It's true. no one sings this area like her with all the parts without cutting any. in addition to the vocal prowess without any mistakes and live. no other comes close to Callas. Eternal.
Just spend the evening listening to two other interpretation of Armida. Though Callas 's Armida seemed to the summom of the art, I thought I should give other artist a chance to prove me wrong. So I've listen to Renee Fleming which left me feeling cheated due to the fact that part of the score was missing. I felt lost. Than I listen to a concert of Armida. The concept was new to me but to my surprise it was actually very good. Here I must apologize for I can't recall the names of the artist who participated. Third and lastly I listen to this glorious partition with none other than the phenomenal Callas. Needless to say who came on top. I wouldn't want to be unfair to miss Fleming for I had the pleasure of seeing her in other operas. She has no doubt a great deal of talent, I just think that for this particular role Callas is unbeatable.
BRAVA MARIA CALLAS! Wonderful remastering of one of her greatest roles -- a role that even the likes of Caballe and Fleming and many others since this time have YET to surpass. MARIA IS ARMIDA!
Esta aria de Armida de 1952 junto con las variaciones para flauta y soprano de Proch del concierto Martini & Rossi de 1951, son las máximas expresiones del virtuosismo vocal de la divina, la gloria suprema de la ópera!
Essa ária famosa por sua extraordinária dificuldade técnica e o apogeu de todo o repertório do bel canto. A interpretação impecável de Callas envolve essa ária em uma áurea de magia inigualável e inexcedível. A força de sua vigorosa interpretação ela aliou uma graciosidade, uma delicadeza, que a tornam única. Só Callas foi capaz de cantar essa ária dessa maneira.
…Man lauscht und ist fasziniert, pure himmlische Schönheit die sich unvergleichlich verströmt. Weshalb vergleichen, wo sich jeder Vergleich ohnehin ausschließt… mi piace moltissimo
Es la proeza vocal más increíble de todo el siglo XX : La Armida de María Callas , Florencia 1952 .
se escucha y no se puede creer
Totalmente de acuerdo es sobrehumano.
@@laprimmadonna2341 questo e' il canto per Rossini e non quelle poveracce che affollano il Rossini Opera Festival.
Questi accuti incredredibili 🤩
Mi face sempre piangere La Callas perque è unica.
It's true. no one sings this area like her with all the parts without cutting any. in addition to the vocal prowess without any mistakes and live. no other comes close to Callas. Eternal.
Unrivaled in the history of operatic singing! Super-human performance vocally and artistically.
As always, she became the character - and her *being* Armida, a sorceress, is the only explanation for this superhuman feat of singing. ❤
En esta joya María exibe extraordinariamente todo su poderío
The great, eternal Callas!
La Divina!
Just spend the evening listening to two other interpretation of Armida. Though Callas 's Armida seemed to the summom of the art, I thought I should give other artist a chance to prove me wrong. So I've listen to Renee Fleming which left me feeling cheated due to the fact that part of the score was missing. I felt lost. Than I listen to a concert of Armida. The concept was new to me but to my surprise it was actually very good. Here I must apologize for I can't recall the names of the artist who participated. Third and lastly I listen to this glorious partition with none other than the phenomenal Callas. Needless to say who came on top. I wouldn't want to be unfair to miss Fleming for I had the pleasure of seeing her in other operas. She has no doubt a great deal of talent, I just think that for this particular role Callas is unbeatable.
Listen to Nelly Miriciou from a recording from Amsterdam and can be found in full on YT as a concert performance she is excellent also.
BRAVA MARIA CALLAS! Wonderful remastering of one of her greatest roles -- a role that even the likes of Caballe and Fleming and many others since this time have YET to surpass. MARIA IS ARMIDA!
you are the master of all remastering, the sound is great via my big huge high end stereo, thanks
Esta aria de Armida de 1952 junto con las variaciones para flauta y soprano de Proch del concierto Martini & Rossi de 1951, son las máximas expresiones del virtuosismo vocal de la divina, la gloria suprema de la ópera!
Fue unica el poderio de su voz fue inconcebivle, una grabacion unica para el presente y el futuro 🌞
Essa ária famosa por sua extraordinária dificuldade técnica e o apogeu de todo o repertório do bel canto. A interpretação impecável de Callas envolve essa ária em uma áurea de magia inigualável e inexcedível. A força de sua vigorosa interpretação ela aliou uma graciosidade, uma delicadeza, que a tornam única. Só Callas foi capaz de cantar essa ária dessa maneira.
Grazie Marx❤In questo brano di Armida Maria è insuperabile e insuperata. Anche la masterizzazione è fantastica
Such a pleasure to listen to this improved version. You have done an excellent job with the sound. Thank you!
…Man lauscht und ist fasziniert, pure himmlische Schönheit die sich unvergleichlich verströmt. Weshalb vergleichen, wo sich jeder Vergleich ohnehin ausschließt… mi piace moltissimo
Totally crazy 🥰.
This is the real Callas voice. The legend. The world has never heard the like..... Fearless and technically astonishing in a voice of wagnerian size
Несравненная, божественная, незабвенная, приворожила меня навсегда
Great sound, thank you! (I think the picture is of Callas as Konstanze in Mozart’s Seraglio, though.)
I love it !!!
Eccelsa!!! Sovrumana in questo ruolo
When she hits the high note on the run at 4:30, I think I can’t hear someone say “woah” faintly in the background.. me too buddy 🤣
Extraordinario!!Gracias Marx
Merci Tous "LACALLAS-..."...
Milli (⚜)... 🌌
Sfolgorante lama adamantina ❤
Beautiful remastering! Has the whole performance been remastered like this?
This will never be equaled. The photo however is from Die Entführung aus dem Serail, done in Italian as Il ratto dal serraglio.
The f was that. I can’t believe she can still sing after that.
L’opéra en feu ! Humains, priez.
Marx where do you find out such gems?
5:49