Shanmukhapriya Raga | RTP | Dr L Subramaniam | (Live at Sydney, Australia)
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- Опубликовано: 5 фев 2025
- Dr. L Subramaniam plays RTP (Raga, Thanam Pallavi) in Raga Shanmukhapriya at the Sydney Music Festival, Sydney presented by Swaralaya Fine Arts Society.
Special thanks to them for getting this on the video.
Accompanied by DSR Murthy (Mridangam) & Ghantasala Satya Sai (Morsing)
About the Raga :
Shanmukhapriya is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 56th melakarta rāgam (parent scale) in the 72 melakarta rāgam system of Carnatic music. It is called Chāmaram in Muthuswami Dikshitar school of Carnatic music. It is said to be borrowed into Hindustani music from Carnatic music. A lot of compositions on Lord Murugan and Lord Shiva are based on this raaga.
It is the 2nd rāgam in the 10th chakra Disi. The mnemonic name is Disi-Sri. The mnemonic phrase is sa ri gi mi pa dha ni. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
ārohaṇa: S R₂ G₂ M₂ P D₁ N₂ Ṡ
avarohaṇa: Ṡ N₂ D₁ P M₂ G₂ R₂ S
About Ragam Thanam Pallavi:
Ragam Tanam Pallavi is a form of singing in Carnatic music which allows the musicians to improvise to a great extent. It is one of the most complete aspects of Indian classical music, demonstrating the entire gamut of talents and the depth of knowledge of the musician. It incorporates raga alapana, tanam, niraval, and kalpanaswara. In more elaborate ragam tanam pallavis, a tani avartanam may follow.
Source : Wikipedia
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🙏🙏my great pranamas to Dr Subramaniam sir..his way playing classical raga keerthanas in violin is simply amazing...soul cleansing effect 🙏
Excellent Sir, So soothing , heart melting raaga played with excellence...
Excellent rendering this kriti in the raga 'ShaNmugapriya'. Ir evokes or kindles the spirit of bhakti that is dormant in us; abundant vaazhththukkaL to Dr. L. Subramaniam, the great violinist of our times. - "M.K. Subramanian."
Pl. correct it as 'it' instead of what has been given above. It is a typing error. - "M.K. Subramanian."
Hearing for the first time such music by drls. Marvelous. Best for calmness and stress 👍
A splendid RTP in Shanmukhapriya before delving into :
35:12 - Kaapi Ragam.
38:38 - Sindhubhairavi Ragam.
40:49 - Jog Ragam.
Arputhamaana Intricare playing..years of hardwork and practice reflects..this is like a tapas..neat and perfect ....aruvi maaathri sangathi kotrathh
⁰⁰00
Amazing. A thousand pranams.
Dr. L. SUBRA GREAT BALANCE APROACH, SOUTHERN MOST PRECISION AND NORTHERN MOST
PREFFERED APPRECIATION.
GOOD LESSONS WIN HEART.
Overwhelming!! I wish I could sit next to mirudhangam vidwan and enjoy the entire play like him!!
The finishing ragamalikai exposition in ragas Kapi sindhubharavi thillang(?) was awesome!
More like Jog than Tilang
Simply marvellous! Mesmerising and Hypnotising!
Trills technique on 23.42 minute is superb👍👍👍👍👍👍👍👍 enjoyed....... eththanai adukku kutti kutti swarangal..aahaa
23:42
Mesmerizing!
33.43 onwards the niraaval type of pattern...arumai..what a lightening speed on violin..soooooooooo much precision on kutty kutty sangatheengal..decimal point precision .semma👍👍👍👍👍👍👍👍
Soulful
Great sir.
Out of the world💝💝💝💝
excellent treat to the ears
brilliant
🙏🙏🙏
🙏🙏🙏🙏🙏🙏🙏🙏🙏
W O W ! 🎉
❤
🎉🙏
❤️❤️❤️❤️🥰🥰🥰🥰
Sir wanted to understand if rag Madhuvanti is the hindustani classical equivalent of Shanmugapriya ragam?
It is hindustani equivalent of dharmavati.
Madhuvanthi is the derivative of Dharmavathi, which is Melakartha Raga.
Ом!
It would have been useful to students of music if the structure of the Pallavi were given such as the sahityam or bandish talam eduppu and Arudhi of the Pallavi.
Thank you for your feedback. We will consider it for our further videos.
@@drlsubramaniamkavitakrishn1637 superb .
Why should accompanying musicians sit with the principal performer for so long, poor fellows? Why not join the main performer when required, in this case some 25 min. from start?
They are witnessing and enjoying a master at work.
Lot of Hiss in the recording.
dude!
is that the best thing you could say?
@@tansuaksu Probably is the one responsible for the down vote too. And I can almost guarantee never listened to the whole piece. Very restrained mridangam playing.
I'm taking a guess that he's mistaking the depth in the violin sound + Shruthi in the background as Hiss