Steve Albini AMI interview - the studio icon on production, Nirvana and the future of the industry

Legendary Nirvana, Pixies and PJ Harvey producer, Steve Albini, sits down with Audio Media International to discuss the formative experiences that shaped his approach to recording, the state of the recording industry and what really happened between himself, Nirvana and the record label during the making of 'In Utero'...

[@mattking1094]

what is that sound in the bg, geeeeezzz

[@BobbyGeneric145]

Who is at a racing track?

[@garrettchristopher3462]

What the heck is that noise in the backround?

[@BenjaminFrock]

such a consistent and lucid individual. great interview, thanks for doing this

[@audiomediainternational8113]

Our pleasure!

[@everydaysounds3015]

thanks for this

[@LCouto-hk9ry]

Master Albini

[@InsaneCarville]

I feel like there's a music production pun in there somewhere

[@randalclarke5487]

He uses the word "paradigm" in EVERY interview lol

[@atiostefony3760]

I learn a lot just for that Word.

[@randalclarke5487]

@@atiostefony3760 good for you 🙂

[@user-ob9zo9cr4c]

rip

[@user-ob9zo9cr4c]

this noise in background, u test me..

[@user-ob9zo9cr4c]

who won reace?

[@contemptcreatorarthurave4042]

In Utero is mildly abrasive at most.

[@pandemic7]

Compared to Nevermind it sounds quite abrasive. Also, in ‘93 it sounded like something from Mars to the suits at Geffen.

[@overkill7990]

Download the MFSL version if you can, it has a nicer mastering in my opinion.

[@pentagonoenllamas]

If you compare it to Napalm Death it's a collection of lullabies obviously, but in the context of rock & roll influenced by the Beatles, AC/DC and Led Zeppelin it's a fairly abrasive record.