Kathak - II

[@DancendByRuchi]

Thank you so much! You are helping so much by making these beautifu, clear videos. The details and your voice is very pleasant and clear and the students so lovely as well.

[@SuperTopnotch22]

So comprehensive and beautiful. Outstanding teacher

[@poojajain6749]

Thank you so much Dr. Dutt. I am learning a lot from you despite being oceans apart in USA.

[@Sunshine-wt1jg]

Maam I have learned only 1st year,,,and now I m not continuing,,,but u teached so well ,,,,love u mam,,,,, specially u teached chakkar,,,I liked it so much

[@channelkk2900]

Very good video for all kathak students

[@rakhisharma7194]

very gud video for all
kathak students
thank u ma'am for making this video for us

[@kattanalanda3140]

Out standing teaching

[@Genius-pf1gd]

Mam plz new videos bhi banaiye.

[@arhivadearta]

Could you kindly tell me the name of Madam Guru who is teaching this classes, and a contact e-mail? Thank you!

[@vagishalal]

Variation in tempo called laykari

[@ashakuldip1657]

Thanks Ma'am for the videos.

[@sharmimadhu629]

Thanks a lot for all that you've been to me madam ! Perfect lessons indeed! Proud of you!

[@shagunchauhan9249]

❤❤

[@arpitadutta5121]

Tnq Mamuni 🙏❤

[@amitkardwal89]

guru maa kya mujhe aapki vidio hindi language me mil skti h

[@roymehta99]

Excellent teacher

[@vagishalal]

Recitation of rhythmic Syllable called Padhant

[@amitkardwal89]

pranaam guru maa

[@vagishalal]

Hasta sanchalan movement of the hands

[@bluesmoke9748]

Can anybody spell the layas, please?

[@vagishalal]

Footwork is called Tatkaar

[@shivanginikanwar]

Goddess

[@vagishalal]

Thaa,Dugun,Chaugun is Laya

[@shivanginikanwar]

Ye kamal nhi samj aara mujh

[@vagishalal]

Tempo or speech is laya

[@gajananwadulkar8975]

Thanks Mam...

[@krishibhavanchittattukara8616]

madam i m very grateful to u

[@Sunshine-wt1jg]

22:10 पे सबके तत्कार अलग जा रहे है,,,हस्तक ठीक है,,,तत्कार गड़बड़,,,1ली और 8वी मात्रा दाएँ पैर पे आनी चाहिए ,,,

[@parthsarthi4564]

I think here the main focus is of the hand movements rathet than tatkar ...its just for maintaing the rythmic pattern and execution.....as far as the kathak is concerned we could make several rythmic improvisation by our own wish ...not bounded !!!!!