OMG 😱 This has always been under appreciated, tho I’ve always loved it…I love it even more now. Slowed down it shows that Diana’s voice is much stronger than some detractors would have you believe. Brilliant. Thank you.
Slowing down the tempo a bit you have highlighted the soulfulness of Diana’s vocals. The violins now play a dominant role on the track rather than the guitars in the original release. Love what you did with this song and your accompanying video.
By now, at recording sessions, it was virtually all Diana with backing vocals supplied by in-house trio The Andantes. Sad thing is, no-one outside of Motown knew (or cared!) because, unquestionably, it’s Ross’s voice that originally made The Supremes SUPREME. I always loved this song. Great production here - pushing Ross just that bit further front in the mix and taking the tempo down a tad gives the song a whole new slant. Another winner from Steve/FuturoSonic. So what’s next? 🤔 I’d LOVE to hear a revitalised version of NATHAN JONES. Jean Terrell’s lead took The Supremes to another stratosphere… Keep up the great work breathing new life into magic Motown million sellers. Always look forward to your new releases. ❤
Actually, it wasn't that we didn't care. At times I think we really believed it was Wilson and Birdsong (like here, this is all but an impersonation). At others I think we wondered--way too many voices (as on Love Child), didn't sound like them, (as on Some Things You Never Get Used To). But there are only two number ones between Reflections and Someday: Love Child and Someday, the first because the song is so damn great and the second because it was an historic moment and one of the background singers is doing a blatant Mary Wilson impersonation. But the lack of success in that period, especially compared to 64-67, is telling. The background vocals became too impersonal. Fortunately, at times we got to see Wilson and Birdsong actually sing some of these backgrounds on Ed Sullivan.
Thanks a lot for the positive comments Shane! A lot of the remixes on here have come from requests so please suggest something. My only criteria is that I have to feel that the track will benefit. As I’m doing all of these for the love of it and with even a fairly simple remix taking 8 hours of my rapidly diminishing time, I really have to like it.
I have always loved this
OMG 😱 This has always been under appreciated, tho I’ve always loved it…I love it even more now. Slowed down it shows that Diana’s voice is much stronger than some detractors would have you believe. Brilliant. Thank you.
Fantastic mix I always thought this a great song and now even better. Thanks a million
Slowing down the tempo a bit you have highlighted the soulfulness of Diana’s vocals. The violins now play a dominant role on the track rather than the guitars in the original release. Love what you did with this song and your accompanying video.
By now, at recording sessions, it was virtually all Diana with backing vocals supplied by in-house trio The Andantes. Sad thing is, no-one outside of Motown knew (or cared!) because, unquestionably, it’s Ross’s voice that originally made The Supremes SUPREME. I always loved this song. Great production here - pushing Ross just that bit further front in the mix and taking the tempo down a tad gives the song a whole new slant. Another winner from Steve/FuturoSonic. So what’s next? 🤔 I’d LOVE to hear a revitalised version of NATHAN JONES. Jean Terrell’s lead took The Supremes to another stratosphere…
Keep up the great work breathing new life into magic Motown million sellers. Always look forward to your new releases. ❤
Hey Steve, thanks as always. I have done Nathan Jones...it's on my channel.
Actually, it wasn't that we didn't care. At times I think we really believed it was Wilson and Birdsong (like here, this is all but an impersonation). At others I think we wondered--way too many voices (as on Love Child), didn't sound like them, (as on Some Things You Never Get Used To). But there are only two number ones between Reflections and Someday: Love Child and Someday, the first because the song is so damn great and the second because it was an historic moment and one of the background singers is doing a blatant Mary Wilson impersonation. But the lack of success in that period, especially compared to 64-67, is telling. The background vocals became too impersonal. Fortunately, at times we got to see Wilson and Birdsong actually sing some of these backgrounds on Ed Sullivan.
You’re very talented at this!!!
Do you take requests?????? WOW!
Thanks a lot for the positive comments Shane! A lot of the remixes on here have come from requests so please suggest something. My only criteria is that I have to feel that the track will benefit. As I’m doing all of these for the love of it and with even a fairly simple remix taking 8 hours of my rapidly diminishing time, I really have to like it.
Nice one
Off topic you should remaster/re upload your sound of disco track as I lost my copy years a go and I’m been itching to hear it
Tx John. I'm not sure what mix you are referring to. Are you sure it was me?
@@fuTuRo-Sonic whoops wrong person