I have expression that most of these girls has no idea of what they are talking about and was hired just because they are atractive girls it's not first video when I got such an expression
@@dodatkidominecrafta4762 Sarah is a gifted DP and a very knowledgeable young woman. This product is completely new and as such lots of the information about it was revealed just before recording the interview. She did extremely well! Thank you.
@@CineD I love to see more women in cinema/videography roles. She look so experienced and passionate about her work it's just resonates to all of us. Kudos!
thank you for covering this! FYI conflicting info in the video and description. Its made clear in the video that these lenses only really cover super 35 but the description says they are full frame lenses.
@@j.b.7133 been told by many lens manufacturers that make lenses in the more “affordable” markets and they told me the L mount is too expensive to make lenses for it.
@@verebellus yeah I’ve seen her at the Kinefinity booth! Kinefinity makes awesome cameras I wish the would produce more and get them out to RUclipsrs and documentary directors. Seems like it is hard to get their cameras
For anyone complaining about them not being full frame. Most cameras don’t fast enough readouts for anamorphic shooting in motion in full frame. So Super 35 will help with rolling shutter. And they’re really small. Having full frame anamorphics, with autofocus motors, even at 1.33x would make them much larger.
Pretty sure there are more cameras that are full frame that have faster readout than super 35. Which cameras were you thinking of that are super 35 and fast? Sony Fx6 / Fx3 are faster than the fx30
@@VariTimo Ah maybe I misunderstood. Just going by what you said “Most cameras don’t fast enough readouts for anamorphic shooting in motion in full frame. So Super 35 will help either rolling shutter.” It sounded like you were implying that Super 35 has better rolling shutter over full frame lol
The real one missing is micro four thirds,for the Panasonic gh7 wich has good autofocus now,very good compatibility with anamorphic lenses,and image stabilization for anamorphic lenses. And now with the arri log this lens can he a rela deal pared with the gh7.
This is great 😊 I think other manufacturers will follow, which is also great I would love a manufacturer to go the opposite direction and release a wide angle first Cheers much for your hard work ❤
Samyang already made an anamorphic adapter for their autofocus cine lenses (the V-AF) a while ago, but strictly speaking is not really a lens, so yes, first anamorphic cine lens with AF
@@nzxt84 bro the lumix S5iiX can shoot in aps C mode. And Bro I just got an anamorphic aps lens and it literally covers the full frame sensor, after you add stabe it’s covered. So yeah it can work.
Posted on the other coverage of this. How the hell do you launch anamorphic without an L Mount as Blackmagic and Panasonic are hands down the best options for anamorphic shooters? I have the Sirui Saturn and am looking to move to something with a little different of an image and some barrel distortion. What are you all thinking over there?
Now this is what I've been waiting for! I would prefer less sharp so desqueezing 16:9 is just fine for what I do. People act like you're going to put your indie film on an iMax or that Netflix certified cameras are picked because they care about perfect 4K pixel peeping. This is just silly. Learn why you buy cinema cameras and how much money the camera operators charge then you'll understand.
No L mount when L mount has the best anamorphic capable cameras? Name an E, RF or Z mount camera with open gate and PDAF. Yeah there aren't any. In comparison, the L mount has the S5II, S5IIX and S9. And if single autofocus is sufficient, you have the Pyxis, BMCC6K FF, S1H, S1 and BS1H, all shoot 3:2 open gate. And all of these cameras also have in camera de squeeze for a large range of squeeze ratios. These are S35, so not quite as big a miss but I assume FF versions will be coming soon.
Fwiw with a 1.33x anamorphic lens, shooting 3:2 open gate only gives you a 2:1 aspect ratio. Usually people pair that squeeze factor with 16:9 sensors/record modes to get the 2.35:1 aspect ratio
@@Heini-v3j Well yeah, my point is that the claim that these lenses needed to be paired with a sensor that can shoot 3:2 open gate doesn't really hold weight for 1.33x anamorphics.
@@yannissotiriadis1267 Hey Yannis. Our review is almost done. We aim to publish it on Oct 28th (Or a bit before if we complete it). Thank you for being so patient
Just bought a 40mm Atlas Orion and that thing is heavy! This would really help with rig weight and being able to use on the RS3 Pro. Looking forward to check this out.
Why is this for S35 only when a majority of filmmakers who work in this budget range use FullFrame cameras? Apart from that WOOHOO 🔥 🔥 🔥 autofocus and native mounts 👍
I would prefer a T2.5 and a 1.65 squeeze factor to be honest. That being said, this lens is extremely exciting and I can't wait to see it being used and try it out myself on E mount and X mount cameras.
Yeeeeeees!!! Finaly !! Awesome Please also 24mm, 75mm, 100mm!! E Mount?!?! Great.... What?? Only Super 35 :((( Whyyyyyy , We need FullFrame Please. The Red LoAf Logo and The AF Switch are Ugly on the Silver Part..put it on the Black Part!
Yes that sharpness looks quite bad but it looks like an anamorphic that needs shimming. Without the right flange distance, anamorphics tend to get spherical aberration like that so they are much more sensitive to incorrect flange distance than spherical lenses. Many also found that the Remus lenses needed extra shimming out of the box to get sharp performance and avoid those strong abberations
![ATEEZ(에이티즈) - [GOLDEN HOUR : Part.2] Preview](http://i.ytimg.com/vi/X4PfgRPBUVo/mqdefault.jpg)
We are happy to confirm that an L Mount version of this AF Anamorphic lens is coming up too!
Ha the L mount Alliance have been showing up in the comments. We can stand down now 😂
Can you update the website info too?
I have expression that most of these girls
has no idea of what they are talking about and was hired just because they are atractive girls
it's not first video when I got such an expression
@@dodatkidominecrafta4762 Sarah is a gifted DP and a very knowledgeable young woman. This product is completely new and as such lots of the information about it was revealed just before recording the interview. She did extremely well! Thank you.
@@CineD I love to see more women in cinema/videography roles. She look so experienced and passionate about her work it's just resonates to all of us. Kudos!
This is a lot to ask for, but I wish they came out with full frame versions of these auto focus lenses.
Yes
thank you for covering this! FYI conflicting info in the video and description. Its made clear in the video that these lenses only really cover super 35 but the description says they are full frame lenses.
Blazar is really leading in affordable yet great looking anamorphics. This product is amazing for low budget filmmaking.
Crazy, Blazar are killing it.... Great work
No Lmount?
crazy not to start with L in the top 4 mounts. ID even skip RF if I were them lol
@@j.b.7133 been told by many lens manufacturers that make lenses in the more “affordable” markets and they told me the L mount is too expensive to make lenses for it.
@@j.b.7133 Down below Blazar commented that L mount also coming...
@@j.b.7133 It has the lowest market share. Only around 5%
@@j.b.7133Name some Super35 autofocus cameras with L mount)
Wow! This is nuts! Autofocus Anamorphic Lenses 🙌
Really would love a full frame version!
just use clear image zoom. lol
This is an exciting announcement. I definitely want to get my hands on one when they drop!
L mount crying in the corner 😢
It'lL come.
We will make L mount
Please bring it for L-Mount! 😍
Literally LUMIX and Blackmagic are the only camera that have a proper anamorphic support. Such a miss, hopefully they will make them in Lmount as well
@@blazaranamorphicare these S35 or Full Frame?
The Blazar spokesperson is a hottie. Please never get rid of her.
its actually very good. knows whats she is talking about.
Approachable, cute, and well informed. Awesome.
She is a DOP and has also been a spokesperson for Kinefinity i believe.
@@verebellus yeah I’ve seen her at the Kinefinity booth! Kinefinity makes awesome cameras I wish the would produce more and get them out to RUclipsrs and documentary directors. Seems like it is hard to get their cameras
Micro 4/3 for GH7 maybe?
when will be available ?
Finally the native E-Mount 👍
Can’t wait to see its af performance. Does it have internal actual physical manual focus mechanics ?
Hey, it does! Preliminary review is coming soon. Thank you!
I am pleased that these lenses are available for the Nikon Z mount, Sony E Mount and Canon RF mount hopefully it will come to the L mount soon
For anyone complaining about them not being full frame. Most cameras don’t fast enough readouts for anamorphic shooting in motion in full frame. So Super 35 will help with rolling shutter. And they’re really small. Having full frame anamorphics, with autofocus motors, even at 1.33x would make them much larger.
Pretty sure there are more cameras that are full frame that have faster readout than super 35. Which cameras were you thinking of that are super 35 and fast? Sony Fx6 / Fx3 are faster than the fx30
@@HAlariousInc That’s not my point. My point is the full frame camera has a faster readout in Super 35 mode.
@@VariTimo Ah maybe I misunderstood. Just going by what you said “Most cameras don’t fast enough readouts for anamorphic shooting in motion in full frame. So Super 35 will help either rolling shutter.” It sounded like you were implying that Super 35 has better rolling shutter over full frame lol
The real one missing is micro four thirds,for the Panasonic gh7 wich has good autofocus now,very good compatibility with anamorphic lenses,and image stabilization for anamorphic lenses. And now with the arri log this lens can he a rela deal pared with the gh7.
The look is really strong. Like these lenses but not only for autofocus. awesome work
This is great 😊
I think other manufacturers will follow, which is also great
I would love a manufacturer to go the opposite direction and release a wide angle first
Cheers much for your hard work ❤
L mount?
Name some Super35 autofocus cameras with L mount)
@@nzxt84 @nzxt84 S1, S%, S5II, S5IIX and S9 all have APS-C and Pixel|Pixel modes.
This changed every thing.
Yes!! Finally! And Nikon Z mount! Thank you Blazar!!! Will preorder the moment it's available🥳!
i will buy it on launch day with no doubt
Samyang already made an anamorphic adapter for their autofocus cine lenses (the V-AF) a while ago, but strictly speaking is not really a lens, so yes, first anamorphic cine lens with AF
The (cool) Samyang adapter is operated manually however, no autofocus when using it.
@@timlinssen you are correct, I totally forgot about that
@@DrCantinerojust go ahead and delete your comment
@@uptonfilms95 why? It brings traction to the video
Amazed L mount is missed off when it’s the camera most most suitable (lumix s5iiX) Cam Mackey must surely say something.
Bro, it's Super35 lens. And there are no Super35 cameras with autofocus and Lmount
@@nzxt84 bro the lumix S5iiX can shoot in aps C mode. And Bro I just got an anamorphic aps lens and it literally covers the full frame sensor, after you add stabe it’s covered. So yeah it can work.
@@nzxt84 S1, S%, S5II, S5IIX and S9 all have APS-C and Pixel|Pixel modes.
Curious how it will work with diopters. +1 and +0.5 specifically.
In the video you say super 35 but in the video description you wrote full frame. Could you please clarify.
Posted on the other coverage of this. How the hell do you launch anamorphic without an L Mount as Blackmagic and Panasonic are hands down the best options for anamorphic shooters? I have the Sirui Saturn and am looking to move to something with a little different of an image and some barrel distortion. What are you all thinking over there?
Interested to know the pricing on these 😊
Really want to try one.
THE FACT THAT THERE’S AN RF!!!!
Amazing!
Cool!, but why at 6:30 to put that footage? that is terrible auto focus... or????
Oh dear... Well. Looks like nanomorphs and LIDAR is still the way!
@@keshhh This is a very early preproduction sample. The AF performance will get much better soon. We will keep you guys updated.
AF is perfectly fine. The lens is at 1.8 which is why it appears soft. Most of the Remus lenses are very soft wide open.
So charming :)
Remarkably tall bokeh for a 1.33x anamorphic lens
E mount for the win 😎
Now this is what I've been waiting for! I would prefer less sharp so desqueezing 16:9 is just fine for what I do. People act like you're going to put your indie film on an iMax or that Netflix certified cameras are picked because they care about perfect 4K pixel peeping. This is just silly. Learn why you buy cinema cameras and how much money the camera operators charge then you'll understand.
gorgeous
I KNEW IT!!! I knew autofocus anamorphic was coming next. I think we’ll get a Sony G master version in the next 2-5 years
No L mount when L mount has the best anamorphic capable cameras?
Name an E, RF or Z mount camera with open gate and PDAF. Yeah there aren't any. In comparison, the L mount has the S5II, S5IIX and S9. And if single autofocus is sufficient, you have the Pyxis, BMCC6K FF, S1H, S1 and BS1H, all shoot 3:2 open gate. And all of these cameras also have in camera de squeeze for a large range of squeeze ratios.
These are S35, so not quite as big a miss but I assume FF versions will be coming soon.
Fwiw with a 1.33x anamorphic lens, shooting 3:2 open gate only gives you a 2:1 aspect ratio. Usually people pair that squeeze factor with 16:9 sensors/record modes to get the 2.35:1 aspect ratio
We will have L mount
@@thatcherfreemanwith panasonic you can shoot 16:9 too 🙃
@@blazaranamorphic Yay
@@Heini-v3j Well yeah, my point is that the claim that these lenses needed to be paired with a sensor that can shoot 3:2 open gate doesn't really hold weight for 1.33x anamorphics.
Interesting times ahead 🤓
Can you tell us please if the 35 vingettes on a FF sensor? I can see the 50 does a bit. But if the 35 doesnt then it will be a game changer!
Those lenses are now in house for further tests. We will do asap. Thank you!
@@CineDthis I’m looking forward to!! Please make a good video covering all points for both apsc and ff.
@@CineD Guys it's been a month any updates? Or are you under NDA till Christmas?
@@yannissotiriadis1267 Hey Yannis. Our review is almost done. We aim to publish it on Oct 28th (Or a bit before if we complete it). Thank you for being so patient
@@CineD CAN'T WAIT! 🥰
I would love to see these same size and weight. So we don’t have to rebalance the gimbal.
Please make them affordable for us based in Africa, 😢
Please in L-Mount!
I will already prepare my christmast list for santa!
Why no L mount?
There is an L Mount! Thank you.
Just bought a 40mm Atlas Orion and that thing is heavy! This would really help with rig weight and being able to use on the RS3 Pro. Looking forward to check this out.
BRO NOOOO L MOUNT!!!!!!!!
Name some Super35 autofocus cameras with L mount)
@@nzxt84 S1, S%, S5II, S5IIX and S9 all have APS-C and Pixel|Pixel modes.
Why is this for S35 only when a majority of filmmakers who work in this budget range use FullFrame cameras? Apart from that WOOHOO 🔥 🔥 🔥 autofocus and native mounts 👍
First AF cine lenses and she hold RF version with no AF :D
What is that camera cage 0_o?
It's giving small rig vibes
It’s Tilta, actually!
She's adorable 🥰
RF for me 😋
Wasn’t this girl working at kinefinity USA before?
Just take my money
If the IQ is good and AF works well, these lenses will be selling like hot cakes.
WE NEED A FULL FRAME AF
the breakthrough is that they are the first to bother trying to put AF in cine lens
Holy smokes. Can’t wait for this to be sold out for years. Remus is already impossible to get.
wow....!
Please bring it to india
No Full Frame?!???? Noooooo
price price price
WHAT!!
❤❤❤
Sarah is such a wonderful, ^^
please make L mount. Super disappointing Blazar
L mount added 👌
@@blazaranamorphic YAY THANK YOU
How can you use Super35 lens on Full Frame L mount cameras?😂
@@nzxt84 they have s35 modes? have you used a panasonic camera before lol?
@@nzxt84 @nzxt84 S1, S%, S5II, S5IIX and S9 all have APS-C and Pixel|Pixel modes.
50mm T1.8 1.33x full-frame anamorphic. - ehh?
Diden't she just say Super-35?? Dosen't that mean APSC?
Accessible to poor people lol.
😂
0.6 miters. =2.2 feet’s…
RF Autofocus?
Yep
Ground breaking
I would prefer a T2.5 and a 1.65 squeeze factor to be honest. That being said, this lens is extremely exciting and I can't wait to see it being used and try it out myself on E mount and X mount cameras.
"Should I come tomorrow for your phone number?"
In my opinion sony should go back to making cine lenses
Yeeeeeees!!! Finaly !! Awesome Please also 24mm, 75mm, 100mm!! E Mount?!?! Great.... What?? Only Super 35 :((( Whyyyyyy , We need FullFrame Please. The Red LoAf Logo and The AF Switch are Ugly on the Silver Part..put it on the Black Part!
L mount alliance alliance alliance 😂.
06:26 that image looks horrible. Hard pass.
Yes that sharpness looks quite bad but it looks like an anamorphic that needs shimming. Without the right flange distance, anamorphics tend to get spherical aberration like that so they are much more sensitive to incorrect flange distance than spherical lenses. Many also found that the Remus lenses needed extra shimming out of the box to get sharp performance and avoid those strong abberations
Looks like it’s gonna be overpriced garbage…
Always amusing watching women talk about tech
“NO L MOUNT?!?” I mean yeah? L-mount’s mostly full frame cameras and this is super 35. The other brands have dedicated super35 APSC lines