@@33rdframe oh I know...I can't believe it didn't cross my mind, lol. I use it in my work stuff for graph reveals and when I saw you do it here I was like DUH...THAT'S HOW I SHOW IT
I like 4:3 mode in 2.7k60 (wide fov, eis off) for Gyroflow w/ those fast and low shots. I still haven't messed with d-cinelike because I don't have any apps that can process 10-bit and I don't have a Studio key yet (I know Resolve does 10-bit but w/out gpu encoding 😖). The strangest thing I've noticed with the two O3 cameras I have is that they have slightly different tint-bias with respect to each other: the first one I got I would dial the hue down a tiny bit and this new one I'm dialing it up a little. All the color theory and your workflow is cool to see... I don't use DaVinci but I've been meaning to move to it because it's got amazing color tools... this will make a great reference! Stayed to the end 😂
Much appreciated, and I took have noticed the color shift with the cameras. However given the fact that it's 10bit, it's not a big issue as we can just shift it back. I got access to um.... Davinci studio keys, for half the price of you are interested haha
Finally I found a tutorial about O3 in DaVinci! Thank you!!!!❤
so simple yet so informative. spot on for me having zero background on any color grading aspects. thankyou for this tutorial, Bro!
Exactly what I needed, felt so trapped in candy land with the "normal" color profile on the O3
Glad I could help bro
awesome step to step guide ❤ its perfect for me! I'm always so lost in the color grading in DaVinci
Hope I can help even more
oh man, love the transistions at the beginning, gonna have to shamelessly steal that, lol
Made in davinci resolve, using the wipe transition
@@33rdframe oh I know...I can't believe it didn't cross my mind, lol. I use it in my work stuff for graph reveals and when I saw you do it here I was like DUH...THAT'S HOW I SHOW IT
@@Mayday.Aerial I'm pretty sure anyone saying davinci isn't the best NLE is paid by adobe hahaha
This is an excellent video man! great info, thank you.
This just popped up on my feed lol.
Very nice!!!!
Just for you bro haha
how is it going?-Dr, total professional masterpiece-
Haha , I wouldn't say masterpiece. I havnt earned that yet
I like 4:3 mode in 2.7k60 (wide fov, eis off) for Gyroflow w/ those fast and low shots. I still haven't messed with d-cinelike because I don't have any apps that can process 10-bit and I don't have a Studio key yet (I know Resolve does 10-bit but w/out gpu encoding 😖). The strangest thing I've noticed with the two O3 cameras I have is that they have slightly different tint-bias with respect to each other: the first one I got I would dial the hue down a tiny bit and this new one I'm dialing it up a little. All the color theory and your workflow is cool to see... I don't use DaVinci but I've been meaning to move to it because it's got amazing color tools... this will make a great reference! Stayed to the end 😂
Much appreciated, and I took have noticed the color shift with the cameras. However given the fact that it's 10bit, it's not a big issue as we can just shift it back. I got access to um.... Davinci studio keys, for half the price of you are interested haha
Also so 4k is only 16:9. Maybe that's why I never was able to change it cause I never tried the 2.7k
I'll give it a shot today
@@33rdframe 4:3 with lens correction through Gyroflow into 16:9 output is the chef's kiss 🤌 it just looks so good to me
hello do you have any tips for exporting, everytime after export my footage looks bad ;(
That's not a bad video idea
@@33rdframe yess plz
Is the free version of DaVinci Resolve sufficient for O3 footage, or do I need the paid version?
I think the free is sufficient
But the paid version has some banger tools
Why not use the Gyroflow plugin to save transcoding twice?
cineform is lovely
@@33rdframe sorry but i dont know what that means?
@@gregdavidd the file that gyroflow spits out is cineform and it's much better to edit with
Sorry but no
@@earlycheese6083 interesting, tell me more