This is now a permanent part of my (mostly) daily practice routine, and it’s really helping with my coordination and pinky control. The descending pattern is tricky to play clean. It’s a great exercise!
Been playing a long time but only started my deep music theory understanding a little over a year ago. This stupidly helpful (simple) lesson just unlocked the whole fretboard and music itself for me. If I learned my scales way back I would have saved so much time and vinyl figuring out songs. lol. Just stumbled onto your channel, great lesson. Subscribing.
The premise is simple enough, but deceptively tricky if you haven’t worked much on true alternate-picking. I’m at work right now, but I’ll take this for a spin later today. My big takeaway is that I just realized and recognized that this very idea is actually used in a lot of lead-playing and soloing! Solid lesson as always Cap’n!
I began using alternate picking technique early in my playing. Within a few years it was second nature and I don't even think of my picking because it is intuitive. I have been playing guitar now for way over 50 years.
Scales in my opinion are the single best thing you can practice. I am by no means what many may consider "good" but I have gotten more out of practicing scales than anything else - oh and getting a foot rest to hold instrument like a classical guitarist. That changed a lot for me.
These are great exercises, Chris. I spent some time with them tonight and will be adding them to my daily practice. I’m starting to enjoy scale exercises. Not only are they helping with my technique and to help me see more patterns across the neck, but they can be somewhat cathartic to play once you have them under your fingers.
@@stephenmahlstedt7276 I totally agree. There is also some confidence in watching your physical ability grow, and starting to depend on your hands to perform new tasks with some level of automaticity. Thanks for being here
An overwhelming brain bending exercise, but gives a whole new approach to doing riffs and melodic solos. First time for me to hear that , makes me wanna dig on some books on this ,thanks so much. For many years i play by ears and chords
Thanks so much for these lessons. I found your site recently, but have had several Aha moments. :) Your lesson on using octaves to learn the notes on the fretboard was very helpful.Your helpful lessons along with a few others on face book have ignited the spark in this 65 year old, and I am now obsessed with learning! I hope you don't mind me sharing that Shane Theriot's Guitar Channel has a great lesson " Master the Notes On The Neck! where the drill is to play each note on each string (without playing any open strings) low to high and back to a metronome for 5 minutes per day. I think this would be helpful to anyone on this journey. Thanks again!!😎
That AHA moment then led me to another one that in standard tuning you can play the major scale of the note of each of the strings at the same frets: 2,4,5, 7, 9 11,12 WWH, WWWH. I also loved your lesson on the Circle of 5ths. I have been struggling to memorise the fretboard now it has become a lot easier... now to just get musical..🎶😅
Thanks so much, Chris! Will give this a whirl in my next session tomorrow. Always super informative lessons from you - thanks again! From (another) Chris!
One of the best lessons on the internet....... I think you're stupid if you don't know it or don't get it... I had a massive AHA moment with this lesson.. especially if you can play the 3 chords ADG ... sheer genius!!! Excellent lesson. Thank you very much!!!
@@nickmendens76 ahhh beautiful way to make this a musical improvisation! It’s always a great idea to take a drill or exercise and push it into a musical application
What an excellent video! It teaches so much to begenner through intermediate level players... I wish I had seen this earlier on in my journey. The exercise is expandable and can be done in different keys to really cement the tones in your brain. Once you have an ear for them and your alternate picking is down tight, try tapping!
Thanks Chris, your intro about the need for practice even if it's boring helped me to get me started on the data science project I'm supposed to be working on😁
As usual, you have provided an amazing lesson, Chris. I've been looking for a single string exercise that uses all of my fretting fingers, helps with down / up picking, and synchronizes both hands. BOOM! Thanks! Keep up the excellent drills and lessons!
This is PERFECT for developing those skills! Great timing. Keep in mind that you can do this on ANY string, starting on ANY note, and using ANY scale. It really is quite expansive, Vaughn. Keep me posted!
@@curiousguitarist Being 76 with arthritic hands, I can't do a 5 fret spread like you do, at least not on the B string. I can only do it on the 1st string and begin at A. It still works but it's the only way I can do it. Still a great thing to practice. Well done.
@ maybe you can try to move your entire hand through the phrase…nice and slowly. It should still hold some nice benefits for you. Thanks for being here
Great comment, Tim! Yes there's always some ear training available in what we do, one of the most impactful things for me in that way was playing the scale backwards and saying the scale degrees. Oddly simply but had a huge impact on me.
great lesson but afraid there's an error at 2:03 which is going to confuse learners, the scale pattern is actually R-W-W-H-W-W-W-H (root, whole step, whole step, half step, whole step, whole step, whole step, half step) 👍
@@RGBloke thanks for the check. I rewatched it, indeed it is WWHWWWH, so it is correct. No need for the R unless you’re planning to include the 234567, right?
I already alternate pick as second nature but anytime someone is like "pay attention to how you pick" thinking about it throws me off. In any case this does look like a good exercise.
Ok, I’ve been practicing this and I’m getting pretty good at it now. I love it! However, I have some questions, does this also work on the other strings? If so, I assume I’m playing the scale in a different key? Is there a formula for turning it into a minor scale? Many thanks :)
@ awesome. Thank you! I’m sorry if I sound stupid but my theory knowledge is sadly lacking. I have one more question. Would it be correct to assume the name of the note I start on is also the key of the scale I’m playing in?
@ yes, in this case that is correct. There are other instances where that may not be the case, but don’t worry about that stuff until the major scale is completely familiar.
Tq so much....i have try to practice it, and i feel my finger more fluidly..more ekpresif...more coordinate.... i want to ask you, that practice shoud be just on B string or can be practice in other string ?? And can be start too from second , three etc ?? Thx before...
@@yusufimmanuel5396 as soon as you are comfortable you can try other strings and other scales as well. Keep it three notes until you master it. Then adding more notes will be easier.
I’ve figured out my system. Chris for theory and knowledge, Marty for breaking down songs, Mr Tabs for practicing the songs once I’ve learned the parts from Marty. Every time I’ve tried to understand things like triads, circle of fifths etc I never really grasped the concepts. Watched Chris and by the end it makes sense. Still a lot of work to put in but it makes sense and that’s half the battle. Truly gifted teacher
@@curiousguitarist Lol! I'm sure this version has been with you the whole time. 😀 Can I ask? Would something like this be of use if I ever get around to picking up a violin?
@@curiousguitarist Hope my hands still work lol. Thanks so much! I don't know what it is about violin that I love so much about it. All stringed instruments appeal to me.
What is the music theory term for playing scales like this? because yngwie malmsteen does that in every song of his always playing scales in 3 note groupings up and down the scale. I think BACH did this first so there must be a musical term for doing this.
@@curiousguitarist This Scale Sequence has a classical theory name for this scale sequencing. Other scale sequencing is either ascending or descending in 3rds or 4ths or 5ths. This scale sequence is stair stepping up ascending or down descending playing the scale in 3 note triplets. Since Its NOT playing the "scale sequence" in 3rd, 4ths or 5ths, the scale sequence is what? I think they call this "Triplet scale sequence" 123-234-345-456-567-671-712-123 ( the numbers are scale degrees of the key), which is going up ascending in 2nds? yngwie malmsteen does this in every solo always plays these Triplet Scale sequence
@@waynegram8907 call it whatever you like, as long as you get the results :). The word sequence in this case does not denote a specific type of sequencing. We’re just taking the three note chunk and moving through the permutations. Ultimately the thing that remains unchanged in the pattern or sequence is the sextuplet figure, so that becomes the best nomenclature to attach initially. But again, doing the work vs naming the work are to different effort streams :)
@@curiousguitarist The way SLASH uses scale sequences is something you should deep dive into because its a mix bag of scale sequence drills mixed up. I have notice he will use these an insert these in between filler notes between scale degrees which the in between filler notes are a pattern or sequence in itself, happens really fast. It something to think about making a video lesson about these in between notes when playing pentatonic scales. The concept I have figured out is instead of playing in between notes as passing notes or neighbor notes is that you create a pattern or sequence with the in between notes that will connect the scale degrees together.
@@randyandamberthompson9972 you shouldn’t! I always say that when the pain of doing the work is less than the pain of wanting the capability, the work will be the obvious choice :)
This is a 2023 K-Line Springfield, the best S-Type I've ever owned. k-lineguitars.com/guitars/springfield/ The amp is a Yamaha THR-10 on "Crunch" setting with a little bit of the built-in reverb and delay on the amp.
Yeah those whole steps stretches are important. Try moving your thumb back behind the neck to bring your wrist out front a bit more...see if that helps.
I don't care about the algorithm TBH, the context is important for folks so that's what I commit to. But I do use the chapters function if you want to skip the context and go right to the playing part without any explanation.
Wish there was tab. You're not being clear, because i dont know what you are playing. You're doing that classic guitar teacher thing were You're going to teach someone how to shred by proceeding to shred endlessly
@@xR0N1Nx there are TABs on my Patreon page. And they cover all 6 of the permutations for a three note grouping. Just get that first pattern down solid and slow. And do it ascending and descending too. Give it 10/15 mins a day, just that first pattern, and you probably won’t need the TABs at all after that! Good luck!! www.patreon.com/chrissherland
Yeah screw this guy. You should make a really good video like the one you described. Post a link here when it's done and I'll let you know what I think of it. Getting opinions on your videos is awesome. You will love it.
![Noob To Max With DRAGON REWORK In Blox Fruits [FULL MOVIE]](http://i.ytimg.com/vi/LnBMOinoOvA/mqdefault.jpg)
"Repetition is not repetition, The same action makes you feel something completely different by the end."
@@Mr.Krinkle I love this. Thank you!
@@curiousguitarist Great statement about repetition.
Wow. Good timing. I've been going over about 5 or 6 of your old videos today. And , here you are with a new one. Thanks!!
Of course, James! More on the way too~
This is now a permanent part of my (mostly) daily practice routine, and it’s really helping with my coordination and pinky control. The descending pattern is tricky to play clean. It’s a great exercise!
@@stephenmahlstedt7276 great stuff Stephen! Stick with it, it’s the harder parts that have the biggest impact. Keep me posted!
Been playing a long time but only started my deep music theory understanding a little over a year ago. This stupidly helpful (simple) lesson just unlocked the whole fretboard and music itself for me. If I learned my scales way back I would have saved so much time and vinyl figuring out songs. lol. Just stumbled onto your channel, great lesson. Subscribing.
Thanks for the sub, Rick. Great to have you here!
Another GREAT lesson. Thanks so much for putting this together and sharing.
Of course, thanks for being here~
The premise is simple enough, but deceptively tricky if you haven’t worked much on true alternate-picking. I’m at work right now, but I’ll take this for a spin later today.
My big takeaway is that I just realized and recognized that this very idea is actually used in a lot of lead-playing and soloing!
Solid lesson as always Cap’n!
Indeed, Steve Vai uses these types of circular sequences a lot in his playing as an example.
I began using alternate picking technique early in my playing. Within a few years it was second nature and I don't even think of my picking because it is intuitive. I have been playing guitar now for way over 50 years.
Nice!!!
4:21 running up the scale like that sounds so cool!
Ha! Glad you enjoyed this one~
Scales in my opinion are the single best thing you can practice. I am by no means what many may consider "good" but I have gotten more out of practicing scales than anything else - oh and getting a foot rest to hold instrument like a classical guitarist. That changed a lot for me.
These are great exercises, Chris. I spent some time with them tonight and will be adding them to my daily practice. I’m starting to enjoy scale exercises. Not only are they helping with my technique and to help me see more patterns across the neck, but they can be somewhat cathartic to play once you have them under your fingers.
@@stephenmahlstedt7276 I totally agree. There is also some confidence in watching your physical ability grow, and starting to depend on your hands to perform new tasks with some level of automaticity. Thanks for being here
Thank you so much! This is something that is clear and doable by anyone especially for someone who is a beginner in their 60s.
You're welcome, Marvin! Glad it was helpful.
Gonna work on this tonight, looking forward to seeing the results!
Sounds great, Mike. Just don't expect the results OVER-night. Might take a few days, max!
An overwhelming brain bending exercise, but gives a whole new approach to doing riffs and melodic solos. First time for me to hear that , makes me wanna dig on some books on this ,thanks so much. For many years i play by ears and chords
@@venturaVlogger so glad you enjoyed this one! Anytime we tax our minds and then satisfy them, we are learning!
Thanks so much for these lessons. I found your site recently, but have had several Aha moments. :) Your lesson on using octaves to learn the notes on the fretboard was very helpful.Your helpful lessons along with a few others on face book have ignited the spark in this 65 year old, and I am now obsessed with learning! I hope you don't mind me sharing that Shane Theriot's Guitar Channel has a great lesson " Master the Notes On The Neck! where the drill is to play each note on each string (without playing any open strings) low to high and back to a metronome for 5 minutes per day. I think this would be helpful to anyone on this journey. Thanks again!!😎
Great stuff, I love that idea from Shane...that's a great drill!
Happy to have you on board!
Thanks Chris. Always appreciate when you share your knowledge
Thanks Ed, hope all is well!
@@curiousguitarist hey Chris , things are slowly getting back to normal or whatever our new normal is 😀
Excellent exercise. The next steps for me are to do it again in minor, blues, Dorian,etc to better understand each of those scales.
@@Bewareofdougpics that’s a great study!
That was fun to do. A little while ago I figured out the patten for the notes, bit just hitting each note once was boring.
This made it fun.
Great news!
That AHA moment then led me to another one that in standard tuning you can play the major scale of the note of each of the strings at the same frets: 2,4,5, 7, 9 11,12 WWH, WWWH. I also loved your lesson on the Circle of 5ths. I have been struggling to memorise the fretboard now it has become a lot easier... now to just get musical..🎶😅
Thanks so much, Chris! Will give this a whirl in my next session tomorrow. Always super informative lessons from you - thanks again! From (another) Chris!
Keep me posted on how it goes, Chris~
One of the best lessons on the internet....... I think you're stupid if you don't know it or don't get it... I had a massive AHA moment with this lesson.. especially if you can play the 3 chords ADG ... sheer genius!!! Excellent lesson. Thank you very much!!!
@@efthimoskaragiannidis8144 glad you enjoyed it!
I realised that playing these exercises over Pachelbel's Canon in D is a great bit of fun. I set the chord progression in an app and play over the top
@@nickmendens76 ahhh beautiful way to make this a musical improvisation! It’s always a great idea to take a drill or exercise and push it into a musical application
What an excellent video! It teaches so much to begenner through intermediate level players... I wish I had seen this earlier on in my journey.
The exercise is expandable and can be done in different keys to really cement the tones in your brain. Once you have an ear for them and your alternate picking is down tight, try tapping!
Yup, perfect! You can move it to other strings, try different scales etc...
Thanks Chris, your intro about the need for practice even if it's boring helped me to get me started on the data science project I'm supposed to be working on😁
Hey, "take the inspiration where and when you can get it" I say!
Love this drill! Thanks!!
You bet, Wayne.
Good technique,Chris! I love it
As usual, you have provided an amazing lesson, Chris. I've been looking for a single string exercise that uses all of my fretting fingers, helps with down / up picking, and synchronizes both hands. BOOM! Thanks! Keep up the excellent drills and lessons!
This is PERFECT for developing those skills! Great timing.
Keep in mind that you can do this on ANY string, starting on ANY note, and using ANY scale. It really is quite expansive, Vaughn.
Keep me posted!
Excellent lesson!! This exercise will be a game changing for me, and the coolest part is that is very musical. Thanks for teaching us.
Of course, Luis!
Thank you Chris.
Of course, Craig.
This seems great for what I've been trying to improve thank you!
Hey no swiping, I just got this guitar. U r a legend master teacher.
Ha love it! Thanks mate, I appreciate the kudos~
Great exercise, will add it to the practice routine. Thanks.
@@johnfarr2780 of course, John! Let me know how it goes for you!
Excellent technique drill. Well done. Thanks Chris.
Thanks, Don!
@@curiousguitarist Being 76 with arthritic hands, I can't do a 5 fret spread like you do, at least not on the B string. I can only do it on the 1st string and begin at A. It still works but it's the only way I can do it. Still a great thing to practice. Well done.
@ maybe you can try to move your entire hand through the phrase…nice and slowly. It should still hold some nice benefits for you. Thanks for being here
I almost forgot this. Beautiful
@@brnsnaribm1371 thanks!
THANKS SIR THATS SO HELPFUL
You're welcome, Juan!
very beneficial exercise. if anything it will teach your ear to recognize the major scale.
Great comment, Tim! Yes there's always some ear training available in what we do, one of the most impactful things for me in that way was playing the scale backwards and saying the scale degrees. Oddly simply but had a huge impact on me.
Excellent drill. Thank you for sharing this!
Glad it was helpful, Fred!
Very cool! Thank you!!! 😎🙏🕊️✨
idk why But, this put a smile on my face.
That's always a good thing :)
Excellent exercise. Thanks!
Great lesson Chris thanks !
Yeah you bet!
Great job Chris
Very good lesson indeed
Keep up the fantastic work
Keep on rocking
So glad you enjoyed this one! More on the way~
what an utterly brilliant bang for your buck exercise. thank you.
Ha! Thanks, Zak! Glad you enjoyed this one!
Another level up lesson. You rock!!!! Thank you
Of course! Happy to help~
Nice lesson, Thks 👍🎸
You bet!
Great guitar lessons good job man!!!
Excellent, so glad you enjoyed it!
Great lesson, thanks
Love this exercise!!! Mahalo CHris!
You're so welcome! Mahalo!
Awesome exercise ! I know it will be better tomorrow , Thank you ! C😊😊L
Yup, 5 or 10 mins a day for a bit...big gains.
must try! i like this.
Yeah, it’s a good one, keep me posted on how it goes.
Good lesson for sure
@@patrickbarr6398 glad you enjoyed it, Patrick
great lesson but afraid there's an error at 2:03 which is going to confuse learners, the scale pattern is actually
R-W-W-H-W-W-W-H (root, whole step, whole step, half step, whole step, whole step, whole step, half step) 👍
@@RGBloke thanks for the check. I rewatched it, indeed it is WWHWWWH, so it is correct. No need for the R unless you’re planning to include the 234567, right?
Inspiring. Great lesson.
Glad you enjoyed it!
Thanks alot 🎶🤘
@@alikemalevren of course!
I already alternate pick as second nature but anytime someone is like "pay attention to how you pick" thinking about it throws me off. In any case this does look like a good exercise.
I’m gonna give it a try. Dang
Keep me posted on how it goes, Warren!
Liked and shared and subscribed
Thank you!
What a fantastic video to be honest have a great weekend also happy first week of December and I have lost my voice from a cold ❤😢😊
Fell better, and happy holidays!
Yay! 😊 😎
So simple, yet so challenging (at first)
Yup, as soon as it get's too easy do those other permutations...
123
132
231
213
321
312
Ok, I’ve been practicing this and I’m getting pretty good at it now. I love it! However, I have some questions, does this also work on the other strings? If so, I assume I’m playing the scale in a different key? Is there a formula for turning it into a minor scale?
Many thanks :)
@@officialWWM yes yes and yes! Glad you’re enjoying it. Use any string and start on any note!
For a minor scale the formula is WHWWHWW
@ awesome. Thank you! I’m sorry if I sound stupid but my theory knowledge is sadly lacking. I have one more question. Would it be correct to assume the name of the note I start on is also the key of the scale I’m playing in?
@ yes, in this case that is correct.
There are other instances where that may not be the case, but don’t worry about that stuff until the major scale is completely familiar.
Tq so much....i have try to practice it, and i feel my finger more fluidly..more ekpresif...more coordinate....
i want to ask you, that practice shoud be just on B string or can be practice in other string ?? And can be start too from second , three etc ?? Thx before...
@@yusufimmanuel5396 as soon as you are comfortable you can try other strings and other scales as well. Keep it three notes until you master it. Then adding more notes will be easier.
Ok tq sir.....why three note twice repetition become special? Maybe you can explain......and which finger that press the note is it matter ?
I’ve figured out my system. Chris for theory and knowledge, Marty for breaking down songs, Mr Tabs for practicing the songs once I’ve learned the parts from Marty.
Every time I’ve tried to understand things like triads, circle of fifths etc I never really grasped the concepts. Watched Chris and by the end it makes sense. Still a lot of work to put in but it makes sense and that’s half the battle. Truly gifted teacher
Thanks, Cody! I appreciate your trust in me! Great system too.
I wish you were around when I was young.
I wish this version of me was around when I was young too!
@@curiousguitarist Lol! I'm sure this version has been with you the whole time. 😀
Can I ask? Would something like this be of use if I ever get around to picking up a violin?
@@antinatalope absolutely! This method will work on any stringed instrument, on any string and with any scale! There's a lot in here!
@@curiousguitarist Hope my hands still work lol. Thanks so much! I don't know what it is about violin that I love so much about it. All stringed instruments appeal to me.
Doing this on acoustic with no cutout. Hard. Starting from the first fret so I don't run out of room.
Yeah, you can start on any note, just keep the scale formula intact!
What is the music theory term for playing scales like this? because yngwie malmsteen does that in every song of his always playing scales in 3 note groupings up and down the scale. I think BACH did this first so there must be a musical term for doing this.
It's really just scale sequencing, ultimately. But this being a doubled triplet pattern, is often also called sextuplets.
@@curiousguitarist This Scale Sequence has a classical theory name for this scale sequencing. Other scale sequencing is either ascending or descending in 3rds or 4ths or 5ths. This scale sequence is stair stepping up ascending or down descending playing the scale in 3 note triplets. Since Its NOT playing the "scale sequence" in 3rd, 4ths or 5ths, the scale sequence is what? I think they call this "Triplet scale sequence" 123-234-345-456-567-671-712-123 ( the numbers are scale degrees of the key), which is going up ascending in 2nds? yngwie malmsteen does this in every solo always plays these Triplet Scale sequence
@@waynegram8907 call it whatever you like, as long as you get the results :).
The word sequence in this case does not denote a specific type of sequencing. We’re just taking the three note chunk and moving through the permutations. Ultimately the thing that remains unchanged in the pattern or sequence is the sextuplet figure, so that becomes the best nomenclature to attach initially.
But again, doing the work vs naming the work are to different effort streams :)
@@curiousguitarist The way SLASH uses scale sequences is something you should deep dive into because its a mix bag of scale sequence drills mixed up. I have notice he will use these an insert these in between filler notes between scale degrees which the in between filler notes are a pattern or sequence in itself, happens really fast. It something to think about making a video lesson about these in between notes when playing pentatonic scales. The concept I have figured out is instead of playing in between notes as passing notes or neighbor notes is that you create a pattern or sequence with the in between notes that will connect the scale degrees together.
Is every note a D that you hit? I know that sounds stupid but just beginning had brain surgery and doc told me guitar will help with memory thanks
The notes I played are all from the D major scale but only that first note is the D note (3rd fret B string)
@curiousguitarist Thank you
Don’t forget guys, even more benefit to be had if you do it along to our friend Mr Metronome!
@@garryhaynes34 so true!!
Thank you again. I will be back when I'm willing to put in the work. I feel lazy and ashamed
No screw that I'm doing it.
@@randyandamberthompson9972 you shouldn’t! I always say that when the pain of doing the work is less than the pain of wanting the capability, the work will be the obvious choice :)
Thank I needed that.
Could you please tell me what model/year Stratocaster you are playing and what amp and pedals you are using to get that sound? Love the sound. Thanks.
This is a 2023 K-Line Springfield, the best S-Type I've ever owned. k-lineguitars.com/guitars/springfield/
The amp is a Yamaha THR-10 on "Crunch" setting with a little bit of the built-in reverb and delay on the amp.
My hands aren't big enough to fret the 3rd 5th and 7th frets without sliding.
Yeah those whole steps stretches are important. Try moving your thumb back behind the neck to bring your wrist out front a bit more...see if that helps.
You can increase your finger span gaps & flexibility by regular stretching them apart exercises
A lot harder than it looks.
That is good news for you...big gains coming your way, Michael!
wow, 4 minutes to even get to where he plays it 1x. stop talking. its not doing what you want to the algorithm
I don't care about the algorithm TBH, the context is important for folks so that's what I commit to.
But I do use the chapters function if you want to skip the context and go right to the playing part without any explanation.
Wish there was tab. You're not being clear, because i dont know what you are playing. You're doing that classic guitar teacher thing were You're going to teach someone how to shred by proceeding to shred endlessly
@@xR0N1Nx there are TABs on my Patreon page. And they cover all 6
of the permutations for a three note grouping.
Just get that first pattern down solid and slow. And do it ascending and descending too. Give it 10/15 mins a day, just that first pattern, and you probably won’t need the TABs at all after that!
Good luck!!
www.patreon.com/chrissherland
Use the video speed function and set it to .25 so you can follow along with what is being played, then slowly speed it up!
Exercise starts at 4:00. Seriously dude just get to the point. You can add all the filler afterwards.
Use the chapters function to skip all the context, seriously dude, it works. :)
Yeah screw this guy. You should make a really good video like the one you described. Post a link here when it's done and I'll let you know what I think of it. Getting opinions on your videos is awesome. You will love it.
seriously piss off and watch something else you sniveling newt!!!
Bro if you don’t have patience enough to listen to what he has to teach before hand, idk if guitar is the thing for you
@ LOL!