I actually had the opportunity to checkout this amazing cinema room in person and it was absolutely mind-blowing. It is a million times better in person. DAV has an amazing team. I am now a lifetime customer, it is one of the easiest choices I’ve ever made
This theater room is absolutely gorgeous! Finally someone got it right. It actually looks like a 4DX theater. Love the industrial look. Would you guys ever think of converting it into 4DX?
Thank you so much! That's very nice of you. We actually just did a ton of changes to it. it now has a Trinnov altitude 16 with waveforming, 10 18” subs, black columns with LEDs, acoustic clouds overhead, MadVR, and Kaleidescape. We will do an update soon. Definitely would consider 4DX
Thank you very much, yeah that was well over 100 hours. It was a lot of fun though. We will see if we can gather some of the footage from the build and put together a video for you guys.
Amazing stuff, simply loved it...there is one clarity though that i need on the sub woofer, there are 3 sub woofers so technically it should be 9.3.6, why do you still call it 9.1.6, can you please help me under stand the one sub woofer signal piece...I am assuming these are 3 independent subs.
Thank you, my friend. The system has now been converted to 9.7.4 using a Trinnov Altitude 16. It was previously running on a maestro X7, which didn’t have enough channels to support the independent subs. You can only truly classify that middle digit as the actual number of subs if they have independent signals sent to them. Thanks for your support.
Hey my friend, we have our own screen company. Our screens are custom built. We are working on trying to develop a model that we can ship to installers. Let’s keep in touch. You guys do nice work!
Cornering out dipoles is kind of a trick that is used when the seats are too close to the back wall, but that room has changed now. We deleted the back row and added Klipsch Rf7iii as rears. Dual 18s in the back and 8 18s in the front. Trinnov Waveforming. It’s on another level. We will do an update soon. thanks for watching buddy
NZ7 is usually pumping out 1600-1800 lumens after calibration. On an AT screen of that size (most measure .8-.9 gain or less despite claimed performance), is that enough nits to light it up?
The picture is actually surprisingly bright. Especially an SDR. Check out the demos in the video. Now, when someone is looking at the higher end packages, we have a Sony GTZ 380 that we bring out. Thanks for watching and we appreciate your comment
I’m building a HUGE one now. TWENTY FOOT wide scope screen, 4K laser projector. separate lobby with full concessions including commercial popper and 8 flavor post mix soda fountain. The only way to truly get close to replicating the cinema going experience is to have a massive screen.
nice room set up with aesthetics i'm ex cinema retired projectionist UCI cinemas tower park , that was running first experimental overhead surround and that was 1989 , also worked for Warner Bros . so i know far bit more about the overhead surround and it even goes further back before i went to cinema early 70's , local gaumont cinema run 70mm cinerama with overhead surround flush x6 in the ceiling very high up . UCI tower park used EV in all ten screens main larger 5 and 6 used x8 overhead surrounds twin 15" large horn for LCR no sw een though required for SR soundtracks the bass mid was satisfactory , the smaller screens 1 to 4 , 7 to 10 used x7 overhead surrounds and same EV screen channels Warner Bros bristol , 12 plex, used KCS from large screen to mid screen the smaller used different KCS model i've worked projected onto real large screens from UCI to Warner Bros my home THX cinema runs below surround, only one of it's kind in the uk . JBL professional cinema PA , x115 JBL speakers at 38.000kw JBL professional cinema PA controls 85% of the cinema market from early regular to early THX sound system days and throughout 85% which is why nearly all dub stages uses JBL and cinemas use JBL , JBL has cool name besides its founder James Boulevard Lansing , Jedi Blaster Lightsabers which is why it was first to be selected by tom holman then everyone else wanted to jump on the THX bandwagon but JBL was first my JBL THX home cinema is enough for 400 seat cinema in a very small room the rack audio uses serious consumer and professional cinema grade Denon AVC-X8500H Dolby atmos when running it , 15.12.6/8 the rest of the system is far too complex to explain Dolby Stereo CP200 Dolby control unit Dolby processor unit Dolby accessory unit Dolby MPU-1 Dolby PSU-1 Dolby A-type Dolby SR Dolby CP500 Dolby CP45 (running as side surround pre arrays and below surround) Dolby CP45 (back surround and centre middle surround and below/above) i can play vintage star wars or close encounters of the third kind in the exact same way, with the Dolby Stereo CP200 thou the CP200 replaced the Dolby Stereo CP100 where the CP200 made in 1980 and is still in use at certain specific cinemas , THX and yes even in my home THX cinema , try doing star wars tonight ,in the proper surround format mode . Sony SDDS Sony Dynamic Digital Sound DFP-D3000 (main) Sony SDDS Sony Dynamic Digital Sound DFP-D3000 (secondary) Behringer DCX x4 Behringer FBQ2496 x4 crossover/monitor Lucasfilm Ltd THX sound system (yes the actual professional cinema grade THX of bass/sub bass that most are scared of) 4k laser projection with wall to wall 120" AT screen so the room is very small . projector is placed in my kitchen where it runs silent with the x66 power amplifiers 38.000kw THX speakers JBL professional cinema PA five screen JBL 4673A that is five behind the screen L Lc C Rc R multi side array side surrounds JBL 8330 mkII x3 each sidewall back surround JBL 8330 mkII x5 overhead surround JBL 8330A x9 that uses worlds first triple middles vog (don't use auro) got my own idea for a vog that is called DOG Dolby overhead god (and i don't believe in god he took away my Cat, Sooty) oh i said i did know a bit about "overhead surround" with experience with it in 1989 at UCI tower park, i have a video on that shows the pictures below surround matrix , it's complex to explain this only few would understand the overhead surrounds are basically stereo pairs , and therefore it is easy to expand ! so no more centre-phantom there is true centre overhead per each (al are attached to the ceiling) height 1 front , 2 middle and 3 back there is a extra channel output that i use that i placed decided to place smaller JBL control 1 speakers on the floor . these are called the extra channels that come from heights 1 , 2 and 3 there is also another below matrix surround channel that comes from the regular surround channel . i have done hours of testing and its not a case of just listening it involves looking at the both the visual on/off-screen sound continuities , its a complex listening THX home cinema . sub bass and no big deal as the sub bass freq curve should follow the same to as the screen/surrounds channels and be within tight tolerance across the seating within +- 2dB of the THX 66 amplifiers Behringer x3 NX3000/ x2 3000D/ x1 inuke / x7 EPQ / L Lc C Rc R LF bass stage channels - L Lc C Rc R HF horns - sub bass L R - sub bass middle front and back of room - below surround - extra below surround - overhead Alesis x2 aura bass tactile shakers Crown CTs8200 x3 - surrounds - back surrounds - centre middle surround - overhead surrounds - extra below surrounds x6 Irwin cinema rocker seats each fitted with aura bass tactile shakers floor is carpet with wall/ceiling covered with wedge foam tiles so there is no slap echo heard only the movie soundtrack or music on non-sync mode and my Cats
We use woven and custom DAV nano perforated Screen Material. Yes we are one of the top Epson dealers in DFW. We expect them to come in Mid Summer. We will definitely be getting videos out on that unit ASAP. Feel free to reach out and we will take care of you. Thanks my friend
It depends on the room size. We use specific cinematic parameters. But give us a call when you’re ready and we will help you set up the best system for your budget and space
Super cool room and don’t get me wrong i love my HT but most people either don’t have enough seats for their guests or just plain like having the grand scale of going out to the cinema but with everything there are trade offs so for me personally i watch at home for being more relaxed not having to deal with other annoying people and the quality but when a movie first comes out i go with a group of friends to enjoy the movie with on a bigger scale anyway great room cheers
@@15.emanuelshaju24 it depends on your specific environment and projection system. If you want to light it up from the backside, it needs to be perforated. We make our own for free to material because we prefer gray with many projection systems we use. Woven typically comes in white variations
@@MrJgibo1 yeah, we are trying to provide turnkey systems. Otherwise, people never really get around to finishing their Dream systems. We’ve got you guys! The 13 foot ceiling was an acoustical nightmare, but it’s pretty awesome!
Room size 24Lx16Wx14H Speakers all Klipsch RC-64iix3 LCR- RS62iix6 surrounds CDT-5650ciix4 Dolby Atmos and SW115x2 and SW112x4 decoded by Yamaha-powered by Qsc. Like being in a real theatre. Cheers 🍻 Eh.😎👍🇨🇦
@DivineAV do you sell the smaller klipsch rcc 102-bts your the first place I could find that might have it and I can't find price in usd anywhere one last thing could you ship to northeast Ohio
You’d be surprised at how affordable you can build something phenomenal. You can phase the system over time. We all love the movie theater. Having a replica at home is a whole new ball game.
@@DivineAV i do agree with you, but in all honesty having that dynamic and gear to recreate a cinema costs. Jbl synthesis or trinnov paired with some good speakers and isolation will set u 50k plus without effort. Nevertheless very beautiful room you created
additional , 1:18 (shaking my head) as ex retired CIC/UCI and Warner Bros projectionist you'll need a laserdisc player , professional Dolby CP professional JBL which mostly used for THX the laserdisc player will offer with the laserdiscs theatrical cinematic mixes with Dolby Stereo 4.2.4 Dolby Stereo AC-3 digital , dts , you ain't going to get theatrical mixes on many DVD only up to certain year and forget about blu 4k certainly ain't going to get it . they are all near field , tampered with by re-cording mixes , botched up , watered down , low end frequency tampering with
The room has already been upgraded with Kaleidescape and Mad VR Envy Extreme, as well as a Trinnov Altitude 16. The updated video come out soon. Kaleidescape is working directly with the studios to provide the highest quality content to ever hit the consumer world. Thanks for watching.
@@DivineAV throw that kaleidescape in the dustbin , the rubbish on it ain't movie , its near field mixes , bin it , get laserdisc theatrical mixes and bin that dolby atmos
@@andysummersthxcinemaandmyc7748 that room’s been revamped and yes, laserdisc is pretty awesome, but I can tell you that Kaleidescape has come a very long way. If you’re ever in town, schedule a demo and I’ll show you the most immersive surround experience you’ve ever had in a home theater. Some of the regular mixes, I agree, but there are a bunch of good movies and Trinnov demo content on the system now.
Love the system, but a bit of feedback. The acting feels a bit over the top. Tone it back a bit and talk more like if you were just talking yo me on a 1:1 basis.
Our other videos are all 1 on 1 bro. This one is a debut of Divine Extreme. It’s storytelling. Thanks for watching. Check out our other stuff. Take care, buddy
The experience is actually pretty enjoyable with both. We’ve watched multiple full movies in there. But also, those are not the only projectors we have. We have a VPL-VW5000ES that way put on display when a client books a reservation for demonstration. We recommend that the Projectors in the video are used for screens ranging from 120 to 150 inch max. It’s definitely doable to go beyond but really only when watching SDR content. Thanks for watching and for your comments
I actually had the opportunity to checkout this amazing cinema room in person and it was absolutely mind-blowing. It is a million times better in person. DAV has an amazing team. I am now a lifetime customer, it is one of the easiest choices I’ve ever made
Thank you very much my friend, it’s a pleasure to be working with you. We look forward to years of service!
Never has a person with a tape measure been granted such a glorious, stunning soundtrack!!!! (2:12)
Klipsch will rock your world!
Yeah, especially when you get into the higher equipment. It’s good to see them pushing the envelope
A fantastic home theatre that was taken to the extreme. ⭐️
All I can say is WOW! What an amazing room and system.
Thank you so much!
@@DivineAV 😂 I would be happy with just 80-103dB max.. overkill! Enjoy! I would love to travel here with hearing protection on. Continuous 133dB?
@@DivineAV Hey. Emotiva RMC-1 28 channel Processor any good?
How many channels do I need for true Dolby Atmos experience?
@@josealfredfernandes Honestly Idk?!
In General
Man
Lol 😆 ._.
But
I Think It’s Probably A 17.4.10
Or Something Idk?!
Lol 😆 ._.
@@Chitosmith 128 channels max
Omg, I guttu win the lotto and get this
This theater room is absolutely gorgeous! Finally someone got it right. It actually looks like a 4DX theater. Love the industrial look. Would you guys ever think of converting it into 4DX?
Thank you so much! That's very nice of you. We actually just did a ton of changes to it. it now has a Trinnov altitude 16 with waveforming, 10 18” subs, black columns with LEDs, acoustic clouds overhead, MadVR, and Kaleidescape. We will do an update soon.
Definitely would consider 4DX
@@DivineAV oh man Cant wait to see it ! 🙌🏾
HOLY SHIT WARREN AND DERRICK THATS ABSOLUTELY FREAKING INCREDIBLE GUYS I ABSOLUTELY LOVE IT
I know a labor of love when I see it, you guys have done an amazing job here! -- The Jastrom
Thank you very much, yeah that was well over 100 hours. It was a lot of fun though. We will see if we can gather some of the footage from the build and put together a video for you guys.
ok . ok I mean WOW! just WOW! Now this wins it. not even close
Saw this in person and it was MIND BLOWING!!! Very impressive and well done guys.
Thank you brother!
@@DivineAV Hey! They subs hit 16hz, well.. according to your opinion: how low should subwoofers dig? 12hz?
It looks really awesome!
Thank you so much my friend
You would think the air movement of the massive speakers would vibrate the screen. I has to, right?
Good observation. Yes, but it’s minimal. We run them about 10-15” from the screen surface. Adjustable screen depth system on tracks
Very impressive build guys!
Thank you very much we greatly appreciate it
My dudes that was awesome starting with the name it has a nice ring to it like AMC prime
Thank you very much, our team worked very hard on it. We still have a few finishing details and touchups but it’s looking really good.
I go to the cinema to get the crowd experience.. I watch at home for big audio and fine picture detail.
Amazing stuff, simply loved it...there is one clarity though that i need on the sub woofer, there are 3 sub woofers so technically it should be 9.3.6, why do you still call it 9.1.6, can you please help me under stand the one sub woofer signal piece...I am assuming these are 3 independent subs.
Thank you, my friend. The system has now been converted to 9.7.4 using a Trinnov Altitude 16. It was previously running on a maestro X7, which didn’t have enough channels to support the independent subs. You can only truly classify that middle digit as the actual number of subs if they have independent signals sent to them. Thanks for your support.
uh mazing
What screen did you use? Hard to find a screen that allows light to pass and see the speakers.
Hey my friend, we have our own screen company. Our screens are custom built. We are working on trying to develop a model that we can ship to installers. Let’s keep in touch. You guys do nice work!
I’m curious why they put dipoles on the rear wall rather than the side walls? It’s just not typical, and I would like to hear Klipsch’s reasoning.
Cornering out dipoles is kind of a trick that is used when the seats are too close to the back wall, but that room has changed now. We deleted the back row and added Klipsch Rf7iii as rears. Dual 18s in the back and 8 18s in the front. Trinnov Waveforming. It’s on another level. We will do an update soon.
thanks for watching buddy
Go Big or go Home ultimate sound ! IMAX everyone? Greetings from Canada.
NZ7 is usually pumping out 1600-1800 lumens after calibration. On an AT screen of that size (most measure .8-.9 gain or less despite claimed performance), is that enough nits to light it up?
The picture is actually surprisingly bright. Especially an SDR. Check out the demos in the video. Now, when someone is looking at the higher end packages, we have a Sony GTZ 380 that we bring out. Thanks for watching and we appreciate your comment
I’m building a HUGE one now. TWENTY FOOT wide scope screen, 4K laser projector. separate lobby with full concessions including commercial popper and 8 flavor post mix soda fountain. The only way to truly get close to replicating the cinema going experience is to have a massive screen.
You got it my friend! Shoot us an email if you need any additional products or assistance. Divineavinc@gmail
@@DivineAV thanks
Muito bom o vídeo e o sistema, faltou mostrar os subs .
Processador Áudio Control de quantos canais?
E o modelo dos amplificadores da Crown?
I’d love to see some detail on the “Mac mini server”
Amazing job!!
Miness the popcorn :-) . Hate the sound. Great room impressive.
Just added a Trinnov. Really opened up the sound system
nice room set up with aesthetics
i'm ex cinema retired projectionist UCI cinemas tower park , that was running first experimental overhead surround and that was 1989 , also worked for Warner Bros . so i know far bit more about the overhead surround and it even goes further back before i went to cinema early 70's , local gaumont cinema run 70mm cinerama with overhead surround flush x6 in the ceiling very high up .
UCI tower park used EV in all ten screens main larger 5 and 6 used x8 overhead surrounds twin 15" large horn for LCR no sw een though required for SR soundtracks the bass mid was satisfactory , the smaller screens 1 to 4 , 7 to 10 used x7 overhead surrounds and same EV screen channels
Warner Bros bristol , 12 plex, used KCS from large screen to mid screen the smaller used different KCS model
i've worked projected onto real large screens from UCI to Warner Bros
my home THX cinema runs below surround, only one of it's kind in the uk .
JBL professional cinema PA , x115 JBL speakers at 38.000kw
JBL professional cinema PA controls 85% of the cinema market from early regular to early THX sound system days and throughout 85% which is why nearly all dub stages uses JBL and cinemas use JBL , JBL has cool name besides its founder James Boulevard Lansing , Jedi Blaster Lightsabers which is why it was first to be selected by tom holman then everyone else wanted to jump on the THX bandwagon but JBL was first
my JBL THX home cinema is enough for 400 seat cinema in a very small room
the rack audio uses serious consumer and professional cinema grade
Denon AVC-X8500H
Dolby atmos when running it , 15.12.6/8
the rest of the system is far too complex to explain
Dolby Stereo CP200
Dolby control unit
Dolby processor unit
Dolby accessory unit
Dolby MPU-1
Dolby PSU-1
Dolby A-type
Dolby SR
Dolby CP500
Dolby CP45 (running as side surround pre arrays and below surround)
Dolby CP45 (back surround and centre middle surround and below/above)
i can play vintage star wars or close encounters of the third kind in the exact same way, with the Dolby Stereo CP200 thou the CP200 replaced the Dolby Stereo CP100 where the CP200 made in 1980 and is still in use at certain specific cinemas , THX and yes even in my home THX cinema , try doing star wars tonight ,in the proper surround format mode .
Sony SDDS Sony Dynamic Digital Sound DFP-D3000 (main)
Sony SDDS Sony Dynamic Digital Sound DFP-D3000 (secondary)
Behringer DCX x4
Behringer FBQ2496 x4
crossover/monitor
Lucasfilm Ltd THX sound system (yes the actual professional cinema grade THX of bass/sub bass that most are scared of)
4k laser projection with wall to wall 120" AT screen so the room is very small . projector is placed in my kitchen where it runs silent with the x66 power amplifiers 38.000kw THX
speakers
JBL professional cinema PA
five screen JBL 4673A that is five behind the screen L Lc C Rc R
multi side array side surrounds JBL 8330 mkII x3 each sidewall
back surround JBL 8330 mkII x5
overhead surround JBL 8330A x9 that uses worlds first triple middles vog (don't use auro) got my own idea for a vog that is called DOG Dolby overhead god (and i don't believe in god he took away my Cat, Sooty)
oh i said i did know a bit about "overhead surround" with experience with it in 1989 at UCI tower park, i have a video on that shows the pictures
below surround matrix , it's complex to explain this only few would understand
the overhead surrounds are basically stereo pairs , and therefore it is easy to expand ! so no more centre-phantom there is true centre overhead per each (al are attached to the ceiling) height 1 front , 2 middle and 3 back
there is a extra channel output that i use that i placed decided to place smaller JBL control 1 speakers on the floor . these are called the extra channels that come from heights 1 , 2 and 3
there is also another below matrix surround channel that comes from the regular surround channel .
i have done hours of testing and its not a case of just listening it involves looking at the both the visual on/off-screen sound continuities , its a complex listening THX home cinema .
sub bass and no big deal as the sub bass freq curve should follow the same to as the screen/surrounds channels and be within tight tolerance across the seating within +- 2dB of the THX
66 amplifiers
Behringer x3 NX3000/ x2 3000D/ x1 inuke / x7 EPQ / L Lc C Rc R LF bass stage channels - L Lc C Rc R HF horns - sub bass L R - sub bass middle front and back of room - below surround - extra below surround - overhead
Alesis x2 aura bass tactile shakers
Crown CTs8200 x3 - surrounds - back surrounds - centre middle surround - overhead surrounds - extra below surrounds
x6 Irwin cinema rocker seats each fitted with aura bass tactile shakers
floor is carpet with wall/ceiling covered with wedge foam tiles so there is no slap echo heard only the movie soundtrack or music on non-sync mode
and my Cats
Sounds like a great setup boss!
Seems like you have a crazy setup, why don't you upload a dedicated video about it in detail, everyone will be benefited from that.
Do you guys use acoustic woven material on your custom screens and will you be getting the new Epson laser? Thanks again.
We use woven and custom DAV nano perforated Screen Material. Yes we are one of the top Epson dealers in DFW. We expect them to come in Mid Summer. We will definitely be getting videos out on that unit ASAP. Feel free to reach out and we will take care of you. Thanks my friend
Thats a dream of mine! Whats the minimum screen size you need to feel immersive?
It depends on the room size. We use specific cinematic parameters. But give us a call when you’re ready and we will help you set up the best system for your budget and space
Super cool room and don’t get me wrong i love my HT but most people either don’t have enough seats for their guests or just plain like having the grand scale of going out to the cinema but with everything there are trade offs so for me personally i watch at home for being more relaxed not having to deal with other annoying people and the quality but when a movie first comes out i go with a group of friends to enjoy the movie with on a bigger scale anyway great room cheers
How come there is no double image in this nano perforated screen without a black fabric cloth behind the screen
Because everything is painted black behind the screen. Keeping everything as dark as possible will almost entirely eliminate that issue
Which is best woven or perforated screen...
@@15.emanuelshaju24 it depends on your specific environment and projection system. If you want to light it up from the backside, it needs to be perforated.
We make our own for free to material because we prefer gray with many projection systems we use. Woven typically comes in white variations
Will be there any difference in the image quality... which screen handles it better ... woven or perforated.....
Boss... Question - Why the Klipsch RF 7III behind the screen?
We sell a base model system with 3 RF7III units. Pretty awesome for a smaller space! Good eye!
Didn't know you did concessions. Glad to see you guys have finished the room. Wish I had a 13 foot ceiling.
@@MrJgibo1 yeah, we are trying to provide turnkey systems. Otherwise, people never really get around to finishing their Dream systems. We’ve got you guys! The 13 foot ceiling was an acoustical nightmare, but it’s pretty awesome!
About how much is that exact setup?
$125,000 for this exact setup. That includes all equipment and installation.
DX systems start at $65,000
A little underpowered, but I let it slide!!
:):) thanks buddy. We appreciate you cuttin us a little slack
What's the little couch thing in a row 1????
Just a temporary lounger. We are doing Texas Theater Seating in that area
Room size 24Lx16Wx14H Speakers all Klipsch RC-64iix3 LCR- RS62iix6 surrounds CDT-5650ciix4 Dolby Atmos and SW115x2 and SW112x4 decoded by Yamaha-powered by Qsc. Like being in a real theatre. Cheers 🍻 Eh.😎👍🇨🇦
Boom! Great combo! Compression drivers for the win
rear speakers are not placed correctly. they should not be at the rear corner. rest all, an amazing theater room, really incredible.
No sir, it’s an 11.1.8 in the works. Thanks for watching and for your support!
How much did this entire room cost?
Approximately $125,000
@DivineAV do you sell the smaller klipsch rcc 102-bts your the first place I could find that might have it and I can't find price in usd anywhere one last thing could you ship to northeast Ohio
because its cheaper to go to the movies, you know that most people can only dream about stuff like this.
You’d be surprised at how affordable you can build something phenomenal. You can phase the system over time. We all love the movie theater. Having a replica at home is a whole new ball game.
@@DivineAV i do agree with you, but in all honesty having that dynamic and gear to recreate a cinema costs. Jbl synthesis or trinnov paired with some good speakers and isolation will set u 50k plus without effort. Nevertheless very beautiful room you created
additional , 1:18 (shaking my head) as ex retired CIC/UCI and Warner Bros projectionist you'll need a laserdisc player , professional Dolby CP professional JBL which mostly used for THX the laserdisc player will offer with the laserdiscs theatrical cinematic mixes with Dolby Stereo 4.2.4 Dolby Stereo AC-3 digital , dts , you ain't going to get theatrical mixes on many DVD only up to certain year and forget about blu 4k certainly ain't going to get it . they are all near field , tampered with by re-cording mixes , botched up , watered down , low end frequency tampering with
The room has already been upgraded with Kaleidescape and Mad VR Envy Extreme, as well as a Trinnov Altitude 16. The updated video come out soon. Kaleidescape is working directly with the studios to provide the highest quality content to ever hit the consumer world. Thanks for watching.
@@DivineAV throw that kaleidescape in the dustbin , the rubbish on it ain't movie , its near field mixes , bin it , get laserdisc theatrical mixes and bin that dolby atmos
@@andysummersthxcinemaandmyc7748 that room’s been revamped and yes, laserdisc is pretty awesome, but I can tell you that Kaleidescape has come a very long way. If you’re ever in town, schedule a demo and I’ll show you the most immersive surround experience you’ve ever had in a home theater. Some of the regular mixes, I agree, but there are a bunch of good movies and Trinnov demo content on the system now.
for 200 people theater then why place it in a home for 1-2-4-10 people ...
Why not? Installing another one today. Video coming soon. It’s awesome!
Love the system, but a bit of feedback. The acting feels a bit over the top. Tone it back a bit and talk more like if you were just talking yo me on a 1:1 basis.
Our other videos are all 1 on 1 bro. This one is a debut of Divine Extreme. It’s storytelling. Thanks for watching. Check out our other stuff. Take care, buddy
210” screen?? That’s cool but no way you’re even hitting 100nits with either of those projectors.
The experience is actually pretty enjoyable with both. We’ve watched multiple full movies in there. But also, those are not the only projectors we have. We have a VPL-VW5000ES that way put on display when a client books a reservation for demonstration. We recommend that the Projectors in the video are used for screens ranging from 120 to 150 inch max. It’s definitely doable to go beyond but really only when watching SDR content. Thanks for watching and for your comments
I bet that sounds ridiculous
It’s pretty crazy