Eliza Rickman and Jherek Bischoff "Riches and Wonders"
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- Опубликовано: 9 янв 2018
- From the album I Only Listen to the Mountain Goats: All Hail West Texas, out April 6, 2018 on Merge Records.
smarturl.it/I-Only-Listen
Podcast: www.nightvalepresents.com/ionl... 
Видеоклипы
"I wanna go home, but I am home"
that line always rips me to shreds. john darnielle invented suffering. fuck
This is what I think of when someone describes music as 'soaring'.
I don't know what emotion i feel when i listen to this but Boy oh boy is it a lot
"I am healthy, I am whole/I have poor impulse control"
That line affects me in a way that I can't explain.
Ian Me too. ❤️❤️❤️
Holy shit.
Eliza Rickman ah! Is it you? It’s you?
Me too!
James Rozenshteyn It is me! I’m sorry it took me forever to see this! ❤️
Mx. Rickman's voice and Mx. Bischoff's cello blend beautifully in this song. It touches a very deep and emotional part of me. Well done.
Nightvale weather is a great way to find new songs
??
This song actually makes me feel things. Props to Eliza Rickman, Jherek Bischoff, and The Mountain Goats!
This song fits that episode of WTNV so so well. " I want to go home, but I am home "
And the award to most underrated song of all time goes to
FOR. REAL. Was hard to do it justice.
“I want to go home. But I am home” I feel that so much. Even in my own house I don’t feel at home.
Eliza, I have loved your music for years, your voice is so ethereal and heavenly in the sex and joy and laughter kind of way. I started listening to The Mountain Goats more recently and John Darnielle’s lyrics make me feel raw in the blood and guts and trauma kind of way. Your voice on these lyrics makes me feel like I’m going insane, and the strings sound like sunlight feels. There’s nothing like this. Please please make more music like this. Honestly, make more mountain goats covers. Make more music with strings like this!! It suits you, and your take is so fresh.
This and Dessa doing balance are the 2 most beautiful covers. Thank you
100%
You forgot Source Decay
This weather gives me goosebumps, the lyrics, the string instruments, the voice...
aaaahhhh it all just works so harmonious and perfect
This honestly surpasses the original.
Im literally here because i just got my AHWT shirt so i started playing the album and when i got to this song i wanted to hear this cover so much more. Its so fucking beautiful
Most of the covers from the podcast do imho
Thank you so much ❤️🙏🏻🙏🏻🙏🏻
@@elizarickmanmusic This version means so much to me that I honestly want to have it for my first dance for my wedding some day. Thank you so much for your talent and hard work
no it doesn't
Amazing! Great podcast but this is the first cover from the series that offers something new AND respects the cadence of the original track.
The real question is "Is it true to the song?" A "track" is just an instance of a song a point in time. There is no original cadence, that's just a pattern in your mind. It's really more a question of what the song itself determines appropriate. Songs have personalities like that and tend to change over time, even when with the same artist.
You ever been to an Eels show? Anytime "Novocaine for the Soul" gets played it's nearly unrecognizable compared to the 'original track,' yet still sounds awesome and caries similar spirit.
Jake Hand Suggesting there is no cadence is to suggest there is no lyric, no melody, no arrangement and no choices being made by the artist. Your condescension aside - as though I'd never heard an artist rearrange their work - my point was more so regarding the minimal amount of information on AHWT: voice/melody, lyric/cadence and guitar/attack of mostly rudimentary chords. With this foundation there are a number of ways they can be manipulated and internalized by artists but the majority of the covers in this series have removed the few concise parts of these great songs and laid the lyrics over bland, imprecise chords or tepid looped rhythms. I liked this cover because it did something compositionally interesting: it built on AND contributed to an existing foundation.
@@JakeHand I love reading this kinda shit when I can’t sleep. 😘
idk why but this song sounds like the beginning of a relationship and the original sounds like the end, ya feel?
Omg no one has ever articulated it like that before. Yes. That is what I was going for.
I made matchbooks for Pretty Good Year to sell on this upcoming tour. And now I'm wishing I'd made more for this song, and your quote could be printed on the inside of the booklets.
@@elizarickmanmusic this might be the nicest things anyone's ever said to me
Probably my favorite song from AHWT, and this takes it to a whole new level.
What does AHWT stand for?
@@enderwiggins8248 All Hail West Texas
Best one yet. The others I've listened once out of interest, this one I will return to.
Thank you. Honored. ❤️
Never been a huge AHWT guy, and this song in particular never really captured my attention, but this podcast has me really appreciating it in a new way. I adore this cover.
I could believe it if you told me,this was Susan Anway singing 100,000 Fireflies with The Magnetic Fields. Absolutely beautiful.
OMG, tbe more I play this, the more I love it.
You my friend have excellent taste.
What a beautiful voice. 💛💚💜
Beautiful. Simple as that.
A lovely arrangement, and a such a great vocalist!
This cover makes me ache in the best way.
I listen to it sometimes just to remind myself what I'm capable of. It's been a GNARLY two years (even longer for some of us) - hope you're okay.
Great song and a great cover too. Amazing to think it came together in a week or less.
Beautiful
oh god this is just perfect. that arrangement! ;____;
i'd like to know who cancelled on them on such short notice this turned out great though.
DjTanner29 Yeah, same! No one told me. I am eternally grateful. ☺️❤️
uh, wow! yeah. you did great. thanks for replying! golly.
One of my favorite weathers.
This is awesome.
Thanks!!!!
I wrote my Honors Eng Final essay on this song cover :)
This and Amanda Palmer as well! Worlds are colliding in big big ways.
too bad Amanda Palmer is a pooper scooper of a person with all the rough shit she's done in the past
@@Lavender_FGC I have literally never heard anything bad about Palmer except a vague "she's bad"
The best that I could find when I looked was that some people thought she was pretentious for making up a term for The Dresden Dolls.
@@Lavender_FGC i've also never heard anything bad about amanda palmer other than people thinking she's pretentious; what makes you say she's a bad person?
her voice is foreign and exotic... very endearing...
@2:15 The way she sings "shelter" -
every track.....
Holy shit
i cant decide if this song is sad or not..
You know what? I couldn’t either, which was a challenge. I told Jherek to help leave it open to interpretation. All of my favorite songs are like that though. ❤️
9 years, 3 months, and 10 days. She's gone, and I want to go home.
But I am home.
I came here from WtnV
Yup, the weather was too damn good and anything related to The Mountain Goats is bound to be awesome
I actually despise the Mountain Goats; not my style at all and I find them difficult to listen to. This song, however, is lovely, and one of the best weathers from WTNV I can remember. Beautiful voice, lovely cover.
Chloe Gargiulo I have literally never agreed with someone more in my life. The mountain goats plague me and batter my soft body as I listen to Spotify.
out of curiosity, who else things the nightvale guy is a terrible interviewer? i feel he tries too much to come up with examples of how he's like JD.. "oh yeah, i totally know what you're taking about JD, when I write for nightvale i have something with vague shadows of similarity to what you just said..."
maybe it's just me...
I think a lot of people feel similarly, but I disagree. It's a show where two artists talk to each other. It's for lovers of Night Vale, The Mountain Goats, and creators in general. Most conversations are dynamic. The goal isn't always to directly extract information from others like an interview. I personally enjoy IOLTMG just because of how open the whole thing feels. I like seeing artists I love interacting and talking about their work and each other's work.
The interviewer is generally negative, saying “ I don’t listen to this, I don’t read that” but if you’re saying what you’re not all the time WHAT ARE YOU?
John’s got such a broad view on art and takes joy in all kinds.
I like the instrumentation.
I hate the vocals.
She turned it into pirates of penzance.
😖
I can see your rude comment, fyi.
Ha!!!!
spoken like someone who has never heard vibrato outside of gilbert and sullivan