What a MASTERFUL performance. So impressive, a real joy to to see and to listen. I felt your incredible expressions in the music along with the control and amazing technique. And to think you did it all at a live performance. B R A V O ! ! !
yo estuve ahi... puedo decir fué uno de los mejores conciertos en los que he estado en los ultimos 10 años. (otro de los mejores fue el que él hizo en "el trasnocho")
@vivacenontroppo If you think so, then you are a little less aware of the tradition that Tarrega came from, than you could be. For one, Tarrega wanted to express the Spanish culture and the different regions (with this piece especially), and Tarrega had an endless appetite for operatic type improvisation.
Bueno no hay duda que no es por limitaciones técnicas los cambios. En mi caso soy muy fiel a las partituras. Lo encuentro muy bien e interesante cuando hacen cambios como esté.
La "Jota" española es una danza que se baila. Tárrega se basó en esa danza para escribir su "Gran Jota". Por lo tanto los guitarristas deberían tocarla con la intención de que un bailarín pueda seguirlos y a la inversa. El maestro Lagrutta hace una interpretación demasiado caprichosa de la obra, en varias partes pierde el ritmo y la fluidez. En el minuto 4:56 cambia de ritmo de "Jota" a una "marcha", etc. Su interpretación es mas para mostrar espectacularidad. No me gustó.
he was very liberal with the structure of the piece, playing the variations in his own order. As for the dramatic pauses and ad lib progressions, I assure you that Tarrega would have loved it.
I have no idea what you just mean there, and it seems evident to me that you haven't read a method by Tarrega. The composer endorsed that kind of musicality. Maybe it seems "over-interpreted" to you. That case could certainly be made in that
What's to say? I've heared and seen better performances. A good idea would be to get your guitar in tune before you start. It's not properly tuned as is obviously clearly to be noticed in the arpeggio part.
I agree. And, that's just the start of why I don't like it. He's messed about with the piece far too much. It's like pinning a donkey's tail on one of Da Vinci's paintings.
OML!! I hate hate this music!!! Bcz it made me crazy and. Shame on me. GG greatest Gran Jota. All other guitarists who wants to play should listen amazing, Best of Best!!! Any one disagrees, re listen!! Again.
![Felix "Unfair" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/Oswujxm2Ag0/mqdefault.jpg)
What a MASTERFUL performance. So impressive, a real joy to to see and to listen. I felt your incredible expressions in the music along with the control and amazing technique. And to think you did it all at a live performance. B R A V O ! ! !
Simply Stunning!!! Loved every note! The best version i've seen yet!
Agree!
Una de las mejores ejecuciones que he escuchado y por mi amigo Aldo Lagrutta.
Simply stunning! Incredibly wonderful play.
Sensational maestro!!
this mans harmonics are spot on and his stacatto is amazing
yo estuve ahi... puedo decir fué uno de los mejores conciertos en los que he estado en los ultimos 10 años. (otro de los mejores fue el que él hizo en "el trasnocho")
Sin palabras!!!❤
Excelente!! Qué maestría!!
FANTASTIC Que bonito I love it THANYOU very much Love
Composer and performer , excellent .
Fantastic player and wonderful teacher
Espectacular! La mejor versión que oí de la Jota!
Maravilloso, un artista exitoso, gracias por compartirlo.
One of the best version of de Jota Aragonesa by my friend Aldo Lagrutta
Yes, I reckon you'd have to be his friend to accept this "version" of what's supposed to be Tarrega's piece.
GRANDE VIRTUOSO DO VIOLÃO CLÁSSICO PARABÉNS ALDO LAGRUTTA.
Fantastico!!! Un grandissimo maestro!!!
orgullo de Venezuela para el mundo!!!!
What an honor to listen to you play. Words can't express, the admiration.
Saludos Aldo! we have to thank to his guitar master Leopoldo Igarza from Venezuela! regards to yall!
Great player and wonderful teacher
Genial fantastico
Great...simply great
Felicitaciones Aldo ,Excelente,!....
very nice, excellent on all fronts
Maravilhoso!!! Aldo Lagrutta!!! Parabéns su música es belisima"! Marina Brasil
Best performanse of jota i've ever seen;)
exelente !! exelente !!! . Gracias
Aldo Lagrutta - Best Performanse
Fabuloso.
Symbiotic. I love his art.
como recuerdo cuandol o vi aca en la quinta anauco !
ong choi rat hay .Cam on ong nhe
un fenomeno !
Una ,interpretaçion,esepçional
Прекрасно ! Хота Тарреги и его вариации ! Наглядное пособие для молодых гитаристов , и любителей разобрать ноты ! Брависсимо !
Сколько труда , нет предела совершенства .
Este hombre es un fenómeno y Francisco Tarrega es indudablemente uno de mis favoritos.
@Lukecash12 so you think that tarrega used some pauses just by a mistake? cuz he dont care about that.
@vivacenontroppo If you think so, then you are a little less aware of the tradition that Tarrega came from, than you could be. For one, Tarrega wanted to express the Spanish culture and the different regions (with this piece especially), and Tarrega had an endless appetite for operatic type improvisation.
Bueno no hay duda que no es por limitaciones técnicas los cambios. En mi caso soy muy fiel a las partituras. Lo encuentro muy bien e interesante cuando hacen cambios como esté.
La "Jota" española es una danza que se baila. Tárrega se basó en esa danza para escribir su "Gran Jota". Por lo tanto los guitarristas deberían tocarla con la intención de que un bailarín pueda seguirlos y a la inversa. El maestro Lagrutta hace una interpretación demasiado caprichosa de la obra, en varias partes pierde el ritmo y la fluidez. En el minuto 4:56 cambia de ritmo de "Jota" a una "marcha", etc. Su interpretación es mas para mostrar espectacularidad. No me gustó.
Snare Drum Effect the Classical Guitar Way.
un fenomeno asi no mas *
he was very liberal with the structure of the piece, playing the variations in his own order. As for the dramatic pauses and ad lib progressions, I assure you that Tarrega would have loved it.
no nn ci siamo è senza anima
oh he didnt play the fun part before the harmonics
I have no idea what you just mean there, and it seems evident to me that you haven't read a method by Tarrega. The composer endorsed that kind of musicality. Maybe it seems "over-interpreted" to you. That case could certainly be made in that
What's to say? I've heared and seen better performances. A good idea would be to get your guitar in tune before you start. It's not properly tuned as is obviously clearly to be noticed in the arpeggio part.
I agree. And, that's just the start of why I don't like it. He's messed about with the piece far too much. It's like pinning a donkey's tail on one of Da Vinci's paintings.
i think tarrega would't be proud of this interpetation. it's overinterpreted.
No, that's not what Tarrega wrote. It's been completely dismembered, and it's a travesty.
Ein Muss für Gitarristen!
OML!! I hate hate this music!!! Bcz it made me crazy and. Shame on me. GG greatest Gran Jota. All other guitarists who wants to play should listen amazing, Best of Best!!! Any one disagrees, re listen!! Again.
Aldo plays this song as if he invented it himself. Masterpiece.
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