or 32 channel ones are around 1000/1500 mark.
The average mixer will give around 1.8 milliseconds of input and output latency combined without need to worry about the buffer size and how many effects you use, while the average laptop and some of the USB sound cards available on the market now will give around 3-4 ms of input latency, and 6-7 ms of output latency, so 10-12 ms total at best if used with 128 samples buffer size.
This figure is ok at home or in the studio, but LIVE when you are away from your speakers 2, 3 or sometimes 4 or 5 meters, you can double the amount because, well physics.
An average laptop can only play 8 channels with the record enable on every track, if you use Reaper which is know for being extremely efficient. As soon as you start adding effects, the average laptop breaks apart so you need something stronger. If you want just one Amplitube or Guitar Rig, say goodbye to any other additional effect.
There is of course the average costing MacBook Air M1 which gives above the average performance, but still not much better if you want a 12 channel mixer with the EQ, dynamics section, de-esser, sidechain, master EQ, feedback destroyer, 4 send effects, and 4 additional AUX outputs with the same kind of processing on them.
Then the price, the Air M1 or M2 costs around 1K Dollar/Euro, the interface with 8 channels, let's say Scarlett 18i20 is around 500, which is already 4 times the price of the XR12 or the UI12.
And this is without any meaningful effect, yes you can use the Reaper's great plugins, however for a reverb you need something that sounds as good as Soundcraft's Lexicon, or Behringer/Midas emulation of the LX480, PCM80, or very nice sounding EMT250 emulation, and this costs more money.
Sure, an impulse response can do the trick, but then again the performance hits the roof.
Then there is the problem with many plugins having their own latency due to oversampling they usually offer as they are meant to be used in a DAW, not live. Yes, there is a Brainworx SSL 4000 or Focusrite ISA console plugin which does not have any additional latency, but these plugins is around 350 bucks each so this will add additional expenses to your DAW setup.
Then there are some small things but still very important, for example how to control it wirelessly, then what to do when one of your 10 or 15 softwares starts bugging down your setup for any reason, or what about the additional inputs and outputs, you will need the optical interface with only 8 additional channels which makes it 16 in total, and the price goes up for additional 500 bucks, in total we are at 2500 and still rising.
And finally, what if you are the one who needs to play and watch the mixer in the same time, for example a keyboardist.
So no touch screen, no wireless control, only you, your keyboard or guitar, and your mouse or touch pad. Good luck when a feedback starts to scream and you need to react fast, good luck with your fellow musicians asking all the time something from you while you are playing, and good luck with their looks at you when you need to explain yourself and why you did not play with your toys and video games at home, but you came to the gig to play.