Also wasn't it $249 last month? It's now $349! No offense, but DCTL's should probably be a lower price point to a certain extent because of Resolve 19's new features. I know it's still in beta, but come on.
Best emulation from digital to film has to be "The Holdovers" film. Closest thing I have ever seen that matches it. Albeit, wardrobe, set dec, sound recording has a big play ofc.
@@HHKFilms1 Now I understand, I was convinced that since it is quite a contemporary series they had shot it digitally with a great job of film emulation.
A fair comparison is our plug-in and filmbox. What makes this different is what we are trying to chase here. I’m personally not a big fan of chasing a look, whatever that “look” might be. And problem with a lot of plug-in, and presets out there is that they aren’t kept keeping usability and intuition in mind. So when you start with Dehancer or say Resolves new film plug-in, you still have to pull a decent number of levers to attain the sweet spot. Our plug-in attempts to question, what if the sweet spot is just one of many possible look outcomes? And what if a better color model is indeed the answer we are looking for? I highly suggest you download a demo and test it out. It’s hard for me to distill everything in the comment, but I’m sure next update will put things in perspective. It’s expected to release by mid May, or earlier.
I am in love with this channel and the content you provide.. Thank you for your support and for helping me develop my skills and realize my imagination. ❤
Just purchased FilmVerse last week and can’t wait for this update! Question-will you be adding any B&W film stocks or adjustment tools to easily create this type of look in future?
Official release date for the 1.2 was set to 13th April, you’re good! You’ll get the updates in inbox within 24 hours. (This also stands for those who were sent a manual update for 1.1)
Watermarked one lasts forever, but incase you want to try it without watermark, DM us :) it lasts for short, but allows you to try out everything that we have built over good span of time - without watermark.
This is fantastic! Here's curve ball question for you guys! I wanna use this for my photography! I want to be able to take stills from my camera, use this thing of yours to make great LUTS, then transform the LUTS into Lightroom presets. I have done this before, and it works great! However, the only thing that is stopping me, is I don't know what to do with the color space transform. I use a Fujifilm, and it can't really shoot stills in log format as far as I know. Can one use REC709 as the input since the images coming out of camera is pretty "standard" so to speak? I wish the color space transform tool in Davinci resolved had camera profiles just like Lightroom does, but it doesn't. What's your tip around this? Do some basic correction to the image to make it as "standard" as possible and have REC 709 as input on the first node?
Can can surely try using input as Rec709. Enable luminance mapping, with max inputs set to 10,000. Not the rightest way to preserve details, since we are going from a smaller color space to a bigger color space. But since we are working with still images there shouldn’t be much loss in terms of visual value as the final output is Rec709. But I suspect a better workaround might already be out there somewhere on the internet. Let me read into this! Why don’t you drop by on Instagram? let me share what I can find :)
Great job with the plug-in, loving it so far! Was thinking of buying it when the price was lesser. But this one is a bit out of my budget even after discount 😅 Will there be additional discounts? Will the price increase in future? And will there be more film stocks like 250D and 50D in future?
Yes! If you were intending to buy the plug-in at the previous price, DM me at @jaideep.panjwani or @coloristfoundry over Instagram, I’ll be more than happy to help you out further with the price! And there won’t be any elevation in price beyond this point :) And yes! 250D is already under the hood, it’s being fine tuned as we speak. It’s going to be released soon :)
If I buy this, will I be able to use this on multiple computers? Also, is it recommended to shoot with filters when achieving this film look, the modern style specifically. Ik the digital cameras today are super sharp and unnatural
License comes with two seats :) Filters are fully subjective and dependent on nature of project, you can de-sharp upto an extent in post - but if the requirement of the project is to tell a story with “filmic look” as a character itself - maybe filters can be a good idea…
BRB, coding OFX version of the plug-in 🧑🏽💻🧑🏽💻. Jokes aside, yes one is in development. Just waiting for finalise most of the math with help of user feedback😅
i have a question, when I play the video in Davinci Resolve the colors always changing and when I pause it, it comes back to the original with more saturation. Why is that?
We are facing similar issue on Resolve 19. It seems most (not all) of the OFX effects - if sandwiched between CST nodes are facing similar issues. DCTL plug-in is no different. On a different machine with DR 18, the issue never occurs. Similar reviews by peers and other users. Probably a DR beta bug, hopefully gets resolved with the final update. - V1.3 has transforms built in, this wont be an issue even if final Resolve update doesn’t fix this bug.
Hi! Tell me, can I use bmcc 2.5k bmpaw material, using FilmVerse, to achieve such effects - an oily overflow of shades of green (video1) and an extensive halo of glow affecting the rest of the colors (video2)? ruclips.net/video/K9XsZIE6qqk/видео.html ruclips.net/video/_kEBgWtl694/видео.html
Where are you based off? I am trying to get stripe, government here is making it hard for vendors to use anything but Paypal. Everythin else has a cheap appeal to it in terms of UI. Sucks. Trying to fix it :(
You are correct. However, we are - in a way liable to release these videos about our recently launched plug-in. This goes both ways - for customers who want to learn how to fully utilise what they have put their money in, and for us to make sure we are in constant feedback loop with a bigger audience to know what holds actual market in a sea of oversaturated market :) I think you are looking for the conversation we began in February. Where it all began, the real “talk” about film emulation and in what’s in it for us or anyone who claims to provide value in name of a “look”. Here’s that video: ruclips.net/video/1CSCLKXDSQw/видео.htmlsi=q9Lt_hObfi8Zun7F Now - as a business, we also have to make a decent number of decisions for luring new people in. People out there who might be in the right spot for exploring emulation as a tool for future look development? And that’s where all the flashy-clickbaity stuff comes in. And this is where I see myself vulnerable in my virtues as well! and I get to say maybe it’s because I didn’t invent the rules for the way youtube works? 😅😅 I really hope this helps putting things in perspective?
I think what‘s even a lot worse is the thumbnail which says 35mm free plugin, which is just a complete hoax! So rather Dehancer for me, fairer price and not that kind of manners.
Updates have been successfully rolled out. Incase anyone didn't receive them, get in touch over Instagram @jaideep.panjwani 🙌
no updates and @jaideep.panjwani is private account
How does the Filmverse color science differ from Revolve 19's new Filmic Look Creator
Also wasn't it $249 last month? It's now $349! No offense, but DCTL's should probably be a lower price point to a certain extent because of Resolve 19's new features. I know it's still in beta, but come on.
This tool looks incredible! I just downloaded the demo and I can't wait to try it out. Thank you for your effort and hard work putting this together!
Thanks, encouragement like this means a lot to a small team like ours :)
Best emulation from digital to film has to be "The Holdovers" film. Closest thing I have ever seen that matches it. Albeit, wardrobe, set dec, sound recording has a big play ofc.
Succession series also has a spot on film emulation aesthetics.
@@Gonchoboy succession was shot on film
@@HHKFilms1 Now I understand, I was convinced that since it is quite a contemporary series they had shot it digitally with a great job of film emulation.
Watch "X"
@@gianlucazanga8432 seen it, Holdovers has much better film treatment
I would love to know your thoughts on what makes your plugin different than the others ? Specifically Dehancer.
Thank you
xx
A fair comparison is our plug-in and filmbox. What makes this different is what we are trying to chase here. I’m personally not a big fan of chasing a look, whatever that “look” might be. And problem with a lot of plug-in, and presets out there is that they aren’t kept keeping usability and intuition in mind. So when you start with Dehancer or say Resolves new film plug-in, you still have to pull a decent number of levers to attain the sweet spot. Our plug-in attempts to question, what if the sweet spot is just one of many possible look outcomes? And what if a better color model is indeed the answer we are looking for?
I highly suggest you download a demo and test it out.
It’s hard for me to distill everything in the comment, but I’m sure next update will put things in perspective. It’s expected to release by mid May, or earlier.
I am in love with this channel and the content you provide.. Thank you for your support and for helping me develop my skills and realize my imagination. ❤
Thanks 🥹🫶
I’ve been loving this workflow so much , can’t wait for update !
We need this for adobe premiere pro and after effects!
Just purchased FilmVerse last week and can’t wait for this update! Question-will you be adding any B&W film stocks or adjustment tools to easily create this type of look in future?
Yes we will be adding BnW stocks, we’re are currently short listing ones we’d like to work towards!
The plugin is awesome and would love to buy it but I’m just a student and it’s too pricey is there any way you can reduce the price?
Davinci Resolve 19 is coming soon with almost all of these features for free :)
I purchased this a few weeks back, how do i get the updates/upgrades mentioned in this video?
Official release date for the 1.2 was set to 13th April, you’re good! You’ll get the updates in inbox within 24 hours. (This also stands for those who were sent a manual update for 1.1)
@@ColoristFoundry Thank you. Have a great one!
How long does the demo last?
Watermarked one lasts forever, but incase you want to try it without watermark, DM us :) it lasts for short, but allows you to try out everything that we have built over good span of time - without watermark.
Is the v2 available yet?
Do I get the Update for free or do I have to buy it again and again when you release new versions?
This is fantastic! Here's curve ball question for you guys! I wanna use this for my photography! I want to be able to take stills from my camera, use this thing of yours to make great LUTS, then transform the LUTS into Lightroom presets. I have done this before, and it works great! However, the only thing that is stopping me, is I don't know what to do with the color space transform. I use a Fujifilm, and it can't really shoot stills in log format as far as I know. Can one use REC709 as the input since the images coming out of camera is pretty "standard" so to speak?
I wish the color space transform tool in Davinci resolved had camera profiles just like Lightroom does, but it doesn't.
What's your tip around this? Do some basic correction to the image to make it as "standard" as possible and have REC 709 as input on the first node?
Can can surely try using input as Rec709. Enable luminance mapping, with max inputs set to 10,000. Not the rightest way to preserve details, since we are going from a smaller color space to a bigger color space. But since we are working with still images there shouldn’t be much loss in terms of visual value as the final output is Rec709.
But I suspect a better workaround might already be out there somewhere on the internet. Let me read into this! Why don’t you drop by on Instagram? let me share what I can find :)
@@ColoristFoundry Sure! :D
For a second I thought you are the guy narrating the "In a Nutshell" videos.
Hello, can i ask you whats the beautiful background music is called?
nice music
Is this comaptible witth Davinci Resolve Studio on IPad Pro?
Wondering this too
Waiting for luts
how to update from the old FilmVerse DCTL ??????
You’ll receive an update in 12 hours :)
@@ColoristFoundry thank you
I would love to see this for FCPX
looks too good, man!
Thanks :)
Great job with the plug-in, loving it so far! Was thinking of buying it when the price was lesser. But this one is a bit out of my budget even after discount 😅
Will there be additional discounts? Will the price increase in future? And will there be more film stocks like 250D and 50D in future?
Yes! If you were intending to buy the plug-in at the previous price, DM me at @jaideep.panjwani or @coloristfoundry over Instagram, I’ll be more than happy to help you out further with the price! And there won’t be any elevation in price beyond this point :)
And yes! 250D is already under the hood, it’s being fine tuned as we speak. It’s going to be released soon :)
If I buy this, will I be able to use this on multiple computers? Also, is it recommended to shoot with filters when achieving this film look, the modern style specifically. Ik the digital cameras today are super sharp and unnatural
License comes with two seats :)
Filters are fully subjective and dependent on nature of project, you can de-sharp upto an extent in post - but if the requirement of the project is to tell a story with “filmic look” as a character itself - maybe filters can be a good idea…
It looks really great but too bad it's only for the paid version of Resolve due to the DCTL thing
BRB, coding OFX version of the plug-in 🧑🏽💻🧑🏽💻. Jokes aside, yes one is in development. Just waiting for finalise most of the math with help of user feedback😅
@@ColoristFoundry Awesome, looking forward to it!
i have a question, when I play the video in Davinci Resolve the colors always changing and when I pause it, it comes back to the original with more saturation. Why is that?
We are facing similar issue on Resolve 19. It seems most (not all) of the OFX effects - if sandwiched between CST nodes are facing similar issues. DCTL plug-in is no different.
On a different machine with DR 18, the issue never occurs. Similar reviews by peers and other users. Probably a DR beta bug, hopefully gets resolved with the final update.
- V1.3 has transforms built in, this wont be an issue even if final Resolve update doesn’t fix this bug.
That's not a free version of the plugin, that's a watermaked demo
I’m sharing the free non-watermarked version over DMs, feel free to drop by at @coloristfoundry
discount code expired...
🔥🔥🔥🔥
Release for premiere
Hi! Tell me, can I use bmcc 2.5k bmpaw material, using FilmVerse, to achieve such effects - an oily overflow of shades of green (video1) and an extensive halo of glow affecting the rest of the colors (video2)?
ruclips.net/video/K9XsZIE6qqk/видео.html
ruclips.net/video/_kEBgWtl694/видео.html
You want more sales? Offer alternate payment methods besides PayPal. Not everyone is a fan of PayPal.
Where are you based off? I am trying to get stripe, government here is making it hard for vendors to use anything but Paypal. Everythin else has a cheap appeal to it in terms of UI. Sucks. Trying to fix it :(
For time being i'd love to share a non-watermark version for you to play around. Drop by on instagram
@@ColoristFoundry I HAVE SENT YOU MESSAGE BUT U HAVE NOT YET REPLY CHECK UR INBOX
great plugin but not for $350
Who knows. From this video I realize I am a leftish.
The promise was to talk about film emulation, but this vid is just a plugin ad. No interesting or useful information here.
You are correct. However, we are - in a way liable to release these videos about our recently launched plug-in. This goes both ways - for customers who want to learn how to fully utilise what they have put their money in, and for us to make sure we are in constant feedback loop with a bigger audience to know what holds actual market in a sea of oversaturated market :)
I think you are looking for the conversation we began in February. Where it all began, the real “talk” about film emulation and in what’s in it for us or anyone who claims to provide value in name of a “look”. Here’s that video: ruclips.net/video/1CSCLKXDSQw/видео.htmlsi=q9Lt_hObfi8Zun7F
Now - as a business, we also have to make a decent number of decisions for luring new people in. People out there who might be in the right spot for exploring emulation as a tool for future look development? And that’s where all the flashy-clickbaity stuff comes in. And this is where I see myself vulnerable in my virtues as well! and I get to say maybe it’s because I didn’t invent the rules for the way youtube works? 😅😅
I really hope this helps putting things in perspective?
I think what‘s even a lot worse is the thumbnail which says 35mm free plugin, which is just a complete hoax!
So rather Dehancer for me, fairer price and not that kind of manners.
Great! Let me know how it works out when Resolve 19 has a dehancer built in 👀
Also, yes - been giving my plug-in for free in my DMs. Lifetime. Free. Just to get some feedback.
nice but it is too dam expensive !!
Hey! DM us at coloristfoundry, over Instagram! Let’s fix this for you :)
Hello i wrote you in the dm i tried to post this comment in other RUclips account but it disappears please. I don’t know how to contact you
What’s your Instagram? And what do you mean other RUclips, this is the only one
@@ColoristFoundrywatchsimoo. The thing with RUclips is some problem with my account 🤷♂️
@@ColoristFoundry is watchsimooo