Tracklist: 00:00:00 Capricho árabe 00:04:36 Alborada 00:06:26 Marieta 00:08:20 Pavana 00:10:04 María 00:11:21 Isabel 00:12:36 La cartagenera 00:17:22 Adelita in E Minor 00:18:52 Rosita in D Major 00:20:38 El columpio 00:22:58 Danza mora 00:24:56 Gran vals in A Major 00:27:31 Malagueña fácil 00:30:17 Recuerdos de la Alhambra 00:35:45 Mazurka in G Major 00:38:13 Las dos hermanas 00:41:45 Minuetto in E Major 00:43:11 Paquito 00:45:07 Pepita 00:46:25 Danza odalisca 00:49:04 Sueño Mazurka 00:50:31 Vals in D Major 00:52:31 Variaciones sobre el carnaval de Venecia de Paganini 01:00:35 Prelude No. 1 in D Minor 01:01:46 Prelude No. 2 in A Minor 01:03:15 Prelude No. 3 in G Major 01:00:35 Prelude No. 4 in E Major 01:04:39 Prelude No. 5 in E Major 01:05:57 Prelude No. 6 in B Minor 01:06:51 Prelude No. 7 in A Major 01:07:35 Prelude No. 8 in A Major 01:07:56 Prelude No. 9 in A Major 01:08:18 Prelude No. 10 in D Major 01:08:36 Prelude in D Major 01:09:02 Prelude in A Minor 01:09:27 Prelude in D Major 01:10:04 Lágrima 01:11:35 Prelude in G Major 01:12:17 Prelude in C Major 01:12:57 Endecha 01:13:47 Oremus 01:14:41 Prelude in A Minor 01:15:06 Prelude in D Major 01:15:35 Prelude in A Major 01:15:55 Estudio en forma de minuet 01:17:31 Estudio sobre un estudio de cramer 01:18:55 Sueño Trémolo 01:25:17 Estudio sobre una sonatina de Alard 01:27:32 Estudio de velocidad 01:29:01 Estudio sobre un tema de la traviata de Verdi 01:30:00 La mariposa in D Major 01:31:10 Estudio sobre “andante en etude” de Émile Prudent 01:33:15 Estudio sobre un fragmento de Schumann 01:34:07 Fantasía sobre motivos de la traviata de Verdi 01:40:08 Gran jota de concierto 01:49:30 Nocturne in E-Flat Major, Op. 9 No. 2 01:53:54 Mazurka in G-Sharp Minor, Op. 33 No. 1 01:55:18 Mazurka in B Minor, Op. 33 No. 4 02:00:00 Mazurka in A Minor, Op. 67 No. 4 02:03:36 Waltz in A Minor, Op. 34 No. 2 02:08:29 Prelude in E Minor, Op. 28 No. 4 02:10:12 Prelude in B Minor, Op. 28 No. 6 02:11:43 Prelude in A Major, Op. 28 No. 7 02:12:19 Prelude in D-Flat Major, Op. 28 No. 15 02:16:16 Prelude in C Minor, Op. 28 No. 20 02:17:22 Fantasiestücke, Op. 12: I. “Des Abends” 02:20:21 Albumblätter, Op. 124: XVI. “Schlummerlied” 02:23:53 Bunte Blätter, Op. 99 Albumblätter 02:25:15 Bunte Blätter, Op. 99: I. “Nicht schnell, mit Innigkeit” 02:27:08 Album für die Jugend, Op. 68: XII. “Knecht Ruprecht” 02:28:34 Novelletten, Op. 21: I. “Romanza” 02:29:28 Kinderszenen, Op. 15: VII. “Träumere" 02:32:01 Minuet WoO 10 No. 3 02:34:05 Piano Sonata No. 8, Op. 13: II. Adagio cantabile 02:38:06 Symphony No. 7, Op. 92: II. Allegretto 02:39:43 Sonata, Op. 2 No. 2: III. Scherzo 02:43:24 Sonata No. 4, Op. 7: II. Largo 02:48:12 Septet, Op. 20: IV. Andante (1st Variation) 02:49:11 Sonata No. 14 “Moonlight”, Op. 27 No. 2: I. Adagio 02:53:28 Sonata No. 18 in G Major, D.894: III. Minuet 02:57:41 La damnation de Faust - Ballet des Sylphes 02:59:50 Lyric Pieces, Op. 43 No. 2 “Solitary Traveller” 03:00:43 Norwegian Folk Songs, Op. 66 No. 13 “A Little Grey Man” 03:02:10 Peer Gynt, Op. 23: The Death of Åse 03:05:25 August Heinrich von Weyrauch nach Osten 03:07:07 Violi Sonata No. 1 in G Minor, BWV 1001: II. Fugue 03:11:14 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I, VI. Bourée II 03:14:14 Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée 03:17:24 String Quintet No. 5 in D Major, K. 593: III. Minuet 03:21:53 String Quartet No. 15 in D Minor, K. 421: III. Minuet 03:25:30 String Quartet, Hob.III:74: II. Largo assai 03:28:41 Keyboard Sonata, Hob.XVI:33: III. Tempo di minuetto 03:30:03 Baryton Trio, Hob.XI:87: III. Minuet 03:31:58 “Ox Minuet”, Hob.IX:27 03:34:36 Chorale 03:36:58 Samson, HWV 5: Minuet 03:38:42 L’Arlésienne, Op. 23, Pt. III: IXX. Mélodrame. Adagio 03:40:23 Tannhäuser, WWV 70: March 03:44:38 Mefistofele 03:50:42 L’Africaine: Morceau d’ensemble et finale 03:54:34 Lieder ohne Worte, Op. 30: VI. Venetianisches Gondellied 03:57:16 Lieder ohne Worte, Op. 19b: VI. Venetianisches Gondellied 03:59:24 Estudio 04:00:56 String Quartet in B-Flat Major: Minuet 04:04:04 El ratón 04:05:37 O sole mio 04:07:05 El pobre valbuena 04:09:40 Tango 04:11:38 La Paloma 04:13:48 Suite Española, Op. 47 No. 5: Sevilla
Years ago, I took classical guitar lessons from a Manuel Sanguesa in Los Angeles. He was a student of a student of Tarrega. Manuel told me that his teacher, when he was a kid, couldn't afford lessons with Tarrega, so he'd instead hang outside his window and listen to him giving other students lessons. Eventually Tarrega took pity on him and gave him free instruction. Manuel said his teacher was very frustrated that recorded sound hadn't yet invented before Tarrega died.
As Tarrega died in 1909, he could, theoretically, have made a recording. Joseph Joachim did - in 1903 - and it it audible. The question is whether the system could have handled the deep rumble of the guitar. The thought is intreaguing, though.
thank you Brilliant Classics for taking your time to make this video, thank you Giulio Tampalini for the wonderful playing, and thank you Francisco Tárrega for sharing your world with us.
Over fifty years ago my then future wife introduced me to Spanish guitar music. Listening to this brings back memories of when we first met and the Spanish holidays we had together. It was lovely times.
These extremely beautiful music reminds me of a simple, peaceful bygone era of friendship, trust and goodwill. A time of hope and joy, when each sunrise indicates the beginning of a wonderful day. Whilst listening to these fantastic music, my heart become joyful and my mind tranquil.( oblivious to the guns of war and the impending climate disaster) With much appreciation and thanks from a frequent listener of 82 year old
Just throwing this out there. The title of this album says Tarrega Guitar Edition, not the complete works of Tarrega. However in the description it claims that this is the complete works of Tarrega. While this is the largest compilation of Tarrega's music I'm aware of, this is not even close to the complete works of Tarrega. This album represents about half of Tarrega's output published to this date. That said, this music is so well played, and is such a joy to listen to! Massive standing ovation to Giulio Tampalini! What an amazing artist!
i honestly can probably say confidently that without tarrega I wouldn't be able to play most of the stuff I know now, only because of how many songs he transcribed for guitar so well. this man was a natural musician, but he wasn't afraid to not only draw inspiration from others but also to transcribe pieces left and right for guitar. overall he has done a lot for the classical guitar community in the past yet his impact still lasts today.
Just to add: Listening to all 4+ hours twice - had a lot of work at my desk; made the process go by enjoyably, without boredom or impatience. Amazing, indeed.
My dear Guilio, you are indeed one of the rarest musicians of the art of the classical guitar. May be one of the best in the world for the feel you have for the instrument.
Aquellos de mi generación que en los años 70 éramos adolescentes y amábamos la música, y que nos costaba tanto conseguir un disco y más aún de guitarra clásica, cuando lográbamos capturar alguno o un casette grabado, al menos unas canciones...El soñar que algún día podríamos tener este maná del cielo era algo impensable. El hermoso Vals en La Menor, Op. 34 No. 2 de Chopin es una de las obras más hermosas jamás escritas, recuerdo que de niño, esta transcripción de Tárrega mi padre me hacía escucharla siempre. Muchas gracias por compartir esta joya tan hermosa, una compilación tan grande de este maravilloso arte que es la guitarra clásica y sobre todo de uno de sus más grandes exponentes como es el Maestro Francisco Tárrega e interpretado por el gran concertista Giulio Tampalini. Muchas gracias de corazón, por compartir de veras lo valoramos, y muchísimo.
Como o percebo... eu acabei de me "encontrar" com Tarrega graças ao RUclips, que era um compositor que não conhecia verdadeiramente. Que maravilha , que graça, que elegância a sua música. Música esta que me faz lembrar Espanha, a Espanha orgulhosa, elegante, a Espanha que não tem paralelo na europa que a Espanha é um ser vivo original que tanto tem contribuido para a cultura universal.
Svirala sam klasicnu gitaru,ali mi okolnosti nisu dozvolile da se time i bavim.Sviram i danas za svoju dusu i bezim od ludila danasnjice.Hvala Bogu sto je stvorio Spaniju,hvala Mavarima sto su gitaru u pohodima doneli Spancima koji su je usavrsili.Divna muzika,uzivancija.👍💙🎵
The guitar of Spain's musicians/composers always give a meaning to my interior world of existence. Settles the soul down in this world of noise...muchas gracias. ❤🌹
Its interesting, the most basic things ive improvised/played with 'soul' have always elicited way more positive honest response than anything technical played without it, even if played with no mistakes. Even incredibly simple things just playing 3 notes from two chords. It's one of the reasons I believe you should always play pieces how you see fit, try new ideas, play it exactly like the sheet music says and you'll be nowhere close anyway, as complex as we can notate the best guide is your own ear/heart. Music is alive and needs to read the room. Then again it took me 10 years before I really learned how to play just 1 note. I've heard it said about Bach before his improvisations were better than anything he ever wrote. Of course it's true, but its bittersweet to think we'll never get to hear those old masters and there are too many distractions in the modern world to produce anymore.
I always use it RIGHT before writing an exam, while we’re waiting for our poles. Makes me clear my mind and slow down my heartbeat, the power of music is amazing.
Regarding Brilliant Classics & these You Tube videos, it deserves mention that these presentations represent a new art form - a means of "delivering" the finest music to each of us in a personal, intimate way, with the added dimension of an accompanying image, still or motion. The videographer, like the audio engineer, participate as artists, just as sound & lighting professionals do for the concert hall. Yes, we buy audio CD's & DVD's for ourselves as home "audience;" but another special quality here is the immediate chance to communicate with a planet-wide community of otherwise total strangers (to each other). A blessing, really, especially in very stressful times, to quietly share our experiences of appreciation, or civil criticism; & learn from each other. BC & YT deserve considerable gratitude.
Thank you for saying what I could not cast into words. I really enjoy the comments from the world wide community of music lovers. It is so reassuring to know all these lovely people are out there enjoying this music.
This is quietly astonishing playing by Giulio Tampalini - in the sense that his technique, of course, is virtually flawless; & the way he adapts his interpretations of diverse pieces, especially the wide range of other composers' different prior instruments, & apparent emotional intent. With all that, the sense of Tárrega, himself, a personality of disciplined romanticism (a sort of "lyric bite," as I choose to call it), is never lost. Damn amazing. Thanks to all.
Technically flawless perhaps, but there's something lacking in Tampolini's versions. For example, Track 2 titled as "Alborada", which should be "La Alborada - Capriccio". Tampalini plays it too fast, almost like a jig, so I don't think much of his "interpretations". Yepes' version is much better.
@@badabing1292 Love for the art will always make people insist, vindicate, assert and argue - which is kind of stupid really. This phenomenon especially happens in small musical niches, where people are supposed to celebrate each others rarity. Competition works to a degree, but ultimately the music that transcends, are due to having deeply obsessive fun, either alone or together. ❤
Even though I've been humming the song La Polama for 2 days and searching everywhere, I couldn't remember its name. At the end of my search, I finally found that song thanks to you. Thank you very much..
I am so glad I came across this wonderful music. I always loved classical guitar, my grandmother played 12 string and I would spend long evening listening to her play. Thank you.
After many years of listening rock and pop, now I am looking for something like that - music with soul, music that is dialogue and there is no true dialogue without love to a listener.
I mean i get when you say pop has no soul, but rock? Jesus what type of rock are you talking about here? Rock is one of the most genuine spirited music, at least the popular ones from before the 2000s.
@Konstantin Ridaya I know that it's something like that, but thanks for explaining the details. There are certainly celebs in that same pop business that actually plays good. - though usually the instrument they play isn't related to their music much. Post Malone for example is apparently a good guitarist, he has background in metal. The music industry was already going to this direction ever since the mid 20th century, the timeless rock compared to popular classical pieces are pretty simple.
If music is dialogue, not all good dialogue involves love. Deepedies make music less accessable with no upside and thusly create the musically illiterate audience and musically literate audience to separate. P.s not all good books are subtle or complex, but subtlety and complexity create more potential for impact among individuals that are practiced enough to read it. The goal of simple straightforward music to listen to is generally the goal of pop IMO.
Beautiful guitar compositions! Becomes nostalgic when I hear the pieces my late husband, Ruben Reyes, used to play in his performances. Guitar is less popular in this country compared to other string instruments but had its traction when my husband started to teach Guitar in universities and colleges that paved the way for his students to perform in solo, quartets and other guitar ensembles. Thank you, Brilliant Classics, for keeping the guitar pieces alive!
Very worthy to play everything Tarrega like that, quite a load of work , and we can feel the enthusiasm all along from the artist who seems to love to play every note of this music. Bravo!
Exact! C' est le problème de ces œuvres magnifiques dont les droits tombent dans le domaine public. De gros groupes industriels s' en emparent pour alimenter le "vil" consumérisme de masse. Ils ne font que plagier, incapables qu'ils sont de créer.
@@mariainmaculadaruizgallego8528 Your words remind me of something I heard once: the guitar is the easiest instrument to learn to play, but the hardest to learn to play well. I don't know if Tarrega fits that mold perfectly, but it's not a bad fit. :) Capricio Arabe was my homework assignment from my first lesson in classical guitar. I had been playing for several years, but nothing close to classical style. After a week of several hours a day, I could get through it unscathed most of the time. Bach was another matter. :) Love kept me going and it still does, though not in a strictly classical direction. Here is a recent example: ruclips.net/video/UkaYQqR-r6c/видео.html
Франциско Таррега , слов нет , а сказать об этом гении испанской гитары нужно , как он своей мощью пришёл в мою жизнь , и пришёл через моего учителя и друга замечательного гитариса Валерия Витальевич Костенева , ныне живущим в г Ессентуки , иногда отдыхающие могут его видеть играющего на гитаре в парках Кавминвод .Костенев ВВ , привил нам любовь именно к классической гитаре своей великолепной игрой и обширнейшим репертеаром,где был и Таррега Ф . . Слушая эту запись многие произведения узнаю на слух . Исполнение безупречно ,звуки родник чистейшей воды , мелизмы , флажолеты превосходны . Спасибо исполнителю , и тому кто выставил эту запись !
This brings back such wonderful memories of my trip to Spain. Their music truly captures the essence of that magical country. This music beckons me back. Such wonderful music and extraordinary playing.
La música , mi despertar , con ella me traslado a mis adolescente tiempos y el recordar una sola joven la cual a pesar de mis 76 , continuo viendo desde mí balcón esa joven hermosa y delicada CJ , la cual continua ( y lo sabe ) claramente martirizando mi corazón y nunca le dije que continua siendo el amor de juventud y mi vida. !
I feel this music is so beautiful, it helped me relax. Moreover, the natural scenery is so beautiful that I seem to be in the heaven. It is really peaceful here.
I heard/saw Segovia play the Capricho Arabe at Town Hall. He played it in honor of his dear friend, Sol Hurok's passing that day. He played this piece after announcing he was playing it and then would leave the stage, returning later to play the concert. It was the perfect piece, so touching and heartfelt. I was so honored to be there and always loved this piece as a result.
Mil gracias. Las que siempre quiero escuchar, algunas pocas que logré tocar, las que nunca logré tocar y las que nunca podré ..... un regalo para todos.
...brilliant - Tarrega is so amazing, and the way Giulio Tampalini plays goes straight to the heart... love it. And thanks so much for the track list - very appreciated!! :)
Dios que belleza!!! No me canso de escucharlo! Piezas como Waltz in A Minor, Op. 34 No. 2, Capricho, Pavana, Lagrima, Sueño, Danza Odalisca, Pepita, Paquito, etc. Gracias Tarrega, Gracias Giulio!
This is beyond BEAUTIFUL. The amount of colors one can hear from this is amazing!!!! I loved it!!! Also I saved it on my playlists. Thank you so much for posting this.
Es una colección maravillosa, perfecta para escuchar atenta y relajadamente. Sus sonidos suaves acarician los oidos al escucharlos. Muy gratificante para el espíritu.
Gracias por esta espectacular recopilación, es un deleite escuchar estas piezas maravillosas y tan bellamente interpretadas. Que gusto! Gracias por colocar minuto a minuto el Tracklist.
I wrote this while depressed so take with a grain of salt Sometimes an interlude of sound may resonate within oneself, a calm from the heavy modernity and a return to simplicity for the sake of the frugal nature that resides withing reality. A one man symphony of but one insturment, a show of prowess in the rejection of the pointless-nees, a lull that pulls from the fallen house of cards. Music is an escape, a way to invigorate to move to sway to break to build, music can be power, but music doesn't have to be, music is not a tool it is expression. Expression not only of the artist but of the listener, music should not be taken lightly, it can make the meak mighty and giants weep, music is not the tangle or display of emotion, but the birth of it. Music should make you feel, not with words but with the flow and characteristics of what you hear, words an voices should not be the message of the song, but rather a carrier of said message. What point is there to writing a song if it is without story, without foundation? An array of notes may make a tune but only songs may carry the feelings of location, of story, of being. Music is art in the format of sound. Songs are Paintings of the insturment, each note a stroke of the brush. tunes are but aimless strokes on a canvas, some may take a liking, but without words or explination it's meaning is lost behind the clutter it was born of.
@BrilliantClassics Thanks for the tracklist! Some additional information added here (thanks to the album notes by Angelo Gilardino (I added some information, that may be of use (on certain compositions), and tried to correct a few timestamps. 00:00:00 Capricho árabe 00:04:36 La Alborada 00:06:26 Marieta (Mazurka) 00:08:20 Pavana 00:10:04 María 00:11:21 Isabel (Waltz, from J. Strauss II, Op.400) 00:12:36 La cartagenera 00:17:22 Adelita in E Minor (Mazurka) 00:18:52 Rosita in D Major (Polka) 00:20:38 El columpio 00:22:58 Danza mora 00:24:56 Gran vals in A Major 00:27:31 Malagueña fácil 00:30:17 Recuerdos de la Alhambra 00:35:45 Mazurka in G Major 00:38:13 Las dos hermanas (Waltz) 00:41:45 Minuetto in E Major 00:43:11 Paquito (Waltz) 00:45:07 Pepita (Polka) 00:46:25 Danza odalisca 00:49:04 Sueño (Mazurka) 00:50:31 Vals in D Major 00:52:31 Variaciones sobre El Carnaval de Venecia de Paganini 01:00:35 Prelude No. 1 in D Minor 01:01:46 Prelude No. 2 in A Minor 01:03:15 Prelude No. 3 in G Major 01:03:53 Prelude No. 4 in E Major 01:04:39 Prelude No. 5 in E Major 01:05:57 Prelude No. 6 in B Minor 01:06:51 Prelude No. 7 in A Major 01:07:35 Prelude No. 8 in A Major 01:07:56 Prelude No. 9 in A Major 01:08:18 Prelude No. 10 in D Major 01:08:36 Prelude in D Major 01:09:02 Prelude in A Minor 01:09:27 Prelude in D Major 01:10:04 Lágrima (*there is also a 3rd part - search: paulmagnussen .com classical guitar) 01:11:35 Prelude in G Major 01:12:17 Prelude in C Major 01:12:57 Endecha 01:13:47 Oremus (incomplete transcription of Schumann's Phantasietanz, Op.124, No.5) 01:14:41 Prelude in A Minor 01:15:06 Prelude in D Major 01:15:35 Prelude in A Major 01:15:55 Estudio en forma de minuet 01:17:31 Estudio sobre un estudio de Cramer (*?Johann Baptist Cramer (1771-1858) 01:18:55 Sueño (Trémolo) 01:25:17 Estudio sobre una sonatina de Alard (based on Jean-Delphin Alard's (1815-1888): "Etudes Artistiques, Op. 19, No.2": Andante con espressione 01:27:32 Estudio de velocidad 01:29:01 Estudio sobre un tema de La Traviata de Verdi 01:30:00 La mariposa in D Major 01:31:10 Estudio sobre “Andante en etude” de Émile Prudent (1817-1863) 01:33:15 Estudio sobre un fragmento de Schumann 01:34:07 Fantasía sobre motivos de la traviata de Verdi 01:40:08 Gran jota de concierto Frédéric Chopin (1810-1849): 01:49:30 Nocturne in E-Flat Major, Op. 9 No. 2 01:53:54 Mazurka in G-Sharp Minor, Op. 33 No. 1 01:55:18 Mazurka in B Minor, Op. 33 No. 4 02:00:29 Mazurka in A Minor, Op. 67 No. 4 02:03:36 Waltz in A Minor, Op. 34 No. 2 (transposed to E-Minor) 02:08:29 Prelude in E Minor, Op. 28 No. 4 02:10:12 Prelude in B Minor, Op. 28 No. 6 02:11:43 Prelude in A Major, Op. 28 No. 7 02:12:19 Prelude in D-Flat Major, Op. 28 No. 15 02:16:16 Prelude in C Minor, Op. 28 No. 20 Robert Schumann (1810-1865): 02:17:22 Fantasiestücke, Op. 12: I. “Des Abends” 02:20:21 Albumblätter, Op. 124: XVI. “Schlummerlied” 02:23:53 Bunte Blätter, Op. 99 Albumblätter 02:25:15 Bunte Blätter, Op. 99: I. “Nicht schnell, mit Innigkeit” 02:27:08 Album für die Jugend, Op. 68: XII. “Knecht Ruprecht” 02:28:34 Novelletten, Op. 21: I. “Romanza” 02:29:28 Kinderszenen, Op. 15: VII. “Träumere" Ludwig van Beethoven (1770-1825): 02:32:01 Minuet WoO 10 No. 3 in E-Flat Major 02:34:05 Piano Sonata No. 8, Op. 13: II. Adagio cantabile 02:38:06 Symphony No. 7, Op. 92: II. Allegretto 02:39:43 Sonata, Op. 2 No. 2: III. Scherzo 02:43:24 Sonata No. 4, Op. 7: II. Largo 02:48:12 Septet, Op. 20: IV. Andante (1st Variation) 02:49:11 Sonata No. 14 “Moonlight”, Op. 27 No. 2: I. Adagio Franz Schubert (1797-1828): 02:53:28 Sonata No. 18 in G Major, D.894: III. Minuet Hector Berlioz (1803-1869): 02:57:41 La damnation de Faust - Ballet des Sylphes Edvard Grieg (1843-1907): 02:59:50 Lyric Pieces, Op. 43 No. 2 “Solitary Traveller” 03:00:43 Norwegian Folk Songs, Op. 66 No. 13 “A Little Grey Man” 03:02:10 Peer Gynt, Op. 23: The Death of Åse August Heinrich von Weyrauch (1788-1865): 03:05:25 Nach Osten (has been attributed to Schubert) Johann Sebastian Bach (1685-1750): 03:07:07 Violin Sonata No. 1 in G Minor, BWV 1001: II. Fugue 03:11:14 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I, VI. Bourée II (*also published as "Loure" (a very different piece by that name is the 2nd movement Violin Partita No.3, BWV 1006) 03:14:14 Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée Wolfgang Amadeus Mozart (1756-1791): 03:17:24 String Quintet No. 5 in D Major, K. 593: III. Minuet 03:21:53 String Quartet No. 15 in D Minor, K. 421: III. Minuet Joseph Haydn (1732-1809): 03:25:30 String Quartet, Hob.III:74: II. Largo assai 03:28:41 Keyboard Sonata, Hob.XVI:33: III. Tempo di minuetto 03:30:03 Baryton Trio, Hob.XI:87: III. Minuet 03:31:58 “Ox Minuet”, Hob.IX:27 George Frideric Handel (1685-1759): 03:34:36 Chorale (*no HWV number, perhaps part of a larger work by Handel, or not by him, but another composer. The published arrangement by Tárrega gives no indication. The melody in the beginning reminds a bit of Beethoven's 2nd movement of the Piano Sonata No.8 , Op. 13 "Pathétique"). 03:36:58 Samson, HWV 57: Minuet (Frederic Noad, in a TV performance) made some adjustments to make the piece more playable for the larger modern guitar. Andrés Segovia re-arranged the 3rd section entirely (the studio album "Segovia On Stage" (also "The Baroque Guitar" CD - includes that track) Georges Bizet (1838-1875): 03:38:42 L’Arlésienne, Op. 23, Pt. III: IXX. Mélodrame. Adagio Richard Wagner (1813-1883): 03:40:23 Tannhäuser, WWV 70: March Arrigo Boito (1842-1918): 03:44:38 Mefistofele Giacomo Meyerbeer (1791-1864): 03:50:42 L’Africaine: Morceau d’ensemble et finale Felix Mendelssohn (1809-1847): 03:54:34 Lieder ohne Worte, Op. 30: VI. Venetianisches Gondellied 03:57:16 Lieder ohne Worte, Op. 19b: VI. Venetianisches Gondellied Adolf Henselt (1814-1889): 03:59:24 Estudio (Suspiro de amor) Giovanni Bolzoni (1841-1919): 04:00:56 String Quartet in B-Flat Major: Minuet Rafael Calleja Gómez (1870-1938): 04:04:04 El ratón (Tango) Eduardo Di Capua (1865-1917): 04:05:37 O sole mio "Quinito" Valverde (1875-1918): 04:07:05 El pobre valbuena Carlos Garcia Tolsa (1858-1905): 04:09:40 Tango Sebastián de Iradier (1809-1865): 04:11:38 La Paloma Isaac Albéniz (1860-1909): 04:13:48 Suite Española, Op. 47 No. 5: Sevilla
Que maravilla, qué trabajo mas hermoso, mis agradecimientos por compartir esta joya de la música, has realizado un gran trabajo. Desde Chile muchas gracias.
@@giuliotampaliniguitar I still come back to listen . . . and remember why I fell in love with the guitar in the first place, so long ago; having spent thousands of hours practicing in an effort to recapture the transparent moments of light that first rose from where my fingertips effortlessly snapped off the string--delighted now to hear that you have not allowed life to interrupt your path to making sounds that rise, ro hang in the mind long after they have died in the ear.
By far the best musical discovery of today. I find it so intimate that he breathes while he is playing. It is a wonderful musical background for writing a presentation,too. Bellissima esecuzione.
Tracklist:
00:00:00 Capricho árabe
00:04:36 Alborada
00:06:26 Marieta
00:08:20 Pavana
00:10:04 María
00:11:21 Isabel
00:12:36 La cartagenera
00:17:22 Adelita in E Minor
00:18:52 Rosita in D Major
00:20:38 El columpio
00:22:58 Danza mora
00:24:56 Gran vals in A Major
00:27:31 Malagueña fácil
00:30:17 Recuerdos de la Alhambra
00:35:45 Mazurka in G Major
00:38:13 Las dos hermanas
00:41:45 Minuetto in E Major
00:43:11 Paquito
00:45:07 Pepita
00:46:25 Danza odalisca
00:49:04 Sueño Mazurka
00:50:31 Vals in D Major
00:52:31 Variaciones sobre el carnaval de Venecia de Paganini
01:00:35 Prelude No. 1 in D Minor
01:01:46 Prelude No. 2 in A Minor
01:03:15 Prelude No. 3 in G Major
01:00:35 Prelude No. 4 in E Major
01:04:39 Prelude No. 5 in E Major
01:05:57 Prelude No. 6 in B Minor
01:06:51 Prelude No. 7 in A Major
01:07:35 Prelude No. 8 in A Major
01:07:56 Prelude No. 9 in A Major
01:08:18 Prelude No. 10 in D Major
01:08:36 Prelude in D Major
01:09:02 Prelude in A Minor
01:09:27 Prelude in D Major
01:10:04 Lágrima
01:11:35 Prelude in G Major
01:12:17 Prelude in C Major
01:12:57 Endecha
01:13:47 Oremus
01:14:41 Prelude in A Minor
01:15:06 Prelude in D Major
01:15:35 Prelude in A Major
01:15:55 Estudio en forma de minuet
01:17:31 Estudio sobre un estudio de cramer
01:18:55 Sueño Trémolo
01:25:17 Estudio sobre una sonatina de Alard
01:27:32 Estudio de velocidad
01:29:01 Estudio sobre un tema de la traviata de Verdi
01:30:00 La mariposa in D Major
01:31:10 Estudio sobre “andante en etude” de Émile Prudent
01:33:15 Estudio sobre un fragmento de Schumann
01:34:07 Fantasía sobre motivos de la traviata de Verdi
01:40:08 Gran jota de concierto
01:49:30 Nocturne in E-Flat Major, Op. 9 No. 2
01:53:54 Mazurka in G-Sharp Minor, Op. 33 No. 1
01:55:18 Mazurka in B Minor, Op. 33 No. 4
02:00:00 Mazurka in A Minor, Op. 67 No. 4
02:03:36 Waltz in A Minor, Op. 34 No. 2
02:08:29 Prelude in E Minor, Op. 28 No. 4
02:10:12 Prelude in B Minor, Op. 28 No. 6
02:11:43 Prelude in A Major, Op. 28 No. 7
02:12:19 Prelude in D-Flat Major, Op. 28 No. 15
02:16:16 Prelude in C Minor, Op. 28 No. 20
02:17:22 Fantasiestücke, Op. 12: I. “Des Abends”
02:20:21 Albumblätter, Op. 124: XVI. “Schlummerlied”
02:23:53 Bunte Blätter, Op. 99 Albumblätter
02:25:15 Bunte Blätter, Op. 99: I. “Nicht schnell, mit Innigkeit”
02:27:08 Album für die Jugend, Op. 68: XII. “Knecht Ruprecht”
02:28:34 Novelletten, Op. 21: I. “Romanza”
02:29:28 Kinderszenen, Op. 15: VII. “Träumere"
02:32:01 Minuet WoO 10 No. 3
02:34:05 Piano Sonata No. 8, Op. 13: II. Adagio cantabile
02:38:06 Symphony No. 7, Op. 92: II. Allegretto
02:39:43 Sonata, Op. 2 No. 2: III. Scherzo
02:43:24 Sonata No. 4, Op. 7: II. Largo
02:48:12 Septet, Op. 20: IV. Andante (1st Variation)
02:49:11 Sonata No. 14 “Moonlight”, Op. 27 No. 2: I. Adagio
02:53:28 Sonata No. 18 in G Major, D.894: III. Minuet
02:57:41 La damnation de Faust - Ballet des Sylphes
02:59:50 Lyric Pieces, Op. 43 No. 2 “Solitary Traveller”
03:00:43 Norwegian Folk Songs, Op. 66 No. 13 “A Little Grey Man”
03:02:10 Peer Gynt, Op. 23: The Death of Åse
03:05:25 August Heinrich von Weyrauch nach Osten
03:07:07 Violi Sonata No. 1 in G Minor, BWV 1001: II. Fugue
03:11:14 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I, VI. Bourée II
03:14:14 Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée
03:17:24 String Quintet No. 5 in D Major, K. 593: III. Minuet
03:21:53 String Quartet No. 15 in D Minor, K. 421: III. Minuet
03:25:30 String Quartet, Hob.III:74: II. Largo assai
03:28:41 Keyboard Sonata, Hob.XVI:33: III. Tempo di minuetto
03:30:03 Baryton Trio, Hob.XI:87: III. Minuet
03:31:58 “Ox Minuet”, Hob.IX:27
03:34:36 Chorale
03:36:58 Samson, HWV 5: Minuet
03:38:42 L’Arlésienne, Op. 23, Pt. III: IXX. Mélodrame. Adagio
03:40:23 Tannhäuser, WWV 70: March
03:44:38 Mefistofele
03:50:42 L’Africaine: Morceau d’ensemble et finale
03:54:34 Lieder ohne Worte, Op. 30: VI. Venetianisches Gondellied
03:57:16 Lieder ohne Worte, Op. 19b: VI. Venetianisches Gondellied
03:59:24 Estudio
04:00:56 String Quartet in B-Flat Major: Minuet
04:04:04 El ratón
04:05:37 O sole mio
04:07:05 El pobre valbuena
04:09:40 Tango
04:11:38 La Paloma
04:13:48 Suite Española, Op. 47 No. 5: Sevilla
Can I make a friendly correction? The Prelude Nº4 in E Mayor starts at 1:03:53 rather than at 1:00:35. Otherwise, magnificent album
Nocturne op. 9, no 2 is Chopin`s, transcribed by Tarrega for the guitar. Are there any other pieces not composed by Tarrega in this playlist? Thanks
Starting from Chopin`s Nocturne, are the following pieces all Tarrega`s transcriptions for the guitar?
Brilliant
wow! Thanks a lot!!!
Years ago, I took classical guitar lessons from a Manuel Sanguesa in Los Angeles. He was a student of a student of Tarrega. Manuel told me that his teacher, when he was a kid, couldn't afford lessons with Tarrega, so he'd instead hang outside his window and listen to him giving other students lessons. Eventually Tarrega took pity on him and gave him free instruction. Manuel said his teacher was very frustrated that recorded sound hadn't yet invented before Tarrega died.
As Tarrega died in 1909, he could, theoretically, have made a recording. Joseph Joachim did - in 1903 - and it it audible. The question is whether the system could have handled the deep rumble of the guitar. The thought is intreaguing, though.
@@metteholm4833 intriguing :).
@@Olegstuff21986 oh, those English instructors; they're always on th job...!
@@annalisa14 Not meant in a bad way :).
Me gusta story amigo
J'ai découvert ce guitariste dans un restaurant de Calpe en mangeant une paella excellente . Sublime !
merci beaucoup!
thank you Brilliant Classics for taking your time to make this video, thank you Giulio Tampalini for the wonderful playing, and thank you Francisco Tárrega for sharing your world with us.
Over fifty years ago my then future wife introduced me to Spanish guitar music. Listening to this brings back memories of when we first met and the Spanish holidays we had together. It was lovely times.
Thank you, Allan, for sharing that heartwarming memory.
Doing Spanish homework while listening to Tarrega, big brain time fellas.
Haha same! I put in on 1.25 speed though to keep me energized
@@alyssaroudebush8288 the you need some flamenco!!
They say listening to classical music great for studying especially language studies!!!
Good luck
buena suerte
If you ever studied classic guitar this music will blow you away. Mille grazie Giulio!!!
My son played since 4 yrs old, he n his 25. This music brings back good memories. He played for weddings, Army ball, seminars aswell. Beaytifull music
These extremely beautiful music reminds me of a simple, peaceful bygone era of friendship, trust and goodwill. A time of hope and joy, when each sunrise indicates the beginning of a wonderful day.
Whilst listening to these fantastic music, my heart become joyful and my mind tranquil.( oblivious to the guns of war and the impending climate disaster)
With much appreciation and thanks from a frequent listener of 82 year old
I think it is astonishing that you are so inspired by the artist. He would be proud.
Just throwing this out there. The title of this album says Tarrega Guitar Edition, not the complete works of Tarrega. However in the description it claims that this is the complete works of Tarrega. While this is the largest compilation of Tarrega's music I'm aware of, this is not even close to the complete works of Tarrega. This album represents about half of Tarrega's output published to this date. That said, this music is so well played, and is such a joy to listen to! Massive standing ovation to Giulio Tampalini! What an amazing artist!
i honestly can probably say confidently that without tarrega I wouldn't be able to play most of the stuff I know now, only because of how many songs he transcribed for guitar so well. this man was a natural musician, but he wasn't afraid to not only draw inspiration from others but also to transcribe pieces left and right for guitar. overall he has done a lot for the classical guitar community in the past yet his impact still lasts today.
This really is what art is about to me. Telling a story with no words is one of the most beautiful gifts a person can give
At least a successful piece of software work.
Because why don't you see anyone playing here?
Just to add: Listening to all 4+ hours twice - had a lot of work at my desk; made the process go by enjoyably, without boredom or impatience. Amazing, indeed.
Ah no ibhssjwjjakenwvgjwnqmrubcbgugvroidpjyo
My dear Guilio, you are indeed one of the rarest musicians of the art of the classical guitar. May be one of the best in the world for the feel you have for the instrument.
Aquellos de mi generación que en los años 70 éramos adolescentes y amábamos la música, y que nos costaba tanto conseguir un disco y más aún de guitarra clásica, cuando lográbamos capturar alguno o un casette grabado, al menos unas canciones...El soñar que algún día podríamos tener este maná del cielo era algo impensable. El hermoso Vals en La Menor, Op. 34 No. 2 de Chopin es una de las obras más hermosas jamás escritas, recuerdo que de niño, esta transcripción de Tárrega mi padre me hacía escucharla siempre. Muchas gracias por compartir esta joya tan hermosa, una compilación tan grande de este maravilloso arte que es la guitarra clásica y sobre todo de uno de sus más grandes exponentes como es el Maestro Francisco Tárrega e interpretado por el gran concertista Giulio Tampalini. Muchas gracias de corazón, por compartir de veras lo valoramos, y muchísimo.
Como o percebo... eu acabei de me "encontrar" com Tarrega graças ao RUclips, que era um compositor que não conhecia verdadeiramente. Que maravilha , que graça, que elegância a sua música. Música esta que me faz lembrar Espanha, a Espanha orgulhosa, elegante, a Espanha que não tem paralelo na europa que a Espanha é um ser vivo original que tanto tem contribuido para a cultura universal.
Tanto es asi que en ocasiones se me salen las lagrimas al escuchar a todos estos grandes compositores
For four hours and eighteen minutes you've improved the quality and pleasure of life! Thank you!
👍 👍👍
RUclips can delete all videos and just keep Brilliant Classics. Best channel ever.
👍 👍👍
HALIDON music dislikes this comment
no.
Meravigliosa esecuzione delle composizioni di Tarrega. splendido suono della chitarra! Complimenti vivissimi .Superlativo chitarrista,
Haunting, dreamy, joyful melodies....beautiful! ....Thank you.
Svirala sam klasicnu gitaru,ali mi okolnosti nisu dozvolile da se time i bavim.Sviram i danas za svoju dusu i bezim od ludila danasnjice.Hvala Bogu sto je stvorio Spaniju,hvala Mavarima sto su gitaru u pohodima doneli Spancima koji su je usavrsili.Divna muzika,uzivancija.👍💙🎵
The guitar of Spain's musicians/composers always give a meaning to my interior world of existence. Settles the soul down in this world of noise...muchas gracias. ❤🌹
Gracias senior
Nothing can compare to a player who plays with the soul, that connect with the finest listeners right away! Amazing! Thanks alot
Its interesting, the most basic things ive improvised/played with 'soul' have always elicited way more positive honest response than anything technical played without it, even if played with no mistakes. Even incredibly simple things just playing 3 notes from two chords. It's one of the reasons I believe you should always play pieces how you see fit, try new ideas, play it exactly like the sheet music says and you'll be nowhere close anyway, as complex as we can notate the best guide is your own ear/heart. Music is alive and needs to read the room. Then again it took me 10 years before I really learned how to play just 1 note.
I've heard it said about Bach before his improvisations were better than anything he ever wrote. Of course it's true, but its bittersweet to think we'll never get to hear those old masters and there are too many distractions in the modern world to produce anymore.
Great composer and musician accompanying my father who is a guitar lover in his sickness in hospital. Thank you so much.
We were raised as youngsters listening to this music. Young adulthood was made more enjoyable with this music available each day.
Unfortunately.. youngsters... Is relative... I'm willing to guess. That this music won't be enjoyed as much anymore... It's sad
" Food for your soul "
Agree 100%
"Oh please, I have no soul"
I always use it RIGHT before writing an exam, while we’re waiting for our poles. Makes me clear my mind and slow down my heartbeat, the power of music is amazing.
Why am I hearing about suspender porn? I was barely sixteen....
Bible
Always in my grandfather's music studio when he would teach. This has always been with me as a young child. Lovely and music in my heart.
Wunderbar. Ich liebe Tarrega ganz besonders. Er hat herrliche Werke komponiert! Vielen herzlichen Dank. 🎶🤗👍💛🌻🙋♀️
DER Meister
En la oficina trabajando, con bella música. Alegra al espíritu. Saludos desde Temuco, Chile.
Regarding Brilliant Classics & these You Tube videos, it deserves mention that these presentations represent a new art form - a means of "delivering" the finest music to each of us in a personal, intimate way, with the added dimension of an accompanying image, still or motion. The videographer, like the audio engineer, participate as artists, just as sound & lighting professionals do for the concert hall. Yes, we buy audio CD's & DVD's for ourselves as home "audience;" but another special quality here is the immediate chance to communicate with a planet-wide community of otherwise total strangers (to each other). A blessing, really, especially in very stressful times, to quietly share our experiences of appreciation, or civil criticism; & learn from each other. BC & YT deserve considerable gratitude.
Thank you for saying what I could not cast into words. I really enjoy the comments from the world wide community of music lovers. It is so reassuring to know all these lovely people are out there enjoying this music.
I totally agree with you. Thank you for bringing the point to this community. Regards
@@nestorrangel6570 p
👍 👍👍👍 👍👍
This is quietly astonishing playing by Giulio Tampalini - in the sense that his technique, of course, is virtually flawless; & the way he adapts his interpretations of diverse pieces, especially the wide range of other composers' different prior instruments, & apparent emotional intent. With all that, the sense of Tárrega, himself, a personality of disciplined romanticism (a sort of "lyric bite," as I choose to call it), is never lost. Damn amazing. Thanks to all.
Well said
Technically flawless perhaps, but there's something lacking in Tampolini's versions. For example, Track 2 titled as "Alborada", which should be "La Alborada - Capriccio". Tampalini plays it too fast, almost like a jig, so I don't think much of his "interpretations". Yepes' version is much better.
@@sergemck Define "Better". Ignorant term to use for subjective art. Rethink what you are saying.
@@badabing1292 Love for the art will always make people insist, vindicate, assert and argue - which is kind of stupid really. This phenomenon especially happens in small musical niches, where people are supposed to celebrate each others rarity.
Competition works to a degree, but ultimately the music that transcends, are due to having deeply obsessive fun, either alone or together. ❤
Thank you so much for posting this, you made RUclips a better place
Beautiful...Bright....Passionate....this is really a delight! So Glad I found it
Even though I've been humming the song La Polama for 2 days and searching everywhere, I couldn't remember its name. At the end of my search, I finally found that song thanks to you. Thank you very much..
I am so glad I came across this wonderful music. I always loved classical guitar, my grandmother played 12 string and I would spend long evening listening to her play. Thank you.
After many years of listening rock and pop, now I am looking for something like that - music with soul, music that is dialogue and there is no true dialogue without love to a listener.
👍 👍👍
I mean i get when you say pop has no soul, but rock? Jesus what type of rock are you talking about here? Rock is one of the most genuine spirited music, at least the popular ones from before the 2000s.
@Konstantin Ridaya I know that it's something like that, but thanks for explaining the details. There are certainly celebs in that same pop business that actually plays good. - though usually the instrument they play isn't related to their music much. Post Malone for example is apparently a good guitarist, he has background in metal. The music industry was already going to this direction ever since the mid 20th century, the timeless rock compared to popular classical pieces are pretty simple.
@Konstantin Ridaya Saying shortly: now popular music is produced, once popular music was created. You are totally right.
If music is dialogue, not all good dialogue involves love. Deepedies make music less accessable with no upside and thusly create the musically illiterate audience and musically literate audience to separate.
P.s not all good books are subtle or complex, but subtlety and complexity create more potential for impact among individuals that are practiced enough to read it. The goal of simple straightforward music to listen to is generally the goal of pop IMO.
Si excelso es Tárrega, excelso es Tampalini. Un abrazo desde el «Cuore» y desde el Sur de España.
My little canary get crazy earing classic guitar he stopped singing and suddenly became cheerful 🎸🎶
Tarrega will always live through his guitar for the eternity
Beautiful guitar compositions! Becomes nostalgic when I hear the pieces my late husband, Ruben Reyes, used to play in his performances. Guitar is less popular in this country compared to other string instruments but had its traction when my husband started to teach Guitar in universities and colleges that paved the way for his students to perform in solo, quartets and other guitar ensembles. Thank you, Brilliant Classics, for keeping the guitar pieces alive!
This is by far the best interpretation of Tarregas work I've listened to....omg
Thank you...wonderfull music...hvala...from Belgrade, Serbia
Very worthy to play everything Tarrega like that, quite a load of work , and we can feel the enthusiasm all along from the artist who seems to love to play every note of this music. Bravo!
Exact! C' est le problème de ces œuvres magnifiques dont les droits tombent dans le domaine public. De gros groupes industriels s' en emparent pour alimenter le "vil" consumérisme de masse. Ils ne font que plagier, incapables qu'ils sont de créer.
Well said!
Tarrega's music is worthy to listen but too difficult to play. I've been practicing Capricho Árabe all along this year and it's amazing to play.
@@mariainmaculadaruizgallego8528 Your words remind me of something I heard once: the guitar is the easiest instrument to learn to play, but the hardest to learn to play well. I don't know if Tarrega fits that mold perfectly, but it's not a bad fit. :) Capricio Arabe was my homework assignment from my first lesson in classical guitar. I had been playing for several years, but nothing close to classical style. After a week of several hours a day, I could get through it unscathed most of the time. Bach was another matter. :) Love kept me going and it still does, though not in a strictly classical direction. Here is a recent example: ruclips.net/video/UkaYQqR-r6c/видео.html
👍 👍👍👍 👍👍
thankyou for sharing and for the linked timecode for the tracklist
This sound is mellow. Whoever reads this comment, I wish you peace, health and relaxation.❤
ty & same
🌄
Thank you and same to you
Thank you DreamMelody and same to you.
likewise
Spirit lifting. Delightful, Peaceful the Language of the SOUL❤ Praise Our CREATOR JEHOVAH ❤❤❤
O cara aprendeu 4 horas e 17 minutos de músicas do Tárrega??? QUE INCRÍVEEEEEEL!
Франциско Таррега , слов нет , а сказать об этом гении испанской гитары нужно , как он своей мощью пришёл в мою жизнь , и пришёл через моего учителя и друга замечательного гитариса Валерия Витальевич Костенева , ныне живущим в г Ессентуки , иногда отдыхающие могут его видеть играющего на гитаре в парках Кавминвод .Костенев ВВ , привил нам любовь именно к классической гитаре своей великолепной игрой и обширнейшим репертеаром,где был и Таррега Ф . . Слушая эту запись многие произведения узнаю на слух . Исполнение безупречно ,звуки родник чистейшей воды , мелизмы , флажолеты превосходны . Спасибо исполнителю , и тому кто выставил эту запись !
Спасибо вам большое из Испании!
I love Giulio's interpretation of this beautiful first piece by Terrega.
SIMPLESMENTE MARAVILHOSO!!!!!
I close my eyes and find peace with this lovely guitar playing.
“Got milk!?!”. lol at the painting... awesome work though maestro Tampalini, yet again, you have floored me!!!
The is the best medication in earth bravo amigo
This brings back such wonderful memories of my trip to Spain. Their music truly captures the essence of that magical country. This music beckons me back. Such wonderful music and extraordinary playing.
Terrega - best to listen to while working
This is the best guitar music that I heard ever.
Blessing hand n soulful.
Amazing. Big thanks from..🇲🇨
This is pure perfection, it brings back the memories of old films which were set in mediterranean locations or Mexico or such countries.
or Laponia.
or Pernambuco
Jamás había escuchado esas obras, tan sentidas, en la guitarra. Gracias, es un prodigio...
What an accomplishment, An amazing recording. My reference for Tarrega.
Восхитительно! Я очень люблю гитару. Франциско Таррега особенно. Спасибо большое!
Прощальный марш для пукина
La música , mi despertar , con ella me traslado a mis adolescente tiempos y el recordar una sola joven la cual a pesar de mis 76 , continuo viendo desde mí balcón esa joven hermosa y delicada CJ , la cual continua ( y lo sabe ) claramente martirizando mi corazón y nunca le dije que continua siendo el amor de juventud y mi vida. !
Reminds me of my grandfather, who lived the guitar and loved playing it.
Decades of study to play ALL of Tarrega... wow. Bravo
👍 👍👍👍 👍👍
Спасибо от всей души! 🇺🇿
Thank you for these beautiful music! It's what we all need right now to feel that life is still beautiful! God bless us all!
J'écoute ça depuis ma terrasse qui domine la mer à La Herraudura en Andalousie . Un vrai bonheur !!!
I feel this music is so beautiful, it helped me relax. Moreover, the natural scenery is so beautiful that I seem to be in the heaven. It is really peaceful here.
Tarrega definitivamente un referente en la guitarra clásica, piezas llenas de paz, que invitan a la reflexión. Gracias por subir esta joya.
j'adore, on devrait passer plus de temps à retrouver des bijoux comme celui-ci plus tot que de lire les âneries publiés sur le net
So beautiful. I wish this was a video that we could watch him playing this.
This is the music of my soul.
your soul sounds like a butt
I heard/saw Segovia play the Capricho Arabe at Town Hall. He played it in honor of his dear friend, Sol Hurok's passing that day. He played this piece after announcing he was playing it and then would leave the stage, returning later to play the concert. It was the perfect piece, so touching and heartfelt. I was so honored to be there and always loved this piece as a result.
Best so far: clear, precise and moving
Precious, relaxing and luminous music. Many thanks
Mil gracias. Las que siempre quiero escuchar, algunas pocas que logré tocar, las que nunca logré tocar y las que nunca podré ..... un regalo para todos.
This is truly music which touches the emotions: all of them. Brilliant playing and wonderful compositions.
...brilliant - Tarrega is so amazing, and the way Giulio Tampalini plays goes straight to the heart... love it. And thanks so much for the track list - very appreciated!! :)
Non mi stanco mai di ascoltare la chitarra e neanche Tárrega! Bravo bravissimo caro Giuglio! 👏
Почему нет имени Шопена при исполнении его Вальса, Мазурок и Прелюдий? 🤔🤔🤔
Merci pour la magie de ce moment musical. J'ai beaucoup aimé l'interprétation. Bravo!
Thanks a lo Dominiquet! ❤ if you like to listen to more guitar music please subscribe to my RUclips channel! Thanks! ruclips.net/user/giuliotampalini
Dios que belleza!!! No me canso de escucharlo! Piezas como Waltz in A Minor, Op. 34 No. 2, Capricho, Pavana, Lagrima, Sueño, Danza Odalisca, Pepita, Paquito, etc. Gracias Tarrega, Gracias Giulio!
Mucho gusto, gracias!
This is beyond BEAUTIFUL. The amount of colors one can hear from this is amazing!!!! I loved it!!! Also I saved it on my playlists. Thank you so much for posting this.
Verdaderamente música maravillosa, magníficas composiciones de Tarrega y excelente interpretación!
Es una colección maravillosa, perfecta para escuchar atenta y relajadamente. Sus sonidos suaves acarician los oidos al escucharlos. Muy gratificante para el espíritu.
No sea mamon.
Schopenhauer Schopenhauer y usted no sea grosero y disfrute de la música exquisita de la guitarra ... un goce del alma
👍 👍👍👍 👍👍
Ευχαριστώ πολύ για την μουσική!
Gracias por esta espectacular recopilación, es un deleite escuchar estas piezas maravillosas y tan bellamente interpretadas. Que gusto! Gracias por colocar minuto a minuto el Tracklist.
I wrote this while depressed
so take with a grain of salt
Sometimes an interlude of sound may resonate within oneself, a calm from the heavy modernity and a return to simplicity for the sake of the frugal nature that resides withing reality. A one man symphony of but one insturment, a show of prowess in the rejection of the pointless-nees, a lull that pulls from the fallen house of cards.
Music is an escape, a way to invigorate to move to sway to break to build, music can be power, but music doesn't have to be, music is not a tool it is expression. Expression not only of the artist but of the listener, music should not be taken lightly, it can make the meak mighty and giants weep, music is not the tangle or display of emotion, but the birth of it. Music should make you feel, not with words but with the flow and characteristics of what you hear, words an voices should not be the message of the song, but rather a carrier of said message. What point is there to writing a song if it is without story, without foundation? An array of notes may make a tune but only songs may carry the feelings of location, of story, of being.
Music is art in the format of sound.
Songs are Paintings of the insturment, each note a stroke of the brush.
tunes are but aimless strokes on a canvas, some may take a liking, but without words or explination it's meaning is lost behind the clutter it was born of.
Beautifully put! ❤
What a treasure! Great thanks to Brilliant Classics!
@BrilliantClassics Thanks for the tracklist! Some additional information added here (thanks to the album notes by Angelo Gilardino (I added some information, that may be of use (on certain compositions), and tried to correct a few timestamps.
00:00:00 Capricho árabe
00:04:36 La Alborada
00:06:26 Marieta (Mazurka)
00:08:20 Pavana
00:10:04 María
00:11:21 Isabel (Waltz, from J. Strauss II, Op.400)
00:12:36 La cartagenera
00:17:22 Adelita in E Minor (Mazurka)
00:18:52 Rosita in D Major (Polka)
00:20:38 El columpio
00:22:58 Danza mora
00:24:56 Gran vals in A Major
00:27:31 Malagueña fácil
00:30:17 Recuerdos de la Alhambra
00:35:45 Mazurka in G Major
00:38:13 Las dos hermanas (Waltz)
00:41:45 Minuetto in E Major
00:43:11 Paquito (Waltz)
00:45:07 Pepita (Polka)
00:46:25 Danza odalisca
00:49:04 Sueño (Mazurka)
00:50:31 Vals in D Major
00:52:31 Variaciones sobre El Carnaval de Venecia de Paganini
01:00:35 Prelude No. 1 in D Minor
01:01:46 Prelude No. 2 in A Minor
01:03:15 Prelude No. 3 in G Major
01:03:53 Prelude No. 4 in E Major
01:04:39 Prelude No. 5 in E Major
01:05:57 Prelude No. 6 in B Minor
01:06:51 Prelude No. 7 in A Major
01:07:35 Prelude No. 8 in A Major
01:07:56 Prelude No. 9 in A Major
01:08:18 Prelude No. 10 in D Major
01:08:36 Prelude in D Major
01:09:02 Prelude in A Minor
01:09:27 Prelude in D Major
01:10:04 Lágrima (*there is also a 3rd part - search: paulmagnussen .com classical guitar)
01:11:35 Prelude in G Major
01:12:17 Prelude in C Major
01:12:57 Endecha
01:13:47 Oremus (incomplete transcription of Schumann's Phantasietanz, Op.124, No.5)
01:14:41 Prelude in A Minor
01:15:06 Prelude in D Major
01:15:35 Prelude in A Major
01:15:55 Estudio en forma de minuet
01:17:31 Estudio sobre un estudio de Cramer (*?Johann Baptist Cramer (1771-1858)
01:18:55 Sueño (Trémolo)
01:25:17 Estudio sobre una sonatina de Alard (based on Jean-Delphin Alard's (1815-1888): "Etudes Artistiques, Op. 19, No.2": Andante con espressione
01:27:32 Estudio de velocidad
01:29:01 Estudio sobre un tema de La Traviata de Verdi
01:30:00 La mariposa in D Major
01:31:10 Estudio sobre “Andante en etude” de Émile Prudent (1817-1863)
01:33:15 Estudio sobre un fragmento de Schumann
01:34:07 Fantasía sobre motivos de la traviata de Verdi
01:40:08 Gran jota de concierto
Frédéric Chopin (1810-1849):
01:49:30 Nocturne in E-Flat Major, Op. 9 No. 2
01:53:54 Mazurka in G-Sharp Minor, Op. 33 No. 1
01:55:18 Mazurka in B Minor, Op. 33 No. 4
02:00:29 Mazurka in A Minor, Op. 67 No. 4
02:03:36 Waltz in A Minor, Op. 34 No. 2 (transposed to E-Minor)
02:08:29 Prelude in E Minor, Op. 28 No. 4
02:10:12 Prelude in B Minor, Op. 28 No. 6
02:11:43 Prelude in A Major, Op. 28 No. 7
02:12:19 Prelude in D-Flat Major, Op. 28 No. 15
02:16:16 Prelude in C Minor, Op. 28 No. 20
Robert Schumann (1810-1865):
02:17:22 Fantasiestücke, Op. 12: I. “Des Abends”
02:20:21 Albumblätter, Op. 124: XVI. “Schlummerlied”
02:23:53 Bunte Blätter, Op. 99 Albumblätter
02:25:15 Bunte Blätter, Op. 99: I. “Nicht schnell, mit Innigkeit”
02:27:08 Album für die Jugend, Op. 68: XII. “Knecht Ruprecht”
02:28:34 Novelletten, Op. 21: I. “Romanza”
02:29:28 Kinderszenen, Op. 15: VII. “Träumere"
Ludwig van Beethoven (1770-1825):
02:32:01 Minuet WoO 10 No. 3 in E-Flat Major
02:34:05 Piano Sonata No. 8, Op. 13: II. Adagio cantabile
02:38:06 Symphony No. 7, Op. 92: II. Allegretto
02:39:43 Sonata, Op. 2 No. 2: III. Scherzo
02:43:24 Sonata No. 4, Op. 7: II. Largo
02:48:12 Septet, Op. 20: IV. Andante (1st Variation)
02:49:11 Sonata No. 14 “Moonlight”, Op. 27 No. 2: I. Adagio
Franz Schubert (1797-1828):
02:53:28 Sonata No. 18 in G Major, D.894: III. Minuet
Hector Berlioz (1803-1869):
02:57:41 La damnation de Faust - Ballet des Sylphes
Edvard Grieg (1843-1907):
02:59:50 Lyric Pieces, Op. 43 No. 2 “Solitary Traveller”
03:00:43 Norwegian Folk Songs, Op. 66 No. 13 “A Little Grey Man”
03:02:10 Peer Gynt, Op. 23: The Death of Åse
August Heinrich von Weyrauch (1788-1865):
03:05:25 Nach Osten (has been attributed to Schubert)
Johann Sebastian Bach (1685-1750):
03:07:07 Violin Sonata No. 1 in G Minor, BWV 1001: II. Fugue
03:11:14 Cello Suite No. 3 in C Major, BWV 1009: V. Bourrée I, VI. Bourée II (*also published as "Loure" (a very different piece by that name is the 2nd movement Violin Partita No.3, BWV 1006)
03:14:14 Violin Partita No. 1 in B Minor, BWV 1002: VII. Tempo di bourrée
Wolfgang Amadeus Mozart (1756-1791):
03:17:24 String Quintet No. 5 in D Major, K. 593: III. Minuet
03:21:53 String Quartet No. 15 in D Minor, K. 421: III. Minuet
Joseph Haydn (1732-1809):
03:25:30 String Quartet, Hob.III:74: II. Largo assai
03:28:41 Keyboard Sonata, Hob.XVI:33: III. Tempo di minuetto
03:30:03 Baryton Trio, Hob.XI:87: III. Minuet
03:31:58 “Ox Minuet”, Hob.IX:27
George Frideric Handel (1685-1759):
03:34:36 Chorale (*no HWV number, perhaps part of a larger work by Handel, or not by him, but another composer. The published arrangement by Tárrega gives no indication. The melody in the beginning reminds a bit of Beethoven's 2nd movement of the Piano Sonata No.8 , Op. 13 "Pathétique").
03:36:58 Samson, HWV 57: Minuet (Frederic Noad, in a TV performance) made some adjustments to make the piece more playable for the larger modern guitar. Andrés Segovia re-arranged the 3rd section entirely (the studio album "Segovia On Stage" (also "The Baroque Guitar" CD - includes that track)
Georges Bizet (1838-1875):
03:38:42 L’Arlésienne, Op. 23, Pt. III: IXX. Mélodrame. Adagio
Richard Wagner (1813-1883):
03:40:23 Tannhäuser, WWV 70: March
Arrigo Boito (1842-1918):
03:44:38 Mefistofele
Giacomo Meyerbeer (1791-1864):
03:50:42 L’Africaine: Morceau d’ensemble et finale
Felix Mendelssohn (1809-1847):
03:54:34 Lieder ohne Worte, Op. 30: VI. Venetianisches Gondellied
03:57:16 Lieder ohne Worte, Op. 19b: VI. Venetianisches Gondellied
Adolf Henselt (1814-1889):
03:59:24 Estudio (Suspiro de amor)
Giovanni Bolzoni (1841-1919):
04:00:56 String Quartet in B-Flat Major: Minuet
Rafael Calleja Gómez (1870-1938):
04:04:04 El ratón (Tango)
Eduardo Di Capua (1865-1917):
04:05:37 O sole mio
"Quinito" Valverde (1875-1918):
04:07:05 El pobre valbuena
Carlos Garcia Tolsa (1858-1905):
04:09:40 Tango
Sebastián de Iradier (1809-1865):
04:11:38 La Paloma
Isaac Albéniz (1860-1909):
04:13:48 Suite Española, Op. 47 No. 5: Sevilla
Que maravilla, qué trabajo mas hermoso, mis agradecimientos por compartir esta joya de la música, has realizado un gran trabajo. Desde Chile muchas gracias.
👍 👍👍
Saludos tío Gustavo!
Y de gringo en México!
Inspiring guitarist, great musician, Mr Tampalini . . . Thank you!!!!
Thanks Douglas!
@@giuliotampaliniguitar I still come back to listen . . . and remember why I fell in love with the guitar in the first place, so long ago; having spent thousands of hours practicing in an effort to recapture the transparent moments of light that first rose from where my fingertips effortlessly snapped off the string--delighted now to hear that you have not allowed life to interrupt your path to making sounds that rise, ro hang in the mind long after they have died in the ear.
I think he´s my favourite composer of guitar music
❤
Beautiful !!!
Amazing master Tarrega collections .!..!...!.......
By far the best musical discovery of today. I find it so intimate that he breathes while he is playing. It is a wonderful musical background for writing a presentation,too. Bellissima esecuzione.
Grazie!
I didn't even notice he was breathing in the background before you mentioned it. Thanks - this makes it's a lot more enjoyable
what a beautiful music!!!
Essa deveria ser a primeira maravilha do mundo, FRANCISCO TÁRREGA! espetacular!
Genial Selección!😍Muchas gracias por su gran trabajo y descripción del vídeo...Saludos afectuosos desde Chile!👵
With this sound source, I am convinced that F. Tarrega must be a musician who should
be evaluated more than up to the present. Thank you very much.
Brilliant! Beautiful!! Gorgeous!! Lovely!!!
Melodious!!!! Moving!!!!!
Excellent ...And the execution and interpretation is very high level..Great job..
I note that Tarrega showed extraordinarily fine taste in his choice of pieces to arrange. A true master.
Música atemporal, puro sentimiento.....