The time was June 1990, I was working with IMRB a research firm in Kala Ghoda and it was always my habit to go and see the paintings at the Jahengir Art Gallery. I popped in and I saw horses, huge horses, horses on one top of the other. The magnificence of the paintings... Uuf it was a moment in time which I can picture even today. A man in white kurta pajama (barefeet) came to me from behind and said, "kaunsa painting khareedoge", I looked at him and said, "meh bus, dekne Aya Hu", he smiled and said "dekho" and added "kausa painting pasand aaya", I pointed to massive painting of Horses. Later on I realized I was speaking to MFH, I still cherish this memory and it's forever etched in my life. M F H Sahab. RIP.
For all the scumbags commenting "I could paint better that that", you must first understand that there are genres of painting. Realism is only one of them. Sure you can replicate his painting but that doesn't mean you created it. You can also copy Einstein's equations in your notebook, that doesn't mean you thought of them. Same goes for this.
@@947abhi the same one under which the statues and sculptures in ancient temples are created. Besides, there an image of what he created. Please do compare it with the sculptures in other temples bro. The more important thing is his intentions not his artwork.✌️ Peace.
@@abhijeetsantra4237 first of all... The sculptures of the temple doesn't depict any Hindu goddess and God.... According to your logic... Since Kamasutra add return in India doesn't justify if any writer create some dirty novels by characterizing Hindu deities....
@@947abhi totally agreed bro 👍. As i said earlier, the intention is more important than the artwork. No one is must be allowed to disrespect any religion or religious beliefs. But my question is- was he actually trying to disrespect hindu goddess? Yes he created a line artwork (not a realistic one) but on the other hand, many hindu artists created sculptures like that on temples, even detailed ones. And yes there are status of goddesses- like kaamini goddess, etc. We see nude to seminude artworks of gods and goddesses throughout the world. Like ones created by Michelangelo. And many more like The painting- birth of venus etc. Artists should be judged on the basis of their intention, not on the basis of religion. ✌️☮️ peace
I've long been an admirer of M F Hussain's art. I never dreamt I'd actually see him creating an artwork, Thank You. I stumbled across this completely by accident while looking for Indian Miniature Art techniques. It was a wonderful surprise and much appreciated.
He is one of most important artist of Indian Origin Unfortunately he is not celebrated because of all the controversies in his last few years.... But I am so happy to have found his video....it's such a visual delight For all those who are giving all the negative comments I am sure....You won't have an artist in ur family at least in the next generation because you haven't understood the art. God Bless
To all the people who are opposing him, first of all if you don't have any knowledge about art then don't comment and secondly he is one of the great artists of all time. So please be respectful.
In the years 1992-95. MF Husain visited Jaipur as guest of the Jaipur Rissala, presently known as the 61st Cavalry and stayed in Cavalry officers mess along for a few weeks. His autobiography does mention the same in passing, as a civilian staying in the Army cantonment was not legal, but summarises how a boy born in Pandharpur went to Indore and grew up to become Maqbool, the painter. Bombay conferred on him the title of M.F. Husain, the artist, while in Delhi he was awarded the Padma Vibhushan in 1991,by Govt of India. As per Hussain, he painted the horses for the first time in the 1950s, it was certain that he sought much more in the piece than a mere aesthetic exercise. A personal meditation plays out on the canvas and Husain's desire to universalise a personal and intimate relationship with the animal is evident. 'Husain's horses become a vehicle for multiple utterances - aggression, power and protection...the brute strength of horses born and released from fabulous regions mutate in to thunderbolt, energies, phallic and omnipotent.' The horse in Husain's pictorial vocabulary has evolved through an amalgamation of varied visual memories; from riding in his grandfather's horse-drawn tonga as a child, to absorbing images of the stylised Duldul horse during annual Muharram processions in Indore, the folk horses from the village of Bankura, and the horse in Chinese painting and sculpture that he saw during his visit to the country in 1952. Combined with his encounters with classical and folk traditions, or the polo matches on the Jaipur polo grounds, Delhi & his stays at the 61st Cavalry, Jaipur, in early 90s, or his visits to Bharatpur. Husain reformulated these images, adapting them to fit his own purpose as a modern artist. Of his inspiration for his horses, Husain had said, 'I have not seen these wild animals in the jungle. I have seen them imprisoned in stone on the walls of Khajuraho, Konark, Mahalipuram - the temples of medieval India.' (K. Bikram Singh, Maqbool Fida Husain, New Delhi, 2008, p. 169) Even his encounters with horses at a young age conjured images of gentle and affectionate animals, displaying aristocratic elegance. Yet Husain's horses exude life, they are dynamic beasts, creating a certain frenzied energy on his canvases; a direct contrast to his quiet inspirations. These horses are nearly always unbridled or galloping, rarely static. Unbridled raw power of the polo ponies, They are symbols of power and vitality. Strong, bold lines and thick impasto paint in vivid tones of red, yellow and white capture an explosive energy that bursts through the confines of the canvas. Relying on the uninhibited movement of his brush, Husain captures the movement and vigour of these dignified beasts. 'The horses are rampant or galloping; the manes, the fury, the working buttocks, the prancing legs, and the strong neighing heads with dilated nostrils are blocks of colour which are vivid or tactile or are propelled in their significant progression by strokes of the brush or sweeps of the palette knife. The activity depicted is transformed in the activity of paint.' During his wanderings from city to city and country to country, Husain met a host of people mainly royalties of Rajasthan during this particular visit. Whenever he was asked about them, his reply was, "If I try to enumerate them, it will give the impression of name dropping. I can only say: Husain’s horses need no introduction. When asked what the horse stood for, he had unhesitatingly replied: Grace and freedom. He used to talk to young Cavalry officers about his childhood spent in Pandharpur to life on the streets of Mumbai. An exhibition that he witnessed along with F.N Souza in 1948, held at President's Body Guards, Rashtrapati Bhavan of Indian paintings and sculptures left him exhilarated. It was this exhibition that led Husain to arrive at a style distinctly his own and when he decided to showcase the quintessence of Indian art through his works. M. F. Husain spoke about Imam Hussain's horse Duldul as well as Buraq which carried the Holy Prophet (peace be upon him) to the skies. There are references to the mythological horse of Ramchandrji Ashomidh. Husain did not forget Achhan Mian, the horseshoe maker, and Kalloo Mian, the tonga walla who helped develop his fascination for horses as a kid. He spent time at the 61st Rissala stables & royal stables of Rajmata Gayatri Devi in Jaipur. Rajmata Gayatri Devi patronised Indian painters, Ram Kumar, Gaitonde among others. It's after this stint at Jaipur that he met Madhuri Dixit at an award function in 1994 and carried out a series of Horses & Madhuri paintings. He made a series of paintings on 61st Cavalry, PBG, Army & Polo. They were sketches and oil on canvases. These have always remained private and not spoken about due to Army protocol. The painting material was provided by courtisies of Rajmata Gayatri Devi & Her close friend Mrs Zorawar Singh. He painted over 25-30 sketches & paintings on the Army, Polo & horses, also there is an unfinished painting of Rajmata Gayatri Devi. He would spend hours watching young cavalry officers play polo on the private cavalry polo grounds next to the Cavalry officers mess in Khatipura. Husain actually painted a live horse in the middle of Connaught Place in the early 90s at Happenings, belonging to koel & Kali Puri, during an art opening. To my mind the horse was a metaphor for freedom for him and he craved to be so free himself that he didn’t want to be shackled by anything. Talking of Rajmata Gayatri Devi, she strongly hoped that the market will lead to the arts coming into a happier position - as she said, art is the last thing people invest in when they have bought their real estate and jewels and cars and other expensive toys. She believed patronage was needed to support the arts for they are our heritage and repositories of culture. Both visual and performing artists and artistes needed to be given a better economic deal that gives them the freedom to create without having to worry where their next meal was going to come from. Art is a very erratic pay master, she pushed for schemes to be launched by Rajasthan Government to bring more artists within its ambit - after all, if assured work can be provided at the rural level for development, why not for artists, artistes and artisans? She wrote to the government to explore the possibility of taking a fresh look at arts management and create an arts cadre that will help run the several thousand arts institutions in the country. Introducing professional courses in institutes like IIM could be the first step to market the arts better towards the end of making the arts self sufficient. Steps need to be taken urgently to undo the damage wreaked by unscrupulous art galleries. In their race to extract their profits they raised the prices of art to unsustainable levels, leaving many artists in the country in pitiable conditions. She supported many artists in best possible ways for sustainable growth. She accquired for her personal collections and gifting to her close friends art works of Indian painters.
وہی کارواں، وہی راستے وہی زندگی وہی مرحلے مگر اپنے اپنے مقام پر کبھی تم نہیں کبھی ہم نہیں شکیل بدایونی 1916 - 1970 | ممبئی, ہندوستان معروف فلم گیت کار اور شاعر
Thanks for viewing, Amanpreet! Do subscribe to wildfilmsindia on RUclips at ruclips.net/user/wildfilmsindia for a steady stream of videos from across India, as part of our 'Visual mapping of the Indian subcontinent' project. Also view our 'Best of India' video playlist on RUclips, and enjoy your journey across India at clipahoy.com , India's first video-based social networking experience! Team WFIL
You have to create your own style to get recognition. You can not be recognized by copying other's painting. If I paint in Van Gogh's style I can not deserve any recognition at all.
WOW !.... Such a glimpse into one of the most interesting aspect of artist - while he is AT WORK. It looks so divine; he is absorbed with his soul into the canvas. The head of the horse, the way it is turned around and the space of its body, surely a masterly flow of proportionate strokes. I am currently interested to learn his oeuvre and know his views and insights. Thanks for uploading the video.
No one understands... that feeling.........🤔 He is the artist created the abstract horse.....his own way..... I like his style of painting.... He looks also...so wounderfull.... In this age....👍👌 Great... artist in the world....🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨
Tumne kuch logo ki wajeh se sab ko judge kar liya. Neta ese bhi na hote tab bhi ese chutiye hote hi. Positive side ko dekho bhai har chij ko religion ke chashme se dekhna band karo.
ASHVA SHAKTI YASHOBAL!!! THREE CHEERS FOR THE 61ST CAVALRY AND THE PRESIDENTS BODY GUARDS!!!. Husain spent time at the 61st Rissala stables & royal stables of Rajmata Gayatri Devi in Jaipur. Rajmata Gayatri Devi patronized Indian painters like Ram Kumar, Gaitonde, Manjit Bawa, among others. It's after this stint at Jaipur that he met Madhuri Dixit at an award function in 1994 and carried out a series of Horses & Madhuri paintings and then entered film making. He made a series of paintings on 61st Cavalry, PBG, various Rissala's, Lancers, Cavalries, Army, State Forces & Polo. They were sketches & oil on canvases. These have remained private and not showcased publicly till date. The painting material was provided by courtesy of Rajmata Gayatri Devi & her friend Mrs Zorawar Singh. He painted over 25-30 sketches & paintings on the various Army Rissala's, Cavalries, Lancers, Polo & horses. Husain would spend long hours watching young cavalry officers play practice & polo chukkars on the private cavalry polo grounds next to the Cavalry officers mess in Khatipura. He actually painted a live horse in the middle of Connaught Place in the early 90s at Happenings, belonging to koel & Kali Puri, during an art opening. To his mind the horse was a metaphor for freedom and he craved to be so free himself that he didn’t want to be shackled by anything. MF Husain was hoisted by The Maharani of Jaipur, Rajmata Gayatri Devi and The Jaipur Rissala between 1992 and 1995. The eminent painter spent his joyful days at the Jaipur Rissala which is presently known as the 61st Cavalry, staying in the cavalry officer's mess. In his time over there, Husain painted a series of paintings which depicted the army and the polo horses. Besides Husain immortalized Her Highness Gayatri Devi in the various portraits, he painted of her. However, a few of those portraits remained incomplete as Husain could never return to culminate the artistic work he had undertaken at The Rissala.
Talking of Rajmata Gayatri Devi, she strongly hoped that the market will lead to the arts coming into a happier position - as she said, art is the last thing people invest in when they have bought their real estate, jewels, cars and other expensive toys.
She believed patronage was needed to support the artists for they are our heritage & repositories of culture. Both visual & performing artists & artistes needed to be given a better economic deal that gives them the freedom to create without having to worry where their next meal was going to come from. Art is a very erratic pay master, she pushed for schemes to be launched by Rajasthan Government to bring more artists within its ambit - after all, if assured work can be provided at the rural level for development, why not for artists, artistes & artisans? She wrote to the government to explore the possibility of taking a fresh look at arts management and create an arts cadre that will help run the several thousand arts institutions in the country. Introducing professional courses in institutes like IIM could be the first step to market the arts better towards the end of making the arts self sufficient. Steps need to be taken urgently to undo the damage wreaked by unscrupulous art galleries. In their race to extract their profits they raised the prices of art to unsustainable levels, leaving many artists in the country in pitiable conditions. She supported artists in best possible ways for sustainable growth. She acquired for her personal collections and gifting to her close friends, art works of upcoming and established Indian painters. Her homes Indian painters adorn the walls. I personally remember an incident where on my retuem from Delhi polo season, I mentioned to her about the plight and hard times Mr Gaitonde had fallen on as he along with Ramkumar, Manjit Bawa, Khanna were closely associated with the cavalry and were regulars to the Jaipur Polo grounds at Delhi. She heard me and next morning wished to buy his works along with few other artists. 30-35 oil on canvases of the painters immediately. That purchase had hugely helped Gaitonde to tide over his large accumulated debts after his accident which left him physically restrained and then the fire which destroyed his house, She did not want anyone to know other than Mrs Zorawar Singh her close confidante. She had most pious and gentle helping heart and she felt pained for any artists trouble. God Bless her and the family. Thanks to God her grand children bring her great peace and she must be happy in heaven's see them do so well. Princesses Lalitya, her husband and her lovely children and Maharaj Devraj bring her great honor. They are doing extremely well and very humble and beautiful in their demeanor. May Hanuman bless them. ASHVA SHAKTI YASHOBAL!!! THREE CHEERS FOR THE 61ST CAVALRY AND THE PRESIDENTS BODY GUARDS.
He is referred to as one of the great artist. People here are commenting about realism, brush strokes etc etc to prove their point that he is one of the greatest artist. I am just trying to understand what exactly the painting he just made depicts that makes it a great art. Please do explain anyone.
Sandeep Gowda this is his masterpiece way of painting. Once you establish a style in art, your works in same line would be cherished by your followers. For example Raja Ravi Varma art. It had similar characters, inspired by mythology. Then comes that of Da Vinci, most of which were sfumatous paintings. And don't go by the guys who says that Hussain sir don't know realist painting. Because he was a known bollywood poster artist, before he became a professional artist. And to know what bolywood posters were like, google it. You would realise, what an artist he was.
ஐயா நீங்கள் யாரு என்னனு எனக்கு தெரியாது.. ஆனால் நீங்க இந்த ஓவியர போஸ்ட் பன்றதுக்கு முன்னால்... ரவிவர்மா.இளையராஜா போன்ற உன்மையான ஓவியர்களின் படங்களை நன்றாக பார்க்கவும்....தவறாக நினைக்க வேண்டாம்.... இவர் படங்களை பார்த்தா தல தான் சார் வலிக்குது...... மனசாட்சி உள்ள யாரும் இத போஸ்ட் பன்ன மாட்டாங்க.....🙏🙏🙏🙏
Movie : welcome (Anil kapoor : aaj Maine m.f hussain ka game Baja dala )😂😂😂😂😂😂😂 But no one beat him in painting love you hussain Sir He is like my Picasso
Everyone who is supporting M.F. Face the truth most people believe that it is not worth the commotion If you dont feel it's good it's not good....end of discussion. There is nothing hidden in it that we cannot see.
A man came to see picassos paintings. Picasso showed him a painting and asked him what is he seeing in that painting. The man said I see buildings, roads, birds , trees and many others. Picasso said " Do you see all these in this painting !"😎
For those who all are commenting that his painting was like a child's painting and bla bla. Please read the description clearly. Its a part of a footage the total video I have seen full video and you will not believe that the final product was so good.
M.F. HUSSAIN PAINTS HO...:--- SIR, I AM MYSELF A PAINTER . I BELIEVE A PAINTER HAS FREEDOM AND WITH IN THAT LIMIT HE CAN DO HIS CREATION. HIS PAINTING ABILITIES NO ONE DESPISED OR CURBED HERE IN FREE INDIA . IN INDIA MANY WERE HIS FANS, HINDUS OUTNUMBERED MUSLIMS AS HIS FANS. M. F. HUSSAIN WAS NOT ONLY A GOOD PAINTER BUT ALSO A FANATICAL (ZALEEL) MUSLIM TO THE CORE. IN THE NAME OF ARTISTC FREEDOM, THIS FANATICAL MUSLIM PAINTED SITA OF RAMAYANA HAVING INTERCOURSE WITH HANUMAN, WHOM HINDUS LOOK UPON WITH GREAT REVERENCE. HE PAINTED GODESS SARASWATHI IN TOTAL NUDE FORM TO SHOW LOW OF HINDUS, THEIR GODS AND GODESSES. HiS OTHER INTENSION WAS TO SHOW HOW GREAT ISLAM IS. WHILE THE HINDUS NEVER HAD ANY OBJECTION IF HE WANTD TO SHOW THE GREATNESS OF ISLAM, WHAT RIGHT HE HAD TO DEPICT MOTHER SEETHA IN COMPROMISING POSITION WITH HANUMAN, REWRIGHTING RAMAYANA AS A WHOLE. THIS OFFENDED NOT ONLY ALL HINDUS BUT ALSO HUNDU RELIGION, WHERE IN MOTHER SEETHA IN RAYANA IS LOOKED UPON AS THE EMBODIMENT OF WOMANHOOD. WHEN PEACEFULLY PROTESTED BY THE HINDUS, THIS FANATIC MUSLIM DID NOT HAD THE COURTESY TO APPOLOGIZE FOR HIS WRONG DOING AND TRIED HIS BEST TO SCHIELD UNDER ARTISTC FREEDOM. HE DESERVED HIS FINAL END. HINDUS BEING A PEACE LOVING PEOPLE SPARED HIS LIFE HE LEFT THE COUNTRY BEFORE HE WAS KICKED OUT AND DIED IN A DISTANT LAND WHERE NO ONE WAS THERE tO PUT HIS ZALEEL BODY INTO GRAVE. SOME HOW HE ESCAPED THE HINDU WRATH. AND GOT WHAT HE DESERVED Vatsa Karnataka
kabhi canvas par try karke dekh aur bana apne dimag se ...khud b khud samajh me aa jayega ki jo wo aasani se strokes laga rahe h ..barson ki mehnat chhupi huyi h .....
தயவுசெய்து யோசிக்கவும்... ஓவியம் என்றால் ஓர் உயர்ந்த கருத்தை நமக்கு உணர்த்த வேண்டும்..இது என்ன இந்த வேலையை நம்ம ஊரு சின்ன பசங்க ரெம்ப நல்லா பன்னுவாங்க.....
ALLAH MAGHFIRAT FARMAE. HUSSAIN SIR AAPKO SADIYO YAAD KIYA JAAEGA. AAPKO PARESHAN KARNE WAALO KA TO ABHI NAAMO NISHAN MITT CHOOKA AAPAS ME HI KUTTO KI TARHA LADH LADH KE MARR RAHE HAIN
क्या बनाता था,,क्या दिखता था,,,ओर क्या समझ आता था,,,आज तक समझ नही आया इसका बनाया कुछ भी,,,लोग पता नही इन्हें महान क्यों बना बैठे थे,,,ये कोई मत कहना कि आर्ट के बारे में जानकारी नही है,,,,हमने डिप्लोमा किया है,,,इसलिये ज्ञान भरे चूतिया पाई के कमेंट्स ना करें,,,
Ankit Gupta one doesn’t need to be Picasso or Frida Kahlo, Hussain was Hussain in his own way, rather in his Gajagamini way so was Amrita Shergil, remember a picture live by its legend and not by anything else..
No doubt he is great , but he had also painted nude Indian GODS , ..... BY INDIAN ,I mean Hindu....... For example Durga mata. And many more..... Just imagine we had done something like that to our Muslims brother religion ....... Go and search if you don't believe me........ I hate him for that....
Jayesh Garchar please visit kajuraho or any south temples. You could see mural paintings with nude paintings of hindu goddesses and gods, as well. So before commenting, its better to know that he was not the first one to paint so. But was probably the first muslim, and hence the gritty feeling.
![Digital Circus Episode 4 [TRAILER]](http://i.ytimg.com/vi/abZtsmMUbJo/mqdefault.jpg)
The time was June 1990, I was working with IMRB a research firm in Kala Ghoda and it was always my habit to go and see the paintings at the Jahengir Art Gallery. I popped in and I saw horses, huge horses, horses on one top of the other. The magnificence of the paintings... Uuf it was a moment in time which I can picture even today. A man in white kurta pajama (barefeet) came to me from behind and said, "kaunsa painting khareedoge", I looked at him and said, "meh bus, dekne Aya Hu", he smiled and said "dekho" and added "kausa painting pasand aaya", I pointed to massive painting of Horses. Later on I realized I was speaking to MFH, I still cherish this memory and it's forever etched in my life. M F H Sahab. RIP.
aakhan64 wow
Wow a casual talk like that is just wow
Hmmm .... it must be remembering and cherishing. I smiled when I read your comment.☺️☺️☺️☺️.
WOWWW GREAT TIME YOU HAD.
I usually should be jealous but surprisingly I m not
For all the scumbags commenting "I could paint better that that", you must first understand that there are genres of painting. Realism is only one of them.
Sure you can replicate his painting but that doesn't mean you created it. You can also copy Einstein's equations in your notebook, that doesn't mean you thought of them. Same goes for this.
What was the type in which the naked pictures of Hindu God and goddess painted
Very well said bro.....only the ones who know art can appreciate it
@@947abhi the same one under which the statues and sculptures in ancient temples are created. Besides, there an image of what he created. Please do compare it with the sculptures in other temples bro. The more important thing is his intentions not his artwork.✌️ Peace.
@@abhijeetsantra4237 first of all... The sculptures of the temple doesn't depict any Hindu goddess and God.... According to your logic... Since Kamasutra add return in India doesn't justify if any writer create some dirty novels by characterizing Hindu deities....
@@947abhi totally agreed bro 👍. As i said earlier, the intention is more important than the artwork. No one is must be allowed to disrespect any religion or religious beliefs. But my question is- was he actually trying to disrespect hindu goddess? Yes he created a line artwork (not a realistic one) but on the other hand, many hindu artists created sculptures like that on temples, even detailed ones. And yes there are status of goddesses- like kaamini goddess, etc. We see nude to seminude artworks of gods and goddesses throughout the world. Like ones created by Michelangelo. And many more like The painting- birth of venus etc. Artists should be judged on the basis of their intention, not on the basis of religion. ✌️☮️ peace
I've long been an admirer of M F Hussain's art. I never dreamt I'd actually see him creating an artwork, Thank You. I stumbled across this completely by accident while looking for Indian Miniature Art techniques. It was a wonderful surprise and much appreciated.
❤️❤️
That dare devil painter also painted
gods in Nude,not his allah
And therefore
Kuttey ki mout bhee na mili
He is one of most important artist of Indian Origin
Unfortunately he is not celebrated because of all the controversies in his last few years....
But I am so happy to have found his video....it's such a visual delight
For all those who are giving all the negative comments
I am sure....You won't have an artist in ur family at least in the next generation because you haven't understood the art. God Bless
Correct answer
To all the people who are opposing him, first of all if you don't have any knowledge about art then don't comment and secondly he is one of the great artists of all time. So please be respectful.
Joginder Kaur do not use ''please word for this people..they actualy cant understand it.bcz they are illiterate.
@@beautifulnaturevsp ekdum sahi kaha😂😂😂😂😂
@@beautifulnaturevsp u r absolutely right
Saala Allah mohamad aur ayisha ke nudes banata.. To ye Allah ke bande pata nahi kya lete..
Blank canvas ka dam 5 mil ho sakta hain.. and you are saying we dont have knowledge. May be we dont. But modern art is a scam.
Somehow it reminded me of the great Majnu Bhai's painting 😂😂😂😂
Really i was also thinking like that......😂🤣😅
Hehe
😂😂😂
Same here 😁
Exactly
In the years 1992-95. MF Husain visited Jaipur as guest of the Jaipur Rissala, presently known as the 61st Cavalry and stayed in Cavalry officers mess along for a few weeks.
His autobiography does mention the same in passing, as a civilian staying in the Army cantonment was not legal, but summarises how a boy born in Pandharpur went to Indore and grew up to become Maqbool, the painter. Bombay conferred on him the title of M.F. Husain, the artist, while in Delhi he was awarded the Padma Vibhushan in 1991,by Govt of India.
As per Hussain, he painted the horses for the first time in the 1950s, it was certain that he sought much more in the piece than a mere aesthetic exercise. A personal meditation plays out on the canvas and Husain's desire to universalise a personal and intimate relationship with the animal is evident.
'Husain's horses become a vehicle for multiple utterances - aggression, power and protection...the brute strength of horses born and released from fabulous regions mutate in to thunderbolt, energies, phallic and omnipotent.'
The horse in Husain's pictorial vocabulary has evolved through an amalgamation of varied visual memories; from riding in his grandfather's horse-drawn tonga as a child, to absorbing images of the stylised Duldul horse during annual Muharram processions in Indore, the folk horses from the village of Bankura, and the horse in Chinese painting and sculpture that he saw during his visit to the country in 1952. Combined with his encounters with classical and folk traditions, or the polo matches on the Jaipur polo grounds, Delhi & his stays at the 61st Cavalry, Jaipur, in early 90s, or his visits to Bharatpur. Husain reformulated these images, adapting them to fit his own purpose as a modern artist.
Of his inspiration for his horses, Husain had said, 'I have not seen these wild animals in the jungle. I have seen them imprisoned in stone on the walls of Khajuraho, Konark, Mahalipuram - the temples of medieval India.' (K. Bikram Singh, Maqbool Fida Husain, New Delhi, 2008, p. 169) Even his encounters with horses at a young age conjured images of gentle and affectionate animals, displaying aristocratic elegance. Yet Husain's horses exude life, they are dynamic beasts, creating a certain frenzied energy on his canvases; a direct contrast to his quiet inspirations.
These horses are nearly always unbridled or galloping, rarely static. Unbridled raw power of the polo ponies, They are symbols of power and vitality. Strong, bold lines and thick impasto paint in vivid tones of red, yellow and white capture an explosive energy that bursts through the confines of the canvas. Relying on the uninhibited movement of his brush, Husain captures the movement and vigour of these dignified beasts.
'The horses are rampant or galloping; the manes, the fury, the working buttocks, the prancing legs, and the strong neighing heads with dilated nostrils are blocks of colour which are vivid or tactile or are propelled in their significant progression by strokes of the brush or sweeps of the palette knife. The activity depicted is transformed in the activity of paint.'
During his wanderings from city to city and country to country, Husain met a host of people mainly royalties of Rajasthan during this particular visit. Whenever he was asked about them, his reply was, "If I try to enumerate them, it will give the impression of name dropping. I can only say:
Husain’s horses need no introduction. When asked what the horse stood for, he had unhesitatingly replied: Grace and freedom.
He used to talk to young Cavalry officers about his childhood spent in Pandharpur to life on the streets of Mumbai. An exhibition that he witnessed along with F.N Souza in 1948, held at President's Body Guards, Rashtrapati Bhavan of Indian paintings and sculptures left him exhilarated. It was this exhibition that led Husain to arrive at a style distinctly his own and when he decided to showcase the quintessence of Indian art through his works.
M. F. Husain spoke about Imam Hussain's horse Duldul as well as Buraq which carried the Holy Prophet (peace be upon him) to the skies. There are references to the mythological horse of Ramchandrji Ashomidh. Husain did not forget Achhan Mian, the horseshoe maker, and Kalloo Mian, the tonga walla who helped develop his fascination for horses as a kid.
He spent time at the 61st Rissala stables & royal stables of Rajmata Gayatri Devi in Jaipur.
Rajmata Gayatri Devi patronised Indian painters, Ram Kumar, Gaitonde among others.
It's after this stint at Jaipur that he met Madhuri Dixit at an award function in 1994 and carried out a series of Horses & Madhuri paintings.
He made a series of paintings on 61st Cavalry, PBG, Army & Polo. They were sketches and oil on canvases. These have always remained private and not spoken about due to Army protocol.
The painting material was provided by courtisies of Rajmata Gayatri Devi & Her close friend Mrs Zorawar Singh. He painted over 25-30 sketches & paintings on the Army, Polo & horses, also there is an unfinished painting of Rajmata Gayatri Devi.
He would spend hours watching young cavalry officers play polo on the private cavalry polo grounds next to the Cavalry officers mess in Khatipura.
Husain actually painted a live horse in the middle of Connaught Place in the early 90s at Happenings, belonging to koel & Kali Puri, during an art opening.
To my mind the horse was a metaphor for freedom for him and he craved to be so free himself that he didn’t want to be shackled by anything.
Talking of Rajmata Gayatri Devi, she strongly hoped that the market will lead to the arts coming into a happier position - as she said, art is the last thing people invest in when they have bought their real estate and jewels and cars and other expensive toys.
She believed patronage was needed to support the arts for they are our heritage and repositories of culture. Both visual and performing artists and artistes needed to be given a better economic deal that gives them the freedom to create without having to worry where their next meal was going to come from.
Art is a very erratic pay master, she pushed for schemes to be launched by Rajasthan Government to bring more artists within its ambit - after all, if assured work can be provided at the rural level for development, why not for artists, artistes and artisans?
She wrote to the government to explore the possibility of taking a fresh look at arts management and create an arts cadre that will help run the several thousand arts institutions in the country.
Introducing professional courses in institutes like IIM could be the first step to market the arts better towards the end of making the arts self sufficient. Steps need to be taken urgently to undo the damage wreaked by unscrupulous art galleries. In their race to extract their profits they raised the prices of art to unsustainable levels, leaving many artists in the country in pitiable conditions.
She supported many artists in best possible ways for sustainable growth. She accquired for her personal collections and gifting to her close friends art works of Indian painters.
I am so happy mujhe m.f. hussain ka video dekhne ko mila😊😊thankuuuuu for this uploading video
Bas kar hoee
Tu pahle uske bare mei padh le bhai, o kya tha or usne kya kya kia jiske vajeh se india chod kar bhag gaya
Majnu bhai followed MF Hussain sahab in welcome
jokes apart but really talented man his strokes worth millions
Kya chutiyapa nikala hai isne
@Charanjeet sharma
Ek ghora
Jisay kuttay ki mout bhi nseeb na hui bhagwan atma ko shanti dayna
From side view he is looking like Amitabh Bachan
Exactly
Sulman Khan
Nope sulman Rushdie.
Exaçtly
He finished his masterpiece looked behind his shoulder and said "10 million"
Very very thanking you for uploading video
I would've laughed and cried over that painting..... If I was 2 years old. Sorry, but I don't have the eyes to watch that beauty in chaos anymore.
I got a pleasure of meeting him and taking his autograph when he came to kuwait and in India.
وہی کارواں، وہی راستے وہی زندگی وہی مرحلے مگر اپنے اپنے مقام پر کبھی تم نہیں کبھی ہم نہیں شکیل بدایونی 1916 - 1970 | ممبئی, ہندوستان معروف فلم گیت کار اور شاعر
A Big thank you to this channel for uploading this video.... Please upload more if possible
I love this! Thanks for filming it.
You're welcome! We hope you've come on board and subscribed to wildfilmsindia...?
Thanks for viewing, Amanpreet! Do subscribe to wildfilmsindia on RUclips at ruclips.net/user/wildfilmsindia for a steady stream of videos from across India, as part of our 'Visual mapping of the Indian subcontinent' project. Also view our 'Best of India' video playlist on RUclips, and enjoy your journey across India at clipahoy.com , India's first video-based social networking experience!
Team WFIL
Of course.
Haven't you seen Nude God ,not allah ,by horse brush.?
If I'd paint like that, no one would ever recognise me
You have to create your own style to get recognition. You can not be recognized by copying other's painting. If I paint in Van Gogh's style I can not deserve any recognition at all.
First thing is wheather you CAN draw! Things look easy when someone else does it. Try to learn and grow....
gand mara fir
@@avijitmukherjee4022 rare people understand that.. Even Van Gogh was ignored in his lifetime and today he is the most respected painter of all time
Exactly to paint like this n still being called amazing u HV to paint masters learn masters
WOW !.... Such a glimpse into one of the most interesting aspect of artist - while he is AT WORK. It looks so divine; he is absorbed with his soul into the canvas. The head of the horse, the way it is turned around and the space of its body, surely a masterly flow of proportionate strokes. I am currently interested to learn his oeuvre and know his views and insights.
Thanks for uploading the video.
No one understands... that feeling.........🤔
He is the artist created the abstract horse.....his own way.....
I like his style of painting....
He looks also...so wounderfull....
In this age....👍👌
Great... artist in the world....🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨🎨
I had the honour of seeing him painting live with my eyes when he had come to Chennai for a showroom opening..
These modern painting admirers, in my dad's view are the people from the crowd in "The Emperor's Clothes" story.
Your dad is realism fanboy then. No offense but it is true, I am also the same.
Art doesn't need to make sense. That's art.
~YEAH~ greetings from 2 german musicians...
Comments Dekh Kar Lagta hai. Hamare leader kamyab hai Apne muddo me.
Mudde bhi sahi kyuki sab ankho samne dikh raha hai woh log andhe nahi hai be..
Sahi kha bhai kuch log bhi galt hai or neta to sara hi
Tumne kuch logo ki wajeh se sab ko judge kar liya. Neta ese bhi na hote tab bhi ese chutiye hote hi. Positive side ko dekho bhai har chij ko religion ke chashme se dekhna band karo.
Amazing strokes very powerful and different
Thanks dude for uploading this video. I am new to art field and still learning...😄😄
ASHVA SHAKTI YASHOBAL!!!
THREE CHEERS FOR THE 61ST CAVALRY AND THE PRESIDENTS BODY GUARDS!!!.
Husain spent time at the 61st Rissala stables & royal stables of Rajmata Gayatri Devi in Jaipur.
Rajmata Gayatri Devi patronized Indian painters like Ram Kumar, Gaitonde, Manjit Bawa, among others.
It's after this stint at Jaipur that he met Madhuri Dixit at an award function in 1994 and carried out a series of Horses & Madhuri paintings and then entered film making.
He made a series of paintings on 61st Cavalry, PBG, various Rissala's, Lancers, Cavalries, Army, State Forces & Polo. They were sketches & oil on canvases. These have remained private and not showcased publicly till date.
The painting material was provided by courtesy of Rajmata Gayatri Devi & her friend Mrs Zorawar Singh. He painted over 25-30 sketches & paintings on the various Army Rissala's, Cavalries, Lancers, Polo & horses.
Husain would spend long hours watching young cavalry officers play practice & polo chukkars on the private cavalry polo grounds next to the Cavalry officers mess in Khatipura.
He actually painted a live horse in the middle of Connaught Place in the early 90s at Happenings, belonging to koel & Kali Puri, during an art opening.
To his mind the horse was a metaphor for freedom and he craved to be so free himself that he didn’t want to be shackled by anything.
MF Husain was hoisted by The Maharani of Jaipur, Rajmata Gayatri Devi and The Jaipur Rissala between 1992 and 1995. The eminent painter spent his joyful days at the Jaipur Rissala which is
presently known as the 61st Cavalry, staying in the cavalry officer's mess. In his time over there, Husain painted a series of paintings which depicted the army and the polo horses. Besides Husain immortalized Her Highness Gayatri Devi in the various portraits, he painted of her. However, a few of those portraits remained incomplete as Husain could never return to culminate the artistic work he had undertaken at The Rissala.
Talking of Rajmata Gayatri Devi, she strongly hoped that the market will lead to the arts coming into a happier position - as she said, art is the last thing people invest in when they have bought their real estate, jewels, cars and other expensive toys.
She believed patronage was needed to support the artists for they are our heritage & repositories of culture. Both visual & performing artists & artistes needed to be given a better economic deal that gives them the freedom to create without having to worry where their next meal was going to come from.
Art is a very erratic pay master, she pushed for schemes to be launched by Rajasthan Government to bring more artists within its ambit - after all, if assured work can be provided at the rural level for development, why not for artists, artistes & artisans?
She wrote to the government to explore the possibility of taking a fresh look at arts management and create an arts cadre that will help run the several thousand arts institutions in the country.
Introducing professional courses in institutes like IIM could be the first step to market the arts better towards the end of making the arts self sufficient. Steps need to be taken urgently to undo the damage wreaked by unscrupulous art galleries. In their race to extract their profits they raised the prices of art to unsustainable levels, leaving many artists in the country in pitiable conditions.
She supported artists in best possible ways for sustainable growth. She acquired for her personal collections and gifting to her close friends, art works of upcoming and established Indian painters. Her homes Indian painters adorn the walls. I personally remember an incident where on my retuem from Delhi polo season, I mentioned to her about the plight and hard times Mr Gaitonde had fallen on as he along with Ramkumar, Manjit Bawa, Khanna were closely associated with the cavalry and were regulars to the Jaipur Polo grounds at Delhi. She heard me and next morning wished to buy his works along with few other artists. 30-35 oil on canvases of the painters immediately. That purchase had hugely helped Gaitonde to tide over his large accumulated debts after his accident which left him physically restrained and then the fire which destroyed his house, She did not want anyone to know other than Mrs Zorawar Singh her close confidante.
She had most pious and gentle helping heart and she felt pained for any artists trouble.
God Bless her and the family. Thanks to God her grand children bring her great peace and she must be happy in heaven's see them do so well. Princesses Lalitya, her husband and her lovely children and Maharaj Devraj bring her great honor. They are doing extremely well and very humble and beautiful in their demeanor. May Hanuman bless them.
ASHVA SHAKTI YASHOBAL!!!
THREE CHEERS FOR THE 61ST CAVALRY AND THE PRESIDENTS BODY GUARDS.
He is referred to as one of the great artist. People here are commenting about realism, brush strokes etc etc to prove their point that he is one of the greatest artist.
I am just trying to understand what exactly the painting he just made depicts that makes it a great art. Please do explain anyone.
Sandeep Gowda this is his masterpiece way of painting. Once you establish a style in art, your works in same line would be cherished by your followers. For example Raja Ravi Varma art. It had similar characters, inspired by mythology. Then comes that of Da Vinci, most of which were sfumatous paintings. And don't go by the guys who says that Hussain sir don't know realist painting. Because he was a known bollywood poster artist, before he became a professional artist. And to know what bolywood posters were like, google it. You would realise, what an artist he was.
I know only one thing ....agar MFH pan khake canvas pe pichkari thuk bhi denge to bhi unka painting 50lak me bikega..😀
Aur ya leegiay
Aak thoo.
MF ki paintings per😯
😁😁😂😅😅😅😃😄
I feel happy to say I meet him
so what?? who cares?
I will never understand art 😪
Me too still wondering what's so great in this painting 😁😂 when my little 8yrs old niece can draw this 😂
@@sudarshankalebere5526 ask her to draw it...
Or u urself try it
@@VaibhavSingh-cg5zs she already did bro u wanna see?
Bro you can draw anything you will understand
Very well shot. Thanks
Wow it's incredible! Fabulous
Now that's art...
Bekar painting
ஐயா நீங்கள் யாரு என்னனு எனக்கு தெரியாது.. ஆனால் நீங்க இந்த ஓவியர போஸ்ட் பன்றதுக்கு முன்னால்... ரவிவர்மா.இளையராஜா போன்ற உன்மையான ஓவியர்களின் படங்களை நன்றாக பார்க்கவும்....தவறாக நினைக்க வேண்டாம்.... இவர் படங்களை பார்த்தா தல தான் சார் வலிக்குது...... மனசாட்சி உள்ள யாரும் இத போஸ்ட் பன்ன மாட்டாங்க.....🙏🙏🙏🙏
Indias no.1 artist
What brand of Acrylic colors is he using? Bold and definite strokes. Enjoyed it !
Movie : welcome
(Anil kapoor : aaj Maine m.f hussain ka game Baja dala )😂😂😂😂😂😂😂
But no one beat him in painting love you hussain Sir
He is like my Picasso
Everyone who is supporting M.F.
Face the truth most people believe that it is not worth the commotion
If you dont feel it's good it's not good....end of discussion.
There is nothing hidden in it that we cannot see.
This is not full footage
He is waiting to dry up the painting
I seen original painiting and it was really awesome that you won't belive
Salute you sir. I am your veeeeeeeeeeeeeeeeeery biiiiiiig fan.
You are great...Sr g..
Beautiful my dear friend
Title should be MF Hussain showing how to make 1 million in 5 minutes
it took him 50 years to reach that level where he can make 1 million in 5 minutes
@@Ankitkaushalful 🤣🤣🤣what took him 50yrs, you mean to reach this crap.
Aur ye lijiye 10cr ka painting
Go and take a look at the actual painting and u will know why!!
Ak thoo..
Beautiful
He was really a lucky person , he get lots of money for his majnu style painting
He is not famous for his paintings, but for all wrong reasons. He was a mediocre painter.
Sahi pakde majnu chhap painting...Inka jitna naam hai ye utni achchhi painting kahan bana paate the
Any Art always just mesmerized me
I can understand this painting very nice
A man came to see picassos paintings. Picasso showed him a painting and asked him what is he seeing in that painting. The man said I see buildings, roads, birds , trees and many others.
Picasso said " Do you see all these in this painting !"😎
Nhi samjhe
Please Explain
After watching this painting i am going to search for Majnu bhai’s painting
and till this date i thought he was amitabh bacchan
Arre ye toh apane majnu bhai ki painting hai 😁
Why film his body ? I want to see him paint.
The master of god of art
Majnu bhai ka real character Mil gaya......live panting 😂😂😂😂
For those who all are commenting that his painting was like a child's painting and bla bla. Please read the description clearly. Its a part of a footage the total video I have seen full video and you will not believe that the final product was so good.
Can you please tell us where we'd watch the full video? It'd be very helpful if you share the full video or the link of it.
Bullshit... All his final pieces are absolute crop of modern art.... Fucking Impressionists... Talent less scumbags
Drawing from reference is so much easy than brainstorming and he is master in that.
Best part 0:32......
...........
M.F. HUSSAIN PAINTS HO...:---
SIR,
I AM MYSELF A PAINTER . I BELIEVE A PAINTER HAS FREEDOM AND WITH IN THAT LIMIT HE CAN DO HIS CREATION.
HIS PAINTING ABILITIES NO ONE DESPISED OR CURBED HERE IN FREE INDIA .
IN INDIA MANY WERE HIS FANS, HINDUS OUTNUMBERED MUSLIMS AS HIS FANS.
M. F. HUSSAIN WAS NOT ONLY A GOOD PAINTER BUT ALSO A FANATICAL (ZALEEL) MUSLIM TO THE CORE.
IN THE NAME OF ARTISTC FREEDOM, THIS FANATICAL MUSLIM PAINTED SITA OF RAMAYANA HAVING INTERCOURSE WITH HANUMAN, WHOM HINDUS LOOK UPON WITH GREAT REVERENCE. HE PAINTED GODESS SARASWATHI IN TOTAL NUDE FORM TO SHOW LOW OF HINDUS, THEIR GODS AND GODESSES. HiS OTHER INTENSION WAS TO SHOW HOW GREAT ISLAM IS.
WHILE THE HINDUS NEVER HAD ANY OBJECTION IF HE WANTD TO SHOW THE GREATNESS OF ISLAM, WHAT RIGHT HE HAD TO DEPICT MOTHER SEETHA IN COMPROMISING POSITION WITH HANUMAN, REWRIGHTING RAMAYANA AS A WHOLE. THIS OFFENDED NOT ONLY ALL HINDUS BUT ALSO HUNDU RELIGION, WHERE IN MOTHER SEETHA IN RAYANA IS LOOKED UPON AS THE EMBODIMENT OF WOMANHOOD.
WHEN PEACEFULLY PROTESTED BY THE HINDUS, THIS FANATIC MUSLIM DID NOT HAD THE COURTESY TO APPOLOGIZE FOR HIS WRONG DOING AND TRIED HIS BEST TO SCHIELD UNDER ARTISTC FREEDOM.
HE DESERVED HIS FINAL END. HINDUS BEING A PEACE LOVING PEOPLE SPARED HIS LIFE
HE LEFT THE COUNTRY BEFORE HE WAS KICKED OUT AND DIED IN A DISTANT LAND WHERE NO ONE WAS THERE tO PUT HIS ZALEEL BODY INTO GRAVE.
SOME HOW HE ESCAPED THE HINDU WRATH. AND GOT WHAT HE DESERVED
Vatsa Karnataka
Yeh toh aapna Anil kapoor bhi kaar leta hai welcome picture main ....
kabhi canvas par try karke dekh aur bana apne dimag se ...khud b khud samajh me aa jayega ki jo wo aasani se strokes laga rahe h ..barson ki mehnat chhupi huyi h .....
I always wondered how majnu bhai got inspired today i got answer
Hahahaha
Thanku for uploading the video of India's Picasso.
इस पेंटिग मेँ खास क्या है कोई मुझे भी समझा दो ! प्लीज़
भाई शाब अगर मुझे पता चला की पैनटीगं मे कया हे तो मै जरुर बताऊंगा ।
@@bikashparicha7341 आपका आभारी रहूँगा ! कृपया जल्द पता करे !
Doh ghode aapas me ek dusre ka dukh baant rahe hain, shayad.
@@bikashparicha7341 oh
It's a rare video indeed. Unfortunately camera work was very poor
Amazing 😍
Majnu bhai horse>>>>>>
தயவுசெய்து யோசிக்கவும்... ஓவியம் என்றால் ஓர் உயர்ந்த கருத்தை நமக்கு உணர்த்த வேண்டும்..இது என்ன இந்த வேலையை நம்ம ஊரு சின்ன பசங்க ரெம்ப நல்லா பன்னுவாங்க.....
Nice
Amitabh Bachhan should be play MF Hussain character in movie....
No need
ALLAH MAGHFIRAT FARMAE. HUSSAIN SIR AAPKO SADIYO YAAD KIYA JAAEGA. AAPKO PARESHAN KARNE WAALO KA TO ABHI NAAMO NISHAN MITT CHOOKA AAPAS ME HI KUTTO KI TARHA LADH LADH KE MARR RAHE HAIN
क्या बनाता था,,क्या दिखता था,,,ओर क्या समझ आता था,,,आज तक समझ नही आया इसका बनाया कुछ भी,,,लोग पता नही इन्हें महान क्यों बना बैठे थे,,,ये कोई मत कहना कि आर्ट के बारे में जानकारी नही है,,,,हमने डिप्लोमा किया है,,,इसलिये ज्ञान भरे चूतिया पाई के कमेंट्स ना करें,,,
He is inspired by Majnu bhai
the great artist of indian all times
Toh Jugnu (welcome) ki pairing me kya kami thi iske comparison me
😆😂😅😅😄
Mf hussain is known not only for the painting but has deep meaning inside the art
May I know whats that ' deep' meaning If you may....
This is original hearfull COMUNIiSUM.......
Fir ghoda bana Diya Yar...... 😂😂😂😂😂😂😂
Ghora ka hybrid hai
To kya kutiya banayaga ?
😂😂😁😁😆😆
Mera number Kyun block kar diya Hum Se Koi galti ho gayi hai
Many scientists scribble the equations which human kind as never seen
Really enjoyed watching this video... thanks for the upload!
Great sir
Great footage of one of India’s greatest artists 🙏
Great artist & great human..picasso of india.
Ankit Gupta one doesn’t need to be Picasso or Frida Kahlo, Hussain was Hussain in his own way, rather in his Gajagamini way so was Amrita Shergil, remember a picture live by its legend and not by anything else..
Why can not we call then Picasso was Hussain of Spain ? Both were fascinating in their own way
Lol
Watch nityam singha roy art work. Can anyone explaing how he create that grainy texture.
Please make more videos
No doubt he is great , but he had also painted nude Indian GODS , ..... BY INDIAN ,I mean Hindu....... For example Durga mata. And many more.....
Just imagine we had done something like that to our Muslims brother religion .......
Go and search if you don't believe me........ I hate him for that....
Why u filming his toes
Why he didnt use paint on his own, always made nude on hindu god
Jayesh Garchar please visit kajuraho or any south temples. You could see mural paintings with nude paintings of hindu goddesses and gods, as well. So before commenting, its better to know that he was not the first one to paint so. But was probably the first muslim, and hence the gritty feeling.
Even Raja Ravi Varma drew nude paintings of Hindu culture. You're just brainwashed and salty. Keep your garbage opinion to yourself.
There is no right and wrong when it comes to art. Its just art.
Ek ghora
Jisay kuttay ki mout
Bhee naseeb na hui
Bhagwan atma ko shanti dayna
Great ...mean great..
Beautifull
Yeh na sochna k yeh realist drawing nahi bana sakte....
I am bored too painting or copying what's in front of me
Majnu bhai ka yaad aa Gaya
Beatiful
Lucky to see M.F Hussain lost in his world
. a very rare sight which can never be found again.. Respect to the great Artist
Wow
khuda meharbaan tow ghada pehalwan. ? now guess😂😂😂
😆
Beta bandar kya jane adrak ka swad ja jakar cow mutr pee.
🤣😂🤣😂🤣😂🤣😂
@@vodafone3732 correct reply, these all don't know the spelling of painting and are judging a legend
So nice am ur fan you make an art of India's tippu sultan's lion, all speak difficult
Speech less
Where is the result. And how is it?
In our world... Some people born for only Teach to hole world....painters are one of them...they allways try to create new creative something...