You have no idea how much your content has helped me. Just from practicing your videos I’ve added notes to my range and more importantly, ease of breathe and vibrato singing pop music. I’m incredibly grateful for you and hope to have a one on one lesson very soon. No more straining and muscle tension, no more obsessing over larynx and perfect technique. Just a relaxed onset and breathe support doing the rest
I enjoyed this. I have the habit of singing in a light soft voice as I ascend in my mid voice and while the deeeeep breathing helps me feel more in control and able to demand a bigger sound, I definitely get trapped in that lower larynxeal position. This video addressed that
Thank you for all the videos! I can sing high notes without killing myself now! But now I have a huge trouble to return from high notes. For example, in Che Gelida Manina, I can easily sing to B-flat, but I can not go down from B-flat to A-flat😢 whenever I’m trying go back to A-flat I felt there’s a huge subglottal pressure.
@@chenyehuang8072 🙏❤️ it would be hard to asses without hearing you, but a couple things to check are: could you be disconnecting from the chest register when you sing those high notes and then attempting to reconnect as you go down and therefore the change in subglottic pressure? As we ascend we should stretch and thin the cords engaging the cricothyroid but as we descend the reverse should happen gradually. Could you be adding additional pressure muscularly as you descend reversing too much too soon? Are you losing the open throat position in that phrase in which case the larynx is shooting up and closing the pharyngeal space? Try checking those things 👍
Thank you for the feedback! I think I was adding an additional pressure on A-flat(maybe), because A-flat is in upper middle range which is a very awkward note, My brain always telling you gotta belt it! Otherwise it’s not loud enough 😂 I really really wanna send you my recording! I would suggest you to offer recording feedback, because a lot of people like me can’t afford the online lesson. But recording feedback will be much affordable and flexible for us!!!
Can you make a video how to connect breathing with voice. I was trying to repeat your support/appogio exercises but it came to me that I can't connect my voice to breath. It's very common problem in my country, when people trying to sing they like talking or shouting on pitch but it's not vocal sound. For me it's very hard to lean on my breathing. It feels like I got barrel of air but it's extra and instead of helping me, it's disrupting. Your videos are amazing.
Your videos are a delight, and your way of clearly breaking down everything is second to none. I’ve commented before and I’ll ask again, till I merit an answer: How come you’re not mentioning Inhalare La Voce? Is it possible to achieve all you’re teaching without it?
@@yoilypolatseck1330 if you are referring to when a singer is having the feeling that he is breathing in, while exhaling or singing, even though he would be technically breathing out, then yes it’s not a bad concept to play around with overall it should give the same result which is to eventually phonate without loose cord closure which would result in a breathy tone. In the end it all comes down to balance. Loose cords and an open airways gives a sense of release, freedom, easiness to the sound, low subglottic pressure, lots of air is being used therefore the sound is breathy not resonant, very sigh like. The other extreme, Too much rigidity in the cords and muscular tension used to squeeze the cords shut and you get a very grunt like sound, lots of subglottic pressure, very strainful, cords are too rigid to stretch and thin flexibly, so limited range, and lots of fatigue. Very difficult to maintain that sound for long periods of time. Ideally, Minimal cord closure with balanced subglottic pressure in which when we phonate the pressure at top of the cords equals the pressure at the bottom and therefore it balance each other out. This means you get a full sound connected to the chest voice initiated through a narrow opening but the cords are still loose enough to stretch and thin flexibly as we ascend and descend. Therefore keeping the best of both worlds, full bodied sound that’s connected and chest dominant with a similar sensation and easiness to that of singing in falsetto. The concept of inhalare la voce can be very beneficial to those who are having a hard time trying to find minimal cord closure that’s not too muscular engaged while still maintains to stay connected to the chest sound by thinking of breathing in as they are signing or exhaling, to trick the mind into not allowing too much air leak through the cords causing a breathy of sound with not squillo or focus in it…in other words when you sing and you flip to falsetto or voce versus you sing too tense full and have a hard time with high notes. It can help by not thinking about closure at all and just think the subjective idea of breathing in while singing out.
@ Thanks so much! I don’t fully understand yet, but I’m further along than before. It’s clear that everyone is different, with unique habits to overcome. So, the path to achieving a clear, connected sound will vary from person to person, even after grasping each concept you’ve explained individually. Still, it hadn’t occurred to me that there could be another way to achieve the sound you’re demonstrating-resonating through the soft palate and upward toward the dome of the head, moving in a half-circular motion, like the shape of a banana-without relying on the sensation of “inhaling” the voice. Are you saying that Inhalare La Voce is just a tool or trick, something that only some people need to use to get it right? Thanks in advance🙏🏻
I understand where you are trying to go. The squak however doesnt work me. My voice will crack unless I yell more and take the voice from chest and place it completely in the back of my throat. Naturally it will leave frontal. No problem for reaching high C of even D flat. It feels natural and unforced. The thing is I cannot get always the placement right is the middle voice. It lacks stamina because I can not get it completely on the breath. Any ideas or tips?
Idk if i am a tenor, but your videos helped me go from a cap at F4 to a full voice tone B4 in 2 weeks 😅, i am glad i found you
Mind giving some insight on what helped it click for you?
You can't build it during 2 week period...
You're a very healthy man and your voice is so naturally free and coordinated. Health plays a fundamental role.
You have no idea how much your content has helped me. Just from practicing your videos I’ve added notes to my range and more importantly, ease of breathe and vibrato singing pop music. I’m incredibly grateful for you and hope to have a one on one lesson very soon. No more straining and muscle tension, no more obsessing over larynx and perfect technique. Just a relaxed onset and breathe support doing the rest
Thank you so much for this❤❤
I really like the way you teach how to sing, ❤❤❤ I’m now your student 😂❤
I enjoyed this. I have the habit of singing in a light soft voice as I ascend in my mid voice and while the deeeeep breathing helps me feel more in control and able to demand a bigger sound, I definitely get trapped in that lower larynxeal position. This video addressed that
Thanks!
❤️🙏
Genial!!! Es muy exacto. Mil gracias por tanta generosidad
"you can relate to that however you want" killed me LMAO. GREAT VIDEO!
Thank you for all the videos! I can sing high notes without killing myself now!
But now I have a huge trouble to return from high notes. For example, in Che Gelida Manina, I can easily sing to B-flat, but I can not go down from B-flat to A-flat😢 whenever I’m trying go back to A-flat I felt there’s a huge subglottal pressure.
@@chenyehuang8072 🙏❤️ it would be hard to asses without hearing you, but a couple things to check are: could you be disconnecting from the chest register when you sing those high notes and then attempting to reconnect as you go down and therefore the change in subglottic pressure? As we ascend we should stretch and thin the cords engaging the cricothyroid but as we descend the reverse should happen gradually. Could you be adding additional pressure muscularly as you descend reversing too much too soon? Are you losing the open throat position in that phrase in which case the larynx is shooting up and closing the pharyngeal space? Try checking those things 👍
Thank you for the feedback! I think I was adding an additional pressure on A-flat(maybe), because A-flat is in upper middle range which is a very awkward note, My brain always telling you gotta belt it! Otherwise it’s not loud enough 😂
I really really wanna send you my recording! I would suggest you to offer recording feedback, because a lot of people like me can’t afford the online lesson. But recording feedback will be much affordable and flexible for us!!!
Thank you!
More please.
🙏
Can you make a video how to connect breathing with voice. I was trying to repeat your support/appogio exercises but it came to me that I can't connect my voice to breath. It's very common problem in my country, when people trying to sing they like talking or shouting on pitch but it's not vocal sound.
For me it's very hard to lean on my breathing. It feels like I got barrel of air but it's extra and instead of helping me, it's disrupting.
Your videos are amazing.
Your videos are a delight, and your way of clearly breaking down everything is second to none.
I’ve commented before and I’ll ask again, till I merit an answer: How come you’re not mentioning Inhalare La Voce?
Is it possible to achieve all you’re teaching without it?
@@yoilypolatseck1330 if you are referring to when a singer is having the feeling that he is breathing in, while exhaling or singing, even though he would be technically breathing out, then yes it’s not a bad concept to play around with overall it should give the same result which is to eventually phonate without loose cord closure which would result in a breathy tone. In the end it all comes down to balance. Loose cords and an open airways gives a sense of release, freedom, easiness to the sound, low subglottic pressure, lots of air is being used therefore the sound is breathy not resonant, very sigh like. The other extreme, Too much rigidity in the cords and muscular tension used to squeeze the cords shut and you get a very grunt like sound, lots of subglottic pressure, very strainful, cords are too rigid to stretch and thin flexibly, so limited range, and lots of fatigue. Very difficult to maintain that sound for long periods of time. Ideally, Minimal cord closure with balanced subglottic pressure in which when we phonate the pressure at top of the cords equals the pressure at the bottom and therefore it balance each other out. This means you get a full sound connected to the chest voice initiated through a narrow opening but the cords are still loose enough to stretch and thin flexibly as we ascend and descend. Therefore keeping the best of both worlds, full bodied sound that’s connected and chest dominant with a similar sensation and easiness to that of singing in falsetto. The concept of inhalare la voce can be very beneficial to those who are having a hard time trying to find minimal cord closure that’s not too muscular engaged while still maintains to stay connected to the chest sound by thinking of breathing in as they are signing or exhaling, to trick the mind into not allowing too much air leak through the cords causing a breathy of sound with not squillo or focus in it…in other words when you sing and you flip to falsetto or voce versus you sing too tense full and have a hard time with high notes. It can help by not thinking about closure at all and just think the subjective idea of breathing in while singing out.
@ Thanks so much!
I don’t fully understand yet, but I’m further along than before. It’s clear that everyone is different, with unique habits to overcome. So, the path to achieving a clear, connected sound will vary from person to person, even after grasping each concept you’ve explained individually. Still, it hadn’t occurred to me that there could be another way to achieve the sound you’re demonstrating-resonating through the soft palate and upward toward the dome of the head, moving in a half-circular motion, like the shape of a banana-without relying on the sensation of “inhaling” the voice. Are you saying that Inhalare La Voce is just a tool or trick, something that only some people need to use to get it right?
Thanks in advance🙏🏻
Very useful. Thank you! ❤
You are an amazing man and singer. I almost fall in love with you in your videos. I hope you take this as the compliment it is ment to be
Bravo Jose, ottimi suggerimenti, lavorare muscolare. Grazie.
I understand where you are trying to go. The squak however doesnt work me. My voice will crack unless I yell more and take the voice from chest and place it completely in the back of my throat. Naturally it will leave frontal. No problem for reaching high C of even D flat. It feels natural and unforced.
The thing is I cannot get always the placement right is the middle voice. It lacks stamina because I can not get it completely on the breath.
Any ideas or tips?
Vous êtes un parfait pédagogue. Vous venez de m'apporter une aide énorme.
Merci.
... I have an IKEA FJALLBO TV unit like yours ... lol ... !!!
Damn, that was good!!
best 👌
I think u actualy fixed me haha
I don't know what is the 3rd pleasure is it but it's ok I don't need the answer as long as I start mourn now XDD
👏🏼👏🏼👏🏼👏🏼
*geisha giggle
🙏❣️👍
ayo
There’s a girls voice in the background, you film only from the chest up and you say sing while you moan… hmmmmmmm 😂
That's not how old italian gods sung... if you yawn you create tension that's BS