Thanks for the great videos. I am slowly working my way through your books, up to Grade 2, and really enjoying them AND progressing. Thank you soooo much.
The sweeping of the index finger from the G to D string sounds much smoother to me than using the thumb to pick from the G string back to the D string. Thanks for that tip.
I use Villo-Lobos Etude 1's descending chord pattern for all 120 right-hand patterns, instead of repeating a couple of chords over and over. Can be used for any tremolo or arpeggio pattern...
Thank you - this provides a helpful approach to getting the most from these exercises. I've just bought your new guitar technique book which I find very clearly set out and accessible. Prior to that I'd been using Iznaola - which is very comprehensive, but I find it a bit overwhelming! Your book has provided me with a fresh system for developing technique and I strongly recommend it to others. By the way, if lockdown ever ends, and if you ever perform in the UK, I want to be in the audience!
Thanks so much. Yes, the Iznaola is great but it gets so difficult so quickly. In his defence though I think he intends the students to stick with the exercises for a long time until they feel better. Hope my book is a bit more gentle.
I'll be getting your book and adding the open string exercises to my routines. I've always found it odd that a set of exercises that are supposed to be for the right hand, would have what is to me, an awkward left hand chord.
True, although you'll get good at those chords after 120 exercises! You can also practice the Giuliani patterns with open strings by just working out the string sets and finger patterns. But ya, I always start my students with my open string exercises to eliminate one factor to really focus on the right hand.
I have a problem with the g7 chord: if I hold down the F on string 1, the D on string 2 and the B on string 5, then the middle finger on B mutes the D string. I can only get that B and D to both ring when I hold down the B vertically and no other note in the chord. This seems to be so whatever the guitar position or sitting position. The C chord isn't a problem. Indeed, I can arpeggiate all other common chords, including the standard G (though B is a challenge). It's just the G7 that I can't find any position that allows all notes to ring. Guitar is a Cordoba C12 with nylon strings. Any advice?
This is a very common issue that every student needs to overcome. You are not alone. Double check your sitting position and right hand position. Then make sure to bring your left hand palm close to the guitar to maximize finger curvature. If your fingers are curved you won't mute the other string. Remember, we are talking about millimetres here so angling the guitar more upright and curving the fingers should do it.
Hi, just wondering if it normal to have to lift my 2nd finger when playing the G chord, if I leave it down it mutes the open D, i just cant see if anyone else does this on the videos I've seen, I've tried changing left hand position but can't get it out of the way, any help would be much appreciated ?
This is a normal issue for students so you are not alone. Usually you have to make small adjustments to your guitar position, height, angle, and the angle of the guitar (usually more of a straight up and down soundboard). Maybe check out this lesson: www.thisisclassicalguitar.com/lesson-left-hand-stretches-on-guitar/
Mr. Werner, I have your book and i have been studying the Guiliani arpeggio exercises (page 33). The Right hand is no problem. My difficulty is my left hand when I play B-D-F: The second finger pad keeps touching the open G string. How can I overcome this? Thank you.
You likely need to do two things. 1) Check your guitar position overall and also make sure the guitar is facing straight up and down (not tilted too much toward you) this will give your fingers a bit more clearance. 2) Bring your palm a bit closer to the neck which will create curvature in your fingers, this curvature will also give you more clearance. The combo of a small adjustment in both those places usually results in enough of a change. Of course, this is all dependant on your overall guitar position and technique to begin with.
@@Thisisclassicalguitar Thank you! I was just watching your other video about LEFT HAND positioning and I noticed how short your nails are. I will take your advice (above) and I will trim my nails a bit more. My nails grow fast.
Great video!really very helpful. Do you have any videos on improving projection in the right hand? It seems like I end up plucking the strings too hard in an attempt to play louder.
No, my main large technique book is notation-only. However, I have a smaller one "20 Favorite Exercises" that has TAB. www.thisisclassicalguitar.com/sheet-music-for-classical-guitar/
I really appreciate your ideas, such as going to the downbeat of the next chord and stopping (and then slowly adding each successive note). It really makes sense to break it down like that. It helps the brain make the connections. PS How come Canadians "about" sounds like "a boat" to us Yanks?
Dear Bradford, to players of what level would you (particularly) recommend the 120? (Ive been playing mostly level 6 pieces in the last months.) Thank you for all your help.
Well, my book pushes 100 open string exercises first and I'd generally recommend doing those first. But anytime is fine. I won't practice all 120 though, I've included routines for various levels in my book as some patterns are easier than others and, of course, not everyone has time for all 120.
Amazing lesson! Just one question: Should we worry about string dampening for better control of the right hand? Or just practice them for what they are (arpeggios)? Thanks!
You can but I don't think it's as important for the 120 exercises unless there are rests in some but I don't recall any. He has some etudes in Op.1 that include muting though such as this one: www.thisisclassicalguitar.com/study-no2-op1-part3-giuliani-string-damping/
On classical guitar, in general, they don't. There are occasions when it might be necessary but that is rare, usually we can sweep the thumb or a finger over two strings if needed in a large chord. It is used in rasgueado strums though. I do use it on electric with a pick if a chord is specific.
@@Thisisclassicalguitar This was a bit of a diversion for me coming from piano. When I picked up the guitar I would start practicing arpeggiating using all five fingers. Then my friend noted that he doesn't use the pinky, and I started noticing that this seemed to be the rule. Yes, I learned about the "sweep picking" from your videos, although I had seen Paco de Lucia do these things, it is difficult to discern what's going on because his hands are so busy. I used to be a western classical music afficionado for a long time and it was the reason I learned to play piano. Recently I discovered flamenco by accident and am now learning it on the guitar, but I've found that the classical guitar musicians have the most useful technical knowledge to complement what I learn from flamenco musicians. Thanks for the reply, and for the great instructional videos.
Thanks for the video. When I get tired of the C, G7 sequence, I switch to CM7, Am7 which sounds soooo beautiful and very modern. :)
Many thanks. You are a real treasure.
As a classical guitar instructor Bradford "ROCKS", no punn intended.
You are a good teacher and a pleasant person. I especially like your advice on keeping track of bpm's on each lesson piece. Thank you for your help!!
Thanks for watching!
Thanks! I clicked the "thanks" button at the top. Others may wish to do so in appreciation.
Wow, so generous of you! Much appreciated.
Thanks for the great videos. I am slowly working my way through your books, up to Grade 2, and really enjoying them AND progressing. Thank you soooo much.
Thank you for sharing your valuable experience and insight.
Glad you enjoyed it!
Thank you for the excellent lesson!
Thanks for this, Bradford.
Dear Sir, thank you for your assistance and guidance for maximizing the benefits of the M. Giuliani etude. Well done. 😎Giuseppe Del Signore
You are very welcome!
Tthis lesson is so helpful.Thanks a lot
Glad to hear that!
The sweeping of the index finger from the G to D string sounds much smoother to me than using the thumb to pick from the G string back to the D string. Thanks for that tip.
Ya, that sweep can get us out of some finger jams on occasion.
Your efforts are appreciated. Keep going!!
Thanks so much!
I don't really understand English but I can listen to your music. ThankYou
I use Villo-Lobos Etude 1's descending chord pattern for all 120 right-hand patterns, instead of repeating a couple of chords over and over. Can be used for any tremolo or arpeggio pattern...
Thanks for demonstrating 89 and 91 with the sweeping thumb and i finger. I've had a go at these but struggled. Steven
Glad it helped!
Oooooh I just found your Classical Guitar Repertoire Lessons Grade 1 & 2 book on Amazon. It will arrive in a couple days and I'm very excited :)
Hope you enjoy it!
Thank you - this provides a helpful approach to getting the most from these exercises. I've just bought your new guitar technique book which I find very clearly set out and accessible. Prior to that I'd been using Iznaola - which is very comprehensive, but I find it a bit overwhelming! Your book has provided me with a fresh system for developing technique and I strongly recommend it to others. By the way, if lockdown ever ends, and if you ever perform in the UK, I want to be in the audience!
Thanks so much. Yes, the Iznaola is great but it gets so difficult so quickly. In his defence though I think he intends the students to stick with the exercises for a long time until they feel better. Hope my book is a bit more gentle.
Thanks
Thanks for watching!
Good job dude 👏 Thanks 🙏 Warm cheers 😊 God bless 🙏🎸🎶
Thanks
I'll be getting your book and adding the open string exercises to my routines. I've always found it odd that a set of exercises that are supposed to be for the right hand, would have what is to me, an awkward left hand chord.
True, although you'll get good at those chords after 120 exercises! You can also practice the Giuliani patterns with open strings by just working out the string sets and finger patterns. But ya, I always start my students with my open string exercises to eliminate one factor to really focus on the right hand.
Thx. This is very usefull
Glad it was helpful!
I have a problem with the g7 chord: if I hold down the F on string 1, the D on string 2 and the B on string 5, then the middle finger on B mutes the D string. I can only get that B and D to both ring when I hold down the B vertically and no other note in the chord. This seems to be so whatever the guitar position or sitting position.
The C chord isn't a problem. Indeed, I can arpeggiate all other common chords, including the standard G (though B is a challenge). It's just the G7 that I can't find any position that allows all notes to ring.
Guitar is a Cordoba C12 with nylon strings. Any advice?
This is a very common issue that every student needs to overcome. You are not alone. Double check your sitting position and right hand position. Then make sure to bring your left hand palm close to the guitar to maximize finger curvature. If your fingers are curved you won't mute the other string. Remember, we are talking about millimetres here so angling the guitar more upright and curving the fingers should do it.
Thanks for this video man
Hi, just wondering if it normal to have to lift my 2nd finger when playing the G chord, if I leave it down it mutes the open D, i just cant see if anyone else does this on the videos I've seen, I've tried changing left hand position but can't get it out of the way, any help would be much appreciated ?
This is a normal issue for students so you are not alone. Usually you have to make small adjustments to your guitar position, height, angle, and the angle of the guitar (usually more of a straight up and down soundboard). Maybe check out this lesson: www.thisisclassicalguitar.com/lesson-left-hand-stretches-on-guitar/
@@Thisisclassicalguitar Thanks for the reply, keep up the excellent work, i love your videos and what you available on your website.
What is that material on your left leg called? Visited the hardware store a couple times and can't find it. Thanks!
That is just shelving cloth, its a rubbery foam: amzn.to/2UaAzPQ
Mr. Werner, I have your book and i have been studying the Guiliani arpeggio exercises (page 33). The Right hand is no problem. My difficulty is my left hand when I play B-D-F: The second finger pad keeps touching the open G string. How can I overcome this? Thank you.
You likely need to do two things. 1) Check your guitar position overall and also make sure the guitar is facing straight up and down (not tilted too much toward you) this will give your fingers a bit more clearance. 2) Bring your palm a bit closer to the neck which will create curvature in your fingers, this curvature will also give you more clearance. The combo of a small adjustment in both those places usually results in enough of a change. Of course, this is all dependant on your overall guitar position and technique to begin with.
@@Thisisclassicalguitar Thank you! I was just watching your other video about LEFT HAND positioning and I noticed how short your nails are. I will take your advice (above) and I will trim my nails a bit more. My nails grow fast.
Great video!really very helpful. Do you have any videos on improving projection in the right hand? It seems like I end up plucking the strings too hard in an attempt to play louder.
Is the technique book above in tab form so you know what fret and string or do you have to read music?
No, my main large technique book is notation-only. However, I have a smaller one "20 Favorite Exercises" that has TAB. www.thisisclassicalguitar.com/sheet-music-for-classical-guitar/
I really appreciate your ideas, such as going to the downbeat of the next chord and stopping (and then slowly adding each successive note). It really makes sense to break it down like that. It helps the brain make the connections. PS How come Canadians "about" sounds like "a boat" to us Yanks?
Glad to hear it helped. 'About' sounds pretty normal up here!
@@Thisisclassicalguitar you should have said because where normal.
Please would ou also do the Left Hand exercises?
I've done just a couple of the first ones: www.thisisclassicalguitar.com/giuliani-left-hand-studies-op1-part2-pdf-lesson/
@@Thisisclassicalguitar Thanks so much!!
For some reason when i try to hit a note with my thumb my fingers just collapse and i have no idea on how to fix it.
Try with full plants - as from min 05:50.
can someone explain the g7 chord? i keep getting it wrong
The G7 chord will appear with a few different voicings (notes appear in different orders) throughout the arpeggios. Are you using the sheet music?
Dear Bradford, to players of what level would you (particularly) recommend the 120? (Ive been playing mostly level 6 pieces in the last months.)
Thank you for all your help.
Well, my book pushes 100 open string exercises first and I'd generally recommend doing those first. But anytime is fine. I won't practice all 120 though, I've included routines for various levels in my book as some patterns are easier than others and, of course, not everyone has time for all 120.
Amazing lesson!
Just one question: Should we worry about string dampening for better control of the right hand? Or just practice them for what they are (arpeggios)? Thanks!
You can but I don't think it's as important for the 120 exercises unless there are rests in some but I don't recall any. He has some etudes in Op.1 that include muting though such as this one: www.thisisclassicalguitar.com/study-no2-op1-part3-giuliani-string-damping/
@@Thisisclassicalguitar thanks for the link! Much appreciated! 😊
In arpeggio n° 11 the pattern is different from what you played: the third and fourth bass notes of the second measure are G and B, not B and D.
Right. What he’s playing is #16 in my edition (with G as the third bass note in measure 2). Columbia Pictures Publications. Editted by Paul Brelinsky.
Hi Bradford!
Hi David!
Do guitarists ever pick with the pinky?
On classical guitar, in general, they don't. There are occasions when it might be necessary but that is rare, usually we can sweep the thumb or a finger over two strings if needed in a large chord. It is used in rasgueado strums though. I do use it on electric with a pick if a chord is specific.
@@Thisisclassicalguitar This was a bit of a diversion for me coming from piano. When I picked up the guitar I would start practicing arpeggiating using all five fingers. Then my friend noted that he doesn't use the pinky, and I started noticing that this seemed to be the rule.
Yes, I learned about the "sweep picking" from your videos, although I had seen Paco de Lucia do these things, it is difficult to discern what's going on because his hands are so busy.
I used to be a western classical music afficionado for a long time and it was the reason I learned to play piano. Recently I discovered flamenco by accident and am now learning it on the guitar, but I've found that the classical guitar musicians have the most useful technical knowledge to complement what I learn from flamenco musicians.
Thanks for the reply, and for the great instructional videos.
昔このアルペジオを毎日バリバリ練習していたことがあったが・・・そのバリバリが良くなかったようだ
130, not 120
It's 120. Check out the original on IMSLP or in any other book.