One can’t praise these rare gems like masterclasses especially today when to even talk about the “art” of cinema has become so obsolete let alone making that cinema. Thanks IFFR for this, really appreciate it.
_Colossal Youth_ the film he talks about at the end was a one of a kind that I don't think could possibly replicated. It was filmed as a kind of before and after of the demolition of the ghetto, and the way their lives were changed. The way the communal breakdown was portrayed was just so subtle and masterful. Something I realized a couple days ago, was how the scenes at Vanda's new apartment in the projects (the present moment after the demolition) were the longest takes in the movie. What was so genius, is that new and novel moments in memory seem to be stretched out disproportionately compared to other memories and the almost unbearingly long takes reflect that.
1:34:04 I almost cried. I’m experiencing new kind of feelings after I stayed just only 4 months with a family to shoot a documentary about them, each month I conceal my self more and more, everyday i feel more paralyzed toward them, more depressed sometimes, more carful about what they say and what in there faces when they think about money or life, I’m so fragile and I want to show my vulnerability as it is the cinema’s vulnerability itself towards the current socioeconomic-political system or towards death.
One can’t praise these rare gems like masterclasses especially today when to even talk about the “art” of cinema has become so obsolete let alone making that cinema. Thanks IFFR for this, really appreciate it.
"When you don't have time, you don't discover life." (37:50)
_Colossal Youth_ the film he talks about at the end was a one of a kind that I don't think could possibly replicated. It was filmed as a kind of before and after of the demolition of the ghetto, and the way their lives were changed. The way the communal breakdown was portrayed was just so subtle and masterful. Something I realized a couple days ago, was how the scenes at Vanda's new apartment in the projects (the present moment after the demolition) were the longest takes in the movie. What was so genius, is that new and novel moments in memory seem to be stretched out disproportionately compared to other memories and the almost unbearingly long takes reflect that.
“It’s amazing how cinema has become an enemy of time” this is a pearl... at around 36:00
1:34:04
I almost cried. I’m experiencing new kind of feelings after I stayed just only 4 months with a family to shoot a documentary about them, each month I conceal my self more and more, everyday i feel more paralyzed toward them, more depressed sometimes, more carful about what they say and what in there faces when they think about money or life, I’m so fragile and I want to show my vulnerability as it is the cinema’s vulnerability itself towards the current socioeconomic-political system or towards death.
based
this is a gem.
What a marvelous author!!! We need more of Costa
"Bresson is very good in an iphone." (1:36:55)
This guy definitely sits in his house and talks to himself the same way about everyday decisions, like buying bread
This is so amazing, thank you pedro costa, Diogo defante is really your fan.
47:22
ASMR
From 16:00 to 18:30 gem
I would pay good money to see Costa direct DeNiro, Sean Penn and 10 elephants over a three year period. (47:25)
Hopefully this will never ever happen. Ventura and Vitalina are here to stay. If you want those actors you havent understood Costa's cinema.
@@MikelGCinema Elephants are wonderful actors. P.s. Thank you for having a sense of humour ;)
elephantstone222 some things just aren’t funny.
Liverpool vs Everybody Alternately you just have a different sense of humour ✌️
elephantstone222 no need to make it personal. I simply said, “some things aren’t funny”. That’s either fact or fiction.
Who is the Chinese filmmaker he mentions at 01:14:00 (and then discusses for the next several minutes)?
Wang Bing
Wang Bing
Wang Bing
What is the movie he mentions? (1:17:03)
www.imdb.com/title/tt0048806/?ref_=wl_li_tt Wichita by Jacques Tourneur
Wichita, by Jacques Tourneur
This guy would make a great James Bond film
Who were the directors he mentioned at 16:30?
He mentioned Jean-Marie Straub and Danièle Huillet
AutomobileFunk nigga chill she just asked a question
AutomobileFunk says the guy who calls himself automobilefunk
Julian Walker just needed a rise from someone. Absolute clown
Who is the other kind guy ?
Roger Koza
@@omar62833 thank you !
Diogo Defunto
Diego Defante te ama
Num é esse cara bão pô, ksks
@@igorrocha1845 é sim
@@DiegoCoradini É esse aqui: ruclips.net/video/sETVp4uaJ20/видео.html
Cheery talk
Diogo Defante