Processing Super-8 Ektachrome with the Filmomat

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  • Опубликовано: 30 июн 2024
  • In this video I show you how to process Super-8 motion picture film with the Filmomat and the new motion picture processing system!
    A 15m roll of Ektachrome 100D is processed with the Tetenal E6 chemistry and the result is shown on the projector. Find out more about the new system on www.filmomat.eu
    In the same way you can also process Double-8 or 16mm film with the Filmomat. Processing ECN-2 films can be processed as well, but need a bit of manual work to remove the RemJet layer. This might be material for a future video.
    Make sure to subscribe this channel and follow me on Instagram!
    / filmomat_official
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Комментарии • 33

  • @jack_bench
    @jack_bench 4 месяца назад +3

    This is GAME CHANGING!! Developing movie film at home is now viable for me! Thank you so much for the tutorial, I will definitely save for this set up!

  • @HobbsBhipp
    @HobbsBhipp Год назад +11

    I've been waiting for something like this for well over a decade.

  • @ChrisSmartFilms
    @ChrisSmartFilms Год назад +16

    This is incredible. So happy to see new innovations for 8mm film

  • @film71
    @film71 2 года назад +1

    Chapeau! This is top-notch engineering!

  • @MrJoonat
    @MrJoonat 2 года назад +2

    Wow this machine is super cool. It is almost like decorative fountain.

  • @sonnar_joa
    @sonnar_joa 10 месяцев назад

    I love your way to producing master pieces!! I will buy filmomat automatic processer! Please wrap it well and ship it. And don't lose your inspiration and enthusiasm. My photo life is up to you. Don't forget. ^^ from Korea.

  • @sinproducto
    @sinproducto 2 года назад +7

    Nice work! Love the filmomat! Can you share your formula and times with us?

  • @dayadodds9940
    @dayadodds9940 2 года назад +2

    The results from Filmomat look very good.. reversal process. E6
    ECN2 probably better going through a machine processor.. to put in perspective. These machines are massive. REM jet is removed with water jets, then there’s cross over devices… if you visit a commercial lab your see for yourself. REM jet a real mission to deal with doing it by hand after processing.. yes your colour dev will be contaminated.
    There’s a less toxic aggressive bleach you can use with ECN2, mix from raw chemicals.
    Worth noting disposing of the used bleach
    Should be given to a professional chemical disposal company.. you shouldn’t pour it into local waste water.. very toxic. In the uk you risk been fined.
    I’m very excited by this machine. It is putting professional quality processing in more hands which is very positive. I’m very tempted to buy it for reversal processing.
    I wish the project ever success.

  • @adzbasslines268
    @adzbasslines268 День назад

    With no more Tetenal E-6, I am thinking of creating a new program for the machine with a six bath E-6 process.

  • @Brendafdz505
    @Brendafdz505 2 года назад +3

    very interesting!!!

  • @user-jv2yq6wq6d
    @user-jv2yq6wq6d Год назад +4

    Hello, this device looks great! I want to ask whether this equipment is for sale

  • @darkcustomxxx7252
    @darkcustomxxx7252 Год назад +1

    I want one of these units so much, This is such a fantastic concept for film development. How much do i have to mortgage the house to get one to Australia?....(the country that has nothing cool and even that's 3 months behind....)

  • @Digitalmindseye
    @Digitalmindseye Год назад

    So cool!!!

  • @annonceempat663
    @annonceempat663 Год назад +8

    If we put aside the cost of machine, only for the chemical solutions.. how much is approx. the cost to develop one cart of Ekrachrome? We have to be honest here since some labs.charge around $18-25/ cart.

  • @staswlad
    @staswlad 2 года назад +3

    Wonderful!
    Give me an ectachrome and I will develop it

  • @krishnansrinivasan830
    @krishnansrinivasan830 Год назад +1

    Awesome :)

  • @TheLucaaw
    @TheLucaaw 2 года назад +6

    This is fantastic and I would say a game changer! I have a couple of questions:
    1) I notice that there is no ‘remjet’ removal step here, how is it that this gets removed from the film?
    2) is it possible to develop 16mm film in the Filmomat and how would the setup differ from Super8?
    Congratulations once again on creating this product!

    • @filmomat_official
      @filmomat_official  2 года назад +3

      Thank you! In this video I process Ektachrome (reversal film), which has no RemJet.
      The workflow for 16mm is the same, you just need to increase the distance of the spiral to 16mm :)

    • @TheLucaaw
      @TheLucaaw 2 года назад

      @@filmomat_official thanks for the info. Would you be able to process B&W reversal films such as the Super8 Kodak Tri-X 7266?

    • @filmomat_official
      @filmomat_official  2 года назад +3

      @@TheLucaaw Yes, black and white reversal is perfectly doable with this setup. You can for example use the Foma reversal Kit, or also the new Adox reversal kit.

  • @ikonseesmrno7300
    @ikonseesmrno7300 2 года назад +4

    That is quite the setup! Is the tank capable of processing with a ECN-2 developer?

    • @runinair12
      @runinair12 2 года назад +1

      With certain compromises, yes. There is no good way to remove the Remjet though. That`s the first thing. Then, bleach fixes for ECN are bad. But you could live with that. Proper ECN UL bleach would attack the tanks, so you`d have to substitute it. All possible. So, can you process ECN-2 S8 film? Yes. Will it be fun and convenient? No. Removing the Remjet only after processing will be no option either, btw: The CD is alkaline and will soften and solve the Remjet layer, and wash parts of it into the CD, rendering it unusable for other films. Thus, you´d have to run it as one-shot, which is not very efficient.

    • @filmomat_official
      @filmomat_official  2 года назад +2

      You can definitely do ECN2 with this setup and I will probably do a separate video about that at some point. In the La Palma video I linked, there is 50% Vision 50D footage, so you can definitely get really nice results. For end users there are several small Kits available, for example the Bellini ECN-2 Kit. Using the "original" Kodak chemistry makes little sense as you can only buy that in 20L bulk quantities (the Filmomat only needs 500mL). There are two main limitations: ECN2 needs 5 baths, but the Filmomat has only 3 tanks. This requires to split the process into two parts and exchange the chemistry in between. It's easily done in 5min. Second, like Ludwig already said, is the RemJet. The majority of the RemJet is removed during the process, after the PreBath and rinse. A small part sticks to the film, tough, and needs to be wiped off with a soft sponge after the process. This is a bit tedious and the film needs to be wiped multiple times, to get rid of all the RemJet. Of course its not as convenient as sending the film to the lab, but it's definitely fun to do.
      At the end of the day, ECN2 was always designed to be done in continuous processors - so doing it in batch (no matter if with the Filmomat, Lomo Tank or whatever equipment) will always be a bit of a compromise.

  • @SUBORNOVISION
    @SUBORNOVISION Год назад +2

    It is really a nice innovation.. It will encourage the newbies in super 8 hobby . I have one question, the clear plastic tubes used here for chemical tanks , seems to me Acrylic plastic material. Dose E-6 chemicals has any corrosive effect on Acrylic? I also noticed , there are lots of bubbles inside the chemicals tubes once the chemical return back to the tank. In this process is there any possibility to oxidised the chemicals ? as we now , oxidisation de-grade the quality of chemicals for 2nd use. Your feedback will be appreciated . Thanks again for your effort.

  • @yemni__
    @yemni__ 2 года назад +2

    how about scanning? i would like to learn how to scan too! could you make a tutorial?

    • @EM-ve9bh
      @EM-ve9bh 2 года назад +1

      scanning super 8 without a good dedicated scanner isn't worth it in my experience and good ones are very expensive.

  • @gabrielemencaroni4233
    @gabrielemencaroni4233 Год назад

    Fuck, it's sharper than my bmpcc6k...

  • @josesaraiva9566
    @josesaraiva9566 Год назад +2

    Hello
    Good afternoon
    The problem is color stability, either EKtachrome or Agfacolor S8, the colors deteriorate very quickly, the only one that could last at least 50 years was Kodachrome, the best amateur color film ever made, grain very thin, high color quality and long life, unfortunately, Kodak stopped making this film.

    • @vladamiskovic
      @vladamiskovic Год назад +1

      Zdravo
      Da li se to gubljenje boje dešava i na Fuji velvia, ili provia, posle dužeg vremena?
      Hvala

    • @josesaraiva9566
      @josesaraiva9566 Год назад +1

      @@vladamiskovic
      Goodnight
      All chromogenic films lose color, only some are more stable than others.
      It also has to do with how the films are preserved, which must be around 10º Celsius and 50/55% humidity without contact with gases or other types of different films.

    • @vladamiskovic
      @vladamiskovic Год назад

      ​@@josesaraiva9566Filmove čuvam na sobnoj temperaturi, dakle oko 22 stepena. Boljih uslova nemam, kao i mnogi. Negde sam čuo da filmovi brže propadaju ako se drže hermetički zatvoreni u kutijama.
      Ispostavlja se da su najdugotrajniji crno - beli filmovi, jer oni nikako ne mogu da izblede.

  • @therestorationofdrwho1865
    @therestorationofdrwho1865 Год назад +2

    I don’t even want to see how much this set-up costs.
    It’s a dream but, cost prohibitive to the majority.
    I just process it by hand.