Ferenc Liszt (1811-1886) Hungarian Rhapsodies Nos.1-6 / Orchestra Version (Arr. Franz Doppler). *Click to activate the English subtitles for the presentation* (00:00-01:15) 00:00 *No.2 in C minor* (Arr. Karl Müller-Berghaus) is perhaps the most famous of all. Dramatic, and finely scored, it develops passionate material with skill after a recitative-like opening. 10:15 *No.1 in F minor* Doppler's set is 14th in Liszt's original series. Its strong main theme, a Hungarian national song without a doubt, is given a three-fold exposition, with effective major and minor alternations. The sombre colouring of the opening - Lento, quasi marcia funebre - with its fine use of clarinets, bassoons and horns, is particularly arresting, Imposing, too, is the D flat return of the main theme. Gypsy violin techniques are hinted at in the fiery presto conclusion. 21:22 *No.4 in D minor* is Liszt's original No.12. After a tensely expectant opening we move to a passionate Allegro zingarese which brilliantly communicates the spirit of Hungary. The oboe features most effectively in this evocative work. 32:57 *No.6 in D flat Major* "Carnival in Pest" was 9th in the original set. Its subtitle - Carnival in Pest - proclaims a liveliness which characterises the work from start to finish. Exhilarating dance rhythms are controlled so as to produce a care- free momentum.The variety of these six works provides its own commentary on the richness which Liszt so eagerly discovered in what was for him virgin national territory. 44:04 *No.3 in D Major* is the sixth in Liszt's original order. Gypsy rhythms predominate and the opening and closing dances have great fire. The intermediate episode has a ruminatively poetic quality and is finely orchestrated, with solo clarinet being exquisitely supported by cembalon, harp and delicately textured strings. 52:03 *No.5 in E minor* is dedicated to the Countess Sidonie Reviczky. It is the most lyrical of all these six works, and its neglect is hard to understand. Tonality is used by Liszt with subtle effect.The work begins in E minor, but the later resort to the remote key of D flat leads to a passage of moving intensity. Philharmonia Hungarica (1,4,6) London Philharmonic Orchestra (2,3,5) Conductor : Willi Boskovsky Recorded in 1976-77, at Marl and London New Mastering in 2020 by AB for CMRR Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr Liszt - Hungarian Rhapsodies 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15 + P° (Cent. rec. : Georges Cziffra) : ruclips.net/video/f9Xvv-a5K1w/видео.html Ferenc Liszt PLAYLIST (reference recordings) : ruclips.net/video/OqnIXqriuOs/видео.html
@@correasilvio2010 please stop making copy-paste messages but I invite you to watch this video if you wish to be published. :-) ruclips.net/video/Jwt8JydgyQ8/видео.html
one wonders how many hundreds of times did George Gershwin listen to Liszt before sitting down to compose Rhapsody in Blue. When Wagner first heard Liszt's Prelude, he conspired never to have Liszt leave Bayreuth which included throwing his daughter at the mad Hungarian virtuoso. Without the Prelude there would be no Ring Cycle.
LISZT FERENC (22 October 1811 - 31 July 1886) was a Hungarian🇭🇺 composer, virtuoso pianist, conductor, music teacher, arranger, and organist of the Romantic era. Csodálatos 🎼🎵🎶🎹 magyar zeneszerző ❤🤍💚
Lebhafte und wunderschöne Interpretation dieser sechs perfekt komponierten und fein arrangierten Rhapsodien mit gut vereinigeten Tönen aller Instrumente. Der erfahrene und geniale Maestro dirigiert die beiden ausgezeichneten Orchester in relativ schnellen Tempi und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als originale Aufnahmen von dreiundvierzig Jahren vor. Einfach wunderbar!
Recuerdos de Tom & Jerry, si no fuese por esos clásicos no tendríamos conocimiento de la música clásica... grandes artistas que te teletransportan a otro siglo! Saludos desde Argentina!
It pains me to see how often the non-Doppler orchestration is used, and not Liszt's own (for the second) See Haselböck's recording on period instruments for a truer representation of what Liszt wanted from these.
Liszt greatly admired the Germans/Germany (such as it was c1850) and went by "Franz". I like your using his proper Hungarian name - Ference - however, if you're going to be authentic, you should use the proper Hungarian appellation: last name first, Liszt Ferenc. Small point - I couldn't agree more. But, sometimes big things turn on "small" details.
Compare them with Ormandy's recordings of nos. 1 & 2 with Philadelphia forces. It would instantly prove that these are not at all reference recordings!
![1 Hour Classical Music with TOMASO ALBINONI - Concertos for Oboe and Violin (Full Recording)[HQ]](http://i.ytimg.com/vi/KzxWHnpShL4/mqdefault.jpg)
Ferenc Liszt (1811-1886) Hungarian Rhapsodies Nos.1-6 / Orchestra Version (Arr. Franz Doppler).
*Click to activate the English subtitles for the presentation* (00:00-01:15)
00:00 *No.2 in C minor* (Arr. Karl Müller-Berghaus) is perhaps the most famous of all. Dramatic, and finely scored, it develops passionate material with skill after a recitative-like opening.
10:15 *No.1 in F minor* Doppler's set is 14th in Liszt's original series. Its strong main theme, a Hungarian national song without a doubt, is given a three-fold exposition, with effective major and minor alternations. The sombre colouring of the opening - Lento, quasi marcia funebre - with its fine use of clarinets, bassoons and horns, is particularly arresting, Imposing, too, is the D flat return of the main theme. Gypsy violin techniques are hinted at in the fiery presto conclusion.
21:22 *No.4 in D minor* is Liszt's original No.12. After a tensely expectant opening we move to a passionate Allegro zingarese which brilliantly communicates the spirit of Hungary. The oboe features most effectively in this evocative work.
32:57 *No.6 in D flat Major* "Carnival in Pest" was 9th in the original set. Its subtitle - Carnival in Pest - proclaims a liveliness which characterises the work from start to finish. Exhilarating dance rhythms are controlled so as to produce a care- free momentum.The variety of these six works provides its own commentary on the richness which Liszt so eagerly discovered in what was for him virgin national territory.
44:04 *No.3 in D Major* is the sixth in Liszt's original order. Gypsy rhythms predominate and the opening and closing dances have great fire. The intermediate episode has a ruminatively poetic quality and is finely orchestrated, with solo clarinet being exquisitely supported by cembalon, harp and delicately textured strings.
52:03 *No.5 in E minor* is dedicated to the Countess Sidonie Reviczky. It is the most lyrical of all these six works, and its neglect is hard to understand. Tonality is used by Liszt with subtle effect.The work begins in E minor, but the later resort to the remote key of D flat leads to a passage of moving intensity.
Philharmonia Hungarica (1,4,6)
London Philharmonic Orchestra (2,3,5)
Conductor : Willi Boskovsky
Recorded in 1976-77, at Marl and London
New Mastering in 2020 by AB for CMRR
Find CMRR's recordings on *Spotify* : spoti.fi/3016eVr
Liszt - Hungarian Rhapsodies 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15 + P° (Cent. rec. : Georges Cziffra) : ruclips.net/video/f9Xvv-a5K1w/видео.html
Ferenc Liszt PLAYLIST (reference recordings) : ruclips.net/video/OqnIXqriuOs/видео.html
Chopin my interpretation
ruclips.net/video/zhsdhpZUlHw/видео.html
@@correasilvio2010 please stop making copy-paste messages but I invite you to watch this video if you wish to be published. :-)
ruclips.net/video/Jwt8JydgyQ8/видео.html
one wonders how many hundreds of times did George Gershwin listen to Liszt before sitting down to compose Rhapsody in Blue. When Wagner first heard Liszt's Prelude, he conspired never to have Liszt leave Bayreuth which included throwing his daughter at the mad Hungarian virtuoso. Without the Prelude there would be no Ring Cycle.
LISZT FERENC (22 October 1811 - 31 July 1886) was a Hungarian🇭🇺 composer, virtuoso pianist, conductor, music teacher, arranger, and organist of the Romantic era.
Csodálatos 🎼🎵🎶🎹 magyar zeneszerző ❤🤍💚
Yes, he was a Hungarian. Nobody ever brought up that he was Austrian. Something new.
I'd like to hear these tunes on my way to heaven - beautiful and bravo!
You will
Fortunately we don't have to close our ears with the mask to listen this lovely music. Thank you..
Thank you for uploading this version of Hungarian Rhapsody no. 2 for none of the others had the right tempo! ❤
Thank you! Very very good! Excellent!
Thank you very much for these wonderful Hungarian Rhapsodies, from the great composer Ferenc Liszt
Lebhafte und wunderschöne Interpretation dieser sechs perfekt komponierten und fein arrangierten Rhapsodien mit gut vereinigeten Tönen aller Instrumente. Der erfahrene und geniale Maestro dirigiert die beiden ausgezeichneten Orchester in relativ schnellen Tempi und mit möglichst effektiver Dynamik. Die verbesserte Tonqualität ist auch ziemlich hoch als originale Aufnahmen von dreiundvierzig Jahren vor. Einfach wunderbar!
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Thank you very much for this magnificent orchestra version of these superb rhapsodies.
Muchas gracias por estas maravillosas interpretaciones de este gran director.
Maravilloso!!!
Muchas gracias!
Hermosas sus Rhapsodies y toda su música, gracias
Bravo! Now if only you could get Boskovy's wonderful performances of the Viennese waltzes, covid could almost be forgotten
No 2 was used in Hanna Barbara cartoon of a bull dog conducting a team of construction workers !
Recuerdos de Tom & Jerry, si no fuese por esos clásicos no tendríamos conocimiento de la música clásica... grandes artistas que te teletransportan a otro siglo! Saludos desde Argentina!
Great orchestration. Thank you.
Bello!!! ..... Gracias 🥰🎼🎵🎶💐👍😎buen finde😘
Gracias,está hermosa música transforma mi ser.
Gracias!!!
Thank you for uploading this
Gracias 🌹🎯💯❤️
☠️🤘🔥Frans Liszt 🔥🤘☠️
Thanks for beautiful music..👍👍👍💝
Wow magnificent 👏 👌 😍
Love Lizt💜🌹🖤
Thank you!
The Rhapsodies may change your life...
It pains me to see how often the non-Doppler orchestration is used, and not Liszt's own (for the second) See Haselböck's recording on period instruments for a truer representation of what Liszt wanted from these.
Liszt greatly admired the Germans/Germany (such as it was c1850) and went by "Franz". I like your using his proper Hungarian name - Ference - however, if you're going to be authentic, you should use the proper Hungarian appellation: last name first, Liszt Ferenc. Small point - I couldn't agree more. But, sometimes big things turn on "small" details.
The Hungarian naming convention! Great information, thank you.
Das ist wirklich kleinlich.
Nu aveti cultura general va lasati pacalit de youtube.Frenec Liszt nu a compus niciodata rapsodiile maghiare
@@victor-liviusdoniciu4680 Atunci cine le a compus cretinule? Si nu toata lumea vorbeste romana
👍👏❤
👍👍👍
Maledetta la pubblicitaaa di questo video!!!!
Liszt ferencz was Hungarian in and out.this type of music only Hungary has.
These ads are shit
Compare them with Ormandy's recordings of nos. 1 & 2 with Philadelphia forces. It would instantly prove that these are not at all reference recordings!
Get lost, dickhead.
Traducir al español
looks like this is not No1