Wunderschöne und lebhafte Interpretation dieser kompakten und fein komponierten Sinfonie mit klaren und sauberen Tönen aller Instrumente. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Kammerorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Einfach wundervoll!
No it isn’t, the *do-re-fa-mi* motif was used repeatedly by both Mozart and Haydn, and it was little more than an 18th century musical commonplace. As others have also made a similar observation, if you tune in to other performances of this symphony, I’ve listed at least four examples of this motif being used (or a slight variant) by both Mozart and Haydn, including incredibly, in Mozart’s first symphony.
As others have mentioned this, it’s probably worth pointing out that the well-known *do-re-fa-mi* motif was an 18th century musical commonplace used a number of times by both Mozart and Haydn. You might find the following list of these two composers using the motif - or a slight variant - interesting to follow-up, though you might end up with foreshadowing fatigue. *Mozart* Symphony 1 (K16) Andante Symphony (K. Ann 214 45b) doubtful Symphony 33 (K319) 1st movement Symphony 41 ((K551) Finale Mass (K192). *Haydn* Symphony 3 Finale Symphony 11 2nd movement Symphony 13 Finale Symphony 25 3rd movement.
This music is quite beautiful! Thanks you!
1763- if it matters. Lovely.
Haydn series is the best. I love Haydn' s symphonies. I have never enough of his music. Thank you.
I agree. Many thanks for this series.
Wunderschöne und lebhafte Interpretation dieser kompakten und fein komponierten Sinfonie mit klaren und sauberen Tönen aller Instrumente.
Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt lebhaft und auch begeisternd. Der intelligente und erfahrene Dirigent leitet das ausgezeichnete Kammerorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Einfach wundervoll!
Magnifico ❤️ a proposito vi auguro un anno magnifico pieno di meravigliosa musica
Lovely , beautiful !!! I love Haydn music . It makes me feel so nicely .
This is very wonderfoul music 🎶
It sounds like Steven Isserlis. It’s quite beautiful
Flawless work.
Haydn lädt zum Verweilen ein,das tut gut, 😊❤️
감사합니다.
So this finale is where the inspiration for Mozart´s 41th symphony´s beautiful finale comes from.
No it isn’t, the *do-re-fa-mi* motif was used repeatedly by both Mozart and Haydn, and it was little more than an 18th century musical commonplace.
As others have also made a similar observation, if you tune in to other performances of this symphony, I’ve listed at least four examples of this motif being used (or a slight variant) by both Mozart and Haydn, including incredibly, in Mozart’s first symphony.
@@elaineblackhurst1509 Thanks for this delightful knowledge!
@@elaineblackhurst1509 Mozart first symphony? Where? I've never noticed it.
@@ClassicalMusicAndSoundtracks
2nd movement
Andante
Bars 7-10 (intoned by the horns, and subsequent related passages).
1週間毎の楽しみの一つ:))
16:25 - foreshadowing Mozart's last movement of Symphony 41?
As others have mentioned this, it’s probably worth pointing out that the well-known *do-re-fa-mi* motif was an 18th century musical commonplace used a number of times by both Mozart and Haydn.
You might find the following list of these two composers using the motif - or a slight variant - interesting to follow-up, though you might end up with foreshadowing fatigue.
*Mozart*
Symphony 1 (K16) Andante
Symphony (K. Ann 214 45b) doubtful
Symphony 33 (K319) 1st movement
Symphony 41 ((K551) Finale
Mass (K192).
*Haydn*
Symphony 3 Finale
Symphony 11 2nd movement
Symphony 13 Finale
Symphony 25 3rd movement.
Mozart must have heard this symphony
👏👏👏