Callas summons the Erinnyes to aid her kill her Children
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- Опубликовано: 15 сен 2024
- Highlighted comments from the commenters below:
-From Shahrdad:
One critic wrote that even though Callas had learned the role in less than a week, she sang as if she had sung the role her entire life. This role is so fiendish, and it sits in such a odd spot in the soprano voice that almost everyone chokes on it. Yet somehow, it suited Callas's voice perfectly. Even in the Masterclasses, she could still sing the first aria surprisingly well, her voice sounding almost like her old self. This is vocally by far the most monumental Medea Callas ever sang. Her Scala performances were supercharged as well, but you can already hear a shrinkage of volume and a decrease in power, as Callas had lost a good bit of weight by December. She still sounded great and looked beautiful, like one of the caryatids from the Acropolis. For me, the truest of her Medeas is the Dallas one. She is much more the wronged, tortured woman, the loving wife and mother, at war with the vengeful demigoddess inside her. She was in surprisingly glorious voice (adrenaline rush I'm sure), and she was positively on fire. Florence/Scala/Dallas Medeas for me are the ultimate Callas. I rather expect one day, we might hear a Norma nearly as good as hers, but I seriously doubt there will ever be anyone who sang Medea as Callas did. She owns the role forever.
Disclaimer - I own nothing
Not a single vulgar chocking chest tone! that you would hear from such lesser singers as Gencer or Fleming. Not even during the trickiest sections with sudden register shifts! If that's not miracle, i dont know what else is! Pure bel canto festivity full on chiaroscuro LOADED with SQUILLO. No one can touch her here.
yes it took me YEARS to realize how Elegant her low and top voice were used and how so many other singers screamed more and roared more but none managed to deliver the dramatic effect she did not to mention not becoming ridiculous from exaggeration... that Gigantic effect of her chest voice was always on the most Refined side
@@LohengrinO it is impossible to sing like this! The tempo and the dramatic urgency with which she spits those words! How could she not crack? That's why all others stop singing altogether before those sudden changes. Goodness gracious She doesn't even think about them.
@@alioffe4321 and to think that for so many years the sutherland and gruberova fans were actually suggesting she had no technique... she was THE TECHNIQUE PERSONIFIED... but, fans and fans of canary birds...
@@LohengrinO it's come to my attention that over the years even her most adamant detractors have come to appreciate her talents and genius thanks to your constant hard work. I hate it when people complain how you don't give additional info in your posts when all you do is give information, share you knowledge and speak the truth. You have always defended and cared for her: something only a few did back when she was alive. If Maria was alive, she would adore you! AND I thank you for these gems. By the way, who is Sutherland? ;)
ruclips.net/video/u9RD6j2Hgo8/видео.html
@@alioffe4321 the main reason I joined youtube was to post Early Callas cause up to then 99% of the posts were of Callas in deep vocal decline and young people were totally unaware of the unrepeatable vocal phenomenon she was in her early years... and I think that when this channel gets deleted again not much of Early Callas will still exist (people post her for Remasterings but not for her Unequalled early performances)
You all better save and guard this recording with your lives because it wont ever be repeated in our history.
Her low chest tones are demonically beautiful! Pure Euphoria!
my god, this is increible.
.... and this is the same voice that sang Lucia ; Norma, and the opera's of Verdi, Puccini and Rossini - all to international acclaim. She was, and still is, the Prima Donna Assoluta (absolute !). She changed the face of Opera and her performances will never be equalled .
...and Kostanze, Armida, Lady Macbeth, Aida, Bolena and Elvira, Amina, Gioconda, Kundry and Brunhilde.. and not just acclaim.. she is the absolute best in all of the roles, still
Yes ..... you are SO right. The list just goes on and on doesn't it. Incidentally, thank you very much for putting all these up for us all to relish and revel in. very best n
Neuberg
My account has been deleted 5 times up to now :D.. I put them up from time to time to help people cleanse their ears from all the trash they are hearing these days pretending to be opera... real trash
Why don't we just relax and revel in the mastery of Callas. Every single note, word,phrase considered/weighed/ balanced/framed. The judgement and integrity of her performances is beyond mere words.
I would add that for dramatic versatility and total dedication to the characters she portrays, Callas is probably the very best interpretative artist over all genres. The lower notes of her Medea make me shudder - every time - . I am not an envious person, but I do deeply envy those who saw Callas live on stage. Listening to this recording I feel that my emotions have been flung mercilessly around the room like a rag doll. It verges on the unbearable..
The level of vocal splendour she demonstrates here is unbelievable.
Phenomenal... it will be impossible for anyone else to ever again sing like this...
why do they choke? too much is written upon the passagio? or the abrupt almost atonical alterations of tonality even within the same word...
...La Divina has her own place, untouchable and out of reach. We listen and adore this icon of musical interpretation.
Mi piace moltissimo
There is only one Medea. It`s the role María was born to sing. No other singer in recorded history could have. No only can she sing it, but her voice seems to have been built for it. Her tone is the only one which fit Medea. No other soprano in recorded history can sound dramatically angry like María. The sad part is that many people seems to focus in that boring Tosca (not her interpretation, but the opera itself is balhhhhhh), leaving aside the REAL gems, the interpretations that made her really one of the most amazing in history (past, present and future).
❤❤❤❤❤❤
I occasionally come back to listen to this specific recording at times... I still can't comprehend the olympian control of her legato at this horridly demanding role.. the colors in her voice.. and the fact that this is her first time performing medea, yet she nails it and is the best medea out of all her other recordings..
I'm sure Cherubini would be so impressed if he heard this.
Callas' Medea belongs to the Miracles of Human Kind
4:57 ... speechless
Callas's Medea is so much more than music. It's pervasive, breathing art!
the singing here is Suicidal, she jumps from low to high inside the same phrase without the slightest preparation. Notes that are distant 2 octaves are simply spoken... she never abused her voice more than in Medea and it is done in a way no one can copy and without the slightest effort being heard.. whomever claims Callas was a bad singer is mentally retarded... there will never be another singer able to sing Medea like this... (btw notice this stunning chorus variation: 1:26 in non other Medea the chorus does not sound so Ominous and Dark.. Gui was a genius)
Medea simply could not be written for anything less than a true Assoluta voice also. Have you heard others try to sing it? It sounds a MESS.
There's something so cinematic about Callas's singing as Medea. So instinctive, with all these unique vocal inflexions that you don't hear in her other roles. The way she negotiates her sound so clearly through this fatalistic tessitura is beyond.
jmiller05
Assoluta not only in terms of extreme range but the ability to support forcefully the voice throughout.. I dont think Podles could ever support Medea
+Lohengrin O Podles couldn't support the violent high tones consistently like Callas could.
The voice required for Medea is half murderess/half mother. So hard to project these juxtapositions but Callas produces them authentically. Those low chest tones are so eerie, barely human sounds.
jmiller05
and the interchange of vocal Dynamics.. today singers sing with one constant volume that rarely changes for a piano or a forte.. Callas could change the volume of her voice 10 times within the same phrase and without the slightest compromise of Legato... Callas was a Miracle of singing we will never experience again...
Here beloved Callas takes her rightful place amongst the Gods on Mount Olympus.
‘Wonderful Wonderful and yet more wonderful.’
THE ONLY MEDEA !
And this, gentlemen, is why I refer to Callas and then all "the others". This is sublime, superhuman singing and peerless dramatic truth; she is giving of Herself, fearlessly burning her Assoluta instrument so that we poor mortals may gasp in wonder 70 years later. My late grandmother Cassandra saw her 1961 Epidaurus Medea and l can still remember how she described her to me: although Maria was by then in full vocal decline the audience was utterly mesmerized by this tall feline figure furiously pacing the stage like a panther…
I totally agree with "fearlessly burning her instrument"- and think that to critic her "decline" a few years afterwards, after all she has given, is MEAN
@@magicflute3 To me, one of her most moving performances was the Covent Gardens Tosca in 1964 - made more poignant by the fact that she was losing her voice and it was her last stage performance. Yes, she "wobbles" on the top notes of Vissi d'Arte, but what is "wobble" but a wide vibrato, which she could still perfectly control.
Encroyable!!! This is the most impressive role I’ve ever heard Callas sing. Thank you for this post!
Tessitura musicale vorticosa, nervosa, a tratti folle, che richiede una straordinaria concentrazione e agilità canora da funambolo spericolato. Su quella tessitura Maria vola come un diavolo sulle fiamme, creando un vortice di bravura che ti fa mancare il respiro e ti inchioda alla poltrona. Unica e irripetibile 🙏
I always listen to Callas recordings because hers are THE BEST recordings of each and every opera. Every other version doesn’t even compete with Callas. Whenever I’m listening to other great singers, they’re always missing that spark. She had a unique connection with the music and was a true interpreter. No one can match her, not even close.
I agree, she has spoiled every phrase she ever sang
@@LohengrinO and to think that there’s people who compare Maria with Netrebko...
...there are people who compare Callas to Charlotte Church and Andrea Bocelli... there were people who compared Callas to the Off-Pitch-Gallore called Tebaldi... and there were also people in Greece in the 1930s, fanatical Communists, who had used their political connections to fire Callas from the National Greek Opera as completely untalented
Completely agree.. NO ONE else sounds “right” after listening to Maria Callas.
I am speechless. Just to say how divine is La Divina.
The very best of the best.
Thank you very much for sharing this piece of fine art.
Warm greetings from Santiago de Chile.
Dr. Fernando Rivas-Burattini
SHE IS MEDEA... NO MEDEA LIKE CALLAS!
Βρίσκομαι ήδη στον Κιθαιρώνα!
Αυτό μου θύμισε η φωτογραφία αυτή.
Απόκοσμη φωνή. Την αγαπώ. ❤️
Callas is Medea.......Medea is Callas.....'nuff said!....
MADAME CALLAS WAS, IS AND WILL BE FOREVER....."MEDEA". I FEEL , ALLWAYS, MY EYES FULL OF TEARS WHEN I HEAR (AND SEE) "THIS THING FROM ANOTHER WORLD...ANOTHER DIMENSION"...OH! GOOD HEAVENS!...
if Aliens have visited Earth it is very probable Callas was one of them.. she literally was from another plain of existence
HELLO, AGAIN! I AGREE WITH YOU AND THANK YOU FOR YOUR KINDNESS! I HAVE VERY FEW REAL PASSIONS IN MY LIFE AND MADAME CALLAS IS ONE OF THEM... STAY WELL AND BYE-BYE!
Hello?!It's me, again... Thank you ,again. Perhaps you already know, If it is so, i beg your pardon but there are two "videos" that show, behind any doubt, the greatness of MADAME CALLAS: 1º) An interview with a VERY GREAT LADY -MADAME JANINE REISS: "Maria Callas a été pour moi un bonheur extraordinaire"; 2ª) Part of a interview with another GREAT LADY AND A WONDERFUL AND MAGIC MEZZOSOPRANO- MADAME TERESA BERGANZA"Berganza talks about Maria Callas 'grandiosity".
BE WELL and until the next time...We have something in common - OUR GREAT LOVE FOR MADAME CALLAS!... Bye-bye.
She owns the role because so few sopranos attempt it. I did an independent project on the opera in undergrad...and analyzed the score....the writing is simply brutal! She was a great Norma, Lucia, Tosca.....but other's sang these roles well too. Nobody to date can come close to her Medea.
@@baritonebynight Hello! How are you? I think that MADAME CALLAS IS UNFORGETABLE because SHE WAS A GREAT SINGER, A PERFECCIONIST, WITH AN ASTONISHING VOICE BUT... SHE WAS , ALSO, A GREAT ARTIST THAT EMBODIES THE ROLES... Opera is not only beautiful music, beautiful voices,... the singer must "BE THE PERSONAGE"....MADAME CALLAS WAS: VIOLETTA VALERY, GIOCONDA, LUCIA, SANTUZZA, ELVIRA...ETC ; BUT WAS , ABOVE ALL FLORIA TOSCA, NORMA and THAT BREATHTAKE PERSONAGE "MEDEA"... VIOLENT, BAD, VULNERABLE... SHE LOVE DEARLY HER CHILDREN AND YET SHE KILL THEM FOR REVENGE... OH! MY GOODNESS! I think " MEDEA" is her MASTER PIECE... NOBODY CAN DO IT AGAIN LIKE HER... And by the way : sometimes ago I read a biografy (one of many I read) and a critic said" VARIOUS SOPRANOS MADE THE AUDIANCE CRY ON THE LAST ACT OF LA TRAVIATA... MARIA CALLAS MADE THEM CRY ON 2º ACT. SHE IS NOT OF THIS WORLD!...SHE IS SOMETHING DIVINE... UNFORGETABLE AFTER 43 YEARS OF THE DEATH OF HER BODY...
I am sorry if I am too long... I wish you HEALTH, PEACE ....STAY WELL. Bye-Bye.
Che dire, nulla da dire mi sembra impossibile pensare ad una nuove Callas, è come pensare ad un nuovo Michelangelo, impossibile..., Medea è l’opera alla quale sono più legato, dove l’arte della Callas traspare in tutte le sue sfaccettature, basta chiudere gli occhi e capisci tutto: recitazione, canto, musica , un complesso di emozioni paragonabili solo alla “ Cappella Sistina “ o ad un quadro del Tintoretto. Un vortice di emozioni, unica.
Carlo Pietroniro, che belle parole per la Maria...poi in questa Medea a Dallas...quando canta "Atre Furie a me" sembra che ti si agiti intorno e ti volino lei e le Furie e i pipistrelli sopra la testa, e' raggelante. Ci provino le "altre".
@@fabriziomariagarzi5534 davvero! Come sale sulle Furie è magico!
@@fabriziogarzi9396 lei era fantastica. La sua voce può piacere o no, ma ciò non toglie il fatto che è stata una grandissima Artista. A me, personalmente, piace molto! Riusciva a "cavalcare" la musica, anche negli ultimi concerti che fece.
Terrifyingly good! Tempestuous!
ΦΑΙΝΟΜΕΝΟΝ !!! Phénomène !!! Phenomenon !!!
Na verdade Callas nesta ópera, era a Medéia e continua sendo até hoje, pois sua perfeição é única Diva Absoluta Maria Callas. ❤❤❤
MARIA CALLAS,
SOLE PROPERTY OWNER OF MEDEA. Enough said.
an Ocean of Voice
MrQbenDanny I saw Eileen Farrell sing it at the outdoor Greek Theater in Berkeley . Truly Greek. Stupendous voice. Check out her recording.
To think people degrade her for a few wobbly high notes in the sixties! The top soprani of the century did not sing this because They COULDN'T!! Not because they wanted to "preserve" their voices!
they degrade her because she was an unrepeatable phenomenon and according to Meryl Streep the Greatest Artist of the 20th century... they cannot cope with their miserable little lives ;)
Exactly. It's all malicious bitches and dim-witted maniacs. The other day I saw a comment on "how Callas couldn't trill" LOL. Callas could trill on a fart, and that would still beat the crap out of her so-called rivals. I don't even pity those people. They can stop existing for all I care. This singing is her legacy. No one can erase that. A million thanks by the way. Yo do God's work
Callas' trills were magnificent.. the most retarded accusation of all is that she didnt have good technique and they compare her to Imbeciles who all they did was cut this note, cut that ornament, transpose here upwards cause of no low notes, transpose down there was of no top notes... it is unbelievable that post-Callas opera world came to call Technique the ability of the singer to cut the difficulties in the score and sing whatever.. there is an inerview of the retarded Charlie Rose (Callas hater) where he interviews Marilyn Horne and he implies that Callas had no technique, Horne instantly replies: In her prime Callas was one hell of a technician! (and he considered Horne's Gargles technique!!! I would add)... and another interview where the interviewer implies something bad about Callas to Nilsson, where Nilsson transforms into a Glacial Spike and tells him: Callas in her good day was better than ALL THE REST of us put TOGETHER!
She should say that! Horne herself would have looked like an imbecile provided that she had agreed with that moron. There's also a video footage here on youtube in which Horne, Sutherland and Pavarotti are trying to figure out what Messa di Voce is!!! Pavarotti mistakes it for mezza voce, and Sutherland can't even execute one. Mind you! These people were instrumental in Bel Canto revival. I am not giving this example to denigrate these vocalists. They have left their mark on this world. But, Callas was peerless. In addition to having the greatest technical arsenal under her belt, she used her technique as a means of bringing out the expression in music. I have yet to hear something like her ascending trills in In Mia Man. She is like a dragon spitting fire. Pure genius! It's not even her own ornamentation, she's just singing what Bellini wrote.
Ali Offe and Lohengrin O,
I'm really enjoying the imagery here. Thankyou both for your creativity! 😅
She was truly Medea on stage!! Impeccable interpretation and acting!! Bear in mind that since she were a student in the conservatoire in Athens she attended theatre plays by the great actress Eleni (Helena) Papadakis who was unique in ancient tragedy plays and had immense expressive means on stage!
...and was butchered to death by a grovery man fanatical Leftist because a 5th class actress named Dirindaoua gave her name to the Leftist's assassination squads (her murderer said in the court: I am very proud of myself for what I did - Helen Papadakis had as an enemy also Katina Paxinou who was also a fanatical Leftist)
@@LohengrinO Χριστός Ανέστη φίλε Τεό...True that!! Manos Eleutheriou narrates vividly here on a You tube video all the gory details of Papadakis death...
@@victoriagrapsidou3474 read the details once, cant do it again... all the malice of the Nobody towards the genius Greece has been a communist country for the last 100 years
That is madness !! ~
I came to your channel for the music, I stayed for the titles. Seriously 👏👏👏
the Music is far better though :D
@@LohengrinO Oh, definitely. But you still have better titles than anyone else on RUclips :)
@@j.j.schlachtfeld9325 True, the titles are really great!
I could spend my time listening to this recording. Her best "Medea" in my opinion.
Dieux du Ciel, dieux de l'Enfer, dieux éternels, dieux de l'Opéra ! Le chant ABSOLU !
TRULY MAGNIFICENT..............CLASSICAL ATTACK.....................BRAVO................OTHERWORLDLY
Literally HAIR-RAISING...
that is why Bernstein had called her Electricity... but Callas was even far above that
Lohengrin O I’ve followed Opera for forty years but the early 19th century isn’t my favourite . I finally decided it was time to find out what Callas’ Medea was all about. Well !!! I was shocked,terrified,entranced,appalled, all in the BEST possible way. Thank you for this channel.
All
This is one of the most thrilling and exhilarating things we human beings will ever hear. Medea is fiendishly difficult to sing and the character is very different from the other heroines of the same time period. It's unreal .. Her voice takes fiendishly scary colours here - full of vengeance , and venom, blood curdling cruelty which oozes out of her chords ... this is monumental. Also , throughout this opera the color of her voice keeps alternating between spinto and dramatic soprano .
Btw , I heard Pasta also sang Medea - not Cherubini's ... but 'Medea in Corintho' .. I found some reviews ..
Henry Chorley saw it in London:
"The air of quiet, concentrated vengeance seeming to fill every fibre of her frame, with which she stood alone, wrapped in her scarlet mantle, as the bridal procession of Jason and Creusa swept by, is never to be forgotten. Where, again, has ever been seen any exhibition of art grander than her Medea’s struggle with herself ere she consents to murder her children? --than her steps to and fro, as of one drunken with frenzy - torn with the agonies of natural pity, yet still resolved on her awful triumph?"
Also this one is as if they're talking about Callas
“the voice followed so closely the inspirations that breathed spontaneously from her heart, that it could never be called twice alike. With Madame Pasta, the same note in two different situations can hardly be called the same note.”
@@mezzosoprano4778 but that, changing the vocal color to express a different emotion, causes a price for the Voice too high for all these cheapers today to pay...
@@LohengrinO one thing I'll never understand is the obsession with 'longevity' and why do people want to preserve their voices till they're 80 . Too afraid to take risks , avoiding /scooping high notes ,singing everything with a voice of a mosquito , everything in one volume, transposing everything upwards because their chest voice doesn't exist , etc. How can people do disservice to the score like that ? If you can't do justice to the role by giving it your all , kindly don't sing it. When a trailblazer like Callas comes along , they are ready to do anything to paint her in bad colors and spread the most malicious lies so that their below averageness doesn't get exposed. Callas was sent by the gods of music to expose these frauds . Who else could sing like Abigaille , Armida , Bolena like her ? It's a shame we don't have her recordings as Brünnhilde and Konstanze. She revolutionised the art of opera and changed our understanding and appreciation of the art forever . Just like all the greats in all the fields , be it chemistry , medicine , sports etc. she too started at a very young age and worked really hard,by putting her heart and soul into the music, and will be reverred till the end . The number of roles she sang in '52 alone is a testament that this woman was from a different space and time. If one worries about 'health' and 'longevity' they can't do things like this. Each and every role she sang is considered the referential recording for that role. Callas is the standard bearer . She is the yardstick. These 'artists' who worry about their vocal chords so much will never be able to come close.
@@mezzosoprano4778 I completely understand the conscious choice someone can make to sing with 100 compromises to preserve the Voice in the later years... it is their voice thus their choice. But to actually try to persuade the world through their fan base that theirs is the correct and descent way of singing, that is just plain fraud
@@LohengrinO most of the awful singers do try to persuade the world that their singing is the best and they're perfect etc. That's as awful as giving masterclasses and ruining students when one is below average. Our solar system has only one sun and we have only one Callas. Just like how the sun converts the hydrogen in its core to helium (about 4 million tonnes everyday) and radiates heat and light to all the planets revolving around it , Callas brought light into the world by her glorious voice and dramatic abilities . She used all the resources she had to transport us to the Tudor period , Swiss villages , the Gothic period etc. only through her voice . That's why I get really angry when these mediocrinas try to bad mouth her and her legacy. When one's heard Callas , there's nothing else to listen to. Even though it's the singers' choice to take risks or not , I can't help but worship Divina for being the Sun of the operatic world.
Божественная и недосягаемая Мария!!!!! Дорогая, бесценная, это никогда никто не повторит!!!!
COMMENT? WHICH COMMENT CAN I MAKE?!... THIS "WOMAN" DO NOT BELONG TO THIS WORLD... MY AMAZEMENT WAS SO, SO BIG... I THINK THAT I HEAR SOMETHING THAT IS NOT TRUE... " A DREAM?...SOMETHING I CAN NOT CLASSIFIED BECAUSE I HAVE NO WORDS!... OH, GOOD HEAVENS!...
HELLO! HOW ARE YOU? THANK YOU FOR YOUR KINDNESS... BYE-BYE AND STAY WELL, OK?!
Like you, I find this performance mind-boggling. It terrifies me. To watch any tragedy, when a human 'pretends' to be an evil character is terrifying, but to hear Callas actually BECOME Medea - through sound alone - is nothing short of chilling magic. It is beyond analysis. It is like an erupting volcano - utterly irresistible by us poor mortals.
Nunca me canso de ouvir essa voz saída das entranhas mais profundas. Única.
Unica, Inimitabile e quanto manchi ❤🌹 Solo Tu 🌹🌹❤
After reading all these comments. There is nothing left to be added. Opera at its pinnacle. I only wish she were around to sing the dramatic role in "The Veiled Prophet" By Stanford.
L'eccellenza degli Artisti che affiancarono Maria in questa Grande Opera furono con Lei Una sola "cosa".
you go girl
The Great Servant of Art!
Just incredible! Other-worldly.
BELLEZA !!!!!!!!!!!!
extragalactic
Puro arte ¡¡¡ única
I'm addicted to the opening phrases. Incredible. Where is the two octave jump?
Here after the DISASTER at the Met last night.
...I do that a lot too after disaster performances... I cleanse my ears and soul
Lohengrin = I love you, merry christmas
merry Christmas to you too... kisses
Implacabile dea!
Where/ when was this recorded? This is fantastic.
L' unica vera Medea
At about 5:12 is the precursor to the music for the shower scene in the movie Psycho (a separation of about 163 years).
It really does sound similar now that you mention it..
The fantastic artist…I hope the new singers listen to the Great Maria Callas. A singer artist of this kind will not com to this world.
Brynjar Hoff
I’m assuming she goes off stage at 4:57... don’t see why else the volume would decrease that much
Manoli S. Or maybe in the temple ?
Marco Tariello yeah or that
Manoli S. 👌🏻👌🏻😉, but what a pity for the audio quality
Not sure what happens at that point. The volume of her vocal decreases at the same point in the Dallas recording :-/
Coastal Patios 1 well, but that’s not true... I don’t hear any decrease in volume in Dallas or in the 1953 Scala
wow
go girl bravo
Could ANYONE PLEASE tell me who's this Medea's composer???? I beg you 😭💜✨ Also: CALLAS = MELPÓMENE
Cherubini, nice comparison
@@LohengrinO OMG Thanks 🥰
What is the name of this particular aria of the play? I want to see the lyrics but I don't even know what title, I should look into.
Which performance is this?
HOLY SHIT!
What recording of this is this from?
my favorite Medea of hers, her first one in Firenze 1953
Lohengrin O thank you! I have the one of hers from la Scala and I definitely prefer this version! She used less chest voice as she sung this role more and I love what she does in this recording!
who is the conductor here?
Nicki Minaj... and legend says she conducted the entire performance with her tits without using her butt :p
Lohengrin
@@LohengrinO lol 💗
BELLEZA !!!!!!!!!!!!!!