The Count of Tuscany - JP's Evolution (2009-2023)
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- Опубликовано: 12 сен 2024
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Playlist of live videos that I referenced while transcribing:
• Black Clouds & Silver ...
You're another level bro appreciate your effort
Thanks! I thought this would be an interesting companion to the full tab video.
i agree
I really wish one day Evan will do the official guitar transcription for dream theater and other John Petrucci's music. His transcription works are beyond great/
That would be a dream come true!
This is my fav song and you are such an awesome musician for giving this to the community!
Thanks for your support!
Thanks Evan for this amazing work!
It would be interesting to know of if JP does this because he 'forgets' how he originally wrote the song, or maybe because he thinks this 'new' approach is better live or whatever reason he actually does this hahaha.
In my personal experience, when you have played a thousand of times a particular song, sometimes you want to 'spice' it up with cool stuff you have developed playing it (he sometimes does this with a few songs). but particularly with TCOT, I don't find this is the case hahaha.
Anyway, love the song and JP approach to it.
Thanks again, Evan, keep up the good work!
I would imagine its a little bit of both. I'm sure I've seen interviews of him saying the worst part of touring is relearning all of his parts he did months ago, playing in the studio and getting it ready for live performances. And some positions might be better played in a live setting. Think he said something like that it one of his interviews for his new solo album, since he wrote it bit by bit and now he hast to learn to play it in one go.
Yeah, I think it's a combination of getting bored/wanting to change things up and sometimes forgetting exactly how he played something in the studio. It's usually more noticeable when a song returns to the setlist after a long absence. For example, I remember noticing some position changes in The Dance of Eternity on the self-titled tour in 2014.
Personally, I prefer playing TCOT the studio way, except for measures 90-91, which are easier the new way. Less stretchy and fewer string changes, but different timbre obviously. Measures 58-61 are definitely easier for me the old way, that's the change that kinda baffles me haha.
In UK 2011, best version of this song
This is more epic that Johns beard itself!
Hey Evan, hope you are well! Can you transcribe Petrucci's solo on their cover of Queen's Tenement Funster / Flick of the Wrist/ Lily of the Valley off their cover disc on BC&SL? I haven't seen any tabs for anywhere it but it's an awesome solo
Was pretty cool to see JP use vibrato in the 5:35 part
Wow this is great to see the differences........the master only getting better. Thanks again Evan for the cool analytical approach,
Thanks man, glad you enjoyed it!
This is just bonkers. awesome job man.
Thanks, I'm glad you enjoyed it!
Great video!
never noticed those before! cool content.
Great video man!!
Your tabs are perfect, do you have Trial Of Tears here on youtube please?
Only thing that changed was the quality of the camcorders
Love this ❤❤❤
Interesting. I found a riff in The Test That Stumped Them All that he switched, after the solo, after the 3 octave run, @ 3:17, which live ToT he would work his way down the fretboard, but later he would stay up 13th/12th position.
I think when he "relearned" it for that later tour, he realized it's easier to play up in that higher position. Which may be what he's doing in some of these. Plus, as you well know, recording various parts in the studio, but then having to string those parts together live, can present different challenges, where the way he played it in the studio just won't work live.
Plus, I bet part of it is that he just knows the fretboard so well, and knows the melody of what he's about to play, that he just plays notes, if that makes sense. At least on the slower parts.
He IS actually human!! Unbelievable!!
Yeah, that run in The Test is a good example. Playing it the original way results in a brighter timbre and probably cuts through more. In a live context though, playing it higher up on the neck without all the position shifts is definitely easier.
Hi Evan,
will you one day transcribe the album Train of thought? I really hope so.
Thank you again for all the efforts you make for DT enthusiasts
See you soon on your channel 😀
Hey Evan I'm actually a bit shocked you didn't compare the triplet run at the end of the last solo (bar 359 in your tab). To me it's clear his hands don't match the recordings in live videos. Was this a case of not having enough footage?
JP's work ethic is no other.
Dude, great video! And your tabs were spot on. You even corrected a wrong note I had in my tabs. In measure 87, the seventh 16th note, I had the 5th fret of the D string. I changed it the 6th fret and played it with the studio version and it was perfect! Do you post your tabs to ultimateguitar?
Glad this was helpful. No, I don't use UG.
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Are any of the differing versions less comfortable or less natural to play?
I posted this in response to another comment:
Personally, I prefer playing TCOT the studio way, except for measures 90-91, which are easier the new way. Less stretchy and fewer string changes, but different timbre obviously. Measures 58-61 are definitely easier for me the old way, that's the change that kinda baffles me haha.