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Thursday, Week 1: Morning - Portraits In Different Lighting Conditions (09/01/2020)
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- Опубликовано: 30 июл 2024
- Hey all! After having pushed saturation yesterday, today we're going old school! A very basic, simple 4 color palette: Titanium White, Yellow Ochre, Cad Red and Ivory Black. Remember, this palette is only limiting if we're unable to see the full potential of the relationships generated by every permutation within the palette. It's important to begin with recognizing the parameters that this particular palette has to offer, and instead of viewing them as restrictions we start to accept them as possibilities.
www.ourpaintedlives.com/
the best thing that's happening on youtube rn, we are extremely lucky to be able to see and absorb the knowledge you're so gracefully sharing....thank you
The best limited palette explanation EVER.
I´m loving all the videos, there´s so much to marathon in your channel!
You are revolutionizing my coffee time in the mornings! Thank you.
Ahaha legit! I mean i am being revolutionised at 1:11am but still!! I am learning and it feels so cool! Thanks Nicolas :D
My coffeetime get's longer and longer...😅🎉
This video is inspiring as all hell, bruh. Makes me really want to paint!
Excellent vid! Inspiring and informative…bravo!
Hi !... a suggestion; if you showed the object or foto that you were painting from, then, the viewers would also see the decisions you were making with each stroke... I suggest you show the model that you are painting from...perhaps a cut away smaller rectangle screen
Thank you so much! I'm just getting back to painting after a long while and your videos are so inspirational.
Loved today's session! The way you explain colour, relationships, values, etcetera is very clear and easy to understand. Your passion about driving certain points home, or emphasizing the importance of certain things make these lessons very valuable. Thank you! I certainly will compare, compare, compare much more than I have been! I look forward to more of these videos.
love these so so so very much...i try to copy and watch and learn Thanks
You are a wonderful draughtsman and painter -You seem to be able to impart a sense of experience and truth into all your work, and your fluency with the medium is truly lovely to behold -There are many painters on line, that have a Cecil Graves studio kind of finish ,but you are leagues ahead on many levels(I know I don t need to tell you that)Please keep them coming !
Thank you for this marvellous series, and thank you for being so generous with your knowledge . Have learnt soo much . 👏😍
Awesome!!!!!! I adore everything you’ ve painted! Thank you for your lessons!!!!
Superb! Greys are, to me, the ultimate test of painterly skill. You nailed it.
I love your work and the way you explain the process for all of your videos it is so invaluable.. the best advice and technique explanation that I’ve seen in a very long time !...… I was wondering if it’s possible in the future to include the reference photo so I can understand how you make your choices ....the wonderful high resolution photo of your painting is great,.... but I would really like to see the reference photo so I can understand how to translate that into painting for myself without copying you ?.... once again thank you so much for your lessons🙏
You are equally talented and inspirational. Thank you so much for sharing with all of us! Best coffee morning ever.
that is a superb painting tbh, one of the better ones i've seen on yt. subbed!!
Just discovered your channel, and I’m so glad that I did. Thoroughly enjoying watching your process, and hearing your thoughts.
Thank you.
La pintura es increíble pero la reflexión final termina de completar genialmente todo el proceso y la narrativa. Muy inspirador Nico!
You are extraordinary painter. When you talk down about your abilities it makes me feel bad about mine. ;)
Hi. Just started following your channel. Not sure how i ended up here but really glad i did. Love the paintings, the comments and everything surrounding that. I should be here for long time. And your model has a magnificent face. Something about the form or expression that makes it powerful. Thanks
You're gone! Brilliant, I'll remember that when painting!!
Lovely work, thanks for the efforts you have put into these videos.
You have intelligent commentaries always
amazing painting, great explanation on zorn palette and little art history lesson!
Beautiful...Thanks for the knowledge.🇺🇸
Can't paint cus I'm so busy watching & listening to your GENIUS. THANKS
Realmente me están fascinando todos los vídeos, me sorprendió mucho el del martes (por el idioma), todos son súper interesantes, saludos y éxito con este proyecto!
You turn my paintingworld upside down!❤
Your painting and spoken dialogue are mesmerising. You are one of the most talented painters I have ever seen. Your work should be in all major museums - or would be if I had any influence.
Galleries etc in the uk seem to have an aversion to great modern figurative painting like this. I assume that curators don't like the idea of it. They just seem to want to constantly educate the public in Neo-Dada/irony/social comment etc. It's ok in small doses, but that's more or less all we get.
Hola Nicolás ! Muchísimas gracias por tu trabajo. Eres genial. Podrías hacernos un barrido por tu lugar de trabajo en estos vídeos? Tenemos curiosidad por ver si pintas sobre una tabla que apoyas en tus piernas, dónde tienes la paleta, en dónde miras tus imágenes... si te haces daño en la espalda al pintar en esa postura tanto rato... cundo comentamos tus vídeos nos hacemos estas preguntas. De nuevo enhorabuena y mil gracias. Te vemos cada día desde Bellas Artes de MURCIA, Esapaña.
Revelatory. I *do* paint every day but when you paint without guidance you entrench bad habits. Watching you day after day and understanding your thinking has broken my impasses. I had some nagging questions and of course out there there are various and contradictory answers and some answers are right and some are wrong. Your answers work for me. For instance, open or closed palette? I tried closed this year and it didn't get me there. Open palette, mixing with the brush, is how I learned and what you do and re-trying the way you mix, the "big puddle" approach where you take a basic tone and tweak it off to the side, gives me the value and temperature control I can't get otherwise. Zorn palette? I've tried it and couldn't get blue enough; what you taught me today was if I needed to go bluer I should have started with the bluest blue (black + white) and adjusted from there, meaning the rest should have gone warmer. After watching you work with Zorn, I will give it a try again. Blurring? Everyone tells me to blur, while I was taught lay down a brush stroke and leave it. I usually don't like the look of a brush blur. You're showing you don't need to blur, you just need to control your values. So one more question. You mention how titanium white can go chalky. I used to handle that by mixing with opaques, never transparents, so I could minimize the use of white, but that made my palette huge, having warms and cools of each hue in both opaques and transparents. How do you avoid chalkiness?
Maybe you could try using zinc white instead, it has less tinting strength and I see it as a "soft" white
@@mc_va No, I've come very far since a year ago when I posted this. Zinc white cracks so most manufacturers have stopped putting it in their paints. Flake/Cremnitz will give that same translucency, although of course it's extremely poisonous, but so are the cadmiums, the cobalts, etc. The thing about opaques is that they go heavy. You get no optical reverberation between layers. Will St. John put it beautifully: "Flake is to titanium as marble is to plaster." When you have something dark you have to cover, yeah you have to pull in the opaques. But layers of translucency or transparency will create a richer piece. If you have to paint nonpoisonous, though, you have to use titanium. The way to handle the chalkiness of titanium is to glaze over when it's dry with a transparent or translucent. It can be difficult to control the value of a glaze but you can either build it up in layers or lay it down and wipe it off or blend it out, leaving a stain or a couche into which you can paint a subsequent layer. There are also some modern synthetic pigments with so much tinting strength that you can mix them with titanium and they won't go chalky; Tim Rees talks about some of Michael Harding's red and yellow lakes that have this property. Traditionally lakes were fugitive but these apparently are not.
These videos are great, thanks!
It’s really interesting (and almost liberating?) hearing you talk about blacks and whites as “colors”. I do often look at those two paints as ‘other’. I think it’s a teaching remnant from art school and a fear of of being told that you’re using too much white. Somehow just hearing it said out loud has changed my perspective. Thank you!
absolutely amazing videos! Beautiful way of painting! So much knowledge...
You inspired me to make my own videos on youtube and show my process:D
Will be looking forward to see more from you!
THANK YOU! Another great lesson
You know, you know, you know, you know, you know, you know, you know, you know
24:03 Classic Nicolas-ism I've just noticed: "we don't wanna be like 'look at this, this is sooooo' - No. no we're llllooost. We're gooone... " hehehe : )
Just fantastic to see this process and hear your thoughts at the same time. Feeling guilty because I ought to be paying for this! It's better than some of the things I have handed over cash for after all. Want to save up and buy a painting. At least that would be some small return for your generosity in producing/sharing this content.
As someone else her mentioned, please show a pic of your reference material. It helps me see that you are creating, not copying, which I have a hard time with. Thanks! Love these!
Gracias por los videos! Son perfectos para ir trabajando! :D
I love you thank u so much for this!
beautiful
thank you
Shout out to my palette pals for being there for me when no one else would
Jajajajaja dude, I got your back!!!
Great videos and commentary man, really grateful for the impartation of knowledge. Do you intend to ever show the reference image to get an idea of your decision making? Thanks again for the quality!
I need to see the reference image also, my brain can't change the colors when I'm painting from a reference, I tend to paint the same colors in the photo ☹️😢
Fantastic video. It's worth noting that comparison should be used when you're working out the location and shape of an area your drawing or filling with colour. Same with angles etc 😁
Aquí firmes!
I do love this painting,however.
Puedes mostrar la paleta en tus próximos videos? Me gustaría poder ver las combinaciones qué haces y como ordenas los pigmentos. Gracias!!!
Fantásticos videos, Nicolás, muy interesantes. Te hago una pregunta: no quedan muy relegados los colores transparentes en estos ejercicios? Tus sombras suelen ser opacas, no?
I know this was a long time ago, but this palette omg! Brilliant.
Can u please explain as you add each mix of color what colors exactly are u mixing? Just for the future.. ?
Nicolas, you’re so incredibly talented.. it’s a privilege learning from u.
☺️🌸yayyye
Amo
I sweated and strove for several years at art college [and decades since] to try and achieve something like you've just done here - and made it look very straightforward. Fantastic command of tone ['value' if I was American].
A limited pallet gives you a chance to understand much more of what you are doing.....but lack of saturation for too long is Stiffling.
we know)
Great stuff!! fabulous lesson
최종예선도 아니고.... 솔직히 2차 예선은 임시감독으로 조금 가도 충분히 되지.
What do u use to shoot your references?
The swell of her left cheek looks like she was hit or had a tooth extraction.
This is Fred Armisen right?
I love your style. Are you on Instagram?
Yes! @nicolasuribeb
Is this oil or acrylics?
Where can i buy Indian skin tone?