Gracias por subirlo. La pieza se originó en un viaje que Copland hizo a México en 1932. Entre muchas otras actividades visitó un salón de baile. El Salón México había abierto sus puertas en abril de 1920 y tenía una sala de espejos y tres pistas de baile clasificadas según la clase social que allí realizaba sus maromas: "Mantequilla" para la clase alta, "Manteca" para la clase media, y "Sebo" para los pobres, que también gustan de bailar, cómo no. Lo curioso -pese a la situación política presente o, acaso, debido a ello- es que todos se congregaban en el mismo recinto, bailando digamos que juntos aunque no revueltos. Gentileza de la página "La Belleza de Escuchar".
+Dagoberto Espinoza Se dice que dos de las salas de baile eran una para gente humilde pero con zapatos y la más "popular", para gente descalza. En esta última había un letrero pidiendo que no se tiraran colillas de cigarro en el piso para que las damas no se quemaran los pies
Interesante información, que se agradece. La situación actual es la siguiente en todas partes: ahora todos nos encontramos en el mismo salón globalizado y a todos nos alimentan, cultural y espiritualmente, con sebo.
I love all the Mexican Sones that Copeland intertwined in this suite. The trumpet solo is so very enchanting & yet haunting. This music is a very beautiful tribute to Mexico.
A vigorous interpretation of this strange Copland's work based in old mexican tunes, under the great direction of young -not to mention handsome, talented and elegant- maestro Carlos Miguel Prieto, pride of Mexico.
¡ EXTRAORDINARIO !!! NO NOS CONFUNDAMOS; EL GRANDE AARON COPLAND (YANKEE ÉL), SE INSPIRA EN EL FOLCKLORE MEXICANO Y ELABORA ÉSTA LINDÍSIMA OBRA, Y EL JOVEN Y BUEN DIRECTOR MEXICANO MIGUEL ÁNGEL PRIETO, LE DA EL SELLO Y EL CARÁCTER INTERPRETATIVOS. ¡BRAVO MAESTRO!!!...
Very nice! I like it! For years I've heard of this name Copland, in magazines, music stores, famous musicians mentioning his name in books, etc... and didn't pay any attention! So, today I'm reading a little book about Copland and the author mentioned this Copland's piece incorporated Mexican folk tunes, melodies, and themes to this piece, but the piece became his very own, and people liked it became popular. Author said, Copland fused modern music of the time Copland was in, I supposed, the early 1900's American music. Author is right, this music is right there in my alley. In my case then, after listening to lots of Mozart's endless repertoire for years, from various conductors, various orchestras, various players, from just one Mozart piece alone (and Mozart had many), I think it's time to expand hear more music out there. Now this piece by Copland is an excellent alternative from Mozart to have in my car. Will get to know more music from Copland! TY! Merry Christmas!!!
It’s so pleasant to see a “kasimanwa” (I’m from Balete; came to New York for graduate studies in late 1969 and returned to the old homeland only twice since then.) also appreciate Aaron Copland’s compositions, albeit discovering this perhaps 4 years too late! Indeed, Copland is often referred to, especially because the American Ballet Theatre Company ABT) and the NYC Ballet Company (NYCB) often produce the ballet suites he had been commissioned for their “new” choreography. I turned 79 this month and have been listening to classical and jazz music since my father bought and installed a Philips radio (complete with rooftop antenna and “ground wiring”) in 1952-53. My family has been in retirement in Arizona for nearly 24 years now, but the 30 years of life in Manhattan (grad sch, career, family life) have been like manna from heaven for me because of the Lincoln Center for the Performing Arts where the Metropolitan Opera, the NYCB, the New York Philharmonic Orchestra, and Juilliard School reside. Hehe, I went off on a tangent in my excitement over discovering a “kasimanwa” who shares a common interest with me. If I hadn’t awaken with Copland’s Fanfare for the Common Man buzzing in my head this morning, I wouldn’t have found you! Anyway, my favorite Mozart are his compositions for the clarinet and the operatic stage. I presume you have seen the movie, “Amadeus.” If you’re still a RUclips subscriber, I suggest that you try listening to another American composer, Samuel Barber. The rest are Europeans: Anton Bruckner’s symphonies, especially Nos. 4,5,7, & 8. Other composers I recommend listening to are Ricchard Wagner, Max Bruch, Camille Saint-Saens, Alexandr Borodin, Maurice Ravel, Faure, Rimsky-Korsakov, Sibelius, Dvorak, and Grieg. I’m sure you’re thoroughly familiar with Bach, Beethoven, Brahms, Vivaldi, Boccherini, Tchaikovsky, Chopin, Liszt, Verdi, Puccini, et al. Happy listening.
Siento como mexicano un inmenso orgullo que mi compatriota sea el mejor director de orquestas sinfónicas del mundo. Congratulaciones al Sr.Carlos Miguel Prieto.
the violins melody played three minutes into are played without rushing as was meant to be the Mexican melody is beatiful, i loved it. willplay it many times.
BRAVO!!! This orchestra never fails to impress me! This is the best live performance I have ever heard. Auf Deutsch: BRAVO!!! Dieses Orchester beeindruckt mich immer wieder! Das ist die beste Live-Performance, die ich je gehört habe.
Aunque mi versión favorita sigue siendo la de New Philharmonia dirigida por Copland (le da el grado exacto de dinamismo y calidez), esta es muy buena, especialmente considerando que no es muy interpretada en Europa. Excelentes músicos lidereados por un buen director. Pocos saben que Juan Pablo Moncayo, autor del icónico Huapango, fue alumno de Aaron Copland en Estados Unidos, probablemente por eso el Huapango se basa, como El Salón México, en varios sones populares mexicanos. Gracias por este excelente video.
Aaron Copland...Great Composer...I truly aporeciate his music...his art so touching, and in regards folks feelings and from his stand point of view...so authentic...about what is so close to human inner sentiments...simply...a marvelous composer...
A mi me encanta esa versión del "Salón México" con Carlos Miguel, desde mi punto de vista la mejor en youtube. También los solistas cumplen sus partes en un nivel extraordinario.
Muchisimas gracias por interesantes datos sobre esta interpretacion ... los cuales algunos de nosotros ingnorabamos! Excelente Director Carlos Miguel Prieto!!!!!
en mi infancia escuche este concierto y ahora lo vuelvo a escuchar, debe estar entre los cien primeros conciertos que son de mi agrado. de miles y miles que he escuchado.
Maravillosa pieza y magnífica dirección, de Carlos Prieto es un portento y todo un caballero, cuando dirigía la OSX fué impresionante jamás faltaba al T. Clavijero en el puerto, recuerdo la extraordinaria dirección, y las obras de Mahler eran el paraíso bajo su dirección, MAESTRO ERES UN VIRTUOSO!!! BRAVÍSIMO. En Verácruz te amamos.
Wonderful performance!...they pulled out all the stops.. incredibly complex rhythms played with gusto and precision. A great and I think underappreciated Copeland masterwork!
just like Bernstein and Zinman, Prieto gets the tempo just right and doesn't rush the music truly deep feeling with the strings in the opening measures.
El Salón México se abría a todas las clases sociales de la ciudad y tenía tres espacios, para las diferentes categorías sociales, y el peladaje las llamaba, con humor, sorna y realismo como el de sebo, el de manteca y el de mantequilla.
Lo que me parece extraño de la obra de este gran compositor norteamericano (quizá el mejor de todos ellos), es el titulo de la misma. Siendo el "Salon Mexico" un sitio de baile popular, donde seguramente era el danzón el genero mas socorrido, en ninguno de los fragmentos de esta obra, se aprecia, ni remotamente dicho genero. Es meritorio, que Coplan, siendo extranjero, haya asumido en forma tan magistral, la gran variedad de temas folklóricos de Mexico. Un dato curioso: por la fecha de su creación, pienso que el vino a Mexico a refugiarse, porque en su Pais, fue perseguido por el fatal ·mac arthismo, pues fue acusado de comunista. Pues si así fue, ¡que bueno, pues no dejo una de sus mejores obras".
Copland stated himself that this piece in no way should be considered as reflecting the tunes played in a danzon club. He said that it should be taken more as the musical impressions of a tourist traveling through Mexico.
This is another fine performance by Prieto and the Frankfurters (their Shostakovich 6th is superb!). I sometimes like to hear this favorite at a faster tempo however; this one is even slower than Copland's recording which I own. Fiedler's Boston Pops version was quite exciting, presenting the score in only 10 minutes. I also have a fondness for Bernstein's "Columbia Symphony" version; his moderate tempo seemed about right to me. (I'm not really nitpicking; I think Prieto's is expressive and convincing also.)
Wunderschöne Aufführung! Carlos Miguel Prieto dirigiert das Orchester sehr künstlerisch. Die Bläser sind besonders ausgezeichnet. Danke fürs Hochladen!
Peter Hadcock (former BSO Eb clarinetist) wrote a book called "The Working Clarinetist". It's sort of an excerpt masterclass book. It includes the Eb excerpts from El Salon Mexico, along with some interesting notes about how he played it along with his experience playing it for Copland. He says that the Eb is supposed to be really messy in the solos around 9:15 I've never heard a version quite like what he described, but I think it works really well. Hadcock also wrote a seperate book for Eb only, which doesn't include E. S. Mexico but does have a complete transposed (to Eb) part of Till Eulenspiegel
The more widely I listen to Copland - I'm English, so we don't often see him programmed here - the more I like his music. We get even less of his contemporaries, e.g. Roy Harris. Both wrote fine Third Symphonies!
Kein amerikanischer Komponist hat "Amerika" je besser erklingen lassen als Aaron Copland. Man kann die Weite und das Land in seiner Musik direkt spüren. Fantastisch. Und L.Bernstein war sein ebenso legendärer Nachfolger, der sein Land gleich treffend in Musik dargestellt hat. Geniales Duo.
Great performance. A few stray notes but both the orchestra and conductor look comfortable and that's half the battle with this piece. It's a strange TV direction though. Was the director not directing from a score? Seems like they are reacting to the music rather than having planned a cut in advance.
I like this piece of Mexican music by Aaron copland. It is very similar to moncayo,s haupango. I like both pieces,but I believe Haupango sounds more joyful and more mexican. Anyone wants to compare these two pieces can listen to the Haupango directed by dudamel it is excellent.
It is an adjustable Barrel/tenon and it it used for German built clarinets. The silver ring can be turned and this allows adjusting by telescope action, making the barrel longer or shorter. As you know most orchestras in Germany and Holland use a higher pitch (442) than US, UK or France (440) These barrels/tenons can be ordered from Dietz Klarinettenbau in Neustadt a/d Aisch
Are you an orchestral musician, Raymond, or just an expert with a digital music streamer? Copland's time signatures are often superposed with winds and brass sections playing to one while the strings play to another. My orchestra is performing this work in concert tomorrow and I can tell you from experience that the baton is simply not enough!! That theory is for Beethoven and Mozart. All real conductors conduct with their faces, arms, shoulders, elbows, dancing on heels, and above all - mental projection. You should sit among the second violins and try it sometime.
![Aaron Copland: The Tender Land Suite (1949) [DDD]](http://i.ytimg.com/vi/UkDuEQKED4Y/mqdefault.jpg)
Gracias por subirlo.
La pieza se originó en un viaje que Copland hizo a México en 1932. Entre muchas otras actividades visitó un salón de baile. El Salón México había abierto sus puertas en abril de 1920 y tenía una sala de espejos y tres pistas de baile clasificadas según la clase social que allí realizaba sus maromas: "Mantequilla" para la clase alta, "Manteca" para la clase media, y "Sebo" para los pobres, que también gustan de bailar, cómo no. Lo curioso -pese a la situación política presente o, acaso, debido a ello- es que todos se congregaban en el mismo recinto, bailando digamos que juntos aunque no revueltos.
Gentileza de la página "La Belleza de Escuchar".
+Dagoberto Espinoza Se dice que dos de las salas de baile eran una para gente humilde pero con zapatos y la más "popular", para gente descalza. En esta última había un letrero pidiendo que no se tiraran colillas de cigarro en el piso para que las damas no se quemaran los pies
+abelsincain ¡¡Increíble!! Gracias por el dato.
Interesante información, que se agradece. La situación actual es la siguiente en todas partes: ahora todos nos encontramos en el mismo salón globalizado y a todos nos alimentan, cultural y espiritualmente, con sebo.
Great notes.
Muy amigo de Carlos Chàvez
I love all the Mexican Sones that Copeland intertwined in this suite. The trumpet solo is so very enchanting & yet haunting. This music is a very beautiful tribute to Mexico.
I love this performance. The smile on his face at the gorgeous trumpet playing...the Conductor is relishing every second of this.
A vigorous interpretation of this strange Copland's work based in old mexican tunes, under the great direction of young -not to mention handsome, talented and elegant- maestro Carlos Miguel Prieto, pride of Mexico.
This is an extremely difficult work to perform, but this conductor and orchestra make it seem so easy!! Art concealing art!! Excellent performance!
Difficult to practice to, though. Especially if you are a percussionist and have to count all…those…measures.
Difficult for no Latin American people
Lo que inspiró a Copland para componer su Salón México fue el espíritu de la gente que se encontró ahí.
Con estas imágenes de un mexicano en Alemania, Felicidades a todas las madres mexicanas!!! donde quiera que estén.
Bravo, excelente director mexicano. Orgullo de México.
¡ EXTRAORDINARIO !!! NO NOS CONFUNDAMOS; EL GRANDE AARON COPLAND (YANKEE ÉL), SE INSPIRA EN EL FOLCKLORE MEXICANO Y ELABORA ÉSTA LINDÍSIMA OBRA, Y EL JOVEN Y BUEN DIRECTOR MEXICANO MIGUEL ÁNGEL PRIETO, LE DA EL SELLO Y EL CARÁCTER INTERPRETATIVOS. ¡BRAVO MAESTRO!!!...
+SERGIO GERARDO VICO GIMENA es Carlos Miguel Prieto, hijo del maravilloso cellista Carlos Prieto.
Very nice! I like it! For years I've heard of this name Copland, in magazines, music stores, famous musicians mentioning his name in books, etc... and didn't pay any attention! So, today I'm reading a little book about Copland and the author mentioned this Copland's piece incorporated Mexican folk tunes, melodies, and themes to this piece, but the piece became his very own, and people liked it became popular. Author said, Copland fused modern music of the time Copland was in, I supposed, the early 1900's American music. Author is right, this music is right there in my alley. In my case then, after listening to lots of Mozart's endless repertoire for years, from various conductors, various orchestras, various players, from just one Mozart piece alone (and Mozart had many), I think it's time to expand hear more music out there. Now this piece by Copland is an excellent alternative from Mozart to have in my car. Will get to know more music from Copland! TY! Merry Christmas!!!
Listen to the Mozart Clarinet Concerto, then listen to the Copland Clarinet Concerto....Fabulous Masterpieces!
It’s so pleasant to see a “kasimanwa” (I’m from Balete; came to New York for graduate studies in late 1969 and returned to the old homeland only twice since then.) also appreciate Aaron Copland’s compositions, albeit discovering this perhaps 4 years too late! Indeed, Copland is often referred to, especially because the American Ballet Theatre Company ABT) and the NYC Ballet Company (NYCB) often produce the ballet suites he had been commissioned for their “new” choreography. I turned 79 this month and have been listening to classical and jazz music since my father bought and installed a Philips radio (complete with rooftop antenna and “ground wiring”) in 1952-53. My family has been in retirement in Arizona for nearly 24 years now, but the 30 years of life in Manhattan (grad sch, career, family life) have been like manna from heaven for me because of the Lincoln Center for the Performing Arts where the Metropolitan Opera, the NYCB, the New York Philharmonic Orchestra, and Juilliard School reside. Hehe, I went off on a tangent in my excitement over discovering a “kasimanwa” who shares a common interest with me. If I hadn’t awaken with Copland’s Fanfare for the Common Man buzzing in my head this morning, I wouldn’t have found you! Anyway, my favorite Mozart are his compositions for the clarinet and the operatic stage. I presume you have seen the movie, “Amadeus.” If you’re still a RUclips subscriber, I suggest that you try listening to another American composer, Samuel Barber. The rest are Europeans: Anton Bruckner’s symphonies, especially Nos. 4,5,7, & 8. Other composers I recommend listening to are Ricchard Wagner, Max Bruch, Camille Saint-Saens, Alexandr Borodin, Maurice Ravel, Faure, Rimsky-Korsakov, Sibelius, Dvorak, and Grieg. I’m sure you’re thoroughly familiar with Bach, Beethoven, Brahms, Vivaldi, Boccherini, Tchaikovsky, Chopin, Liszt, Verdi, Puccini, et al. Happy listening.
Carlos Miguel Prieto, el mejor director de orquesta de la actualidad, dando a conocer obras poco conocidas referentes a Mexico, en el extranjero.
Siento como mexicano un inmenso orgullo que mi compatriota sea el mejor director de orquestas sinfónicas del mundo. Congratulaciones
al Sr.Carlos Miguel Prieto.
Amo molto la musica latinoamericana. Grazie al Sig Copland che la pensava come noi !.
@@marianadfcool vaya que te escoze que el maestro Prieto sea reconocido como el mejor director del año.
@@marianadfcool y te atreves a mencionar las interpretaciones sin alma y tropicales de Dudamel
the violins melody played three minutes into are played without rushing as was meant to be the Mexican melody is beatiful, i loved it. willplay it many times.
From the tipsy trumpet solo to the clarinet soloist absolutely nailing that last note of his solo, they blew this away!
BRAVO!!! This orchestra never fails to impress me! This is the best live performance I have ever heard.
Auf Deutsch:
BRAVO!!! Dieses Orchester beeindruckt mich immer wieder! Das ist die beste Live-Performance, die ich je gehört habe.
Aunque mi versión favorita sigue siendo la de New Philharmonia dirigida por Copland (le da el grado exacto de dinamismo y calidez), esta es muy buena, especialmente considerando que no es muy interpretada en Europa. Excelentes músicos lidereados por un buen director.
Pocos saben que Juan Pablo Moncayo, autor del icónico Huapango, fue alumno de Aaron Copland en Estados Unidos, probablemente por eso el Huapango se basa, como El Salón México, en varios sones populares mexicanos.
Gracias por este excelente video.
Diego Solís Tienes el link?
Saludos
Si es verdad, la versión que dices es mucho más rica, ésta la encuentro un poco desabrida y "metronómica"...
A 4 años solo digo, que no es Juan Pablo, sino Jose Pablo Moncayo
Aaron Copland...Great Composer...I truly aporeciate his music...his art so touching, and in regards folks feelings and from his stand point of view...so authentic...about what is so close to human inner sentiments...simply...a marvelous composer...
Absolutely brilliant. And I loved the "tipsy" trumpet at the beginning.
mrrancid rob and he played it beautifully.
He nailed that solo!
I've done three performances under Prieto. talented and a " Class" act. Nice job here.
Cómo disfruto y me divierto escuchando esta pieza. ¡ Bravo...Bravo! Felicidades sr. Prieto.
Fabulous. I have loved this masterpiece since the fifth of forever.
what does that even mean
I'm not sure what your question means? Let's play verbal gymnastics, Mike!
@@sleeve51 0
A mi me encanta esa versión del "Salón México" con Carlos Miguel, desde mi punto de vista la mejor en youtube. También los solistas cumplen sus partes en un nivel extraordinario.
E a magnitude e competência do Maestro Carlos Prieto...parabens...isso se chama competência...e a todos os músicos excelentes...Bravo!
Muchisimas gracias por interesantes datos sobre esta interpretacion ... los cuales algunos de nosotros ingnorabamos! Excelente Director Carlos Miguel Prieto!!!!!
Carlos Miguel Prieto es buenisimo!
en mi infancia escuche este concierto y ahora lo vuelvo a escuchar, debe estar entre los cien primeros conciertos que son de mi agrado. de miles y miles que he escuchado.
he is the best suitable trumpet player in this piece!
Outstanding Performance. Thanks. Out.
Maravillosa pieza y magnífica dirección, de Carlos Prieto es un portento y todo un caballero, cuando dirigía la OSX fué impresionante jamás faltaba al T. Clavijero en el puerto, recuerdo la extraordinaria dirección, y las obras de Mahler eran el paraíso bajo su dirección, MAESTRO ERES UN VIRTUOSO!!! BRAVÍSIMO. En Verácruz te amamos.
Es un clásico de la música USA, Aaron Copland, ciertas notas musicales tienen la influencia del hubo año, la ranchera. Ecuador 13 enero 2016
Me encanta toda a obra de Aaron Copland...El salon Mexico sua obra prima Maestria e combinações de instrumentos e melodias...magnífico...
Excelente y maravillosa interpretación.
Fabulous, magnificent performance
Bravo MAESTRO...
Una muy buenisima interpretación
Pp
O
O
ESPECTACULAR..!
ES UN ENCANTO ESTE HOMBRE
Wonderful performance!...they pulled out all the stops.. incredibly complex rhythms played with gusto and precision. A great and I think underappreciated Copeland masterwork!
Maravillosa ejecucion y espectacular direccion. Gracias
La musica de "El salon Mexico" è struggente, dolce,malinconica ed esaltante allo stesso tempo.
Bravo maestro felicitaciones
superb audio quality
just like Bernstein and Zinman, Prieto gets the tempo just right and doesn't rush the music truly deep feeling with the strings in the opening measures.
secretofsuzanne I agree, those three are much alike .
Es la segunda vez que veo a éste director y me párese espectacular.
El Salón México se abría a todas las clases sociales de la ciudad y tenía tres espacios, para las diferentes categorías sociales, y el peladaje las llamaba, con humor, sorna y realismo como el de sebo, el de manteca y el de mantequilla.
Lo que me parece extraño de la obra de este gran compositor norteamericano (quizá el mejor de todos ellos), es el titulo de la misma. Siendo el "Salon Mexico" un sitio de baile popular, donde seguramente era el danzón el genero mas socorrido, en ninguno de los fragmentos de esta obra, se aprecia, ni remotamente dicho genero. Es meritorio, que Coplan, siendo extranjero, haya asumido en forma tan magistral, la gran variedad de temas folklóricos de Mexico. Un dato curioso: por la fecha de su creación, pienso que el vino a Mexico a refugiarse, porque en su Pais, fue perseguido por el fatal ·mac arthismo, pues fue acusado de comunista. Pues si así fue, ¡que bueno, pues no dejo una de sus mejores obras".
Dicen q Copland fue a Mexico en 1932. McCArthy fue mucho después
Minuto 1:50 comienza el Danzón....
Copland stated himself that this piece in no way should be considered as reflecting the tunes played in a danzon club. He said that it should be taken more as the musical impressions of a tourist traveling through Mexico.
@@maueescobar fue principios de 50s si no mal revuerdo
Magnifico ..```Gracias por subirlo..¡¡¡¡
GORGEOUS!
MAESTRO COPLAND. Y EL GRAN DIRECTOR MEXICANO CARLOS MIGUEL PRIETO!
I am an American and very proud of Copland. But I also love Mexican culture so much, including the great music!
Es una melodía maravilloa y eterna
Beautiful version
My favourite Copeland,reminds me of The Magnificent Seven or cowboys in old Mexico,just makes my mind work overtime lol.
colin biggs Sorry about the e.
haben wir heute in Vorlesung U3L durchgenommen, schönes Stück und wieder etwas gelernt.
Einfach, schönes Stück.
2020 casi 2021, apenas disfrutando esta pieza.
Aqui en Noviembre 2023 escuchando esta bella composición de Mr Copland !!😊
This is another fine performance by Prieto and the Frankfurters (their Shostakovich 6th is superb!). I sometimes like to hear this favorite at a faster tempo however; this one is even slower than Copland's recording which I own. Fiedler's Boston Pops version was quite exciting, presenting the score in only 10 minutes. I also have a fondness for Bernstein's "Columbia Symphony" version; his moderate tempo seemed about right to me. (I'm not really nitpicking; I think Prieto's is expressive and convincing also.)
You might wish to set the speed of the video to 1.25 - for several passages of this video it seems to work as least as good.
Splendida esecuzione meravigliosa Sinfonia
Wunderschöne Aufführung! Carlos Miguel Prieto dirigiert das Orchester sehr künstlerisch. Die Bläser sind besonders ausgezeichnet. Danke fürs Hochladen!
I am playing Eb clarinet for this. It's so much fun :)
Peter Hadcock (former BSO Eb clarinetist) wrote a book called "The Working Clarinetist". It's sort of an excerpt masterclass book. It includes the Eb excerpts from El Salon Mexico, along with some interesting notes about how he played it along with his experience playing it for Copland. He says that the Eb is supposed to be really messy in the solos around 9:15
I've never heard a version quite like what he described, but I think it works really well.
Hadcock also wrote a seperate book for Eb only, which doesn't include E. S. Mexico but does have a complete transposed (to Eb) part of Till Eulenspiegel
***** thanks for the info. I had a blast playing that piece for our American music concert last year.
Is it hard to learn it ?
Thank you so much
Wonderful !
The more widely I listen to Copland - I'm English, so we don't often see him programmed here - the more I like his music. We get even less of his contemporaries, e.g. Roy Harris. Both wrote fine Third Symphonies!
La musica della mia gioventu'
Kein amerikanischer Komponist hat "Amerika" je besser erklingen lassen als Aaron Copland. Man kann die Weite und das Land in seiner Musik direkt spüren. Fantastisch. Und L.Bernstein war sein ebenso legendärer Nachfolger, der sein Land gleich treffend in Musik dargestellt hat. Geniales Duo.
The trumpet solo is played in a Mexican style. Most guys don't have the courage to let go of their "legit" sound - bravo!
Es quizas, la mej0r version que he escuchado
Querido Mexico te amo 🇲🇽♥️
July 2024! Who's here?
Multi bravo.
Excelente
Wonderful~~
Cool .. I just got the Bernstein transcription and this is good interpretation
Great performance. A few stray notes but both the orchestra and conductor look comfortable and that's half the battle with this piece. It's a strange TV direction though. Was the director not directing from a score? Seems like they are reacting to the music rather than having planned a cut in advance.
Preciosooooooo
great.
marvelous -only copland !
The strings part around 4:30 reminded me for some reason of an OST from FF13
what a great trumpet solo! anyone know the guy's name?
samsing2300 That's our principal trumpet Balázs Nemes
So gr00vy!
It is that time of year.
I Love Copeland!!
I suddenly have a craving for Tequilla!
I like this piece of Mexican music by Aaron copland. It is very similar to moncayo,s haupango. I like both pieces,but I believe Haupango sounds more joyful and more mexican. Anyone wants to compare these two pieces can listen to the Haupango directed by dudamel it is excellent.
Dudamel,really?honestly his tropical direccion stinks
Thanks for the mention of Haupango. Very enjoyable - especially from a youth orchestra.
And somewhere, a young Ennio Morricone bends his head to the old vacuum-tube radio, and whispers _"Si..."_
Estupenda descripción de las clases sociales
Minuto 2:55 - Playita mía de Carlos Rubira Infante
bravo
Sehr schön
Yeeeeee haaaahhh!!!
6:44 - 6:48 pretty sure he was testing how closely the flute and oboe were watching :D
Exactly, they all had a little smile - I guess you don't catch out the professionals that easily!
7:35 Eb solo 9:18 9:50 excerpts
is that balazs nemes on 1st trumpet?
Yes
What knd of barrel is the 1 st clarinet using?where can I buy it ?
It is an adjustable Barrel/tenon and it it used for German built clarinets. The silver ring can be turned and this allows adjusting by telescope action, making the barrel longer or shorter. As you know most orchestras in Germany and Holland use a higher pitch (442) than US, UK or France (440)
These barrels/tenons can be ordered from Dietz Klarinettenbau in Neustadt a/d Aisch
At 0:27 it does sound like Wagner's Parsifal!
4:05
9:01
10:49
See how in 11'18 y 11'26, maestro Prieto helps timpanist to make noise, kicking the floor with his rigth feet. (LOL)
Esta pieza es el reflejo de la grandeza de México percibida por un extranjero
Hahah yea that pay my atention to
Йоха💪👍
4:20
11:28
There is no 'e' in Copland.
9:00 25
conducting with elbows never fun to watch even if result is good. the baton is for a reason.
Are you an orchestral musician, Raymond, or just an expert with a digital music streamer? Copland's time signatures are often superposed with winds and brass sections playing to one while the strings play to another. My orchestra is performing this work in concert tomorrow and I can tell you from experience that the baton is simply not enough!! That theory is for Beethoven and Mozart. All real conductors conduct with their faces, arms, shoulders, elbows, dancing on heels, and above all - mental projection. You should sit among the second violins and try it sometime.
They did better than do American orchestras.