I respect this comment. I hate to see people complain about anything that's free musically. Valuable musical content should be appreciated enough to want to pay for life changing gems. Since it's free, people should humble themselves and see why they everyone reason to respect and value the free knowledge giving to us, by individuals in put in years of shedding and studying music.
I also would like to mention that you’re the ONLY person who’s been able to explain walking bass note choice. Thank you so much, professor! You are gods gift to bass players
Since I didn't want to read notes again, you're a wise guy, you made me do it without so much efforts in my daily practice. Thanks for the great quality of your bass sessions.
I know how to play walking bass but I need a nudge to improve my vocabulary. This is by far the most valuable video on walking bass lines that I have ever seen on RUclips. And I have looked a lot. Thank you Chris!
Excellent - there are many theory books that take this approach, but your explanation, visual examples and practical demonstrations, transform this theory into a more understandable lesson that can be easily understood and retained - great work!
+philparker97 Thank you! Don't forget to download the PDF if you find it helpful: 2014.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
This is a great addition to Ed Friedland's book "Building Walking bass lines", I'm working on right now. It explains a lot more, because Ed's book doesn't go a lot into the theory, but its purpose is more practical.
Thanks Chris, your lessons have been invaluable, I've learned so much following your lessons and my understanding of the Bass has greatly improved. You're the best!!!
Thanks for taking the time for making these lessons. For us that we cannot have access to a music university, or even private lessons, such complete videos are much more helpful that you could imagine. I like also your approach to music, depending on the comments you do. Cheers from Greece!
+Kostas3192 It's always great to hear comments like this from across the world. The possibility of reaching people like you and those you describe is one of the big reasons I started this series. Thanks for weighing in, and enjoy!
Thanks for the videos on walking bass lines. I've been playing guitar for three years and have been wanting to learn how to play walking bass lines. Most video tutorials just show you how or what notes to play for a specific song, not why those where chosen. This cleared things up completely. It all makes perfectly good sense now. Again, thanks!
Now that was an amazing lesson!!!! Thank you very much! Im new to walking bass (although i play jazz as a drummer for a very long time now) and that very well described some of the things i heard in my head and didn't know how to get there or why they'd make sense. Cool!
Currently banging out the walking bass series. As an intermediate player but a beginner to jazz walking bass, I have a lot to practice. Very educational. One of the biggest challenge now is how to make a walking bass line for Sweet Georgia Brown where there are a couple of sections that is a one chord for 4 bars. Thanks once again.
+Beassagra When a chord lasts 4 bars, it's usually better to not outline the root at the top of every bar. One easy way around this is to target the 5th on the second and fourth bars of a four bar section with only one chord. So instead of thinking "F7.../ F7.../ F7.../ F7.../ Bb7" etc., you can play as though the chart reads "F7.../ F7/C.../ F7.../ F7/C.../ Bb7 etc." This gives the line a little variety while still having a clear target for each bar.
Chris, thanks for putting such a well made and thought out video out there for those of us folks who are looking to take our bass playing to a new level! Just had to hit Subscribe!
Thanks for this lesson. As a mature person learning to play the double bass, I have stumbled on this just at the right time! Whilst I appreciated how some notes are chromatic and obviously the use of chord tones, this lesson has really cleared up my understanding of the term, "diatonic" and chromatic. I now can see much more clearly how I can construct a walking bass line, and now my fear of seeing two different chords within a measure, has vanished, as I see that my choice of notes to select has in fact simplified! My only question, as someone who is not currently having a tutor, is this; When I want to provide a solid bass line to a composition, where I have the chords alone written down as they will be played. Should I be attempting to improvise my choices from the off, or should I sit and manually write a bass line practice it, and then commit it to memory? I struggle at this stage to have any degree of speed in sighting a chord, for example G7 and simply knowing it's component notes off the bat. I assume practice is the only way to "internalise" this sort of stuff, but is it sensible in the early days, to stick to writing out the lines and thus making sure you actually play something that is musically acceptable, or improvise and risk hitting wrong notes through inexperience?
+MrFireblade67 It's like any language - it may be useful to write things down in the beginning, but after a while, it will start to happen on the fly before you even have a chance to think about it.
Chris I've just discovered your videos and website and I've been enjoying learning from you. I've just picked up a p bass and and enjoying the dive into jazz and bass more broadly. I saw on your list of albums you consider to be part of your DNA was included Gould's later recording of the Goldberg variations. This happens to be my current monogamy project and if you haven't checked out Jean rondeaus performance (easily viewed here on RUclips), I'd have to recommend it as sublime. He is also a really fantastic jazz player and all round thinker.
Lynn - thanks so much! It means a lot coming from one of my great bass role models and mentors. Much of the stuff I present in these videos I learned sitting at the feet of you and Rufus and John at the camps.
Chris ...Thank you for pointing me to the WALKING BASS LINE THEORY BASICS . I am in awe of the latitude a bass player has in constructing the bass line. You mention the NEXT video which will address multiple measures of the same chord and how the bassist might approach that ...and that next video is ?? Also, where might I get the PDF files ? Again thank you for these very informative videos.
There's a discussion thread over at Talkbass (here - www.talkbass.com/threads/new-jazz-bass-video-tutorial-series.891553/page-11 ) where you can download the PDF until my new site is built. As for the next walking bass video, it will be about walking bass over longer harmonic rhythm. It will probably be done in the fall. In the meantime, I'm planning the beginning of a smaller series of technique featuring pizzicato etudes from the Bach cello suites that will include PDF of the arrangement, fingerings, and articulation.
Hi I'm from Ecuador I remeber you visit my university and give some master class unfortunately I coudnt go to your class, its great how simplify information, I hope some tips for improve my time feel or swing feel i had terrific troubles with that, Greetings from Ecuador
This shed so much light for me. Will definitely be working on it. Is the PDF available on your website? Thank you, and I very much look forward to future videos.
Sure. All the supporting documents for the video series can be found on my website on the "Educational Videos" under the playlist window. Here's the PDF for this video: chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
Great instructional! Thank you. Looking forward to seeing the slower harmonic rhythm material. Is Bebop a legitimate way to play Maj 7 and Dominant 7 chords on bass? I'm thinking of the major and dominant bebop scales and the way they emphasize chord tones on down beats.
+TheGodlessGuitarist Thanks for the positive feedback! I don't want to open a can of worms, but I'm not a big believer in the notion of "chord scales", which I find to be much like thinking particles of grammar while attempting to speak. In the case of those two commonly taught scales, they are just major and dominant scales with chromatic passing tones inserted. Rather than learn them "scales", i would have students learn the principle behind chromatic passing tones so that they can then center any line on a chord tone any time they feel it appropriate. Hope that sales sense!
Chris Fitzgerald I think I'm going to have to ponder the 'particles of grammar' idea. I'm a lead guitar player so this is a whole different way of thinking to me. As I understand it the bebop scales are more than regular scales. The chromatic notes are added so that they create what you refer to as harmonic rhythm, i.e. the 1, 3, 5 and 6* falling on down beats and 2, 4, #5 and 7 falling on up beats. *The major bebop scale does have the effect of making the 6th degree one of the chord tones and causing the 7th to become an approach note (to the tonic at least), which seems to deviate from what you are teaching (that I have seen so far at least). So this is different to just improvising with scale notes, the purpose is to get chord tones in the right place in the rhythm which seems to be the core of what you are teaching. Maybe it's too much thinking. Is that what you are getting at?
+TheGodlessGuitarist Sort of. What I was getting at is that when I'm soloing, I'm never trying to play scales, but rather trying to play melodies. So for me, the bebop "scales" are kind of worthless except insofar as they remind me that chromatic tones inserted into any line can help me land on chord tones on strong beats. I almost never play an entire scale from top to bottom in a row while improvising, so having a "scale" that keeps my line centered doesn't help me very much. Understanding that if my line is going to get me to the chord tone I want to reach early unless I insert a passing tone, on the other hand, is an extremely useful concept. Does that make sense?
Chris Fitzgerald Thanks Chris. I think that helps. I will have to ponder it and play with it on the instrument to bring it home. I'm so used to the security of scales that this is challenging. Inserting passing tones isnt an issue for me, but harmonic rhythm is tougher. There is a deliberateness, if that is a word, that I am not used to here. I'm going to plow on with part 2 as I think that is where I'll get to grips with with the fundamentals that transfer between bass and lead guitar quite well. Melody on bass is a new concept for me too. Is this guitarism, like racism, at work? lol
Great videos! BTW, what do you think of correcting a bad non-diatonic whole step approach tone by filling it in chromatically? For example the F7 to the Dm7 going E, Eb, D in eighth notes. This could be done on the fly.
Thanks! I think that chromatic motion always sound logical, but I would have to hear the feel of the 8th notes being played between the F and the D - it's possible it could sound good, but it could also disrupt the flow of the quarter note line.
It's posted on my website here: www.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf Thanks for watching!
Hi Irving - the PDF for this video can be found as a link from this page of my website, directly under the playlist window: www.chrisfitzgeraldmusic.com/videos/educational-videos/ It is not from a book, as i decided to make these videos instead of publishing a book. Thanks for watching!
The text is some material I've been working on for a while now. At some point it may turn into a bass book, but, rather than go the traditional publishing route at this point of information upheaval I've decided to begin publishing online in a new format that mixes traditional text with video. Still experimenting with it and trying to keep up with the changes of the new order of things.
The text for this video is available for free on my website. let me go find the link...here it is: www.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
Just a walking line on the changes to I Got Rhythm. You can find the transcription for it in the Walking Bass Line Examples and Analysis video here: ruclips.net/video/rpqrUJyqmnI/видео.html
Sorry i missed this! The PDF is available on my site here: 2014.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
Most of what i say in this video is what is written on the text on the screen. Are you talking about subtitles? I'm not sure where they would even go on the screen in this video...but in the larger sense, having the possibility of Spanish translations is appealing!
Chris, good morning! ... well but there is an introduction that you do, that is not subtitled if you can transcribe it would be good ... as I already indicated I can help you to perform the translation ... and do not hesitate is a great opportunity that this material you can to the Spanish, the chances of you having more visits would be infinite .... I encourage you brother, lucky! ...
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
I almost feel guilty for not paying for this valuable information. One of the most valuable videos I've found on youtube.
Thank you!
I respect this comment. I hate to see people complain about anything that's free musically. Valuable musical content should be appreciated enough to want to pay for life changing gems. Since it's free, people should humble themselves and see why they everyone reason to respect and value the free knowledge giving to us, by individuals in put in years of shedding and studying music.
I also would like to mention that you’re the ONLY person who’s been able to explain walking bass note choice. Thank you so much, professor! You are gods gift to bass players
Thanks!
It's the best walking Bass lesson I found, thank you!
Thank you!
Since I didn't want to read notes again, you're a wise guy, you made me do it without so much efforts in my daily practice. Thanks for the great quality of your bass sessions.
Thanks for the feedback, and happy practicing!
By the way, your cat practices better than i do.
I know how to play walking bass but I need a nudge to improve my vocabulary. This is by far the most valuable video on walking bass lines that I have ever seen on RUclips. And I have looked a lot.
Thank you Chris!
Thanks for weighing in!
Excellent - there are many theory books that take this approach, but your explanation, visual examples and practical demonstrations, transform this theory into a more understandable lesson that can be easily understood and retained - great work!
+philparker97 Thank you! Don't forget to download the PDF if you find it helpful: 2014.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
+Chris Fitzgerald - Downloaded, thanks again!
This is a great addition to Ed Friedland's book "Building Walking bass lines", I'm working on right now. It explains a lot more, because Ed's book doesn't go a lot into the theory, but its purpose is more practical.
The best walking bass lesson ever!
Thank you!
Thanks Chris, your lessons have been invaluable, I've learned so much following your lessons and my understanding of the Bass has greatly improved. You're the best!!!
That's what I love to hear...thanks for the feedback!
Thanks for taking the time for making these lessons. For us that we cannot have access to a music university, or even private lessons, such complete videos are much more helpful that you could imagine. I like also your approach to music, depending on the comments you do.
Cheers from Greece!
+Kostas3192 It's always great to hear comments like this from across the world. The possibility of reaching people like you and those you describe is one of the big reasons I started this series. Thanks for weighing in, and enjoy!
This is truly an amazing and clear lesson, thank you so much
Thank you!
'Love your teaching style. You gave me a few real Light Bulb moments in this tutorial. Thank you.
Glad to be of help, and thanks for weighing in!
Grazie per questo generoso contributo...non è da tutti. Complimenti.
Thank you!
Thanks for the videos on walking bass lines. I've been playing guitar for three years and have been wanting to learn how to play walking bass lines. Most video tutorials just show you how or what notes to play for a specific song, not why those where chosen. This cleared things up completely. It all makes perfectly good sense now. Again, thanks!
+Christopher Olivo Thanks for the feedback.
I´ll watch and practice this (and other videos) every day till I can play goods walking lines. A big thanks!
Chris, Thanks for putting the time and effort into such an informative lesson.
Thanks Sam. Please share!
Thank you so much for this wonderful and incredible profound series on Walking Bass. It really helped me alot!!
Now that was an amazing lesson!!!! Thank you very much! Im new to walking bass (although i play jazz as a drummer for a very long time now) and that very well described some of the things i heard in my head and didn't know how to get there or why they'd make sense. Cool!
Great to hear! I'm always glad when people find these videos to be useful. :)
Thank you so much Chris. It's a wonderful sharing. Solid gift!!
Thank you!
Thank you for making this.It clarified a lot for me and confirmed some stuff I had somehow already absorbed. Off to watch part 2 now!
Thanks! That's what I love to hear. Please share if you think it would help anyone you know.
Currently banging out the walking bass series. As an intermediate player but a beginner to jazz walking bass, I have a lot to practice. Very educational. One of the biggest challenge now is how to make a walking bass line for Sweet Georgia Brown where there are a couple of sections that is a one chord for 4 bars. Thanks once again.
+Beassagra When a chord lasts 4 bars, it's usually better to not outline the root at the top of every bar. One easy way around this is to target the 5th on the second and fourth bars of a four bar section with only one chord. So instead of thinking "F7.../ F7.../ F7.../ F7.../ Bb7" etc., you can play as though the chart reads "F7.../ F7/C.../ F7.../ F7/C.../ Bb7 etc." This gives the line a little variety while still having a clear target for each bar.
+Chris Fitzgerald I was trying to apply it using chordal tones, it's like a solo-type walk. Thank you so much for your reply.
Chris, thanks for putting such a well made and thought out video out there for those of us folks who are looking to take our bass playing to a new level!
Just had to hit Subscribe!
Love to hear that... Enjoy!
Absolutely fantastic I can't thank you enough for your channel!!!
+SpaghettiGod99 Thank you!
Strong content! Thank you Professor
i am so happy I found this. you rock, dude.
Excellent! Thanks so much. Learning so much from your fantastic lessons.
..classic, exemplary stuff - in both form and content.
; thanks so much, Chris!
Thanks, Kevin!
I've been looking for a video like this for so long, good job!
+Ollie Fearn Thank you - please share. :)
yeaaahhh!!! Loving it and the material is presented in a way that players at all levels can get a lot from it.
Thank you! Please share with anyone who might get something from it. :)
Awesome Lesson man I love the clarity in information its definitely great!
+joel Hewitt Thanks! Please share.
+Chris Fitzgerald for sure bro
Thanks for this lesson. As a mature person learning to play the double bass, I have stumbled on this just at the right time! Whilst I appreciated how some notes are chromatic and obviously the use of chord tones, this lesson has really cleared up my understanding of the term, "diatonic" and chromatic. I now can see much more clearly how I can construct a walking bass line, and now my fear of seeing two different chords within a measure, has vanished, as I see that my choice of notes to select has in fact simplified! My only question, as someone who is not currently having a tutor, is this; When I want to provide a solid bass line to a composition, where I have the chords alone written down as they will be played. Should I be attempting to improvise my choices from the off, or should I sit and manually write a bass line practice it, and then commit it to memory? I struggle at this stage to have any degree of speed in sighting a chord, for example G7 and simply knowing it's component notes off the bat. I assume practice is the only way to "internalise" this sort of stuff, but is it sensible in the early days, to stick to writing out the lines and thus making sure you actually play something that is musically acceptable, or improvise and risk hitting wrong notes through inexperience?
+MrFireblade67 It's like any language - it may be useful to write things down in the beginning, but after a while, it will start to happen on the fly before you even have a chance to think about it.
Chris I've just discovered your videos and website and I've been enjoying learning from you. I've just picked up a p bass and and enjoying the dive into jazz and bass more broadly.
I saw on your list of albums you consider to be part of your DNA was included Gould's later recording of the Goldberg variations. This happens to be my current monogamy project and if you haven't checked out Jean rondeaus performance (easily viewed here on RUclips), I'd have to recommend it as sublime. He is also a really fantastic jazz player and all round thinker.
Dav - thanks for the heads up! I will check that out. And thanks for watching... reaching people is what the whole channel is all about.
Another excellent video in the series Chris! Keep up the great work!
Lynn - thanks so much! It means a lot coming from one of my great bass role models and mentors. Much of the stuff I present in these videos I learned sitting at the feet of you and Rufus and John at the camps.
This is excellent stuff, Chris! Thanks for sharing this great work!
Chris ...Thank you for pointing me to the WALKING BASS LINE THEORY BASICS . I am in awe of the latitude a bass player has in constructing the bass line. You mention the NEXT video which will address multiple measures of the same chord and how the bassist might approach that ...and that next video is ?? Also, where might I get the PDF files ? Again thank you for these very informative videos.
There's a discussion thread over at Talkbass (here - www.talkbass.com/threads/new-jazz-bass-video-tutorial-series.891553/page-11 ) where you can download the PDF until my new site is built. As for the next walking bass video, it will be about walking bass over longer harmonic rhythm. It will probably be done in the fall. In the meantime, I'm planning the beginning of a smaller series of technique featuring pizzicato etudes from the Bach cello suites that will include PDF of the arrangement, fingerings, and articulation.
Amazing lesson. Thanks.
Steve
Thank you!
Hi I'm from Ecuador I remeber you visit my university and give some master class unfortunately I coudnt go to your class, its great how simplify information, I hope some tips for improve my time feel or swing feel i had terrific troubles with that, Greetings from Ecuador
Thanks for the feedback! I'll keep that in mind for future videos.
Excellent thankyou from Perth Australia
I'm a guitarist, great work. Thanks!
Thank you for sharing this amazing info
VERY GOOD VIDEO. I DO NOT SPEAK ENGLIS. I LEARNED A LOT WHIT YOUR VIDEO
yes
This shed so much light for me. Will definitely be working on it. Is the PDF available on your website? Thank you, and I very much look forward to future videos.
Kevin - it's not up yet, but I'll have it done soon. Thanks for tuning in!
Could you please send me the pdf for this excellent tutorial - thanks!
Sure. All the supporting documents for the video series can be found on my website on the "Educational Videos" under the playlist window. Here's the PDF for this video: chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
@@chrisfitzgerald8356 Many thanks Chris - excellent!
Excellent tutorial
Thank you Thank you
Great instructional! Thank you. Looking forward to seeing the slower harmonic rhythm material.
Is Bebop a legitimate way to play Maj 7 and Dominant 7 chords on bass? I'm thinking of the major and dominant bebop scales and the way they emphasize chord tones on down beats.
+TheGodlessGuitarist Thanks for the positive feedback!
I don't want to open a can of worms, but I'm not a big believer in the notion of "chord scales", which I find to be much like thinking particles of grammar while attempting to speak. In the case of those two commonly taught scales, they are just major and dominant scales with chromatic passing tones inserted. Rather than learn them "scales", i would have students learn the principle behind chromatic passing tones so that they can then center any line on a chord tone any time they feel it appropriate. Hope that sales sense!
Chris Fitzgerald
I think I'm going to have to ponder the 'particles of grammar' idea. I'm a lead guitar player so this is a whole different way of thinking to me.
As I understand it the bebop scales are more than regular scales. The chromatic notes are added so that they create what you refer to as harmonic rhythm, i.e. the 1, 3, 5 and 6* falling on down beats and 2, 4, #5 and 7 falling on up beats. *The major bebop scale does have the effect of making the 6th degree one of the chord tones and causing the 7th to become an approach note (to the tonic at least), which seems to deviate from what you are teaching (that I have seen so far at least). So this is different to just improvising with scale notes, the purpose is to get chord tones in the right place in the rhythm which seems to be the core of what you are teaching. Maybe it's too much thinking. Is that what you are getting at?
+TheGodlessGuitarist Sort of. What I was getting at is that when I'm soloing, I'm never trying to play scales, but rather trying to play melodies. So for me, the bebop "scales" are kind of worthless except insofar as they remind me that chromatic tones inserted into any line can help me land on chord tones on strong beats. I almost never play an entire scale from top to bottom in a row while improvising, so having a "scale" that keeps my line centered doesn't help me very much. Understanding that if my line is going to get me to the chord tone I want to reach early unless I insert a passing tone, on the other hand, is an extremely useful concept.
Does that make sense?
Chris Fitzgerald
Thanks Chris. I think that helps. I will have to ponder it and play with it on the instrument to bring it home. I'm so used to the security of scales that this is challenging. Inserting passing tones isnt an issue for me, but harmonic rhythm is tougher. There is a deliberateness, if that is a word, that I am not used to here. I'm going to plow on with part 2 as I think that is where I'll get to grips with with the fundamentals that transfer between bass and lead guitar quite well. Melody on bass is a new concept for me too. Is this guitarism, like racism, at work? lol
great lesson man!
+Paul Livingstone Thank you!
Great videos! BTW, what do you think of correcting a bad non-diatonic whole step approach tone by filling it in chromatically? For example the F7 to the Dm7 going E, Eb, D in eighth notes. This could be done on the fly.
Thanks! I think that chromatic motion always sound logical, but I would have to hear the feel of the 8th notes being played between the F and the D - it's possible it could sound good, but it could also disrupt the flow of the quarter note line.
Was the reading material previously posted ?
It's posted on my website here: www.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf Thanks for watching!
Thank you for this video
Thanks so much for sharing Chris. Looking forward to future videos. What is you Talkbass username?
Same name as here - I'm a site admin over there. My avatar there is the same as here as well. :)
I'd love a PDF of this
Hi Dave - the pdf can be found here; www.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf Cheers!
@@chrisfitzgerald8356
Thank you very much!
How do I get a PDF of this lesson, and was this lesson taken from a book?
Hi Irving - the PDF for this video can be found as a link from this page of my website, directly under the playlist window: www.chrisfitzgeraldmusic.com/videos/educational-videos/
It is not from a book, as i decided to make these videos instead of publishing a book. Thanks for watching!
Hey Chris, what text are you working here?
The text is some material I've been working on for a while now. At some point it may turn into a bass book, but, rather than go the traditional publishing route at this point of information upheaval I've decided to begin publishing online in a new format that mixes traditional text with video. Still experimenting with it and trying to keep up with the changes of the new order of things.
Can anyone make lesson how to walk over just one chord all over the whole neck?
Hello sir, do you have the lessons on pdf?
The text for this video is available for free on my website. let me go find the link...here it is: www.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
Could I please have the pdf to all of these chapters? I’m sitting here going little by little writing everything haha
The PDFs I have available are all on the "Educational Videos" page of my website under the player window for the series in question.
whats the opening tune?? great stuff btw
Just a walking line on the changes to I Got Rhythm. You can find the transcription for it in the Walking Bass Line Examples and Analysis video here: ruclips.net/video/rpqrUJyqmnI/видео.html
Enchanting
is the notation to your intro available?
Not yet, but it will be analyzed in the next video, so i can make it available then.
thanx...great lassons
Where can we get the PDF?
Sorry i missed this! The PDF is available on my site here: 2014.chrisfitzgeraldmusic.com/wp-content/uploads/2014/11/Walking-Bass-Line-Theory-Basics-PDF-File.pdf
Thanks
Thank you
This approach to developing lines has liberated me from the brainwashing arpeggio approach. Thanks
+Bobby Keyes Glad you found it useful. :)
13:06 13:55
A quand une traduction française ?
friend it is seen that is a good material ... but we would like to translate it! ... into Spanish
I would love to have it translated into Spanish.... not really sure how to do it though.... any ideas?
transcribe everything you say in English, and I can help you with the translation into Spanish and even French...regards
Chris..
Most of what i say in this video is what is written on the text on the screen. Are you talking about subtitles? I'm not sure where they would even go on the screen in this video...but in the larger sense, having the possibility of Spanish translations is appealing!
Chris, good morning! ...
well but there is an introduction that you do, that is not subtitled if you can transcribe it would be good ... as I already indicated I can help you to perform the translation ... and do not hesitate is a great opportunity that this material you can to the Spanish, the chances of you having more visits would be infinite .... I encourage you brother, lucky! ...
Sorry, did not see this reply. If you are still interested in this project, please contact me at bassfitzgerald@yahoo.com
Or you could just play it because you felt it.
Not a promising start when the first example is played incorrectly