Another thing I do on LPs is to knock the bridge tone back to 4-6 depending on the pickup and overall setup/signal chain for a sound that is more balanced between the two pickups, almost like if you want the neck tone but just with more volume and slightly more highs. It makes the middle position really cool as well.
Just recently bought a Gibson Les Paul and watching loads of videos about this amazing guitar here on youtube. Yours is, by far, the most useful and well explained tutorial on using the volume/tone knobs I've come across so far. Excellent stuff and thank you.
You should do this with P-90's, even more tones. I usually run my bridge dimed with the tone backed off a bit, the neck rolled back for a spanky strat tone, and blended like that I get a fat Humbucker tone in the middle position. I can get pretty good Strat, Tele, and Gibson tones on the fly with just my toggle switch.
@@MichaelBanfieldGuitar I know you mentioned that you werent so much a fan of it, but I feel like the trick with P-90s is to make sure your base tone is dirty enough that you can roll off your PUP volumes without losing too much actual volume. To get many good tones out of them you need be able to trim back the output.
The magic is in the blending settings at the end of the post. Another great MOD is having a push/pull out of phase switch. It gives all combos plus a few more really useful thinner quacky sounds when you’re in the middle. I like to ride that with the neck around 6-7, and then duck the bridge between 4-5, and to full up, depending on what I am playing.
This is why i love my P90 SG. Getting cocked wah sounds by turning one tone knob back and setting both pickups on. Dialing one pickup to be clean and the other dirty for solos and just flipping the switch is another of mine.didn't know any the clean boost in the effects loop. With an overdrive pedal or dirty channel as my main distortion, I'll set my gain with the pickup volume on 5-7 so i can bend a note and roll the volume up as the volume starts to die, it usually goes into a harmonic distortion.
Hey Michael, fantastic video! Thanks for the explanation if I may, have you considered a similar excersise but with amp settings? Whatever the case, I appreciate all the education you share.
I got a Deluxe plus Strat in 96. It has a TBX tone for middle and bridge Lace Sensors. Learned a long time ago how to use tone. When assembling parts for L P studio pot rebuild I went for .011 caps and 50's wiring with Garrett cloth wiring. All for tone. Cause I use my tone controls and the maple neck L Sensors equipped is bright by nature. Strat is my #1 usually. So pedal/ amp is kinda centered around Strat. Les Paul has 496/500 pups so can make a innocent amp squeal for mercy.
The Les Paul ... one of the greatest inventions (not necesary Gibsxn 🙊) . there is a lot to get on that 4 knobs and 3 way swicth 🙂, i seen some great players also dont go to level10 and tone 10 all the time (of course this is very relative to equipment , amp and pedals set ups ,personal taste ,etc ) , also playing with Volumen knobs and with a dirty tone(od or fuzz ) you could have like 2 setting (one cleaner maybe darker or not adjustin tone and low volume when switch to the neck ) and other distorted with bridge at full vol when switch to bridge (or near full Vol. ) .Of course this could be inversed too . Great video ,ideas and tones ,have fun ! 😃👍👍
Nice work! Nice to hear you cite the players in the first 2 sections. I love Kenny Burrell and John Scofield. I had suspected you were a bit of a jazzer after noticing the pile of Real Books in the background. 2 settings for the middle position I often use are: 1) with the tone pot on the bridge position just down a smidge (8-9) which brings out a resonant peak. You can do this for the neck position instead and to my ears it brings out a different slightly lower resonant peak. 2) Turning the tone on the bridge position right down, then lowering the volume of that pickup just enough that it stops being muffled and comes 'into focus'. This is good for a neck pickup which is a bit bassy on its own, or you can fatten up a bridge pickup if you do it the other way around. (I realise after typing this that you have a method in here for a similar effect rendering this one a bit redundant, but maybe someone somewhere might find it helpful.)
Yeah you got me, I love a bit of jazz guitar. Thanks for sharing those settings, number 1 sounds interesting. I found the tone controls behaved the same for each pickup in middle position but I think if it's modern wiring then maybe there is a slight difference sometimes. I'll have to check that out on my tele deluxe as that has modern wiring... Good to hear from you again as always!
@@MichaelBanfieldGuitar Thanks matey. It's always a good day when you upload. I just realised that "1) with the tone pot on the bridge position just down a smidge (8-9) which brings out a resonant peak. You can do this for the neck position instead and to my ears it brings out a different slightly lower resonant peak. " is wrong. It's the volume pot I move down a touch 🙄 no wonder you were suspicious at that one 😅
I feel like my neck pickup might be too bassy?? it tends to even clip some pedals (sounded horribly through the Boss compressor) and sounds super different in volume to my bridge pickup. I even lowered it farther from the strings, but it still feels noticeably louder than the bridge, or has way too much bass. So when i adjust my rig around it, the bridge pickup ends up sounding a bit thin... Is it normal? it's my first Les Paul. Love your channel! thanks for all these tips btw.
Stopped listening on the phrase ‘woman tone’ because I’m not a 14 year old boy in 1972 who’s just discovered sniggering sexual innuendo as a means of ego inflation, and who is experimenting with whistling at girls. Would it be worth moving the guitar world on from this shtick?
This is a sound that Fenders don't create very well. Also, one must note there is a right time and place for the woman tone, and it still has a place in my sound.
great job! the middle setting - so underused and so valuable for 3 different sounds when blending. thank you
You're very welcome! Glad you liked it.
Another thing I do on LPs is to knock the bridge tone back to 4-6 depending on the pickup and overall setup/signal chain for a sound that is more balanced between the two pickups, almost like if you want the neck tone but just with more volume and slightly more highs. It makes the middle position really cool as well.
This man knows his stuff.
Makes a good cocked wah sound in the middle setting
I just found this channel. Incrediblely useful stuff without a ton of filler. Love it.
Great to hear! Thank you!
The last one is an eye opener for me as a long time Les Paul owner. Thank you so much.
Just recently bought a Gibson Les Paul and watching loads of videos about this amazing guitar here on youtube. Yours is, by far, the most useful and well explained tutorial on using the volume/tone knobs I've come across so far. Excellent stuff and thank you.
You should do this with P-90's, even more tones. I usually run my bridge dimed with the tone backed off a bit, the neck rolled back for a spanky strat tone, and blended like that I get a fat Humbucker tone in the middle position. I can get pretty good Strat, Tele, and Gibson tones on the fly with just my toggle switch.
I'd love to do that. I have a ES-330 with P90s that I might do a video on. Thanks for commenting!
@@MichaelBanfieldGuitar I know you mentioned that you werent so much a fan of it, but I feel like the trick with P-90s is to make sure your base tone is dirty enough that you can roll off your PUP volumes without losing too much actual volume. To get many good tones out of them you need be able to trim back the output.
I never thought of the middle position in that way. Nice!
The magic is in the blending settings at the end of the post. Another great MOD is having a push/pull out of phase switch. It gives all combos plus a few more really useful thinner quacky sounds when you’re in the middle.
I like to ride that with the neck around 6-7, and then duck the bridge between 4-5, and to full up, depending on what I am playing.
very clever , Michael ! especially the last trick.
This is why i love my P90 SG. Getting cocked wah sounds by turning one tone knob back and setting both pickups on. Dialing one pickup to be clean and the other dirty for solos and just flipping the switch is another of mine.didn't know any the clean boost in the effects loop. With an overdrive pedal or dirty channel as my main distortion, I'll set my gain with the pickup volume on 5-7 so i can bend a note and roll the volume up as the volume starts to die, it usually goes into a harmonic distortion.
Last tip was really helpfull,thanks a lot sir.
Hey Michael, fantastic video! Thanks for the explanation
if I may, have you considered a similar excersise but with amp settings?
Whatever the case, I appreciate all the education you share.
I got a Deluxe plus Strat in 96. It has a TBX tone for middle and bridge Lace Sensors. Learned a long time ago how to use tone. When assembling parts for L P studio pot rebuild I went for .011 caps and 50's wiring with Garrett cloth wiring. All for tone. Cause I use my tone controls and the maple neck L Sensors equipped is bright by nature. Strat is my #1 usually. So pedal/ amp is kinda centered around Strat. Les Paul has 496/500 pups so can make a innocent amp squeal for mercy.
This is brilliant!! thanks
such a good playing !! chapeau mate!
The Les Paul ... one of the greatest inventions (not necesary Gibsxn 🙊) . there is a lot to get on that 4 knobs and 3 way swicth 🙂, i seen some great players also dont go to level10 and tone 10 all the time (of course this is very relative to equipment , amp and pedals set ups ,personal taste ,etc ) , also playing with Volumen knobs and with a dirty tone(od or fuzz ) you could have like 2 setting (one cleaner maybe darker or not adjustin tone and low volume when switch to the neck ) and other distorted with bridge at full vol when switch to bridge (or near full Vol. ) .Of course this could be inversed too . Great video ,ideas and tones ,have fun ! 😃👍👍
Nice work! Nice to hear you cite the players in the first 2 sections. I love Kenny Burrell and John Scofield. I had suspected you were a bit of a jazzer after noticing the pile of Real Books in the background.
2 settings for the middle position I often use are:
1) with the tone pot on the bridge position just down a smidge (8-9) which brings out a resonant peak. You can do this for the neck position instead and to my ears it brings out a different slightly lower resonant peak.
2) Turning the tone on the bridge position right down, then lowering the volume of that pickup just enough that it stops being muffled and comes 'into focus'. This is good for a neck pickup which is a bit bassy on its own, or you can fatten up a bridge pickup if you do it the other way around. (I realise after typing this that you have a method in here for a similar effect rendering this one a bit redundant, but maybe someone somewhere might find it helpful.)
Yeah you got me, I love a bit of jazz guitar. Thanks for sharing those settings, number 1 sounds interesting. I found the tone controls behaved the same for each pickup in middle position but I think if it's modern wiring then maybe there is a slight difference sometimes. I'll have to check that out on my tele deluxe as that has modern wiring... Good to hear from you again as always!
@@MichaelBanfieldGuitar Thanks matey. It's always a good day when you upload. I just realised that "1) with the tone pot on the bridge position just down a smidge (8-9) which brings out a resonant peak. You can do this for the neck position instead and to my ears it brings out a different slightly lower resonant peak. " is wrong. It's the volume pot I move down a touch 🙄 no wonder you were suspicious at that one 😅
Great video. Very useful. Does the LP in this video have 50's or Modern wiring?
Thank you.
7:24 I will be spending the rest of the weekend with these licks.
(:
Glad you like them!
@@MichaelBanfieldGuitar
The best guitar lessons on RUclips are instrument demos. "You play it and someone will steal it."
(:
Very useful vid. thanks
Wow Mr Scientist Experto - great stuff.
Great! Thank you!
Thank you
Excuse me, but, what wireing do you have in your guitar, 50's or modern? Because it effects on the tone/volume dynamics . Thanks
Sorry should have mentioned that, they’re wired 50s style
I feel like my neck pickup might be too bassy?? it tends to even clip some pedals (sounded horribly through the Boss compressor) and sounds super different in volume to my bridge pickup. I even lowered it farther from the strings, but it still feels noticeably louder than the bridge, or has way too much bass. So when i adjust my rig around it, the bridge pickup ends up sounding a bit thin... Is it normal? it's my first Les Paul. Love your channel! thanks for all these tips btw.
Might want a p90 in the neck
What riff are you playing at the 5.35 mark?
Whole lotta knobs twistin’ be going on))
All that effort and I forgot to get even one knob gag in this video. What vintage bell knob I am...
@@MichaelBanfieldGuitar Try to play some numetal or rapcore then 😂
On bass or turntables =)))
But it have clasic guitar sound?
2 p90s?
Gro9vy yes tones steve howe
wish you would have demoed without pedals, THAT's how you can tell the tones.
I dont like that you are using pedals. Dont get me wrong, but i do not have those so this is not all that usefull to me.
Stopped listening on the phrase ‘woman tone’ because I’m not a 14 year old boy in 1972 who’s just discovered sniggering sexual innuendo as a means of ego inflation, and who is experimenting with whistling at girls.
Would it be worth moving the guitar world on from this shtick?
I know what you mean, it's a bit of a stupid term to use isn't but it seems to have stuck in the guitar world. Any recommendations for a replacement?
This is a sound that Fenders don't create very well. Also, one must note there is a right time and place for the woman tone, and it still has a place in my sound.