Bernadette (instrumental) HQ James Jamerson

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  • Опубликовано: 13 окт 2024

Комментарии • 11

  • @FutureMakerzEnt
    @FutureMakerzEnt 9 месяцев назад

    Daaaaaaaaan'it😢🙇🏾‍♂️🙇🏾‍♂️🙇🏾‍♂️🙇🏾‍♂️🙇🏾‍♂️Thankz". Detroit Michigan Love 2 ALL💛🤜🏾🤛🏾💪🏾💯😁

  • @trademark1874
    @trademark1874 5 лет назад +8

    All Praise the Hook!

  • @Braglemaster123
    @Braglemaster123 10 лет назад +9

    Great !!!!

  • @janken150
    @janken150 4 года назад +9

    one dislike by the inventor of auto-tune

  • @mr.crapper7197
    @mr.crapper7197 Год назад +2

    He got all of that out of one finger.

  • @DaveSperanza
    @DaveSperanza 8 лет назад +6

    What recording is this from? This isn't the same bass line from the famous recording of Bernadette.

    • @bperriam
      @bperriam  8 лет назад +5

      +Dave Speranza - its off the cd you get with the 'Standing in the shadows of Motown' dvd. Can't find the cd anywhere to help you though. Sorry fella.

    • @DaveSperanza
      @DaveSperanza 8 лет назад +2

      +bperriam Ok cool thanks!

    • @archdukeofsynth
      @archdukeofsynth Год назад +1

      This is the unreleased Jamerson version cut in Detroit. The released version was cut in L.A. and had Carol Kaye playing bass. Two different styles.

    • @TigerLikesTail
      @TigerLikesTail 11 месяцев назад +1

      ​@@archdukeofsynth She is a liar.
      The songwriting-production team of Holland-Dozier-Holland attested to the fact that James Jamerson played on almost every one of their productions, and they never allowed others to produce songs that they had written. Brian Holland signed a notarized affidavit categorically stating that "Bernadette", "Reach Out", "Can't Help Myself", "Keep Me Hanging On", "Standing in the Shadows of Love", "Reflections", "Baby Love", "Back In My Arms Again", "Come See About Me", and "Can't Hurry Love", (all tunes claimed by Carol) were in fact, played by James Jamerson. Most damning was his statement that he had never even heard of Carol Kaye.
      The performance credit that Carol has pursued with the greatest tenacity over the years is the bass part on Stevie Wonder's "I Was Made to Love Her". Hank Cosby who co-wrote, produced it, and who, in his own words, "was there every step of the way from the writing of the song to the day the 45's were shipped", vehemently denied any participation by Carol Kaye on this recording. Cosby added, "Fifty percent of the song was James Jamerson's bass line. No one played like that but Jamerson." Cosby also signed an affidavit similar to Brian Holland's attesting to Jamerson's performance.