Extra tip (costs a bit more money but definitely worth the price) : only use one of the XLR inputs of your Zoom for the backing track (you don't really need to hear that in stereo during tracking anyway) and plug a kick mic on the second (now) available input instead, like an Audix D6 or Shure Beta52 or Shure Beta91. The kick mic close mic track will add a lot to your overall sound (the kick is always the most lacking when you track drums with only a pair of ambiance mics).
Could not agree more! It's actually even what I imply here... The additional kick mic will also allow more flexibility in placement options for a different stereo onboard mic sound.
@@ruhurtrubleeding As i said before, overhead is a good start. You can also experiment with other positions such as room far, or just in front of the drums (room mid/close).
Thanks Kevin! You should definitely head over to recordeo.com if you haven't already then! We go through every single thing there is to know about recording and mixing amazing drums! I'll also be your personal coach in audio recording and mixing and can connect with me anytime!
All i want to say is, Jared its time to give Victor a pay raise. Audio Engineer's can make you or break you and Victor has played a enormous part to make Drumeo what it is today by mixing with excellence some of the greatest drummers alive. I know for myself I always enjoy hearing how he mixes different drum brands. So thanks for sharing with us . Side note Victor in your opinion which drum brand is the easiest to mix and is there a drummer or drummers you think has the best drum tuning techniques. Lol I know, I know they are all great but try to name some. 😆
Lol, thanks! Eas(ier)drums to record have been more consistent ones - bearing edges, wood composition, etc.. Sonor Prolite/SQ2, DW Maple, and Yamaha Hybrid Maple come to mind... as for artist's tuning...jeez that's tough and I don't want to leave anyone out...but a few amazing drummers who tuned extremely well were: Jost Nickel, Todd Sucherman, John Blackwell, Antonio Sanchez, Stanley Randolph...Way too many more to list :)
Recordeo thanks and yes todd sucherman pearl masters kit always sounds great do you know if he tunes reso head tighter than batter head. I think he uses masters series right??
Great video. I've been using a Zoom H6 with a kick and snare mic (and a week ago I bought 2 dynamic mics for the toms) and can't recommend it enough. Clear sound and you get to learn a lot about mixing your sound,
This is awesome. I’ve had an original H4n for years, but definitely haven’t been using it to its full potential! This saves me from needing to get a drum mic kit.
That’s what I’m using a ZOOM H4N Pro digital recorder on my Yamaha DD-75 electric drums and I’m using a mixer board. I’m also using 2 SIMMONS amplifier speakers and Vic-Firth headphones
The handheld recording devices are interesting, however let me offer an alternative solution... If you are not close-mic'ing everything and only capturing a stereo image, then just get a small format analog Mixer and a $100 Condensor and route directly into your PC. The Zoom et al are great for mobile/on-site recording but drums are what I would call a stationary instrument unlike a guitar where you can walk around and play. The "mobile" aspect is kinda unnecessary for the drums where you are not going to walk around and play at the same time. Check out this (Sweetwater) pricing: Mixers: Mackie 402VLZ4 = $100 Behringer Q802USB = $80 Yamaha MG06 = $100 Allen & Heath ZED6 = $100 Condensor Mics: MXL 900 = $100 AT2020 = $100 AKGP120 = $100 You could even route the click into the mixer via RCA and then disable routing the click to the main mix, you'd never even get the click into the recording in the first place, only in your headphones. If you want stereo input, get a cheap XLR splitter and pan at the Mixer or just do it all in the DAW. Both get you to the same place in the end, but I think I would prefer to have 2 distinct devices (mixer and mic) instead of having everything in one unit. That way in the future I can use the Mixer with other Mics and I can use the Mics with other devices (mixer, interface). Just my too sense.
Great video. I've been thinking about the same concept, since my son is starting to play and is getting pretty good. The only difference in my approach would be to use multiple duplicate tracks of the same stream, with each track having it's own adjustments (boosting different frequencies on different tracks, etc.) I have no clue how it would turn out, as I haven't had time to try it, yet.
Thanks! I've done exactly that with huge success! I actually was originally going to teach that in this lesson, though I wanted to simplify it even further for our students to grasp on to the core concepts, then take it to this type of next level!
Great video! I have this exact same unit, and I was wondering if you used the capsules at the 90 degree or 120 degree setting, and what each of those settings should be used for. I've also tried using the Zoom as an overhead and putting a D6 on the kick and an SM57 on the snare through the two TRS inputs and it sounds surprisingly convincing.
Depending on how good your room sounds, your drum setup itself, and what you're looking for with the stereo image, I'd mostly recommend the 90degrees...especially when using ONLY the stereo onboard mic. Re: adding an Audix D^ on bass and Shure sm57 on snare....absolutely perfect. Couldn't have offered a better step in the right direction. :)
Great info. Your work on Drumeo its amazing, I love every kit's sound since the first vid I saw. Unfortunately I live in Argentina. The Zoom H4N for instance is about 400 USD. A whole kit of Shures costs around 580. (Not the best ones but some decent Shures). I have an old M-audio Ultra... Anyway I'll love to have one of those. Thanks for share your knowledge with us!
Thanks ITrazar! If you can even get your hands on a stereo mic (or even a single mono mic), use the exact same principles I go over in this lesson and you're still set!
I’m wondering about recording drums like this but then later using drum replacement software in the mix… and mix the live and the triggered sounds. Seems like it would be pretty easy these days. You could use an iPhone to record the drums… and then dial in samples of the exact same drums being used. Is there a tutorial video of this?
This method must need a good sounding envirionment... at least for what i tried with one mic the best result i obtained was recording with the mic placed on my right, at the hight desired (closer to the kit more atack and presence, or move it away so you can capture more room ambient), pointing at the snare. in my room sounds better closer to the mic and i like to add a second mic on bassdrum.
Technically it is TWO mics, not one. I find it easiest to record straight into the DAW using the Zoom as an interface, this way I can do multiple takes. If you are recording straight to the Zoom, you can record this in four-track mode, adding dedicated kick and snare mics, but then you are going to have to import and line the drum tracks up to the rest.
When I started recording in 1961 (not a typo) we all used only ONE microphone, for the entire group ! Many hit records were recorded that way, LIVE, direct to tape, no overdubs, no EQ. Today's youngsters seem to think this is pure alchemy. Bill P.
This is such a great device . Are there any additional hidden expenses to this? or can i directly transfer my recordings from the h4n pro to the PC? does this require any mediator ?
this is really helpful! what about bass drum triggers? how would i be able to record the rest of the kit with something like that and use a bass drum trigger?
Thank you for a very nice example! What would be your suggestions if I am able to use two or three of them at a time? I would assume that the second one should be around the snare and the other around the kick
I'd recommend to look at adding more external mics, not more zoom recorders. You can even get the Zoom H6, which has the beautiful built-in stereo condenser, as well as 4 more mic inputs! Kick, snare, 2 tom mics, plus the onboard XY mic and now you're rockin!
The reason I am this specific is that I can rent multiple H4 recorders in my university, however I am not too sure about microphones I can get, but thank you for the answer! This will surely help me with my current audio project
Song is "The Ocean" by: Gulli Briem and is available inside Drumeo Edge as a drumless playalong track. See Gulli play the original here: ruclips.net/video/0TYALY8dSWA/видео.htmlm33s
I tried the zoom h4n pro recorder only but it is also picking up mic noises and other home sounds. Is there any way to eliminate it from the sound being recorded??? If anyone knows please reply.....
Thanks! Well, it will capture exactly what your drums sound like acoustically in the room with those sound dampening-devices. The drum recording in general with those devices on your drums would render likely not the best sounding drum recording :)
I'm currently working on a playlist with some of the sickest, most iconic or most surprising drum grooves ever and I could use some input. Any suggestions?
Bas Teeuwen Painkiller intro Tom Sawyer drum solo Seven Days any part you want Bleed Hot for Teacher intro Angel of Death double bass solo Good times bad times intro These are the ones that just came to my mind, there are of course humdreds of others!
Hey Michael! If you plug your phone into the recorder, it will then be recording the drums from the on-board mic and the music from your phone at exactly the same time, which means that when you drop them into your DAW of choice, they'll be synced from the beginning! If you just play to the music without recording the music, you'll have to try to eyeball the music track after in your DAW. This is actually pretty easy, you just slip the music track little bits until it sounds in time with what you played.
Recordeo Thanks Victor! When I move house I will be buying the equipment to start creating videos. If you can, and if I I have the time, pls watch my videos and give tips on how I can get better. Thanks! MikeOnMic
What a great video! Very helpful indeed! If you don't mind, why does your limiter is set to -1.1dB ceiling? Anything related to RUclips broadcast parameters? Thanks!
Thanks Arthur. On an audio master, I always set the output limiter ceiling at about -1 to -1.5dB. Usually, depending on the type of limiter, there is some signal that leaks through that ceiling and if you set the limit right to 0dBFS, then you run the risk of crossing the true peak 0dBFS. And yes, the double reason is to be 100% sure that when publishing the content, the media playback platform will not push over 0dBFS as well. You would be surprised at how much commercial music pushes past actual 0dBFS in their masters, every single day!
Yeah, I always thought that!! I never really trusted in these platforms hahaha. But I usually set my output level around -0.1 dB just to prevent going above 0dBFS even when leaking. I guess you're more orthodox than me, then, or I may start doing it differently
Funny he doesn’t mention how much Pro Tools is. so your really not spending $200. Plus the stand it’s placed on. and on and on. the thumbnail was so misleading.
Thanks Christopher! Although, the Pro Tools software I mentioned to use is Pro Tools First, which is free, as well as I suggest to use an excellent free program with even further functionality, Audacity. Also, you could literally prop this Zoom up with an umbrella or anything you can see in your house. So now there's literally no additional cost other than the Zoom. and again, you could buy the $120 Zoom if the $199 is too much :)
Extra tip (costs a bit more money but definitely worth the price) :
only use one of the XLR inputs of your Zoom for the backing track (you don't really need to hear that in stereo during tracking anyway) and plug a kick mic on the second (now) available input instead, like an Audix D6 or Shure Beta52 or Shure Beta91.
The kick mic close mic track will add a lot to your overall sound (the kick is always the most lacking when you track drums with only a pair of ambiance mics).
Could not agree more! It's actually even what I imply here... The additional kick mic will also allow more flexibility in placement options for a different stereo onboard mic sound.
Yup ! Place your built-in zoom XY mic in a real overhead position, and add a kick drum mic to that.
It gives you another track in your DAW.
@@djabthrash Where would you recommend placing the Zoom mic with the additional kick mic added?
@@ruhurtrubleeding As i said before, overhead is a good start. You can also experiment with other positions such as room far, or just in front of the drums (room mid/close).
This is straight up one of the best tutorials ive seen, just straight to the point, all makes sense and easy to follow, thanks so much!!!
The most important piece of recording gear is the brain+experience, and Victor has it going on! Thanks!
Thanks so much!
I've really been digging this series. I'm equally curious by drum techniques and drum recording techniques. I really appreciate y'all doing these.
Thanks Kevin! You should definitely head over to recordeo.com if you haven't already then! We go through every single thing there is to know about recording and mixing amazing drums! I'll also be your personal coach in audio recording and mixing and can connect with me anytime!
All i want to say is, Jared its time to give Victor a pay raise. Audio Engineer's can make you or break you and Victor has played a enormous part to make Drumeo what it is today by mixing with excellence some of the greatest drummers alive. I know for myself I always enjoy hearing how he mixes different drum brands.
So thanks for sharing with us . Side note Victor in your opinion which drum brand is the easiest to mix and is there a drummer or drummers you think has the best drum tuning techniques. Lol I know, I know they are all great but try to name some. 😆
Lol, thanks! Eas(ier)drums to record have been more consistent ones - bearing edges, wood composition, etc.. Sonor Prolite/SQ2, DW Maple, and Yamaha Hybrid Maple come to mind... as for artist's tuning...jeez that's tough and I don't want to leave anyone out...but a few amazing drummers who tuned extremely well were: Jost Nickel, Todd Sucherman, John Blackwell, Antonio Sanchez, Stanley Randolph...Way too many more to list :)
Recordeo thanks and yes todd sucherman pearl masters kit always sounds great do you know if he tunes reso head tighter than batter head. I think he uses masters series right??
I can't quite remember the exact relationship of top/bottom he ended up with... It could have been equal pitch, or slightly higher on the bottoms..
Great video. I've been using a Zoom H6 with a kick and snare mic (and a week ago I bought 2 dynamic mics for the toms) and can't recommend it enough. Clear sound and you get to learn a lot about mixing your sound,
This is awesome. I’ve had an original H4n for years, but definitely haven’t been using it to its full potential! This saves me from needing to get a drum mic kit.
That’s what I’m using a ZOOM H4N Pro digital recorder on my Yamaha DD-75 electric drums and I’m using a mixer board. I’m also using 2 SIMMONS amplifier speakers and Vic-Firth headphones
I had a serious case of Deja Vu 0:52 then 1:57 Great video! I'm going to check this out right now.
This is great! I used a similar technique for my last drum cover, but then using a overhead mic. Worked great🔥
Love that the video length is 21:12 RUSH on!!!
WE ARE THE PRIESTS OF THE TEMPLE OF SIRYNX!!!
Just what I needed!
Cool video! I use a Zoom Q4 (two built in mics) for all of my drum covers.....works great!
Nice! Where do you place yours?
@@bajanalpha4 Up high and centered works best (most balanced sound), but can be placed about anywhere.
The handheld recording devices are interesting, however let me offer an alternative solution... If you are not close-mic'ing everything and only capturing a stereo image, then just get a small format analog Mixer and a $100 Condensor and route directly into your PC.
The Zoom et al are great for mobile/on-site recording but drums are what I would call a stationary instrument unlike a guitar where you can walk around and play. The "mobile" aspect is kinda unnecessary for the drums where you are not going to walk around and play at the same time.
Check out this (Sweetwater) pricing:
Mixers:
Mackie 402VLZ4 = $100
Behringer Q802USB = $80
Yamaha MG06 = $100
Allen & Heath ZED6 = $100
Condensor Mics:
MXL 900 = $100
AT2020 = $100
AKGP120 = $100
You could even route the click into the mixer via RCA and then disable routing the click to the main mix, you'd never even get the click into the recording in the first place, only in your headphones. If you want stereo input, get a cheap XLR splitter and pan at the Mixer or just do it all in the DAW.
Both get you to the same place in the end, but I think I would prefer to have 2 distinct devices (mixer and mic) instead of having everything in one unit. That way in the future I can use the Mixer with other Mics and I can use the Mics with other devices (mixer, interface).
Just my too sense.
Roe Sham Boe Good idea, but it's actually "two cents", not "too sense" :)
yeah, i do it on purpose :)
I am completely new to this. I loved it. terrific work. Thanks!
You can also use some of those Zoom Recorders as an audio interface. Thanks for the video!
Hi, only 2 or 4 channels?
The Sabian Sound Mixer Kit is another great option to record drums for cheap
excellent excellent video!! just downloaded pro-tools! ready to get started!!! thanks guys!! :)
Great video. I've been thinking about the same concept, since my son is starting to play and is getting pretty good. The only difference in my approach would be to use multiple duplicate tracks of the same stream, with each track having it's own adjustments (boosting different frequencies on different tracks, etc.) I have no clue how it would turn out, as I haven't had time to try it, yet.
Thanks! I've done exactly that with huge success! I actually was originally going to teach that in this lesson, though I wanted to simplify it even further for our students to grasp on to the core concepts, then take it to this type of next level!
Sweet. Thanks for the reply.
Great video on a very cost effective way of recording, which stand are you using to mount the Zoom though!?
Great guide! Can you elaborate more on how to input playalong music directly into the xlr input? I have yet to find a video on this.
Wondering the same thing. The later iPhone versions don't even have a 1/8 headphone jack anymore.
i think you could use a xlr converter or a xlr to 3,5mm cable which you connect to your audio source (smartphone, laptop...)
Great video! I have this exact same unit, and I was wondering if you used the capsules at the 90 degree or 120 degree setting, and what each of those settings should be used for. I've also tried using the Zoom as an overhead and putting a D6 on the kick and an SM57 on the snare through the two TRS inputs and it sounds surprisingly convincing.
Depending on how good your room sounds, your drum setup itself, and what you're looking for with the stereo image, I'd mostly recommend the 90degrees...especially when using ONLY the stereo onboard mic. Re: adding an Audix D^ on bass and Shure sm57 on snare....absolutely perfect. Couldn't have offered a better step in the right direction. :)
Great info.
Your work on Drumeo its amazing, I love every kit's sound since the first vid I saw.
Unfortunately I live in Argentina. The Zoom H4N for instance is about 400 USD.
A whole kit of Shures costs around 580. (Not the best ones but some decent Shures).
I have an old M-audio Ultra...
Anyway I'll love to have one of those.
Thanks for share your knowledge with us!
Thanks ITrazar! If you can even get your hands on a stereo mic (or even a single mono mic), use the exact same principles I go over in this lesson and you're still set!
I'll do!
Thanks for sharing your knowledge and experience!
Nice! Thanks for breaking it down.
Thank you!
Thank you so much. it is very useful for my drum cover~
Awesome sounding 🤘🤘
I’m wondering about recording drums like this but then later using drum replacement software in the mix… and mix the live and the triggered sounds. Seems like it would be pretty easy these days. You could use an iPhone to record the drums… and then dial in samples of the exact same drums being used.
Is there a tutorial video of this?
If you are already using an audio interface, why not use some kind of large diaphragm condenser mic? Wouldn't I get better result with some of those?
This method must need a good sounding envirionment... at least for what i tried with one mic the best result i obtained was recording with the mic placed on my right, at the hight desired (closer to the kit more atack and presence, or move it away so you can capture more room ambient), pointing at the snare. in my room sounds better closer to the mic and i like to add a second mic on bassdrum.
Really cool lessons here!!
Technically it is TWO mics, not one. I find it easiest to record straight into the DAW using the Zoom as an interface, this way I can do multiple takes. If you are recording straight to the Zoom, you can record this in four-track mode, adding dedicated kick and snare mics, but then you are going to have to import and line the drum tracks up to the rest.
Great lesson, thanks Recordeo!Could you suggest any tips for recording only through iphone/ipad mic?:)
This is very helpful. Thanks a million!
i cant stop looking at the equipment hanging over the edge of the desk
This is gold. Thank you so much.
This was very helpful! Thanx! :D
When I started recording in 1961 (not a typo) we all used only ONE microphone, for the entire group !
Many hit records were recorded that way, LIVE, direct to tape, no overdubs, no EQ.
Today's youngsters seem to think this is pure alchemy.
Bill P.
Love this video, is there more Recordeo content in the works?
Great stuff, I'll definitely consider the mic, and the mixing tips are very helpful. Keep the tips comin'
Super helpful video!
very helpful video man. thank you
You're very welcome! A lot more where that came from inside recordeo.com ;)
On the Zoom, What level are you shooting for on the Zoom Display? About -8?
Do I need pro tools for this Zoom recorder? Also can I add a mic to the input
Is the Zoom basically the same technology as the Yamaha EAD10? It sounds good, but far too much cymbals in the mix. Killed the snare though
I using Yamaha EAD 10
Amazing
This is such a great device . Are there any additional hidden expenses to this? or can i directly transfer my recordings from the h4n pro to the PC? does this require any mediator ?
No other costs! I even suggest using a free DAW like Audacity or Pro Tools First.
this is really helpful! what about bass drum triggers? how would i be able to record the rest of the kit with something like that and use a bass drum trigger?
You may want/need to use either a Zoom with more inputs like the H6, or use an audio interface and a computer to record.
Hi can this be done for live rock music in smaller venues
yeah but how am I gonna mix them? maybe just 2 mics and bass and drums through a mixer and that through my field recorder?
Thank u ❤️
i would have use a multi band compression instead
Thank you for a very nice example! What would be your suggestions if I am able to use two or three of them at a time? I would assume that the second one should be around the snare and the other around the kick
I'd recommend to look at adding more external mics, not more zoom recorders. You can even get the Zoom H6, which has the beautiful built-in stereo condenser, as well as 4 more mic inputs! Kick, snare, 2 tom mics, plus the onboard XY mic and now you're rockin!
The reason I am this specific is that I can rent multiple H4 recorders in my university, however I am not too sure about microphones I can get, but thank you for the answer! This will surely help me with my current audio project
Awesome! You can get tons more lessons like this and personalized one-on-one feedback from me on your recordings/mixes inside recordeo.com :)
How about Zoom H2n? It record 360 degree, seems more cool
what is the recorder mounted with? a mic stand?
great clear tutorial... whats the name of the track used?
fantastic video very comprehensive Thanks , ...which song is playing in background ?
Song is "The Ocean" by: Gulli Briem and is available inside Drumeo Edge as a drumless playalong track. See Gulli play the original here: ruclips.net/video/0TYALY8dSWA/видео.htmlm33s
Very helpful but i got a bit confused with all the mixings and stuff
13:30 what are you comparing? you've got gain reduction only on every 2nd snare :D
awesome
Any way to record an electronic drum kit with a phone through the kit out.
Sir how to connect headphones or in ears with zoom
Bro... Connect to XLR input using a converter
Love this kind of music. Very Soul Cages.
I tried the zoom h4n pro recorder only but it is also picking up mic noises and other home sounds. Is there any way to eliminate it from the sound being recorded??? If anyone knows please reply.....
Can I use the zoom iq7
Cool
Great video! How well will the Zoom H4 work using Black Hole drum pads and low-volume cymbals?
Thanks! Well, it will capture exactly what your drums sound like acoustically in the room with those sound dampening-devices. The drum recording in general with those devices on your drums would render likely not the best sounding drum recording :)
Any free versions of these plugins?
I'm currently working on a playlist with some of the sickest, most iconic or most surprising drum grooves ever and I could use some input. Any suggestions?
Bas Teeuwen
Painkiller intro
Tom Sawyer drum solo
Seven Days any part you want
Bleed
Hot for Teacher intro
Angel of Death double bass solo
Good times bad times intro
These are the ones that just came to my mind, there are of course humdreds of others!
Fool in the rain
How do you have the music synced while u play and listen to it during your playing???
Basically how do you do what u said at 3:56-4:06
Hey Michael! If you plug your phone into the recorder, it will then be recording the drums from the on-board mic and the music from your phone at exactly the same time, which means that when you drop them into your DAW of choice, they'll be synced from the beginning! If you just play to the music without recording the music, you'll have to try to eyeball the music track after in your DAW. This is actually pretty easy, you just slip the music track little bits until it sounds in time with what you played.
Recordeo Thanks Victor! When I move house I will be buying the equipment to start creating videos. If you can, and if I I have the time, pls watch my videos and give tips on how I can get better. Thanks! MikeOnMic
Thanks Michael! We'd love to have you apart of our new wonderful community inside Recordeo!
Recordeo Great!
What a great video! Very helpful indeed! If you don't mind, why does your limiter is set to -1.1dB ceiling? Anything related to RUclips broadcast parameters? Thanks!
Thanks Arthur. On an audio master, I always set the output limiter ceiling at about -1 to -1.5dB. Usually, depending on the type of limiter, there is some signal that leaks through that ceiling and if you set the limit right to 0dBFS, then you run the risk of crossing the true peak 0dBFS. And yes, the double reason is to be 100% sure that when publishing the content, the media playback platform will not push over 0dBFS as well. You would be surprised at how much commercial music pushes past actual 0dBFS in their masters, every single day!
Yeah, I always thought that!! I never really trusted in these platforms hahaha. But I usually set my output level around -0.1 dB just to prevent going above 0dBFS even when leaking. I guess you're more orthodox than me, then, or I may start doing it differently
More RECORDEO please!! Actually it would pretty awesome a independent channel for Recordeo.
Gud werk
what's the video editing software he mentioned at the end?
DaVinci Resolve (free version)...I still cannot believe that Blackmagic offers this for free to the world!
It's even work with a whole band
dude high as gas
Would GoPro hero 4 or 5 do nicely as well?
Indrumnity 9,999 I use GoPro hero 5 since it’s nice and easier to connect to your phone compared to the GoPro hero 4.
Mr. Mirks Ok thanks for your reply
Looks easy doing hard
did I miss the actual recording part of your drums? Perhaps you could rename the video?
The recording of these drums was in our Ultimate Guide To Recording Drums inside of recordeo.com !
❤️
This video should be called "How to processed drums recorded with one mic".
This video implies that recording a drum kit with 1 mic requires a fair amount of processing to get a good sound
He should really clean that keyboard.
Sounds like Phil Collins on the drums
Funny he doesn’t mention how much Pro Tools is. so your really not spending $200. Plus the stand it’s placed on. and on and on. the thumbnail was so misleading.
Thanks Christopher! Although, the Pro Tools software I mentioned to use is Pro Tools First, which is free, as well as I suggest to use an excellent free program with even further functionality, Audacity. Also, you could literally prop this Zoom up with an umbrella or anything you can see in your house. So now there's literally no additional cost other than the Zoom. and again, you could buy the $120 Zoom if the $199 is too much :)
I hate live in Brazil, Zoom Cost R$3.575,15 (595 USD) here. 😠😠😠😠
Dude this intro music was trash lol..