Here's that Markus Pix video, was really good! ruclips.net/video/FsDLn9ySY9w/видео.html If you buy any of the micro loser gear through my affiliate links, the GH6 will do 12 bit raw internally, and weigh more than your hamster cage. Panasonic G9 amzn.to/3ha4x08 Laowa 7.5mm f2 amzn.to/2LSGIyf Olympus em1 iii amzn.to/34smBx4 Olympus 12mm f2 amzn.to/2KJdVve
I have owned the Olympus 12mm f2 for a long time. It's a great lens. Good in low light, 12mm is nice focal length and decently sharp. It's also great in broad daylight it handles the sun and bright exposure very well. Olympus is full of great lenses and this is one of them.
10/10 excellent work, entertaining to boot. I love how people there are so polite going around you in your shots, or maybe they are just scared of you =)
One of the best videos so far regarding stab, AF and color in general. Man, what a great little lens, small, light and for me it has enough toneh (not much, but just in the right dose). It's also pretty good on the G9, which is funny since Oly lenses on Pana bodies don't use DFD...but maybe that's why it worked so good :P Although it focused pretty well on the G9, paired with the E-M1 it's rock solid and it's a winning combo. Thanks for this video, it made me want this lens... ;) P.S.: I really hope Olympus makes it through this, they make high quality products, they just don't get the credits for it (and their marketing is awful). M43 still has it's place (and advantages).
The shots with the em1 was some of the best looking walk and talk footage I have seen on your channel. Impressive color, focus and stabilization. Winning combination!
Fiiiine you say? I need it to be a blur of colors. F/0.5 I need not know he's walking in a street. For all I know he could be walking on clouds the way I prefer it
That Olympus looks so good. So does the G9. I'm still leaning towards the XT-4, since there's a lot of great APS-C lenses available for surprisingly low prices.
One reason I still hang on to my GH5, is the amazing IS. That would be my reasons for micro four third, with a tiny sensor in a small bod you can really stabilise things. But of course its not in every M43 camera.
@@TarekMidani I did the same exact thing. I love my GX85, tried a few others but none are quite as good with the IBIS. I use ol' Canon FD lenses on videos and the IBIS works so well with them.
Wow, that looks great! The IBIS is that wobbly either! I've been shooting full frame cameras for still photos for years now, but I actually prefer mft for video. And the GH5 is a very underrated stills camera. I thought I would never use it for stills stuff, but I was wrong as usual.
this amount of toneh is perfect and picture looks great! Still watching through....so.seriously a little nervous - waiting for the moment that...this wasn't filmed on m4/3 at all lol....oh the risks of commenting before the video is done....
Superb stabe, What a bargain lens despite the small dent...Really, Really stable; Thats a fanstastic lens dude my friend has the same lens so im with you on this...Great Video as always...
Olympus with this lens in flat profile is about as good video image quality is you've ever had on this channel. including the super expensive bodies. if I was doing just video I would definitely go with that combo.
Is sold my Canon APS-C stuff and bought into the M4/3 system with a barely used Olympus OM-D E-m1 mark II with the 12-40mm f/2.8 pro lens. Then a week later Olympus sold the camera division! Great timing! But I love the camera and bought the cheap but good 40-150mm f/4.5-5.6 and have adapted much of my old glass. I have been eyeing the Laowa 7.5mm f/2. Looks like a fun lens.
Hopefully with the help from your positive review what’s left of Olympus will survive under new “management”. I’m a still photog (sorry🥱)& added Oly gear to the arsenal back in 2006 when the Oly folks were more connected with Leica. What you said about Olympus sharpness/crispness I have also found to be true. Have loved your presentations & great satire/humor that you intersperse throughout your vids,Kasey. And for years...thanks...
OK -- with IBIS on and digital stabilization off, the G9 has less warpiness at the edges of the frame than the Olympus does -- interestingly. But the Oly AF is visibly tracking better than the G9. And it looks like your G9 footage is a tad underexposed compared to the Oly....
My friend, 12mm Olympus lens is repairable. Simple. (1) Blank front element with cardboard disc, tape the blank to seal around lens element. (2) Set lens on work bench, wrap plastic sheet around body, tape in place for max protection from metal dust. (3) Use a hobby rotary file power tool (very, very gently) with fine side mill cutter. Work out from middle of damaged area to the edge of good area, left & right. Finish repair with 400 grit abrasive paper to remove burrs. Spot out repair with black felt pen. I repaired a damaged Nikon 55mm F3.5 macro lens, 15min work. OK 👍
Did you have exposure compensation on the G9, or did you forget to post-process it? I normally like G9 exposure, but this was underexposed by a stop or so.
The GH5 and G9 are looking sharper because they are taking a 15MP image from the sensor and scale it down to 4k. Most other cameras are not doing that amount of oversampling. According to Panasonic Reps in interviews when the GH5 was new, they are calculating the brightness and color of the resulting pixels based on 6x6 pixels from the sensor. Usually 2x2 pixels are used. By taking the surrounding values into account, you get a better image and it's possible to smooth pixel steps on edges and reduce moire. If you compare the normal 4k with the "anamorphic/6k" video result, you can see how unprocessed image looks (much more steps on edges and moire). You also can use the crop mode (Ex. Tele Conv) to get a one by one pixel image like most other cameras and compare the result.
That's some interesting info about how Panasonic does oversampling - thanks for that information. I have found that since weight is a big concern for me (backpacking videos) - that I rely on the Ex. Tele Conv quite a bit to turn my 12-60mm standard lens into an 85mm zoom on the fly. Very little image degradation. Not lossless like Panasonic claims - but good enough that no one will notice the difference, what with atmospheric effects coming into play at that range anyway. It's a nice option to have and I've left my real telephoto at home frequently thanks to this feature. Saves me another pound of weight in my pack.
@@WildlandExplorer If your interested, here is a video from a presentation with Matt Frazer explaining the sensor and some internals. The sensor details start at 4.30. ruclips.net/video/QXVBMBP3mis/видео.html
My G7 has been a surprisingly great workhorse for me for the last four years, combined with three lenses, all of which can fit in a single pocket. The audio in is better than any other camera I've tried. I don't think I could have chosen better for the dollar.
Love the flickering Christmas lights in the background. You could tell everyone its a special effect. That's what I would tell my mom if they were in my videos.
Absolutely perfect amount of toneh for me. Never understood the obsession for toneh that Tony has. Nice quality video considering the crappy weather. Preferred the G9 colours. Shame because I'm going to buy the Em1.
I really like the Oly 12mm f2 and have owned it for a long time. It lives on my Oly EM5ii all the time. Such a light and tiny system. It is very good for trade show as my wide lens. Also works on my overhead camera in the studio.
I agree with the others. The Oly combo is some of the best footage I’ve seen here. Any more toneh and it’s just distracting really. Of course I like your Leica 12mm too, but seems some technical aspects of the Oly are better for your work.
What often isn't talked about is that full frame is a hindrance if you like to shoot deep depth of field shots. Most cinema and films the scenes are shot with a deep depth of field, not a shallow depth of field. If you want to have the entire scene in focus or most of it, on a full frame camera you would have to stop down the f stop to very low levels like f 8 for example. You lose all of your light gathering ability and can only shoot in broad daylight or need extensive lighting sources. A M43 lens has the same light gathering ability as a full frame lens, an f2 is a f2. So it's much easier to expose your shots on micro four thirds, shoot in low light situations, while attaining deep depth of field. An f2 micro four thirds lens has 4 times the light gathering ability than an f4 lens full frame. It's also possible to have much better low light lenses that are very small. F1.8 lenses on full frame are quite large, they are tiny lenses on m43. And it's not like it's hard to get shallow depth of field when one wants that on m43. The portrait lenses, both the tiny 1.8 lenses, and the 1.2 lenses 45mm are highly regard and optical wonders.
that is wrong, even if you raise low the iso. the low light performance for full frame stop down is still better than micro four thirds even in lower iso
@@shzammpatapon9865 I was talking about the lenses. An f2 lens has the same light gathering ability on any system. As for bodies it depends. The GH5s is a micro four thirds body and has better low light ability than most full frame cameras. But in general yes the full frame has better low light ability due to a bigger sensor but the lenses are much slower and bigger.
If you’re just a hobbyist, get a camera that’s affordable and one that you’d actually be willing to take around. That’s why I’m sticking with my GX9 with 3 primes and a zoom goes to 400mm full frame equivalent, without having think about whether I should bring them out or not because they take up so little space in my bag. I’ve got photographer friends (non-professional) who owns full frame systems that are just so underused because they’re just too dang big and heavy. Keep in mind that even though m43 has the toneh disadvantage, we technically have the exposure advantage when you consider lens size (although full frame has the ISO advantage so that tips the scale back). I’d be lying if I said I’m not tempted to move to full frame, but user experience is such a breeze on m43 that I’m almost certain that I would regret it.
Look mate I gotta say, would probably rate that nimble-on-your-feet-kick a solid 7/10, the pop was concrete but the direction was lacking; try a little bit out to the side rather than popping the leg straight forward. It requires you to tense your abdominals a bit more while you dutch-tilt your body to compensate the shifting centre of gravity, but i reckon you could reach a 8 or even 9/10 in no time. There's a few exercises you can do to help out.
The "stream of consciousness" information -- even with notes (hah!) -- leaves me in a state of information nirvana -- not knowing which way is up, how much Toneh I need, if my cat needs digital stabe, how to fix the color science of my pants.... Awesome....
The Pani and Oly are both the best in so many ways. Editing, size, weight, cost, performance, len choices, dynamic range; good enough. Your journey with the G85 got me hooked years ago all and happy to see the M43 love. "No one gives a $@!{ about your blurry background", anyway. I learned nothing.
This is my issue with ppl keep saying MFT is dying but it's not~ it's just better in so many ways and potentially better on a lot of hardware benefits on MFT over other mounts.
The Sony FX6 with an added "tap on screen to track focus" would be the ideal film camera for now ...the lack of it makes many keep looking at the A7SIII ....accepting the lack of XLR's and DCI 4k. So frustrating. Panasonic platform (including M43) would kill if they added phase detect AF. Good content.
Professor Conspiracies delivers a smackdown of the legend that is Gerald Undone... I'm so feeling the holiday spirit now!! The scooter is hiding... safe and warm indoors???
I've had a dented lens. Easy fix: Epoxy glue a step up adapter to the front. Obviously taking great care to not get glue on the lens itself. Cover the lens with some custom-fitted cardboard while working (a cap would get in the way, the cardboard can be dropped in next to the lens and thus out of the way).
Ahhh... the universe is readjusting to its real order... you are returning to the MFT dark side. I started with the GH1 all those years ago, but gravitated more to Canon, with some Sony. But Canon’s stumbles this year disappointed me, and the A7S III caused me to doubt. This mass of Canon bile sat in my stomach for months, and this month I took the plunge, started selling my Canon gear, and bought the G9. My old MFT lenses went “yaaaaaahhhhhhhh” as I dusted them off. Bought a few newer ones to join them. Got the Sigma trinity in MFT mount. The feature set on Panasonic cameras puts pure unadulterated pleasure into my heart. The lens sizes are a luxury I had forgotten, but they are so beautiful in their light weight sort of way. Next year I will invest in the A7S III for those blurry background kinds of days, but it will be playing 2nd fiddle to the G9. The Dark side in enveloping me. I am getting lost in that MFT video niceness.
I agree about price. I used m4/3 for five years, what drove me away was not the sensor but the prices of lenses. I bought all my gear used too and still felt the prices were steep. Oly and Pana should just sell all their products at half the price and I think micro four thirds can be saved. But that 12mm f2 is nice. I never tried that lens, but the toner is nice and smooth. I could never find a used copy for under $500 myself
Here’s a CHALLENGE to you then, how about you record and post a video in a 4:3 aspect ratio? You can do it by turning on the anamorphic setting while using a non-anamorphic lens. Then you get to show the four thirds sensor in all its glory! Do it
Also.., I just realized it's "Face Detect" (which makes sense.) Up until now I thought everybody was talking about "Phase Detect", which sounded too high tech and expensive for me.
I dont own a camera and I never will and I have no idea what you are talking about but I really enjoy your videos. I have an iphone 3 and the photos and video are crap but good enough for the short time I will keep them.
Here's that Markus Pix video, was really good! ruclips.net/video/FsDLn9ySY9w/видео.html
If you buy any of the micro loser gear through my affiliate links, the GH6 will do 12 bit raw internally, and weigh more than your hamster cage.
Panasonic G9 amzn.to/3ha4x08
Laowa 7.5mm f2 amzn.to/2LSGIyf
Olympus em1 iii amzn.to/34smBx4
Olympus 12mm f2 amzn.to/2KJdVve
Big ups Marcus Pix, one of my favorite vloggers.
Seen this Marcus Pix video WHO AM I you are both an inspiration to me
What lens do you use for olympus?
Wait...You just answered my question! 😅 I want to get an Olympus in 2020 or 2021. 😁
Lmao you got the Oly 12mm wow. So you gone be letting go of that panny boi?
Olympus colors, mhmm like warm apple pie after coming in from shoveling in a blizzard.
Looks like s-cinetone.
You found the holy Trinity for vlog. Best stabilization, perfect autofocus and a desirable toneh - just enough to blur the plebs.
The quality of this video kills instantly. And I am watching this channel since You've been vlogging on X3000 :)
Damn right! 5sec in and I was blown away. This is arri alexa level color accuracy and clarity.
I have owned the Olympus 12mm f2 for a long time. It's a great lens. Good in low light, 12mm is nice focal length and decently sharp. It's also great in broad daylight it handles the sun and bright exposure very well. Olympus is full of great lenses and this is one of them.
10/10 excellent work, entertaining to boot. I love how people there are so polite going around you in your shots, or maybe they are just scared of you =)
Image quality along with audio is perfect here.
That is actually the best looking street vlog footage you've ever shot with impeccable AF. I'm sold. I need this rig.
One of the best videos so far regarding stab, AF and color in general. Man, what a great little lens, small, light and for me it has enough toneh (not much, but just in the right dose). It's also pretty good on the G9, which is funny since Oly lenses on Pana bodies don't use DFD...but maybe that's why it worked so good :P
Although it focused pretty well on the G9, paired with the E-M1 it's rock solid and it's a winning combo. Thanks for this video, it made me want this lens... ;)
P.S.: I really hope Olympus makes it through this, they make high quality products, they just don't get the credits for it (and their marketing is awful). M43 still has it's place (and advantages).
The shots with the em1 was some of the best looking walk and talk footage I have seen on your channel. Impressive color, focus and stabilization. Winning combination!
The Toneh is just fine with this lens.
25 likes. my best comment on RUclips
Fiiiine you say? I need it to be a blur of colors. F/0.5 I need not know he's walking in a street. For all I know he could be walking on clouds the way I prefer it
The Toneh of the m4/3 in this video is glorious
Enjoyed this presentation and as it happens I much prefer Olympus colour.
YES Same here,
That Olympus looks so good.
So does the G9.
I'm still leaning towards the XT-4, since there's a lot of great APS-C lenses available for surprisingly low prices.
That flickr on the Christmas lights
Yeah -- one of the "benefits" of ridiculously high shutter speed! :-)
That Oly footage looks really good.
Somehow this video specifically has the perfect quality. This exact Olympus setup would be the endgame for most going into 2030
Still best comedy channel ever . Keep it up buddy. Great work
One reason I still hang on to my GH5, is the amazing IS.
That would be my reasons for micro four third, with a tiny sensor in a small bod you can really stabilise things.
But of course its not in every M43 camera.
True. I tried the GX8 and thought it would be as God glorious as my GX85
@@TarekMidani I did the same exact thing. I love my GX85, tried a few others but none are quite as good with the IBIS. I use ol' Canon FD lenses on videos and the IBIS works so well with them.
I prefer Olympus footage in this video.
Colors a bit off with the G9 and footage might be slightly underexposed.
I thought the colours were better on the G9, but yes, underexposed for sure. The Oly colours look like a 70s video to me.
Wow, that looks great! The IBIS is that wobbly either!
I've been shooting full frame cameras for still photos for years now, but I actually prefer mft for video. And the GH5 is a very underrated stills camera. I thought I would never use it for stills stuff, but I was wrong as usual.
Got to say. It just looks really good and stable. Overall it’s the best combo of anything you usually use
I love watching this dude walking around and talking about cameras, and he might be the funniest guy ever made.
this amount of toneh is perfect and picture looks great! Still watching through....so.seriously a little nervous - waiting for the moment that...this wasn't filmed on m4/3 at all lol....oh the risks of commenting before the video is done....
everytime the Olympus make an appearance, it rules!
Ur, RIGHT ✅,
IM BLESS TO BE AN OWNER.... EM1 GANG
@@ra_gemusic346 🤩🤓😎
Superb stabe, What a bargain lens despite the small dent...Really, Really stable; Thats a fanstastic lens dude my friend has the same lens so im with you on this...Great Video as always...
Great video and that Olympus image looks fantastic.
That in-focus slow motion actually made me gasp. Simple pleasures. Lovely stability.
Geraldundone is the most mentioned name by RUclipsrs either as Joke or as reference...Gerald you are Mr. Popular in this era.
Olympus with this lens in flat profile is about as good video image quality is you've ever had on this channel. including the super expensive bodies. if I was doing just video I would definitely go with that combo.
True, but the cloud cover avoided challenges to the exposure algorithm in the Oly.
@@gracenotes5379 fair point. I also wish that Olympus future was a bit more clear before starting to invest in their hardware.
I second that. This is the best image and color accuracy I've seen on RUclips. It's the one!
Is sold my Canon APS-C stuff and bought into the M4/3 system with a barely used Olympus OM-D E-m1 mark II with the 12-40mm f/2.8 pro lens. Then a week later Olympus sold the camera division! Great timing! But I love the camera and bought the cheap but good 40-150mm f/4.5-5.6 and have adapted much of my old glass. I have been eyeing the Laowa 7.5mm f/2. Looks like a fun lens.
Hopefully with the help from your positive review what’s left of Olympus will survive under new “management”. I’m a still photog (sorry🥱)& added Oly gear to the arsenal back in 2006 when the Oly folks were more connected with Leica. What you said about Olympus sharpness/crispness I have also found to be true. Have loved your presentations & great satire/humor that you intersperse throughout your vids,Kasey. And for years...thanks...
OK -- with IBIS on and digital stabilization off, the G9 has less warpiness at the edges of the frame than the Olympus does -- interestingly. But the Oly AF is visibly tracking better than the G9. And it looks like your G9 footage is a tad underexposed compared to the Oly....
Bro..I love my G85.. Great video... You respect your understanding.. Keep being YOURSELF..Love it...
When real snow looks CGI and CGI snow looks real.
@@AllThingsFilm1 Kasey is admittedly not a filmmaker, he’s a RUclips scrub hobo.
My friend, 12mm Olympus lens is repairable. Simple. (1) Blank front element with cardboard disc, tape the blank to seal around lens element. (2) Set lens on work bench, wrap plastic sheet around body, tape in place for max protection from metal dust. (3) Use a hobby rotary file power tool (very, very gently) with fine side mill cutter. Work out from middle of damaged area to the edge of good area, left & right. Finish repair with 400 grit abrasive paper to remove burrs. Spot out repair with black felt pen. I repaired a damaged Nikon 55mm F3.5 macro lens, 15min work. OK 👍
There's a tool to undo lens bends, that is likely enough. If not, you can get a rethreading tool. But if that doesn't work then you can do there.
Did you have exposure compensation on the G9, or did you forget to post-process it? I normally like G9 exposure, but this was underexposed by a stop or so.
This video looks great on the Olympus
EM1's AF was a LOT better here than G9's.
The GH5 and G9 are looking sharper because they are taking a 15MP image from the sensor and scale it down to 4k. Most other cameras are not doing that amount of oversampling. According to Panasonic Reps in interviews when the GH5 was new, they are calculating the brightness and color of the resulting pixels based on 6x6 pixels from the sensor. Usually 2x2 pixels are used. By taking the surrounding values into account, you get a better image and it's possible to smooth pixel steps on edges and reduce moire.
If you compare the normal 4k with the "anamorphic/6k" video result, you can see how unprocessed image looks (much more steps on edges and moire). You also can use the crop mode (Ex. Tele Conv) to get a one by one pixel image like most other cameras and compare the result.
That's some interesting info about how Panasonic does oversampling - thanks for that information. I have found that since weight is a big concern for me (backpacking videos) - that I rely on the Ex. Tele Conv quite a bit to turn my 12-60mm standard lens into an 85mm zoom on the fly. Very little image degradation. Not lossless like Panasonic claims - but good enough that no one will notice the difference, what with atmospheric effects coming into play at that range anyway. It's a nice option to have and I've left my real telephoto at home frequently thanks to this feature. Saves me another pound of weight in my pack.
@@WildlandExplorer If your interested, here is a video from a presentation with Matt Frazer explaining the sensor and some internals. The sensor details start at 4.30.
ruclips.net/video/QXVBMBP3mis/видео.html
My G7 has been a surprisingly great workhorse for me for the last four years, combined with three lenses, all of which can fit in a single pocket. The audio in is better than any other camera I've tried. I don't think I could have chosen better for the dollar.
Love the flickering Christmas lights in the background. You could tell everyone its a special effect. That's what I would tell my mom if they were in my videos.
Love you throwing shade at Gerald Undone's impressively tall frame. lol
Absolutely perfect amount of toneh for me. Never understood the obsession for toneh that Tony has.
Nice quality video considering the crappy weather.
Preferred the G9 colours. Shame because I'm going to buy the Em1.
Olympus and Olympus 20mm lens. Great colour and toneh. Perfect camera. Channel over.
In the G9 if you change the AF settings for Picture Mode they also apply to AFC in video
I really like the Oly 12mm f2 and have owned it for a long time. It lives on my Oly EM5ii all the time. Such a light and tiny system. It is very good for trade show as my wide lens. Also works on my overhead camera in the studio.
I just love your videos my friend, you are so fun to watch and try to guess what you’ll say next. Keep doing you!
the way Toneh rolls off the tongue is making me think it's a legit metric lol. i see you starting the trend
I agree with the others. The Oly combo is some of the best footage I’ve seen here. Any more toneh and it’s just distracting really. Of course I like your Leica 12mm too, but seems some technical aspects of the Oly are better for your work.
I have two points: 1) Olympus has best image; 2) you can fix the dent on the 12mm with a tool for about 25-30 dollars.
What often isn't talked about is that full frame is a hindrance if you like to shoot deep depth of field shots. Most cinema and films the scenes are shot with a deep depth of field, not a shallow depth of field. If you want to have the entire scene in focus or most of it, on a full frame camera you would have to stop down the f stop to very low levels like f 8 for example. You lose all of your light gathering ability and can only shoot in broad daylight or need extensive lighting sources. A M43 lens has the same light gathering ability as a full frame lens, an f2 is a f2. So it's much easier to expose your shots on micro four thirds, shoot in low light situations, while attaining deep depth of field. An f2 micro four thirds lens has 4 times the light gathering ability than an f4 lens full frame. It's also possible to have much better low light lenses that are very small. F1.8 lenses on full frame are quite large, they are tiny lenses on m43. And it's not like it's hard to get shallow depth of field when one wants that on m43. The portrait lenses, both the tiny 1.8 lenses, and the 1.2 lenses 45mm are highly regard and optical wonders.
Full frame is best for filmmakers who do nothing but gorgeous b-roll. Like Daniel Schiffer. Just b-roll.. no story.
that is wrong, even if you raise low the iso. the low light performance for full frame stop down is still better than micro four thirds even in lower iso
@@shzammpatapon9865 I was talking about the lenses. An f2 lens has the same light gathering ability on any system. As for bodies it depends. The GH5s is a micro four thirds body and has better low light ability than most full frame cameras. But in general yes the full frame has better low light ability due to a bigger sensor but the lenses are much slower and bigger.
@@CheapCharlieChronicles an F2 on full frame is equivalent to F1.4 on m43. Smaller sensor hence less light across sensor surface.
...and mft cameras don't overheat!
Xt4
A7C
This is the #1 reason. A dead camera due to excess heat is as functional as a rock sold by Leica's grandchildren (for $1500).
Overheating hasn't been a problem for Sony FF since the a7riii, a7iii.
@@jalexanderevans
Unless you live in South Australia haha
Then everything overheats.
The dent is an easy fix if you find the right (the older, the better) repair person. The Olympus is kicking the panny boy’s ass.
My Oly 75mm f1.8 had a similar dent. I fixed it with long nose pliars - took 2 seconds and a light touch. It's fine with filters.
Never seen your channel before, tbh I hardly know what you are talking about, but you are entertaining to watch lol.
If you’re just a hobbyist, get a camera that’s affordable and one that you’d actually be willing to take around. That’s why I’m sticking with my GX9 with 3 primes and a zoom goes to 400mm full frame equivalent, without having think about whether I should bring them out or not because they take up so little space in my bag.
I’ve got photographer friends (non-professional) who owns full frame systems that are just so underused because they’re just too dang big and heavy.
Keep in mind that even though m43 has the toneh disadvantage, we technically have the exposure advantage when you consider lens size (although full frame has the ISO advantage so that tips the scale back).
I’d be lying if I said I’m not tempted to move to full frame, but user experience is such a breeze on m43 that I’m almost certain that I would regret it.
I love my G9 and I agree with EVERYTHING you said. :) Merry Christmas
11:29 Kasey if you don’t give us that “Satan’s Spaghetti” LUT I SWEAR TO GOD! 😂
The footage from M1 III and the 12mm looks really nice. They had to go out of business in order to come up with good video :)
Great Olympus lens 👏🏻👏🏻
Olympus makes fantastic cameras man. Omd em1ii is great, and pen f is great for street and black and white
Look mate I gotta say, would probably rate that nimble-on-your-feet-kick a solid 7/10, the pop was concrete but the direction was lacking; try a little bit out to the side rather than popping the leg straight forward. It requires you to tense your abdominals a bit more while you dutch-tilt your body to compensate the shifting centre of gravity, but i reckon you could reach a 8 or even 9/10 in no time. There's a few exercises you can do to help out.
The "stream of consciousness" information -- even with notes (hah!) -- leaves me in a state of information nirvana -- not knowing which way is up, how much Toneh I need, if my cat needs digital stabe, how to fix the color science of my pants.... Awesome....
The Pani and Oly are both the best in so many ways. Editing, size, weight, cost, performance, len choices, dynamic range; good enough.
Your journey with the G85 got me hooked years ago all and happy to see the M43 love. "No one gives a $@!{ about your blurry background", anyway. I learned nothing.
This is my issue with ppl keep saying MFT is dying but it's not~ it's just better in so many ways and potentially better on a lot of hardware benefits on MFT over other mounts.
Kasey, grab yourself an EM5 Mark iii for the best combination of size, stabe, colours and AF 😁
Even after all this time, I still get a warm glow when I pick up my EM-1, they just feel right.
The Sony FX6 with an added "tap on screen to track focus" would be the ideal film camera for now ...the lack of it makes many keep looking at the A7SIII ....accepting the lack of XLR's and DCI 4k. So frustrating. Panasonic platform (including M43) would kill if they added phase detect AF. Good content.
Bang on man, I do agree. Almost note for note except when you nit pick like crazy haha
Love your channel, you’re a funny guy and it’s fun to watch😂👌🏼🙏🏼
I’m buying this Olympus right now
In my head Casey only has this channel, which documents his quest for a camera to make videos about his quest to find a camera to make those videos.
This is it. This is the combo. Now, time to find the perfect audio.
The Olympus primes are very nice size factor and build. Wish they were not so expensive.
The Oly 12mm f2 lens does a great job.
If you want a smaller, lighter body then why not use the E-M5 III?
Professor Conspiracies delivers a smackdown of the legend that is Gerald Undone... I'm so feeling the holiday spirit now!! The scooter is hiding... safe and warm indoors???
I've had a dented lens. Easy fix: Epoxy glue a step up adapter to the front. Obviously taking great care to not get glue on the lens itself. Cover the lens with some custom-fitted cardboard while working (a cap would get in the way, the cardboard can be dropped in next to the lens and thus out of the way).
Ahhh... the universe is readjusting to its real order... you are returning to the MFT dark side.
I started with the GH1 all those years ago, but gravitated more to Canon, with some Sony. But Canon’s stumbles this year disappointed me, and the A7S III caused me to doubt. This mass of Canon bile sat in my stomach for months, and this month I took the plunge, started selling my Canon gear, and bought the G9. My old MFT lenses went “yaaaaaahhhhhhhh” as I dusted them off. Bought a few newer ones to join them. Got the Sigma trinity in MFT mount.
The feature set on Panasonic cameras puts pure unadulterated pleasure into my heart. The lens sizes are a luxury I had forgotten, but they are so beautiful in their light weight sort of way. Next year I will invest in the A7S III for those blurry background kinds of days, but it will be playing 2nd fiddle to the G9. The Dark side in enveloping me. I am getting lost in that MFT video niceness.
That is a great image (olympus) ... man I think I want this exact setup. I might do it. But man I'd like 60fps for some skanky b roll.
You can get skanky b roll for just $40 bucks over on 3rd avenue.
@@pcproffy I'll be right over
You finally got the 12mm!
Olympus em1 plus Olympus 12mm Toneh 2 is a great combo to my eyes 👍👍 the best
I’m sooooo ready to get the Olympus 40-150mm, 45mm and Panny 10-25
But I can’t buy any of these until I know the GH6 Is real and real good.
G9 is pulsing. But Oly... Fantastic!
Love the houses. The Tony lenses look good. Stabilization is good on the G9.
18:13 "no one perfect camera, that's for sure my friend"..."no lie", sums up this channel, absolutely, ... I now have a headache Kasey ... 🎄🍙🐱
I enjoyed this video. Good information. Thanks.
I agree about price. I used m4/3 for five years, what drove me away was not the sensor but the prices of lenses. I bought all my gear used too and still felt the prices were steep. Oly and Pana should just sell all their products at half the price and I think micro four thirds can be saved.
But that 12mm f2 is nice. I never tried that lens, but the toner is nice and smooth. I could never find a used copy for under $500 myself
I travel with my G85 I have higher end cameras that set home except for my Ricoh GR2
Your best video content so far..
Here’s a CHALLENGE to you then, how about you record and post a video in a 4:3 aspect ratio? You can do it by turning on the anamorphic setting while using a non-anamorphic lens. Then you get to show the four thirds sensor in all its glory! Do it
Also.., I just realized it's "Face Detect" (which makes sense.)
Up until now I thought everybody was talking about "Phase Detect", which sounded too high tech and expensive for me.
The EM1 MK3 does have phase detect focus along with contrast detect focus.
I’ll have to take back my scrub micro four thirds comments. Olympus looks great!
Panasonic looks amazing here too
This audio quality is soo good, he must have dubbed it in post.
LOVE the LEDs flicker!
That thumbnail though. Legend
I've got an Olympus 12mm also, and it has a dent! I was able to bend it back enough to get a filter on.
I dont own a camera and I never will and I have no idea what you are talking about but I really enjoy your videos. I have an iphone 3 and the photos and video are crap but good enough for the short time I will keep them.
The best camera for your channel!