Yes but I find using the note tracking to be a bit more time consuming to get each note exactly in the sweet spot. Definitely usable though just not my preference
@@SlimeCinemaAu5 talks about how to get the note tracking exact in his tutorial called "Resonate ANYTHING with SerumFX". Pretty sure it's just a static value that should work for all cases?
(edit) Filter key tracking (in the filter FX) and note tracking both end up not really getting the exact same effect as easily in my experience (edit) So it is a static linear value (if you don't adjust the curve) but the parameter you modulate with it also needs to be a linear value with the min, max, and midpoint exactly in the correct place. And every location across the span of the modulation also needs to be located in the correct position for that value. Like for example if I play my patch at E3 then I would need to set my midpoint (C5) max out the modulation amount then kinda move the midpoint around until every knote across the piano roll is in key. Which just takes more time and can be super finicky. Don't take my word for it, go try it in serum. You may like that method for it better because it does work
So I think the main deal is gonna be... 1. Eq it to fit with your sub/whatever is going on around it in your track, or Eq the parts that you want to have more or less weight 2. add a compressor reduce the dynamic range of the signal (making the peaks quieter then adding more gain ((gain compensation)) so the sound is louder and more uniform in volume) 3. Add distortion/saturation/clipping or whatever to the end of the chain and increase either the input gain or distortion mount Hopefully that should get you closer
THE LICE. SLIME CINEMA HAIR REVEAL. on the real tho, super helpful. mapped the 4 macros to a group in ableton and can create random iterations of it, super fun :p
This is a great serum tutorial. Little nugs of knowledge in there. More dubstep/riddim tutorials with serum or phase plant would be tits. 🤙🏽
it sounds really believable. i need to experiment with laser samples as wavetables more myself :)
Ur my favorite
the lice 🔥🔥🔥
that is smart tbh good tut!
THE LICE 🙀😱🙀😱🙀😱
im sorry but could u have mapped the cutoff of the filter to the notes tab would make it ezier to tune tbh, i wanna know wat u think about this
Yes but I find using the note tracking to be a bit more time consuming to get each note exactly in the sweet spot. Definitely usable though just not my preference
@@SlimeCinemaAu5 talks about how to get the note tracking exact in his tutorial called "Resonate ANYTHING with SerumFX". Pretty sure it's just a static value that should work for all cases?
(edit) Filter key tracking (in the filter FX) and note tracking both end up not really getting the exact same effect as easily in my experience (edit)
So it is a static linear value (if you don't adjust the curve) but the parameter you modulate with it also needs to be a linear value with the min, max, and midpoint exactly in the correct place. And every location across the span of the modulation also needs to be located in the correct position for that value.
Like for example if I play my patch at E3 then I would need to set my midpoint (C5) max out the modulation amount then kinda move the midpoint around until every knote across the piano roll is in key.
Which just takes more time and can be super finicky.
Don't take my word for it, go try it in serum. You may like that method for it better because it does work
@@SlimeCinema yeah now that u explain it, like dam i aint the time for that. well anyway thx for the help
Fire bruh🤟😤🥵😤🥵
also more seriously, what post processing plugins do you have behind that bass on FL? Mine doesn't sound quite as beefy!
So I think the main deal is gonna be...
1. Eq it to fit with your sub/whatever is going on around it in your track, or Eq the parts that you want to have more or less weight
2. add a compressor reduce the dynamic range of the signal (making the peaks quieter then adding more gain ((gain compensation)) so the sound is louder and more uniform in volume)
3. Add distortion/saturation/clipping or whatever to the end of the chain and increase either the input gain or distortion mount
Hopefully that should get you closer
THE LICE. SLIME CINEMA HAIR REVEAL.
on the real tho, super helpful. mapped the 4 macros to a group in ableton and can create random iterations of it, super fun :p