This song is forever etched in my mind as one of my "Key Rave Memories." In October, 2000, just after moving to Hawaii, I was booked to play an event headlining Pronti & Kalmani (Alice Deejay). Since I had just moved from Texas, the promoter had me listed above the locals to give the impression they had flown me in. Maybe that could have been my first clue about what I could expect. There were 30 names on that flyer... if I had known anything about Hawaii's scene at the time, that would have been my second clue. Upon arrival, I was hassled at the gates before arriving at the "secondary stage." This "stage" was two tops and a sub under one of those 10x10 pop up canopies and it was so close to the main stage that if you weren't directly in front of the speakers the sound would bleed over. The DJ list for this secondary stage showed us having 45 minute sets, each. To say it was disappointing is an understatement, but I'm not NOT gonna put some records on. About 45 minutes in, I realized that the DJ after me was a no show, so I kept playing and I was just focused on the records that I didn't notice a small crowd sort of gathering. I think the promoter had booked a fairly decent D&B act and put them on before Pronti & Kalmani, but Hawaii didn't have a big D&B crowd at the time so folks were sort of wandering away from the main stage. Anyway, I threw on "She Does" and was just groovin' when my then partner tapped me on the shoulder and pointed in front of the tables and there was just this huge crowd of folks dancin' their asses off. It was absolutely surreal. I noticed this person trainspotting the record and he looked over and asked me if I was a "Progressive House" DJ, and I said, "Mostly." "Nice," he responded. After my set, he invited me up onto the main stage to hang out, while P&K played their set (he was one of the local opener for the main stage). That guy would go on to become one of my best friends, a DJ that is (in my opinion) one of the best in the world, and ultimately Hawaii's main Prog House promoter in the '00s, throwing events and booking acts like Taylor (Calling Your Name), Steve Porter, Moshic, and others and trusting me to open for Behrouz on his first visit to Hawaii and Luke Chable for the last gig of his Renaissance World Tour before heading back to Australia. He even hosted Quivver. I'll never forget the sort of confused look John gave me when I asked him to sign my (then unreleased) white label of "Babe, I'm Gonna Leave You." Anyway... that night could have been so bad, but it turned out being the catalyst that enabled me to actively gig in Hawaii's rave scene as a respected local DJ... and the main thing I remember is looking at this record spinning on the platter and then looking up to see a couple hundred people in front of my stupid little tent and feeling that absolutely crazy joy... Anyhoo, if you read all this, sorry... I just had to sort of get this out, I guess. Music just... takes you places and this took me back like I was experiencing it again...
What a great story... Stuff like this is exactly why I keep going through the comments on these uploads of late 90s, early 00s, absolutely timeless tracks... Thanks for sharing!
That and he was cool. Met him at Red Jerry's party at Dade's Shadow Lounge WMC 2000. Despite the energy he brought he was "no worries" and his set was intense
Got a chance to meet him and watch him spin at the Hooj party thrown by Red Jerry at the Shadow Lounge WMC 2000. Good guy as well as an amazing DJ and producer, Jerry as always was awesome and Dade the owner of Shadow Lounge was just about the coolest club owner. He gave me VIP seating without having to buy the 300 dollar bottle of vodka on the table. We compensated them all very well regardless. It was a magical evening. Hard to believe that was 23 years ago.
In my late childhood, this one was the first one of the electronic genre that have touched my ears for the very first time. And I didn't knew the name of it. 23 years of search and yesterday I have finally found it. And it still gives me a goosebumps...
It caught me in May 2000 and still holding! If the human being could have a definition of style or flavor of itself... whatever you call it, just a description of a person... this track would be definitely a part of my own, alongside with 1998 club house, early 2000s progressive house and 2002-2005 psychedelic trance. It's a part of me, forever. Not less than that.
I got the same feeling from this that what I did when I discovered trance, and this doesn't happen often. Big like, sad I've missed this! =) Happy NYE!
Original track is produced by Stoneproof these are mixes, but yeah Quivver is good. He was known as Space Manoeuvres before changing his stage name to Quivver, love Part 3.
Renaissance - check out albums especially from dave seaman - power ful deep crying music - sentiment intended ! x x x x >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
SORRY - Banging progressive house - my style ... !!!!!!!!!!!!!!!!! ... ... ... ... Long live Bedrock ... ... ... ... Thomas John Digweed ... Scott Dawson & the one and only Nick Muir (whos pure) ...............................................................................................................
Wonderful track. Quivver made some really intelligent prog trance back in the day. She does, still.
I have got down on my knees and prayed to the speakers that were playing this track before. True story. I was 18 when this was current. No words.
This song is forever etched in my mind as one of my "Key Rave Memories."
In October, 2000, just after moving to Hawaii, I was booked to play an event headlining Pronti & Kalmani (Alice Deejay). Since I had just moved from Texas, the promoter had me listed above the locals to give the impression they had flown me in. Maybe that could have been my first clue about what I could expect. There were 30 names on that flyer... if I had known anything about Hawaii's scene at the time, that would have been my second clue.
Upon arrival, I was hassled at the gates before arriving at the "secondary stage." This "stage" was two tops and a sub under one of those 10x10 pop up canopies and it was so close to the main stage that if you weren't directly in front of the speakers the sound would bleed over. The DJ list for this secondary stage showed us having 45 minute sets, each.
To say it was disappointing is an understatement, but I'm not NOT gonna put some records on. About 45 minutes in, I realized that the DJ after me was a no show, so I kept playing and I was just focused on the records that I didn't notice a small crowd sort of gathering. I think the promoter had booked a fairly decent D&B act and put them on before Pronti & Kalmani, but Hawaii didn't have a big D&B crowd at the time so folks were sort of wandering away from the main stage.
Anyway, I threw on "She Does" and was just groovin' when my then partner tapped me on the shoulder and pointed in front of the tables and there was just this huge crowd of folks dancin' their asses off. It was absolutely surreal. I noticed this person trainspotting the record and he looked over and asked me if I was a "Progressive House" DJ, and I said, "Mostly." "Nice," he responded. After my set, he invited me up onto the main stage to hang out, while P&K played their set (he was one of the local opener for the main stage).
That guy would go on to become one of my best friends, a DJ that is (in my opinion) one of the best in the world, and ultimately Hawaii's main Prog House promoter in the '00s, throwing events and booking acts like Taylor (Calling Your Name), Steve Porter, Moshic, and others and trusting me to open for Behrouz on his first visit to Hawaii and Luke Chable for the last gig of his Renaissance World Tour before heading back to Australia. He even hosted Quivver. I'll never forget the sort of confused look John gave me when I asked him to sign my (then unreleased) white label of "Babe, I'm Gonna Leave You."
Anyway... that night could have been so bad, but it turned out being the catalyst that enabled me to actively gig in Hawaii's rave scene as a respected local DJ... and the main thing I remember is looking at this record spinning on the platter and then looking up to see a couple hundred people in front of my stupid little tent and feeling that absolutely crazy joy...
Anyhoo, if you read all this, sorry... I just had to sort of get this out, I guess. Music just... takes you places and this took me back like I was experiencing it again...
A lot of my DJ sets are on mixcloud/dannyyun and I have a few recent tracks I produced on my channel here. OK, bye!
Awesome story man
seriously almost cried reading this, thanks for posting. this music really is amazing isnt it?
This is awesome. Such a cool era
What a great story... Stuff like this is exactly why I keep going through the comments on these uploads of late 90s, early 00s, absolutely timeless tracks...
Thanks for sharing!
Simply one of the greatest trance records ever. John Graham was untouchable back then.
That is correct.
Anyone know where I can get DGTL copy of this?
That and he was cool. Met him at Red Jerry's party at Dade's Shadow Lounge WMC 2000. Despite the energy he brought he was "no worries" and his set was intense
@@madams6198red jerry ❤️❤️❤️. One the best if not the best remixer of the 90's. 💯✊
On Pure Euphoria Level 4, CD2 @@elstoniobanderas4091
Wonderful track. Quivver made some really intelligent prog trance back in the day.
Fucking amazing. What a tune. Paul Oakenfold’s ‘99 Creamfields set brought me here. 🎉
You don’t listen to this track, you feel it.
She still does 🖤
oh yeh!
She always will 💗
This track takes the listener to another world. You get lost in its melody.
This is one of the best tracks ever created. My god that plucky synth arp sends shivers down my spine everytime
One of the best trance tracks ever and until today no digital release. Every crap is reissued. I don't understand that.
..sends Shivvers down yer spine haha
@@Jeggasyn
Got a chance to meet him and watch him spin at the Hooj party thrown by Red Jerry at the Shadow Lounge WMC 2000. Good guy as well as an amazing DJ and producer, Jerry as always was awesome and Dade the owner of Shadow Lounge was just about the coolest club owner. He gave me VIP seating without having to buy the 300 dollar bottle of vodka on the table. We compensated them all very well regardless. It was a magical evening. Hard to believe that was 23 years ago.
Red jerry was an amazing remixer . His mixes were always better than the original. He done jx tracks that were everywhere in the 90s . 💯👌
This is such an epic track. Loaded with emotion and gorgeous sounds... it has never gotten old
Epic is almost too small a word for this ecstatic monster track. The magic of music in full effect.
One of the most under rated trance tracks ever produced, yet It's been up for 9 years and only has 55K views? WHAT'S GOING ON?
5:21 that built up..!!
In my late childhood, this one was the first one of the electronic genre that have touched my ears for the very first time. And I didn't knew the name of it. 23 years of search and yesterday I have finally found it.
And it still gives me a goosebumps...
Really great tune
'One last time' is another great one and 'Twist and Shout' is a masterpiece!
You nailed it bro!!!!
6.59 the fall down. beauty
Always loved this, first heard it on a John Digweed GU mix around 2001
sublime, timeless masterpiece
Love this track. On Dave Seaman’s awakenings mix. Still buying Quivver tracks 20 years later!
Listening this track since 2002 :) Such a masterpiece.
have the wholeset of paul oakenfold 1999 creamfields he droped this tune place went fucking mental
Master piece
One of the best progressive trance classics. Where is the digital release? :(
Trance is always got the feeling
Lost in time it's good to look back I think
Track still 🔥🔥🔥 in 2023!
Oakie, Creamfields...... Message ends. 👍
o.k. computer !!!
Best set ever for me, past present future
Damn right
I have this on vinyl, superb!
CREAMMMM!!
Only cream !!
From spain !!
never gets old.
Old still gold
2024 and still listening
💕perfect then and perfect still💕
It caught me in May 2000 and still holding! If the human being could have a definition of style or flavor of itself... whatever you call it, just a description of a person... this track would be definitely a part of my own, alongside with 1998 club house, early 2000s progressive house and 2002-2005 psychedelic trance. It's a part of me, forever. Not less than that.
I got the same feeling from this that what I did when I discovered trance, and this doesn't happen often. Big like, sad I've missed this! =) Happy NYE!
Still amazing in 2023
Eleven!!! God Bless Bethany-Mae (One In A Million - 1:52), Your Song SweetHeart XxXxXxXxX Wait & See...
Why the heck is this not on beatport ??
Beautiful record
Nice! 😎🕺
another top tune from quivver, BIG STUFF!
quiver is the best!!period
.......
mmmmhmmmmm
Tune!! 🙌🏻
Love this track.
Check out is profile on SoundCloud lots of amazing music! Quivver aka John Graham, is my favorite DJ, Producer & EDM (male) vocalist.
sasha rooms ! ... same respects ... I saves lives ... righteous ... scene delete album !
Original track is produced by Stoneproof these are mixes, but yeah Quivver is good. He was known as Space Manoeuvres before changing his stage name to Quivver, love Part 3.
Has a Unreal Tournament 99 vibe to it - siiiick
I have been looking for this for years! thank you! :-)
Renaissance - check out albums especially from dave seaman - power ful deep crying music - sentiment intended !
x x x x >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Hooj Choons - 'providers of half decent House music' - old but classically classy & cool ! ... I quote ... ! ...
Ovo mi je jedna od najdrazih traka ❤
Ça déboite 💣🎶🧨🌒❤️
Dance nation mos !
Ministry Of Sound - underground / commercial ?! .......... safe & cool ... !!! ..........
tremendo
CLASSY ! ... :-) :-) :-) ...
Pain goes away - but no queering all / any souls !!!!!!!! ........... safe & cool ... !!! ...
Radeberg Germany❤ARGENTINA
You know it's a proper anthem when it made the Kevin & Perry soundtrack 👍
Anyone know which CD this is on,my husband definitely had it back in the day we played it in the car.
Renaissance mixed by Dave Seaman 😉
2020
@4:54
Holdtight Bear
“Made in the EU”. Ah, the good old days. 😂
Mind sharing this track? I would happily pay for a digital copy but i don't think there is.
SORRY - Banging progressive house - my style ... !!!!!!!!!!!!!!!!! ... ... ... ... Long live Bedrock ... ... ... ... Thomas John Digweed ... Scott Dawson & the one and only Nick Muir (whos pure) ...............................................................................................................
Drum & Bass - x x xx commercial ? underground ... ... ... ... !!!!!!!!!!!!!!!!!! ...................
P
belter but way too fast
This is slow. Hardcore is fast.
Yes she did, John Graham - and I was the only one dancing to you #KENTthroughLYDIATHEORIGINALWIFEOF(?) XXX
#VIRGINRECORDSCBCCG
Epic is almost too small a word for this ecstatic monster track. The magic of music in full effect.