You know I never really will understand how Pat has such great feel and time while doing seemingly impossible lines both in and out of altissimo ranges. It's a mystery to me
When you’re soloing you’re only really able to focus on listening to others and your own time-feel, and maybe some large-picture phrase ideas. The rest is preparation and familiarity, and planning/set-ups. He knows what the changes are and is familiar with ways he can/wants to navigate them, and he’s familiar with navigating the ranges of his horn. Add in practice strategies and some in-the-moment inspiration and boom!
Not only is Bartley incredibly well studied in the old masters' styles, he also adds his own beautiful lyricism to his solos with the control and articulation of a classical master. This is what all jazz musicians strive to do.
Thank you for this transcription! I’m not the slightest bit interested in inspecting it for errors - I’m just grateful you took the time to do it and post it for everyone to enjoy. Hope your music is making you happy and keeping you striving!
Just unbelievable.
You know I never really will understand how Pat has such great feel and time while doing seemingly impossible lines both in and out of altissimo ranges. It's a mystery to me
When you’re soloing you’re only really able to focus on listening to others and your own time-feel, and maybe some large-picture phrase ideas. The rest is preparation and familiarity, and planning/set-ups. He knows what the changes are and is familiar with ways he can/wants to navigate them, and he’s familiar with navigating the ranges of his horn. Add in practice strategies and some in-the-moment inspiration and boom!
Practice. Lots of it. Mystery solved.
@@MarkHallvoc ah. Very informative. I love the specificity behind this and how detailed every aspect was. 10/10 🙌🙌
Transcribe and perform like 800 jazz solos from legends like Patrick...easy peasy.
@@MarkHallvoc imagine he also had talent... What a combo it would be. But fantastic he does it by practice alone... 🙃
Since jamming with Emmet it has been obvious that Patrick is the new Bird . he could be that good ...
His phrasing is so unique. His gorgeous tone is unique. Love this guy. A gift to the world. May he live long and prosper.🖖🏼
God. Damn. There is so much history in Patrick's playing but it feels so true to him. Seriously inspiring player.
that charlie parker lick at 2:34 is so goated
Not only is Bartley incredibly well studied in the old masters' styles, he also adds his own beautiful lyricism to his solos with the control and articulation of a classical master. This is what all jazz musicians strive to do.
This was live! incredible chops and feel!
This is just.... Damn.. God I love this dude's playing. Bebop perfected and his own thing at the same time.
Wow! A master class in five minutes!
That was downright inspiring…
Holy Sh*t
Man, some of those high notes... Pat's like juicing notes from the heavens!
Yes, you heard correctly! He did it! 🥳 thanks man!
This guy must truly be GOAT
Amazing technique and improvisation (alt sax of Partick)!!!
great job!
Heavens! Let me grab my Alto and play along. HAHA…
THE AMAZIBG PATRICK BARTLEY!!
3:01 so good
Paaaaatt!!!!
Thank you for this transcription! I’m not the slightest bit interested in inspecting it for errors - I’m just grateful you took the time to do it and post it for everyone to enjoy.
Hope your music is making you happy and keeping you striving!
Patrick, you're a perfect example of how to include the bounce into your melodies...
absolute fucking monster
God!!!.
Damn!!!.
bro swings so hard
In a day? holy crap. Do you have perfect pitch? thanks for sharing
Maravilloso 🤩🤩
Wow!
Burning!!!!!
🔥
ight now post the second part of his solo
kazoo
1:50 is this rhythm a quote of something or just a rhythm everyone knows? i feel like i hear it so often but dont know where it came from
Heard it in
After you've gone I think
@@benjaminmarks8765 what recording? i dont think its in the head
yeah I was wondering that as well, I don’t think it’s in after you’ve gone that was a different cliche
he does it in after you’ve gone live in tokyo but it’s just a well known rhythm quote
Mop mop quote
I love how stupidly the enharmonics are written at the bridge. Great job!
Nerd 🤓😭🙏
arturo sandoval of the sax?
Much better!!
@@fanfoireI don't think you quite understand how profficient sandoval is??
Music is difficult…
bar 81 should start on g i think
lots of errors
Oh thank you so much for your constructive comment.
4:26 is unreal