How to Use Mandolin Arpeggios to Create Harmonies!
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- Опубликовано: 19 май 2015
- Lesson Link: banjobenclark.com/lessons/usi... - This is one of those theory lessons that you just need to watch as a mandolin player. We're going to first learn every arpeggio in EVERY key, then we'll learn how to use them to create harmonies in our playing with a simple version of "She'll Be Comin' Around the Mountain!"
There are actually three tabs that accompanies this 30+ minute video lesson: two for the arpeggios (one with fret numbers and one with note names), and one for the tune.
REMEMBER, Gold Pick members can download the tabs and mp3 rhythm tracks with their membership! 
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I took piano lessons as a kid and never realized what arpeggios were for... If only there had been some mention of harmony application. This is really helpful for me learning the mandolin, and it was a great introduction to your videos. I will be watching more. Thank you!
Nobody teaches bluegrass Guitar,Mandolin,and Banjo better than you Ben.You have a great talent...
Thank you!
thanks Banjo Ben, always a pleasure watch your videos, six months ago I have never even saw a mandolin, cause here in Brazil its not a popular instrument, now thanks to your videos I can play a song or two and improvise in the key of G. sorry about my english!
i know it's kinda off topic but does anyone know a good site to stream new movies online ?
@Cairo Joel i use flixzone. You can find it by googling =)
@Vincenzo Mario yea, I've been watching on FlixZone for since march myself =)
@Vincenzo Mario thank you, I went there and it seems like they got a lot of movies there =) I really appreciate it!
@Cairo Joel No problem :D
Hi Ben, you told us that most of the time in bluegrass people refer to flat keys rather than sharp keys. I was just wondering why that is. Would there be any benefit to that?
I'm sure there's a proper answer but I'm not confident in what it is. If I had to guess, I'd say it's because the blues notes are used often, which are referred to as flatted notes.
Technically, it's not a C, but rather a B sharp (in a G# major triad). They are enharmonically equivalent.
do you work one on one with people?
Rarely do I have time, sorry :)
no worries. I have zero musical experience and need some one on one to really get this down. thanks. shalom.