Fujifilm GF 30mm f/5.6 TS review pt1 Tilt shift lens review handling & use. Tested on GFX100S/100 II
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- Опубликовано: 2 окт 2024
- Testing the Fujifilm FUJINON GF30mm F5.6 T/S Lens on 100MP medium format. Functionality, handling and features for the 30mm tilt/shift lens. How does the lens handle and how it works.
Part 1 of two videos about the 30mm TS lens from Fujifilm.
Part 2 covers how well the lens works
• Fujifilm GF 30mm f/5.6...
The main written review for the lens, with many more pictures is at
www.northlight...
My book about how to use such lenses is widely available from book stores.
PHOTOGRAPHY WITH TILT AND SHIFT LENSES
Publisher info: ISBN: 9781785007712
www.crowood.co...
The FUJIFILM FUJINON GF30mm F5.6 T/S and GF110mm F5.6 T/S Macro lenses are each expected to be available later in 2023 at MRP’s of $3,999.95 USD and $3,499.95 USD respectively.
UK prices 30: £3899 | 110 £3499
For more information on the new GF tilt-shift lenses, please see:
fujifilm-x.com...
For a full index of all my videos, see:
www.northlight...
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Build quality on this is vastly better than the Nikon PC-E F mount lenses.
Given the price of the 30mm TS, and age of the PC-E lenses, apart from the 19mm, this is not unexpected ;-)
Both Nikon and Canon have lenses which would do with revising or migrating to mirrorless versions
@@KeithCooper true of course, but that only serves to highlight that Nikon haven’t yet produced a Z mount tilt-shift. Despite quite a number of Z lenses, they have completely neglected tilt-shift lenses, despite Nikon mirrorless being out since 2018. And, they have taken most if not all of the F mount PC-E off sale anyway. I suspect Fujifilm has taken a lot of would be Z mount tilt-shift sales. Even if they make one now, they can’t compete with the Fujifilm sensor size.
Yes, given the optical quality of the PC-E19, I was a bit surprised they didn't produce a Z version. The relative narrowness of the F mount did not help performance.
The newest Canon 50/90/135 all work well on the Fuji compared to the older TS-E17 and 24.
Hi Keith, thanks for the video. Is the lens too big and heavy to mount the camera to the tripod? Or do you need to mount the lens to the tripod? Thanks so much, Andy
Both are fine, but the key is perhaps taking the camera off the tripod when moving very far. It feels a lot of weight on the mount and shift mechanism either way.
Of course, one benefit of the foot, is that it reduces parallax if you want to stitch - that again depends on subject
The GFX100S has had criticisms over the sturdiness of its tripod socket, so I'm using a custom L bracket to even the loading a bit.
@@KeithCooper thanks so much for the reply. Fuji sent me one to test for them and with no L bracket was not feeling overly confident. The parallax makes lots of sense - shift the sensor not the lens! Thanks again
When an expert speaks it’s effortless.
Wonderful overview.
Thanks - that's appreciated
The lens ring is of the same modeling as the one for the GF 100-200 5.6, delivered as a part of that lens purchase
Thanks for noting that
there is big difference between moving lens and moving camera body for shifting if you want to have perfect stitiching.
I'd say it depends on just what it is you are photographing [ and definition of 'perfect' ;-) ]
For myself, the necessity for camera movement varies YMMV
Hi, this is a question regarding Fuji and their TS lenses and converters. With all of my Canon TS gear I often use a 1.4x converter to change the focal length. So with my 4 Canon TS lenses, I actually have eight focal length lenses. Does Fuji have a converter that will allow this to happen for their two lenses? A 35mm TS lens, my 24mm with the 1.4x converter is a great focal length in the quiver of lenses. Thanks for any and all feedback!
Yes, they have a 1.4TC BUT it is only listed as compatible with two lenses
GF250mmF4 R LM OS WR
GF100-200mmF5.6 R LM OIS WR
I need to check this one with Fuji - thanks for reminding me
@@KeithCooper Thanks for your response. Very helpful on making my decision on who to move forward with.
Thank you for your great review. What is the brand and model of the 105mm protection filter that fuji has provided to you?
Thanks
Unfortunately, it's gone back, I forgot to check...
I believe it was one of their own branded ones
Keith for the diagonal shifting, wouldn't one need 15 deg indents for putting the rotation at 45 deg? Thanks for the reviews.
Yes, 15º indents do make it easier in some instances, but don't forget that the screen on the back is telling you the exact rotation of the mount.
Also I quite rarely find the required shift direction in shots matches up with a specific value. This is one reason that diagonal shift is slightly easer with the camera fixed and the lens moving, as opposed to when using the lens collar.
i imagine that if Canon made the tse-24 in f5.6, it might perform even betterment and, I wonder i Canon has improved the tse-24 optics.coatings, in the many years since you bought it?
just thinking about comparisons...
At this point it moot, canon will never introduce a new or refreshed ef lens…. Their focus is on RF and those would never be adaptable to GF…
It might well do - the actual TS-E24 you can still get will be pretty much identical to the one I have [just not so used!]
I added the appendix to the [written] review about the TS-E24 as much as anything as an antidote to some of the 'comparisons' I've seen mentioned.
I think we should see 24mm Canon and Nikon T/S lenses for RF and Z mount before too long. The current Nikon PC-E lenses are all hampered by the relatively small F mount - that and apart form the 19mm, they really show their age.
one other issue with the f 5.6, like LF lenses, or MF for that matter; if you open up too much, the dof goes way too thin, so thin in fact it becomes difficult to focus ( the gearing in the system isn't fine enough to get the precision required)- think of it like the Leica 50mm F 0.95 or the 75mm F1.25 these are both Rangefinder lenses,
Yes, but due to the shallower dof than normal f 1.4/1.8/2.8 lenses it is harder to focus on manual M cameras, For this very reason, the dof is too shallow for accurate manual focus with this system.
Large format is slightly different, however, for f 5.6 /f 9 lenses you have a Fresnel screen
[giving a brighter image], also the ground glass is bigger, and the rail/bed of view cameras affords more room, to focus, and also many of the focussing systems are geared, to increase the precision, to aid in this regard.( also the image circle is so much wider, that getting to the edge is only rarely a problem, as this is at the limits of the movements themselves- if the correct lens, for format, and image circle coverage is chosen).
I'm minded to say that the combination of magnified rear screen, EVF, focus peaking and sheer ease of use make this lens on the GFX100S generally easier to use than any rear optical glass screen I've ever used.
The lens and system is definitely aimed more at people moving from Canon/Nikon T/S lenses than the very small market for those who understand the use of large format cameras.
My [likely] audience for these videos is very much in the former category - if you know/use LF you should already know all this stuff pretty well ;-)
@@KeithCooper thanks, But I am only learning LF, as I have wanted to experiment with these movements, but the choice between wide and portrait t/s lenses (Nikon/Canon) has always confused me, and also being way overpriced for my budget; I get what you say, I am just putting in my two bobs worth, from my Autistic knowledge, research and passion of the subject, esp. for manual cameras, and human interface with tech. and my own want for those "vouge" and other images, these lenses make, with their control of focal plane and selective focus. ( I am also an avid watcher of the Matt Marassh channel "Large Format Friday", so have absorbed a bit off matt, and his 5 seasons of RUclips content).
Thanks - if it's of interest I have organised an index page for all my tilt/shift related articles and videos.
www.northlight-images.co.uk/photography-articles-and-reviews/tilt-and-shift-lens-articles-and-reviews/
Hello Keith. Thanks for your in depth reviews. I'm interested in using a T/S lens to achieve similar effects to those created by the US fine art photographer Keith Carter. Do you, in any of your videos/articles cover how he achieves those effects? Or how the lesn should be used to create those kinds of image? Thanks for your time.
Sorry, I don't actually know of him or what sort of images you mean?
If you've an example which illustrates it, email me at Northlight Images [links get blocked in comments here] www.northlight-images.co.uk/fuji-30mm-ts-review/
- I'll see if I can disassemble it ;-)
Hello Keith - I just emailed you at North Light. Thank you. @@KeithCooper
Fuji lenses are absolutely terrible in manual focus. This is nightmare because of wire focus.
This lens is fully manual focus, so your comment absolutely does not apply to this lens
@@KeithCooperargh - the commenter here is yet another youtube viewer who comments on gear, while never having been anywhere near it. Thanks for setting it straight Keith
Great to see you got to test one of these lenses.
Thanks - it did have to go back though :-(
Does this 30mm lens has same compression as canon 24mm TS on GFX ?
Compression? ...not a term I'm familiar with
The field of view of the 30mm TS on the GFX100S is similar to the TS-E24 on my 5Ds although of course the aspect ratio is slightly different
I mean Do you get same look as 24mm ?@@KeithCooper
Broadly - as in the FOV is similar
@@muhaphotos no, it does not ! Compression is solely dependent on focal length - not anything derived, such as Field Of View - or the nonsense of “full frame equivalent focal length” - where the correct term is what Keith alludes to “field of view equivalence”… i hope that any photographer serious enough to consider tilt shift lenses knows facts like this- but, better repeated once too many times than not…
BH photo now says this lens wont be in store until mid 2024. Fuji, what the heck is going on???
I've asked about availability here, but have no info
Nobody on the face of the earth seems to have info
It is widely available in Germany now.
“Coming Soon!” On the B&H site though just to tease us.
I ordered mine in 12/2023. As of Wednesday 7/17/2024, B&H told me 10 days to go.
Nice review. Thanks.
Thanks - I'll update the main written one over time with any updates or additional info I find.