Bernard Winsemius plays Bruhns, Buxtehude, Weckmann and Bach on the organ of Nieuwe Kerk Amsterdam
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- Опубликовано: 13 сен 2024
- Nicolaus Bruhns
00:08 "Small" Praeludium in e minor
05:02 Choral fantasia upon 'Nun komm, der Heiden Heiland'
14:48 Praeludium in G major
Georg Böhm
22:48 Vater unser im Himmelreich a 2 Clav. et Pedal
Dieterich Buxtehude
28:16 Toccata in F Major, BuxWV 156
35:25 Ach Herr, mich armen Sünder, BuxWV 178
38:43 Ach Gott und Herr, BuxWV 177
41:46 Komm, heiliger Geist, Herre Gott, BuxWV 200
Matthias Weckmann
Choral variations upon "Es ist das Heÿl uns kommen her" (KN 209/25)
45:37 Primus Versus a 5 Voc Im vollem Werck
48:03 Secundus Versus Manualiter Canon in hyperdiapente post minimam
50:12 Tertius Versus Uff 2 Clavier
Choral variations upon "Ach wir armen Sünder"
53:09 Versus 1 (Choral in tenor)
54:47 Versus 2 (2 keyboards and pedal)
57:02 Versus 3 (for 2 keyboards)
Johann Sebastian Bach
59:13 Prelude (Toccata) and Fugue in C major, BWV 566a
From the recording "North German Baroque Vol. I" published by Intersound in 1997.
Played on the main organ of the Nieuwe Kerk, Amsterdam. Built by H.W.Schonat c. 1652, expanded by J. van Hagerbeer c. 1668, altered by Bätz c. 1840, restored by Marcussen & Søn c. 1981
Stoplist:
Hoofdwerk (CDE-c3): Praestant 16' - I-II sterk, Quintadena 16', Octaaf 8' - I-IV sterk, Holpijp 8', Octaaf 4' - I-V sterk, Gemshoorn 4' - I-II sterk, Quint 3' - I-III sterk, Mixtuur VI-VIII sterk, Scherp VI-VIII sterk, Dulciaan 16', Trompet 8'.
Rugwerk (CDE-c3): Praestant 8' - I-IV sterk, Holpijp 8', Quintadena 8', Octaaf 4' - I-IV sterk, Openfluit 4' - I-II sterk, Quintfluit 3' - I-III sterk, Superoctaaf 2' - I-VI sterk, Speelfluit 2' - I-II sterk, Fluit 2' - I-III sterk, Quartane II-IV sterk, Sexquialter II-X sterk, Mixtuur VI-X sterk, Scherp VIII-XII sterk, Cornet VI-IX sterk (discant), Trompet 8', Tremulant.
Bovenwerk (CDE-c3): Praestant 8' - I-IV sterk, Baarpijp 8', Quintadena 8', Octaaf 4' - I-V sterk, Octaaf 2' - I-V sterk, Nasard 1 1/2' - I-III sterk, Sifflet 1' - I-III sterk, Sexquialter II-VI sterk, Scherp III-VI sterk, Trompet 8', Vox Humana 8', Tremulant.
Pedaal (CDE-d1): Praestant 16', Bourdon 16', Octaaf 8' - I-II sterk, Bourdon 8', Roerquint 6', Octaaf 4' - I-II sterk, Quint 3' - I-II sterk, Mixtuur VII sterk, Bazuin 16', Trompet 8', Trompet 4'.
Couplers: HW-RW, BW-HW, HW-PD, RW-PD
Temperament: Kirnberger III at a=459 Hz
Wind pressure at 68 mm
Picture: Emanuel de Witte - Interior of the Nieuwe Kerk, Amsterdam, during a Service (ca. 1658). Museo Nacional Thyssen-Bornemisza, Madrid
How could anybody dislike it? This is amazing, fulfilling, uplifting! Thank you
I tend to agree :)
Program, performance and sound very beautiful and satisfying. Thanks for sharing this uplifting recording.
Very nice indeed! Recently this organ is again restored in 2017. Not only the pipes but the paintings of the panels as well. It is always a feast when they open up the panels for a recital. When you really put it loud it is almost as if you are at the Nieuwe Kerk!
I put the picture so you could feel like you're in the church again - sans the random exhibitions and giftshop! (And that funny sign, Hemelse Klanken that they hang in front the organ!)
@@joannescouchet7038 The yellow sign "Hemelse Klanken" they removed last year. It was kind of a Disneyland decoration inside a MacDonalds. Not for the ambiance of the Nieuwe Kerk. We protested fiercely and eventually it did seem to work because suddenly it was gone!
Quite extraordinary!!!
This video is great! I' ve been there once at a concert around afternoon. After the concert there was a change to get a look behind the console. Amazing experience I would never forget. Thanks for the opportunity to remind me of that great time ;)
Organ music (and organ building) flourished in Northern Germany. Perhaps this was related to the religious predominance of protestantism in the region. Luther started his Reformation in Wittenberg and its progress was towards the North European lands, rather than towards the Mediterranean. I submit that the organ music resonates better with the more subdued and introspective Lutheran liturgical solemnity, compared to Catholic more luxurious and extroverted religious services. Perhaps it is due as well to the more extroverted peoples of the warmer Southern European lands. At any rate, German organ music is indeed majestic. Thanks for uploading.
I have to say, nothing really beats a North German prelude like the Bruhns or Buxtehude pieces here in flashiness!
@@joannescouchet7038 Cher Joannes: Vielen Dank
I don't see the indication of tracks in the progressing bar of the music. It might be because you start with 0:08 "Small" Praeludium in e minor
5:02 Choral fantasia upon 'Nun komm, der Heiden Heiland'. Maybe start with 00:08 and 05:02 as an indication?
Thanks, I updated it but doesn't seem to work.
@@joannescouchet7038 Maybe it is still in the cache of RUclips? I cannot find another explanation why it is not working. The syntax looks fine to me.
@@joannescouchet7038 fantastic recording, incredible organ! I attended Winsemius' masterclasses during Haarlem summer academies in 1994 and 1996, I will never forget playing Bach's Passacaglia on this organ with prof. Winsemius as teacher and assistant...Thank You so much for this upload!
@@HarpsichordVinylGallery I've figured out the reason: it's because my timestamps don't start at 00:00 and thus don't cover the full range of the video. When I inserted '00:00 CD Cover' before everything in the description, the tracks appeared. However, if I put it after everything, they do not appear indicating that it also has to be in proper order.
@@joannescouchet7038 ok those tricks that the programmer thinks to help you but in fact makes the use very rigid.
I am puzzling with another visual at the moment. Sometimes a link in the email to RUclips ends up in RUclips in your own video but in the right upper corner are not the following items and suggestions displayed but all the tracks as separate items with the duration of the items which you never indicated anywhere. This is a really functional addition to recordings.