First, working with a Metronome is always a must. Especially when practicing your Technique. And for a huge amount of what you'll have to play in your life, practicing it slower and gradually increasing the BPM will be the good and best thing to do to develop your Technique. *HOWEVER!!! This only works up to a certain point, a certain (playing) Speed!* My College Guitar Teacher used to give me very little Tips, Advice, Instructions regarding Technique, even when I asked him, which was beyond frustrating. He was the type that lets you figure it out... And although it does work with many Students, the only real effect it has, save for the very few "Naturals" who didn't need guidance much, is that it slows the speed at which Students progress. So I was stuck in the situation where I was training *extensively* (~10-12hrs a day of personal practice), including my Technique, doing exactly what everyone told me to do, which is to slowly ramp up the Metronome Speed, and yet no matter how hard, how long I trained, I always kept hitting that wall where I just couldn't play correctly, staying in full control, past a certain Speed. It's around the same for everyone; it just depends on what you're playing exactly. Playing long, continuous passages of uninterrupted 16th Notes, no matter the complexity, worked well up until 140+ BPM, and 130 for Sextuplets (6 notes per Beat). The sh¡t starts to hit the fan for most people right around when you push past the 120-150 BPM mark. *~> There's a very good reason for this! It's a matter of Biomechanics.* When we're talking about "Shredding Speeds," you just CAN'T play the same way as when you're playing slower! A good analogy is: "How do you learn to run?" Yes, you walk first, and you can accelerate your pace... But only up to a point. The point where you start... Running! Your *whole* body doesn't simply "Walk faster"... It moves completely differently! That's why in order to learn to play Fast, you have to... Practice playing Fast! Because it's an entirely new set of Movements and Techniques. Even if my explanation was clear enough for you to understand, I still *HIGHLY RECOMMEND* to Watch a little Series from a Guitarist who was faced with the same issue and learned how to solve the problem. It's free, available on RUclips, it's got a real professional Production Design & Value, there aren't a whole lot of Episodes, they're each focusing on a specific topic and they're of an appropriate length and format, while being extremely clear, so that they're easily digestible pieces of information. The guy is called: _Troy Grady_ Series' called: _Cracking the Code_ I really suggest to give it a watch, as it's a real eye opener for so many guitarists out there, even pros, because College Guitar Teachers usually don't have the time at all to talk about Technique in such depth, since they already have all this work they keep piling on you! I studied Jazz, so there was always a ton of stuff to study!
Thanks, Im learning this from other tab, but I think it's not correct. After rewatch the original video and this, im sure some mistakes in my previous lesson makes it awkward and weird articulation difficult to absorb.
@@zjow4755 What arpeggios we are talking about? If it's only Paganini part then it's a mix between alternate and economy picking. Me, as intermediate level, can play it then I'm sure Steve can play it too. Owe so, have you heard him playing the "intimidation lick" (Cross Roads)? It's tricky and alternate picking is being used.
Here we go again baby! This is a beautiful piece, keep bringing the lessons sir!!! 🎉🤘👌👍🥓💪🍻
Thank you🤘🤘🤘
Por fin alguien trajo esta cancion muy agradecido
I waited for it so much ❤
Thank you so much for this 🤟🏻
Great transcription!!
Thank you🤘
Pretty cool 😎
thanks Ozz 🤩🤩
Gracias, buenísimo 👌🏻
Gracias señor!
thank yousssss
Thank you too🤘
Hello, I greet you from Colombia...I really liked your videos.
Greetings🤘
Just a note: Jason played this when he was 16
I would like you to help me create effects on my effects pedal...tonelab st, please
And how does it bring to the required speed? First learn slowly, then improve with a metronome or something?
Sure first learn very slowly and increase your speed step by step🤘
First, working with a Metronome is always a must. Especially when practicing your Technique.
And for a huge amount of what you'll have to play in your life, practicing it slower and gradually increasing the BPM will be the good and best thing to do to develop your Technique.
*HOWEVER!!! This only works up to a certain point, a certain (playing) Speed!*
My College Guitar Teacher used to give me very little Tips, Advice, Instructions regarding Technique, even when I asked him, which was beyond frustrating. He was the type that lets you figure it out... And although it does work with many Students, the only real effect it has, save for the very few "Naturals" who didn't need guidance much, is that it slows the speed at which Students progress.
So I was stuck in the situation where I was training *extensively* (~10-12hrs a day of personal practice), including my Technique, doing exactly what everyone told me to do, which is to slowly ramp up the Metronome Speed, and yet no matter how hard, how long I trained, I always kept hitting that wall where I just couldn't play correctly, staying in full control, past a certain Speed.
It's around the same for everyone; it just depends on what you're playing exactly. Playing long, continuous passages of uninterrupted 16th Notes, no matter the complexity, worked well up until 140+ BPM, and 130 for Sextuplets (6 notes per Beat). The sh¡t starts to hit the fan for most people right around when you push past the 120-150 BPM mark.
*~> There's a very good reason for this! It's a matter of Biomechanics.*
When we're talking about "Shredding Speeds," you just CAN'T play the same way as when you're playing slower!
A good analogy is: "How do you learn to run?" Yes, you walk first, and you can accelerate your pace... But only up to a point. The point where you start... Running! Your *whole* body doesn't simply "Walk faster"... It moves completely differently!
That's why in order to learn to play Fast, you have to... Practice playing Fast! Because it's an entirely new set of Movements and Techniques.
Even if my explanation was clear enough for you to understand, I still *HIGHLY RECOMMEND* to Watch a little Series from a Guitarist who was faced with the same issue and learned how to solve the problem.
It's free, available on RUclips, it's got a real professional Production Design & Value, there aren't a whole lot of Episodes, they're each focusing on a specific topic and they're of an appropriate length and format, while being extremely clear, so that they're easily digestible pieces of information.
The guy is called: _Troy Grady_
Series' called: _Cracking the Code_
I really suggest to give it a watch, as it's a real eye opener for so many guitarists out there, even pros, because College Guitar Teachers usually don't have the time at all to talk about Technique in such depth, since they already have all this work they keep piling on you! I studied Jazz, so there was always a ton of stuff to study!
🤘🤘🤘
Thanks, Im learning this from other tab, but I think it's not correct. After rewatch the original video and this, im sure some mistakes in my previous lesson makes it awkward and weird articulation difficult to absorb.
In this video you can hear Jason’s guitar and Guitar Pro sound together✌️
Hard stuff 😁
Yes it is :)
@@OzzGuitar years ago (30 years) i did write the whole stuff down in tabletur (i still have it in handwriting paper). Even harder to play ☝️😬😵
It looks more difficult than Steve Vai, to be honest
Way more difficult yes!
@@zjow4755 It was played by him but it was sped up artificially a little bit.
@@zjow4755 No, it's a mix between alternate and economy picking. I guess you don't know Steve enough.
@@zjow4755 What arpeggios we are talking about? If it's only Paganini part then it's a mix between alternate and economy picking. Me, as intermediate level, can play it then I'm sure Steve can play it too. Owe so, have you heard him playing the "intimidation lick" (Cross Roads)? It's tricky and alternate picking is being used.
Ouch, what a racket
Care to elaborate?
@@MrTubularBalls he thinks its just noise
@@MrTubularBallsEither it was a compliment or he’s mad he can play it