Robert Barclay - The Art of Trumpet-Making - International Trumpet-Making Workshop - Part 1/2

Part 2: • Robert Barclay - The A...
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Under professional supervision of Robert Barclay, Richard Seraphinoff and Michael Münkwitz participants will make a natural trumpet using tools and methods described and illustrated in Dr. Barclay's book "The Art of the Trumpet-Maker" and also in "Making a Natural Trumpet".
During this one-week-workshop you will be familiarized with the production methods of historical trumpet making. In the course of this workshop trumpets like those that were manufactured in the 17th and 18th centuries will be made by hand.
On the last day we will listen to the sound of the instruments that were lying as brass on the worktop at the beginning. The participants will gain a lot of the atmosphere at work, as it will not only concentrate on trumpet making, but will also touch on all areas of music and more.
We will make a long trumpet (without holes) after an original by Hans Hainlein, 1632 (Collection of Musical Instruments at the City Museum of Munich).
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mehr informationen: www.trompetenma...
In einem einwöchigem Workshop werden die Kursteilnehmer unter der Leitung von Robert Barclay, Richard Seraphinoff und Michael Münkwitz mit den Fertigungsmethoden des historischen Trompetenbaus vertraut gemacht. Durch Handarbeit entstehen im Verlaufe des Kurses Trompeten wie sie im 17./18.Jhd. gefertigt wurden.
Am letzten Tag erklingen die entstandenen Instrumente, die zu Beginn als Blech auf der Werkbank lagen.
Die Atmosphäre bei der Arbeit ist eine Bereicherung für alle Teilnehmer und konzentriert sich keineswegs nur auf den Instrumentenbau, sondern streifen alle Gebiete der Musik und darüber hinaus!
Gebaut wird eine Langtrompete (ohne Löcher) nach einem Original von Hans Hainlein, 1632 (Musikinstrumentensammlung Stadtmuseum München)

[@Lacrossa11]

Amazing. Thank you!

[@maz53371]

Tell me which solder do you use?

[@Markus_Breuss]

cool !!!

[@AindriasHirt]

Hi Robert. Have you tried to experiment with distressing the sheet metal on the inside to mimic how the old makers would beat out the metal to make sheets by hand and then turn the bad side to the inside? I ask because I've4 been talking to Eckhard Böhringer who makes wooden shepherd trumpets (www.boehringer-instrumente.de/). He said that the historical wooden trumpets he played have two separate notes at the 11th partial, playing both F and F# as separate notes. He says that he can reproduce this (it's the inside shape that causes it). I'm thinking that the shape allows the trumpeter to create an undertone (you pick a note in the harmonic series and treat it as though it was the next one up in the series - all of the lower notes shift). He's a woman who demonstrates (ruclips.net/video/vC9Qh709gas/видео.html). I'm thinking that you might be able to recreate this on a metal natural trumpet. 'Just a guess.

[@martinsteiger]

Mit welchem Stück beginnt der Beitrag?

[@666Vertigo]

@jonowonoponosono Metal shears, probably

[@jonowonoponosono]

does this mean i can cut through my trumpet with scissors??