Not sure what's with the comparison between a brick wall limiter and a transient designer here.... but if you insist I guess sure with the right tweaking of attack and release time on your pro L you can shape whatever transient you want but they don't sound the same at all... mostly because of the tons of distortion a brick wall limiter brings in whenever gain reduction takes place, while the SPL brings in literally no harmonics . Apart from all that the workflow alone is like 1000000% easier when you use a transient designer to shape transients because DUH... IT IS a transient designer😂 the knobs are right there for you to turn lmao
It's my new secret weapon in the ol arsenal now💣
So why don´t you use it then as a secret weapon, cause your mix still sucks.
For some reason i gravitated to the original SPL T.D many years back rather than Waves Trans-X.....I can def say it was the GUI 🤣🤣
AWSOME ...works great on BV ..try it ;-)
I hope this goes on sale soon, looks great. Does it come with presets?
Why? It has 3 knobs, and is highly dependent of the audio source
Btw, 30$ right now 😁
Kaitsu bought it and it does come with presets. For newbies like me, presets help a lot.
Its all about what sounds good!
@@kaitsu9608I agree. Presets are evil
Game changer.. it's a Must have.👍
Thank you!
Shouldn't the limiter avoid peaking above 0 (it looks it goes to + 0.1) ?
Wondered about this too. He says "It never goes above 0." yet it displays "Peak: 0.1".
Those are intersample peaks. Nothing you can do about those except make room for them or use a true peak limiter
Not Knowing what Intersample peaks are is the reason your music sucks.. get educated please.
@@Pottwerke I'll do that as soon as possible my Great Maestro 🙄🙄🙄
@@stevegalante Sounds good. I mean not your music but your committed educational project.
What is the point in these transient designer when I can use fab filter pro L
Quality. They are not all the same.
Pro L is a limiter, not transient designer.
Not sure what's with the comparison between a brick wall limiter and a transient designer here.... but if you insist I guess sure with the right tweaking of attack and release time on your pro L you can shape whatever transient you want but they don't sound the same at all... mostly because of the tons of distortion a brick wall limiter brings in whenever gain reduction takes place, while the SPL brings in literally no harmonics . Apart from all that the workflow alone is like 1000000% easier when you use a transient designer to shape transients because DUH... IT IS a transient designer😂 the knobs are right there for you to turn lmao
Not knowing the difference between a limiter and a transient designer is the reason why you should immediately stop making music.
@@Pottwerke The problem is I'm not though and my shit sounds great